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"The sculptures of Claudia Alvarez engages in subjects such as immigration,violence, youth/aging, and power struggles." Alvarez creates child-sized figures made of fired ceramics and are painted in layers revealing levels of physicality. Touch is considered to be a dominant feature in the modeling and painting of these life-sized characters because it is in this process that Alvarez discovers their characteristics and being “that modulate between naive and wise, cute and threatening, adorable and pitiful. They enact relationships most associated with adults or young adults in thematic tableau or candid theater.” Alvarez models and paints her sculptures with eastern and western traditions in mind; both of which she adopted from her teachers [https://www.cca.edu/academics/faculty/agonzalez Arthur Gonzalez] at [[California College of the Arts|California College of Art]] and [[Wayne Thiebaud]] at [[University of California, Davis]]. Claudia Alvarez's sculptures plead for the audience’s consideration and attention the same way in which children tend to do. Alvarez’s manner of physically manipulating and painting the sculpture is where she is able to illustrate the innocence and emotion of these child-like figures. “We feel the presence of the hand on the child’s body. The poking, pinching, smoothing and wiping of clay transports us instantly into the emotional body. Alvarez's environments encourage an intimate dialogue between the objects, their relationship to space, and the viewer."<ref>{{Cite web|url=http://claudiaalvarez.org/wp-content/uploads/2014/07/CLAUDIA-ALVAREZ2-Familiar-Civilization.pdf.|title=CLAUDIA ALVAREZ: FAMILIAR CIVILIZATION Esteka Revista de Ceramica Contemporania, Santiago, Chili 16 2014|last=Rosenberg|first=Terry|date=|website=|publisher=|access-date=}}</ref> |
"The sculptures of Claudia Alvarez engages in subjects such as immigration,violence, youth/aging, and power struggles." Alvarez creates child-sized figures made of fired ceramics and are painted in layers revealing levels of physicality. Touch is considered to be a dominant feature in the modeling and painting of these life-sized characters because it is in this process that Alvarez discovers their characteristics and being “that modulate between naive and wise, cute and threatening, adorable and pitiful. They enact relationships most associated with adults or young adults in thematic tableau or candid theater.” Alvarez models and paints her sculptures with eastern and western traditions in mind; both of which she adopted from her teachers [https://www.cca.edu/academics/faculty/agonzalez Arthur Gonzalez] at [[California College of the Arts|California College of Art]] and [[Wayne Thiebaud]] at [[University of California, Davis]]. Claudia Alvarez's sculptures plead for the audience’s consideration and attention the same way in which children tend to do. Alvarez’s manner of physically manipulating and painting the sculpture is where she is able to illustrate the innocence and emotion of these child-like figures. “We feel the presence of the hand on the child’s body. The poking, pinching, smoothing and wiping of clay transports us instantly into the emotional body. Alvarez's environments encourage an intimate dialogue between the objects, their relationship to space, and the viewer."<ref>{{Cite web|url=http://claudiaalvarez.org/wp-content/uploads/2014/07/CLAUDIA-ALVAREZ2-Familiar-Civilization.pdf.|title=CLAUDIA ALVAREZ: FAMILIAR CIVILIZATION Esteka Revista de Ceramica Contemporania, Santiago, Chili 16 2014|last=Rosenberg|first=Terry|date=|website=|publisher=|access-date=}}</ref> |
