Out of the Inkwell (1938 film): Difference between revisions
m →Synopsis: WP:CHECKWIKI error fixes using AWB (12020) |
|||
Line 32: | Line 32: | ||
[[Category:American black-and-white films]] |
[[Category:American black-and-white films]] |
||
[[Category:Paramount Pictures short films]] |
[[Category:Paramount Pictures short films]] |
||
[[Category:Paramount Pictures animated films]] |
|||
[[Category:Fleischer Studios short films]] |
[[Category:Fleischer Studios short films]] |
||
Revision as of 05:02, 8 June 2016
Out of the Inkwell | |
---|---|
Directed by | Dave Fleischer |
Produced by | Max Fleischer (producer) S. Roy Luby (associate producer) |
Animation by | Thomas Johnson Otto Feuer |
Color process | Black-and-white |
Production company | |
Distributed by | Paramount Pictures |
Running time | 7 mins |
Out of the Inkwell was the title for a 1938 Betty Boop animated short film. The title and concept for the film were a tribute to the Out of the Inkwell series of films that Max Fleischer had produced during the 1920s.
Synopsis
A live-action Black janitor, played by Oscar Polk, who played one of Scarlett O'Hara's slaves in Gone with the Wind, studies hypnotism from a book while cleaning Max Fleischer's desk at the Fleischer studio. He manages to conjure Max's pen into drawing Betty Boop. In a sequence of animation mixed with live-action, he uses his new powers to control the white animated Boop. She in turn is able to control a small dog. After waking from the spell, Betty manages to work a few more spells. Fraught with racial innuendo, one of her tricks includes turning the Black man white for a split-second, after which he begins cleaning in overdrive. Before that, he was sleeping on his broom and sweeping dirt under the carpet. At the end, Betty Boop leaps into a bottle of black ink.