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==Career==
==Career==
In 1838, Roger made his professional debut at the [[Opéra-Comique]], Paris, in ''L’éclair'' by [[Fromental Halévy]]. He went on to create numerous leading roles in new operas with that company, including works by [[Daniel Auber]] (Raphaël in ''[[La Part du Diable]]'',1843 and Lorédan in ''[[Haydée]]'',1847,and others), Halévy (Edgard in ''[[Le shérif]]'',1839, Olivier in ''Les Mousquetaires de la Reine'', 1846, and others). With the Opéra-Comique, Roger was the first Marquis in ''Perruquier de la Régence'' by [[Ambroise Thomas]] in 1838 and at the same theatre in 1846, the first Faust in ''La damnation de Faust'' by Hector Berlioz. <ref name="Baker"/><ref name="Oxford"/> He won praise for his clear, pure tone, his skill as a stage performer, and his musical intelligence. In 1848, after a tour of England with soprano [[Jenny Lind]] he moved from the Opéra-Comique to the [[Paris Opera|Opéra]] where he created the title role in Meyerbeer's extremely successful opera ''Le prophète'' in 1849.
In 1838, Roger made his professional debut at the [[Opéra-Comique]], Paris, in ''L’éclair'' by [[Fromental Halévy]]. He went on to create numerous leading roles in new operas with that company, including works by [[Daniel Auber]] (Raphaël in ''[[La Part du Diable]]'',1843 and Lorédan in ''[[Haydée]]'',1847,and others), Halévy (Edgard in ''[[Le shérif]]'',1839, Olivier in ''Les Mousquetaires de la Reine'', 1846, and others). With the Opéra-Comique, Roger was the first Marquis in ''Perruquier de la Régence'' by [[Ambroise Thomas]] in 1838 and at the same theatre in 1846, the first Faust in ''La damnation de Faust'' by Hector Berlioz. <ref name="Baker"/><ref name="Oxford"/> He won praise for his clear, pure tone, his skill as a stage performer, and his musical intelligence. In 1848, after a tour of England with soprano [[Jenny Lind]] he moved from the Opéra-Comique to the [[Paris Opera|Opéra]] where he created the title role in Meyerbeer's extremely successful opera ''Le prophète'' in 1849. He also created roles there in ''L’Enfant prodigue'' by Auber, 1850, in ''[[Le Juif errant (opera)|Le Juif errant]]'' of Halévy, 1852, and in ''[[Herculanum (opera)|Herculanum]]'' by [[Félicien David]], 1859.


==Notes==
==Notes==

Revision as of 18:35, 29 August 2016

Roger as John of Leiden in the original production of Le prophète

Gustave-Hippolyte Roger, born in Paris on 17 December 1815 and died there on 12 September 1879, was a French tenor. He is best known for creating the leading tenor roles in La damnation de Faust by Berlioz in 1846 and Meyerbeer's Le prophète in 1849.[1]

Early years and education

Orphaned at an early age, Roger was brought up in Paris by his uncle. He entered the Paris Conservatoire and studied with Blès Martin. At the completion of his training, he won first prize in singing and declamation.[2]

Career

In 1838, Roger made his professional debut at the Opéra-Comique, Paris, in L’éclair by Fromental Halévy. He went on to create numerous leading roles in new operas with that company, including works by Daniel Auber (Raphaël in La Part du Diable,1843 and Lorédan in Haydée,1847,and others), Halévy (Edgard in Le shérif,1839, Olivier in Les Mousquetaires de la Reine, 1846, and others). With the Opéra-Comique, Roger was the first Marquis in Perruquier de la Régence by Ambroise Thomas in 1838 and at the same theatre in 1846, the first Faust in La damnation de Faust by Hector Berlioz. [2][1] He won praise for his clear, pure tone, his skill as a stage performer, and his musical intelligence. In 1848, after a tour of England with soprano Jenny Lind he moved from the Opéra-Comique to the Opéra where he created the title role in Meyerbeer's extremely successful opera Le prophète in 1849. He also created roles there in L’Enfant prodigue by Auber, 1850, in Le Juif errant of Halévy, 1852, and in Herculanum by Félicien David, 1859.

Notes

  1. ^ a b "Gustave-Hippolyte Roger". Oxford Index. Retrieved 29 August 2016.
  2. ^ a b Baker, Theodore (1995). Baker's Biographical Dictionary of Musicians (8th edition ed.). Macmillan Publishing Company. ISBN 2-221-07778-4. {{cite book}}: |edition= has extra text (help)