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Alvarez’s work has been exhibited in the [[United States]], [[Canada]], [[Europe]], and [[Mexico]]. Recent solo exhibitions include ''Girls with Guns'' at the [http://www.mcasd.org/?gclid=CjwKEAjwlq24BRDMjdK7g8mD6BASJABBl8n3gfEl6ObTBRTvScFI2O98XYyMIiAKWh-7RXGE7uxs8BoCaNvw_wcB Scott White Contemporary Art] in [[La Jolla, California]], ''Falling'' at the [[Museum of Nebraska Art]], ''Silencio de Agua'' at the [http://www.mexicoescultura.com/recinto/51898/museo-de-arte-contemporaneo-ateneo-de-yucatan-macay-.html Museo de Arte Contemporaneo de Yucatan,] [[Mérida, Yucatán|Merida, Mexico]], and many more. Her work has also appeared in several journals, including the ''[https://newamericanpaintings.com/ New American Paintings], [http://www.irishtimes.com/ The Irish Times],'' and ''[http://artpulsemagazine.com/ Art Pulse].''<ref>{{Cite web|url=https://positjournal.com/2014/08/11/claudia-alvarez/|title=Claudia Alvarez|last=Editor|first=Posit|website=Posit|access-date=2016-04-12}}</ref> Alvarez’s exhibition, “''Girls with Guns'',” is a series of four oil paintings, a large watercolor depicting girls playing with guns, 14 child-like sculptures of children role-playing. "The exhibit touches on themes of bullying and violence overall."<ref name=":1">{{Cite web|url=http://nbclatino.com/2012/09/27/photos-artist-discusses-her-exhibit-girls-with-guns/|title=[PHOTOS] "Girls with Guns" exhibit raises concerns of bullying and violence|last=Puga|first=Kristina|last2=09/27/2012|first2=fjs=d getElementsByTagName;if){js=d createElement;js id=id;js src="//platform twitter com/widgets js";fjs parentNode insertBefore;;5:00 am on|website=NBC Latino|access-date=2016-04-12}}</ref> The representation of children without clothing or barely dressed at all in rigorous stances creates a strong focus on the violence that shadows American culture. “They are smaller than life-sized or the sizes of infants, increasing the psychological sense that these are, in fact, defenseless little humans and their fighting or bullying each other demonstrates learned behavior."<ref>{{Cite web|url=http://www.jancastro.com/_Pdf's/JGC/Claudia_Alvarez_Ceramics.March.2013.pdf|title=Claudia Alvarez at the Scott White Contemporary Art|last=|first=|date=|website=|publisher=|access-date=}}</ref> |
Alvarez’s work has been exhibited in the [[United States]], [[Canada]], [[Europe]], and [[Mexico]]. Recent solo exhibitions include ''Girls with Guns'' at the [http://www.mcasd.org/?gclid=CjwKEAjwlq24BRDMjdK7g8mD6BASJABBl8n3gfEl6ObTBRTvScFI2O98XYyMIiAKWh-7RXGE7uxs8BoCaNvw_wcB Scott White Contemporary Art] in [[La Jolla, California]], ''Falling'' at the [[Museum of Nebraska Art]], ''Silencio de Agua'' at the [http://www.mexicoescultura.com/recinto/51898/museo-de-arte-contemporaneo-ateneo-de-yucatan-macay-.html Museo de Arte Contemporaneo de Yucatan,] [[Mérida, Yucatán|Merida, Mexico]], and many more. Her work has also appeared in several journals, including the ''[https://newamericanpaintings.com/ New American Paintings], [http://www.irishtimes.com/ The Irish Times],'' and ''[http://artpulsemagazine.com/ Art Pulse].''<ref>{{Cite web|url=https://positjournal.com/2014/08/11/claudia-alvarez/|title=Claudia Alvarez|last=Editor|first=Posit|website=Posit|access-date=2016-04-12}}</ref> Alvarez’s exhibition, “''Girls with Guns'',” is a series of four oil paintings, a large watercolor depicting girls playing with guns, and 14 child-like sculptures of children role-playing. "The exhibit touches on themes of bullying and violence overall."<ref name=":1">{{Cite web|url=http://nbclatino.com/2012/09/27/photos-artist-discusses-her-exhibit-girls-with-guns/|title=[PHOTOS] "Girls with Guns" exhibit raises concerns of bullying and violence|last=Puga|first=Kristina|last2=09/27/2012|first2=fjs=d getElementsByTagName;if){js=d createElement;js id=id;js src="//platform twitter com/widgets js";fjs parentNode insertBefore;;5:00 am on|website=NBC Latino|access-date=2016-04-12}}</ref> The representation of children without clothing or barely dressed at all in rigorous stances creates a strong focus on the violence that shadows American culture. “They are smaller than life-sized or the sizes of infants, increasing the psychological sense that these are, in fact, defenseless little humans and their fighting or bullying each other demonstrates learned behavior."<ref>{{Cite web|url=http://www.jancastro.com/_Pdf's/JGC/Claudia_Alvarez_Ceramics.March.2013.pdf|title=Claudia Alvarez at the Scott White Contemporary Art|last=|first=|date=|website=|publisher=|access-date=}}</ref> |
