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'''''The Ideal Copy''''' is the fourth studio album by the English rock group [[Wire (band)|Wire]]. It was the first full-length recording following the band's hiatus of 1980–1985. (The band had recorded and released the [[Snakedrill]] [[Extended play|EP]] in 1986 after reuniting). [[Mute Records]] released the album. ''The Ideal Copy'' peaked at number 87 in the UK albums chart.<ref>[http://www.officialcharts.com/artist/_/wire/ Wire albums] the official charts</ref>
'''''The Ideal Copy''''' is the fourth studio album by the English rock group [[Wire (band)|Wire]]. It was the first full-length recording following the band's hiatus of 1980–1985. (The band had recorded and released the [[Snakedrill]] [[Extended play|EP]] in 1986 after reuniting). [[Mute Records]] released the album. ''The Ideal Copy'' peaked at number 87 in the UK albums chart.<ref>[http://www.officialcharts.com/artist/_/wire/ Wire albums] the official charts</ref>


Wire had used [[Electronic music|electronic]] instruments on the albums ''[[Chairs Missing]]'' and ''[[154 (album)|154]]'', but following their hiatus, Wire more openly embraced the use of [[music sequencer|sequencers]], synthesisers, and [[drum machines]]. This prompted music critics to compare ''The Ideal Copy'' to groups such as [[New Order]].<ref name=davis>Davis, Michael. Record review. ''[[Creem]]'' September 1987: 21</ref><ref name=trouserpress>DeRogatis, Jim & Neate, Wilson. {{cite web|title=Wire|work=Trouser Press|url=http://www.trouserpress.com/entry.php?a=wire|accessdate=25 February 2005}}</ref> One critic, Kirk Fillmore, further compared the electric bass's sound on the single "Ahead" to that of New Order's [[Peter Hook]], though bassist [[Graham Lewis]] had played in such a style on previous Wire albums.<ref name=fillmore>Fillmore, Kirk. [[Vinyl record|Record]] review. ''Façade'' June 1987: 4</ref> Indeed, journalist Richard Grabel pointed out that "New Order and any number of other synths-and-guitars bands took cues from late-70s Wire," suggesting that "things [had] come full circle."<ref name=grabel>Grabel, Richard. "Wire of the Tastiest Kind." ''[[Creem]]'' September 1987: 31+</ref>
Wire had used [[Electronic music|electronic]] instruments on the albums ''[[Chairs Missing]]'' and ''[[154 (album)|154]]'', but following their hiatus, Wire more openly embraced the use of [[music sequencer|sequencers]], synthesisers, and [[drum machines]]. This prompted music critics to compare ''The Ideal Copy'' to groups such as [[New Order (band)|New Order]].<ref name=davis>Davis, Michael. Record review. ''[[Creem]]'' September 1987: 21</ref><ref name=trouserpress>DeRogatis, Jim & Neate, Wilson. {{cite web|title=Wire|work=Trouser Press|url=http://www.trouserpress.com/entry.php?a=wire|accessdate=25 February 2005}}</ref> One critic, Kirk Fillmore, further compared the electric bass's sound on the single "Ahead" to that of New Order's [[Peter Hook]], though bassist [[Graham Lewis]] had played in such a style on previous Wire albums.<ref name=fillmore>Fillmore, Kirk. [[Vinyl record|Record]] review. ''Façade'' June 1987: 4</ref> Indeed, journalist Richard Grabel pointed out that "New Order and any number of other synths-and-guitars bands took cues from late-70s Wire," suggesting that "things [had] come full circle."<ref name=grabel>Grabel, Richard. "Wire of the Tastiest Kind." ''[[Creem]]'' September 1987: 31+</ref>


In May 1988, ''The Ideal Copy'' became the first popular music recording to be commercially released on [[Digital Audio Tape|DAT]] format.<ref>{{Cite journal | title=Back in the Days of '88 | url=http://books.google.com/books?id=5oyYjDeNc_AC&lpg=PA71&pg=PA71#v=onepage&q&f=false | journal=[[Spin (magazine)|Spin]] | volume=4 | issue=9 |date=December 1988 | page=71 | accessdate=29 April 2011}}</ref>
In May 1988, ''The Ideal Copy'' became the first popular music recording to be commercially released on [[Digital Audio Tape|DAT]] format.<ref>{{Cite journal | title=Back in the Days of '88 | url=http://books.google.com/books?id=5oyYjDeNc_AC&lpg=PA71&pg=PA71#v=onepage&q&f=false | journal=[[Spin (magazine)|Spin]] | volume=4 | issue=9 |date=December 1988 | page=71 | accessdate=29 April 2011}}</ref>

