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Concerto for Piano with Orchestra is a composition by the Mexican composer Carlos Chávez, written between 1938 and 1940.

History

Early in 1938 Chávez received a grant from the John Simon Guggenheim Memorial Foundation, which provided support for the composition of a Piano Concerto (Parker 1983, 85). He set to work in the spring of 1938, finishing the short score by the end of the year. Resumption of work on the orchestration, however, was only possible in October 1940, and Chávez put the final touches on the score on 31 December of that year. The concerto was premiered by Eugene List with the New York Philharmonic Orchestra under the direction of Dimitri Mitropoulos on 1 January 1942. The European premiere was given by Tom Bromley and the BBC Symphony Orchestra conducted by Sir Adrian Boult on 6 September of the same year. The Mexican premiere did not take place until 13 August 1943, with Claudio Arrau and the Orquesta Sinfónica de México conducted by Chávez himself (González 1993, 26; Nordyke 1982, 98).

Chávez revised the score in 1969 (Parker 1938, 147).

Instrumentation

The concerto is scored for solo piano and an orchestra consisting of (González 1993, 36):

Piccolo
Two flutes
Two oboes
Cor anglais
Two clarinets
Two bassoons
Contrabassoon
Four horns
Two trumpets
Bass trombone
Tuba
Timpani
Three percussionists
- Glockenspiel, side drum, suspended cymbal, woodblock
- Tenor drum, crash cymbals, maracas, claves
- Xylophone, tambourine, bass drum, large gong
Celesta
Harp
Strings

Analysis

The concerto has three movements, played without any breaks:

Largo non troppo – Allegro agitato – Largo non troppo
Molto lento – Poco meno lento – Andante tranquillo
Finale: Allegro non troppo

The first movement represents two-thirds of the entire concerto, and is in a modified sonata-allegro form, with a thirty-bar introduction and a cadenza linking the end of the recapitulation to the coda (González 1993, 29, 38). The movement is modal, predominantly in E Phrygian with excursions to F and G, eventually returning to E Phrygian but with a final cadence on the subdominant, A (Gonzáles 1993, 31).

The second, slow movement has two main parts, which are preceded by an introduction and concluded with a canonic coda. Harmonically the movement is dominated by quartal harmonies, anchored over pedals of A (bridging from the first movement), D (beginning with and continuing through most of the second section), and G from b. 1221 to the end of the movement. Motivic material is closely related to that of the first movment (González 1993, 38–40; Nordyke 1982, 119–20.

The finale is characterized by rhythmic drive and intensity, using interrupting rests and short motives to create a sense of instability and tension. It falls into three sections with a coda. The first two parts present distinct thematic material, while the third part combines the substance of the first two parts while adding new material of its own. Harmonically, the movement is largely polymodal, moving in the concluding section to F♯ major (González 1993, 42–43, 45–46).

Discography

Eugene List, piano; Vienna State Opera Orchestra, Carlos Chávez, cond. 1 sound disc : 33⅓ rpm. monaural, 12 in. Westminister WST 17030. New York: Westminster Records, 1963 (reissued on LP, Westminster Gold, stereo, WGS-8324. New York: ABC 1976). Reissued as part of Carlos Chávez: The Composer Conducts. CD recording, 2 discs: digital, stereo., monaural, 4¾ in. [Germany] : MCA Millennium Classics, 1996.
María Teresa Rodríguez, piano; New Philharmonia Orchestra, Eduardo Mata, cond. Recorded 1978. LP recording 1 sound disc : 33⅓ rpm, stereo, 12 in. RCA Red Seal ARL1-3341. New York: RCA, 1979.
Jorge Federico Osorio, piano; Mexico National Symphony Orchestra, Carlos Miguel Prieto, cond., recorded Sala Nezahualcóyotl, Centro Cultural Universitario UNAM Méxio, D.F. 7–9 March 2011. CD recording. 1 disc: 4¾ in., stereo. Chicago: Cedille Records, 2013.
Carlos Chávez: Dos conciertos. Jorge Federico Osorio, piano; Pablo Roberto Diemecke, violin; Orquesta Sinfónica Nacional de México, Enrique Arturo Diemecke, conductor. CD recording, 1 disc, 4¾ in., stereo. Spartacus SDX27299. Clásicos Mexicanos. Mexico: Spartacus, 2001.

References

González, Ruben O. 1993. "Carlos Chávez's Concerto for Piano with Orchestra: A Spiritual Fusion of the Ancient and the Modern". DMA diss. Cincinnati: University of Cincinnati.
Nordyke, Diane. 1982. "The Piano Works of Carlos Chávez". PhD diss. Lubbock: Texas Tech University.
Parker, Robert L. 1983. Carlos Chávez, Mexico's Modern-Day Orpheus. Twayne's Music Series. Boston: Twayne Publishers. ISBN 0-8057-9455-7.

External links

Eugene List (piano), Orchestre National de France, conducted by the composer in Paris, 1962

@@ Line 34: / Line 34: @@
 #Molto lento – Poco meno lento – Andante tranquillo
 #Finale: Allegro non troppo
-The first movement represents two-thirds of the entire concerto, and is in a modified [[Sonata form|sonata-allegro]] form, with a thirty-bar introduction and a cadenza linking the end of the recapitulation to the coda {{harv|González|1993|loc=29, 38}}. The movement is modal, predominantly in E [[Phrygian mode|Phrygian]] with excursions to F and G, eventually returning to E Phrygian but with a final cadence on the subdominant, A {{harv|Gonzáles|1993|loc=31}}.
+The first movement represents two-thirds of the entire concerto, and is in a modified [[Sonata form|sonata-allegro]] form, with a thirty-bar introduction and a [[cadenza]] linking the end of the [[Recapitulation (music)|recapitulation]] to the coda {{harv|González|1993|loc=29, 38}}. The movement is modal, predominantly in E [[Phrygian mode|Phrygian]] with excursions to F and G, eventually returning to E Phrygian but with a final cadence on the subdominant, A {{harv|Gonzáles|1993|loc=31}}.
 The second, slow movement has two main parts, which are preceded by an introduction and concluded with a canonic coda. Harmonically the movement is dominated by [[Quartal and quintal harmony|quartal harmonies]], anchored over pedals of A (bridging from the first movement), D (beginning with and continuing through most of the second section), and G from b. 1221 to the end of the movement. Motivic material is closely related to that of the first movment ({{harvnb|González|1993|loc=38–40}}; {{harvnb|Nordyke|1982|loc=119–20}}.