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Claudia Alvarez says that people who visit her exhibitions find it difficult to understand her selective themes, but eventually are convinced that there is some innocence illuminating from the child-sized figures. Alvarez says, “through the eyes, through the marks, they realize the subject matter is important and needs to be talked about. It sends a message about what’s happening in the world. I really like it, because it makes me want to do something for the world…it pushes the viewer to say what they believe in.”<ref name=":1" /> |
Claudia Alvarez says that people who visit her exhibitions find it difficult to understand her selective themes, but eventually are convinced that there is some innocence illuminating from the child-sized figures. Alvarez says, “through the eyes, through the marks, they realize the subject matter is important and needs to be talked about. It sends a message about what’s happening in the world. I really like it, because it makes me want to do something for the world…it pushes the viewer to say what they believe in.”<ref name=":1" /> |
Revision as of 14:19, 13 April 2016
Claudia Alvarez (b. 1969, New York City) is a Mexican American painter and sculptor and has worked as an artist in residence in Mexico, Switzerland, France, and China. Alvarez is based in New York City. [1]
Early Life and Education
Claudia Alvarez was born in Monterrey, Nuevo Leon, Mexico in 1969 and raised in California from the age of three.[2] Alvarez attended The Sacramento City College from 1987-1997. In 2000 Alvarez attended the University of California Davis and the California College of Arts, Oakland from 2000-2003. Claudia Alvarez received a BA in Art Studio from the University of California, Davis in 1999 and an MFA in Ceramics from the California College of the Arts, San Francisco.[3]
Art
"The sculptures of Claudia Alvarez engages in subjects such as immigration,violence, youth/aging, and power struggles." Alvarez creates child-sized figures made of fired ceramics and are painted in layers revealing levels of physicality. Touch is considered to be a dominant feature in the modeling and painting of these life-sized characters because it is in this process that Alvarez discovers their characteristics and being “that modulate between naive and wise, cute and threatening, adorable and pitiful. They enact relationships most associated with adults or young adults in thematic tableau or candid theater.” Alvarez models and paints her sculptures with eastern and western traditions in mind; both of which she adopted from her teachers Arthur Gonzalez at California College of Art and Wayne Thiebaud at University of California, Davis. Claudia Alvarez's sculptures plead for the audience’s consideration and attention the same way in which children tend to do. Alvarez’s manner of physically manipulating and painting the sculpture is where she is able to illustrate the innocence and emotion of these child-like figures. “We feel the presence of the hand on the child’s body. The poking, pinching, smoothing and wiping of clay transports us instantly into the emotional body. Alvarez's environments encourage an intimate dialogue between the objects, their relationship to space, and the viewer."[4]
