The term Latin America was first introduced in 1856 at a Paris conference titled Initiative of America: Idea for a Federal Congress of the Republics (Iniciativa de la América. Idea de un Congreso Federal de las Repúblicas). Chilean politician Francisco Bilbao coined the term to unify countries with shared cultural and linguistic heritage. It gained further prominence during the 1860s under the rule of Napoleon III, whose government sought to justify France's intervention in the Second Mexican Empire. Napoleon III extended the term to include French-speaking territories in the Americas, such as French Canada, Haiti, French Louisiana, French Guiana, and the French Antillean Creole Caribbean islands (e.g., Martinique, Guadeloupe, Saint Lucia, and Dominica). This broader conceptualization aligned with France’s geopolitical ambitions to categorize these regions alongside the predominantly Spanish- and Portuguese-speaking countries of the Americas. (Full article...)
Rongorongo is a system of glyphs discovered in the 19th century on Easter Island that appears to be writing or proto-writing. It cannot be read despite numerous attempts at decipherment. Although some calendrical and what might prove to be genealogical information has been identified, not even these glyphs can actually be read. If rongorongo does prove to be writing, it could be one of as few as three or four independent inventions of writing in human history. Two dozen wooden objects bearing rongorongo inscriptions, some heavily weathered, burned, or otherwise damaged, were collected in the late 19th century and are now scattered in museums and private collections. None remain on Easter Island. The objects are mostly tablets shaped from irregular pieces of wood, sometimes driftwood, but include a chieftain's staff, a bird-man statuette, and two reimiro ornaments. There are also a few petroglyphs which may include short rongorongo inscriptions. Oral history suggests that only a small elite was ever literate and that the tablets were sacred. Authentic rongorongo texts are written in alternating directions, a system called reverse boustrophedon. In a third of the tablets, the lines of text are inscribed in shallow fluting carved into the wood. The glyphs themselves are outlines of human, animal, plant, artifact and geometric forms. Many of the human and animal figures, such as 200 and 280, have characteristic protuberances on each side of the head, possibly representing ears or eyes. Individual texts are conventionally known by a single uppercase letter and a name, such as Tablet C, the Mamari Tablet. The somewhat variable names may be descriptive or indicate where the object is kept, as in the Oar, the Snuffbox, the Small Santiago Tablet, and the Santiago Staff.
These "Did you know..." subpages are randomly displayed using {{Random subpage}}.
Add a new DYK to the next available subpage.
Update the "Random subpage" start and end values above to include the new DYK and evenly distribute the number of items across all three display templates.
Moai are monolithic human figures carved by the Rapa Nui people on Easter Island in eastern Polynesia between the years 1250 and 1500 CE.Nearly half are still at Rano Raraku, the main moai quarry, but hundreds were transported from there and set on stone platforms called ahu around the island's perimeter. Almost all moai have overly large heads three-eighths the size of the whole statue. The moai are chiefly the living faces (aringa ora) of deified ancestors (aringa ora ata tepuna).The statues still gazed inland across their clan lands when Europeans first visited the island, but most were cast down during later conflicts between clans.