Revision as of 12:50, 14 April 2016

Untitled
Professional ratings
Review scores
SourceRating
Allmusic[1]
Rolling Stone(Not Rated)[2]
Robert ChristgauB−[3]

The Ideal Copy is the fourth studio album by the English rock group Wire. It was the first full-length recording following the band's hiatus of 1980–1985. (The band had recorded and released the Snakedrill EP in 1986 after reuniting). Mute Records released the album. The Ideal Copy peaked at number 87 in the UK albums chart.[4]

Wire had used electronic instruments on the albums Chairs Missing and 154, but following their hiatus, Wire more openly embraced the use of sequencers, synthesisers, and drum machines. This prompted music critics to compare The Ideal Copy to groups such as New Order.[5][6] One critic, Kirk Fillmore, further compared the electric bass's sound on the single "Ahead" to that of New Order's Peter Hook, though bassist Graham Lewis had played in such a style on previous Wire albums.[7] Indeed, journalist Richard Grabel pointed out that "New Order and any number of other synths-and-guitars bands took cues from late-70s Wire," suggesting that "things [had] come full circle."[8]

In May 1988, The Ideal Copy became the first popular music recording to be commercially released on DAT format.[9]

The album title

The phrase "the ideal copy" is repeated throughout the song "Ambitious." Graham Lewis, in a Creem interview, stated "the ideal copy" ultimately refers to DNA, "but Bruce [Gilbert] had a dream about it and decided we had to take that out of the song".[8]

Reception

Allmusic said the album was a "stunning comeback picking up where 154 left off while also reflecting the strides made by the members' solo work" and that the album was "experimental and forward-thinking".[10]

Track listing

All titles written by Wire (Lewis/Newman/Gilbert/Gotobed).

  1. "Point of Collapse" – 3:18
  2. "Ahead" – 4:53
  3. "Madman's Honey" – 4:23
  4. "Feed Me" – 5:50
  5. "Ambitious" – 4:00
  6. "Cheeking Tongues" – 2:02
  7. "Still Shows" – 4:00
  8. "Over Theirs" – 5:18

In addition to the eight album tracks, the compact disc and cassette configurations appended the Snakedrill EP in its entirety, along with three concert recordings:

  2. "A Serious of Snakes" – 4:53
  3. "Drill" – 5:05
  4. "Advantage in Height" – 3:05
  5. "Up to the Sun" – 2:50
  6. "Ambulance Chasers" (Live) – 3:02
  7. "Feed Me" (Live) – 4:27
  8. "Vivid Riot of Red" (Live) – 2:28

The UK CD edition on Mute Records (CD STUMM 42), in addition to the eight album tracks, appends a different version of Ahead, as well as the Snakedrill EP and the three concert recordings:

  2. "Ahead (II)" – 3:29
  3. "A Serious of Snakes" – 4:42
  4. "Drill" – 5:03
  5. "Advantage in Height" – 3:02
  6. "Up to the Sun" – 2:42
  7. "Ambulance Chasers" (Live) – 2:55
  8. "Feed Me" (Live) – 4:28
  9. "Vivid Riot of Red" (Live) – 2:22

Personnel

References

  1. ^ https://www.allmusic.com/album/r22093
  2. ^ Walters, Barry (24 September 1987). "Wire (Album Reviews)". Rolling Stone. Archived from the original on 5 January 2010. Retrieved 18 September 2015. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  3. ^ "CG: Wire". Robert Christgau. Retrieved 5 June 2012.
  4. ^ Wire albums the official charts
  5. ^ Davis, Michael. Record review. Creem September 1987: 21
  6. ^ DeRogatis, Jim & Neate, Wilson. "Wire". Trouser Press. Retrieved 25 February 2005.
  7. ^ Fillmore, Kirk. Record review. Façade June 1987: 4
  8. ^ a b Grabel, Richard. "Wire of the Tastiest Kind." Creem September 1987: 31+
  9. ^ "Back in the Days of '88". Spin. 4 (9): 71. December 1988. Retrieved 29 April 2011.
  10. ^ http://www.allmusic.com/album/the-ideal-copy-mw0000650988
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