Alvarez’s work has been exhibited in the United States, Canada, Europe, and Mexico. Recent solo exhibitions include Girls with Guns at the Scott White Contemporary Art in La Jolla, California, Falling at the Museum of Nebraska Art, Silencio de Agua at the Museo de Arte Contemporaneo de Yucatan, Merida, Mexico, and many more. Her work has also appeared in several journals, including the New American Paintings, The Irish Times, and Art Pulse.[5] Alvarez’s exhibition, “Girls with Guns,” is a series of four oil paintings, a large watercolor depicting girls playing with guns, and 14 child-like sculptures of children role-playing. "The exhibit touches on themes of bullying and violence overall."[6] The representation of children without clothing or barely dressed at all in rigorous stances creates a strong focus on the violence that shadows American culture. “They are smaller than life-sized or the sizes of infants, increasing the psychological sense that these are, in fact, defenseless little humans and their fighting or bullying each other demonstrates learned behavior."[7]
Claudia Alvarez says that people who visit her exhibitions find it difficult to understand her selective themes, but eventually are convinced that there is some innocence illuminating from the child-sized figures. Alvarez says, “through the eyes, through the marks, they realize the subject matter is important and needs to be talked about. It sends a message about what’s happening in the world. I really like it, because it makes me want to do something for the world…it pushes the viewer to say what they believe in.”[6]
Career
"While Alvarez was still in High School, she worked as a patient escort at the UC Davis Medical Center.Encountering people with rare illnesses and deceases, Alvarez quickly grew accustomed to developing relationships with these patients. “To make them laugh, for even five minutes, inspired me to think about life in different ways.” “The patients were sometimes children who seemed old as they grappled with extreme infirmity, and sometimes older people who became more like children as they aged.” [8]
While taking pre-med courses at Sacramento City College, “Alvarez enrolled in a ceramics class that made her rethink her existing artistic practice.” Alvarez says, “I felt an experience of touch that I hadn’t experienced with drawing or painting -- a physical reality.” Not long after Alvarez went from pre-med to art and applied to UC Davis, where she worked with Annabeth Rosen, the Robert Arneson Endowed Chair, and the painter Wayne Thiebaud."[9]
Claudia Alvarez's recent solo exhibitions include Acercate at the National Arts Centre, Mexico City; Girls with Guns,Scott White Contemporary ArtLa Jolla, California, Falling , Museum of Nebraska Art, Kearney, Nebraska, Silence Water, Museum of Art contemporary Yucatan, Merida, American Heroes, Blue Leaf GalleryDinublin; Things of a Child, The Latino Museum, Omaha, Nebraska; History of Immigration , Metropolitan Community College, Omaha, Nebraska.[10]
Selected Exhibitions
Selected Solo Exhibitions:
Claudia Alvarez Acércate, CENART, Centro Nacional de las Artes, Mexico City, Mexico (2014)
Girls with Guns, Scott White Contemporary Art, La Jolla, California (2012)
History of Immigration, Metropolitan Community College, Omaha, Nebraska
Close Your Eyes, White Space, West Palm Beach, Florida (2 person show) (2011)
Claudia Alvarez, Falling, Museum of Nebraska Art, University of Nebraska, Kearney, Nebraska (2011)
Quemando Recuerdos, Da Burn Gallery, Merida, Yucatan, Mexico
La Tormenta, La Clinica Arte Contemporaneo, Merida, Yucatan, Mexico
Claudia Alvarez: El Silencio Del Agua, Museo de Arte Contemporaneo Ateneo de Yucatan, Merida, Mexico (2008)
Cosas de Un Niño, El Museo Latino, Omaha, Nebraska (2005)
RED, Labrys Contemporary Arts, Long Beach, California (2004)
The Bruised Sky, Gallery W, Sacramento, California (2003)
Sojourn, FUTUR, Rapperswil, Switzerland (2002)
Azulear, Annex Gallery, Biola University, Los Angeles, California (2001)
Azulear, Puccinelli Gallery, Gutenberg College, Eugene, Oregon[11]
Selected Group Exhibitions:
Your Making Me Uncomfortable: Perspectives on Controversial Art, Sheldon Museum of Art, Lincoln Nebraska (2016)
Mujeres, Museum of Nebraska Art, Kearney, NE
New Ways of Seeing: Beyond Culture, Dorsky Gallery, New York (2015)
In Pursuit of Freedom, Corridor Gallery, Brooklyn, New York
Migrantes: Claudia Alvarez, Jose Bedia , Ilya y Emilia Kabakov, Nina Menocal, Mexico City MX
Pushing Boundaries, White Space, The Mordes Collection, West Palm Beach, Florida
Its Surreal Thing: The Temptation of Objects, Sheldon Museum of Art, Lincoln, NE (2013)
The Figure, Keramik Museum, Westerwald, Höhr-Grenzhausen, Germany
Stump, Hunter College Project Space, New York, NY
Brooklyn Museum GO Open Studios, Brooklyn, New York (2012)
Separation Anxiety, Pelham Art Center, Pelham, New York
Better Half, Better Twelfth: Women Artists in the Collection, Sheldon Museum of Art, NE (2010)
Provisions, Nathan Cummings Foundation, New York, NY
Separation Anxiety, Wignall Museum of Contemporary Art, Chaffey College, CA
Wildly Different Things, The Observatory, Dublin, Ireland
Vida Breve, National Museum of Mexican Art, Chicago, Illinois
Panopticon, Lied Art Gallery, Creighton University, Omaha, Nebraska (2009)
Resident Artists, Galerie Aqui Siam Ben, Vallauris, France
Tiempo Y Espacio, Museo de la Ciudad, Merida, Mexico (2008)
Salty: Three Tales of Sorrow, El Camino College Art Gallery, Torrance, CA (2007)
Line by Line, Sheldon Memorial Art Gallery, Lincoln, Nebraska[11]
Awards and Residencies
Money for Women/Barbara Deming Memorial Fund, New York
SASAMA, Shizuoka, Japan (2015)
Art Matters Foundation, New York, NY
The McKnight Foundation, Artist in Residence, Northern Clay Center, MN
Artista en Residencia, SOMA, Mexico City, Mexico (2014)
Vytlacil Artist in Residence, Arts Student League of New York, New York (2011)
PV Art, Puerto Vallarta, Mexico (2009)
Gruber Jez Foundation, Cholul, Mexico (2008)
Visiting Artist, China Century Entertainment Inc., Shanghai, China (2006)
Artist in Residence, Bemis Center for Contemporary Arts, Omaha, Nebraska (2005)
Artist in Residency, FUTUR, Rapperswil, Switzerland, Jan-July (2002)
References
- ^ "Larks that Cannot Sing: The Work of Claudia Alvarez". Cultivare. Retrieved 2016-03-23.
- ^ "Biography Claudia Alvarez". claudiaalvarez.org. Retrieved 2016-04-06.
- ^ "Claudia Alvarez Northern Clay Center". www.northernclaycenter.org. Retrieved 2016-03-23.
- ^ Rosenberg, Terry. "CLAUDIA ALVAREZ: FAMILIAR CIVILIZATION Esteka Revista de Ceramica Contemporania, Santiago, Chili 16 2014".
- ^ Editor, Posit. "Claudia Alvarez". Posit. Retrieved 2016-04-12.
{{cite web}}
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has generic name (help) - ^ a b Puga, Kristina; 09/27/2012, fjs=d getElementsByTagName;if){js=d createElement;js id=id;js src="//platform twitter com/widgets js";fjs parentNode insertBefore;;5:00 am on. "[PHOTOS] "Girls with Guns" exhibit raises concerns of bullying and violence". NBC Latino. Retrieved 2016-04-12.
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(help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) - ^ "Claudia Alvarez at the Scott White Contemporary Art" (PDF).
- ^ "Claudia Alvarez: Molding Art from Life | California College of the Arts". www.cca.edu. Retrieved 2016-03-22.
- ^ "Claudia Alvarez: Molding Art from Life | California College of the Arts". www.cca.edu. Retrieved 2016-03-22.
- ^ "Migrantes: Claudia Álvarez / José Bedia / Ilya y Emilia Kabakov NinaMenocal". www.ninamenocal.com. Retrieved 2016-03-23.
- ^ a b "Biography | Claudia Alvarez". claudiaalvarez.org. Retrieved 2016-03-22.