Boots of Spanish Leather: Difference between revisions
→External links: updating link |
The gender of the lover who is first to speak is never identified in the song. The changes are made to reflect this fact. The lover who crosses the sea, the second to speak, is identified as a woman in the seventh verse. |
||
Line 18: | Line 18: | ||
Dylan's recording features him solo on the [[Steel-string guitar|acoustic guitar]], playing the song using [[fingerpicking]]. |
Dylan's recording features him solo on the [[Steel-string guitar|acoustic guitar]], playing the song using [[fingerpicking]]. |
||
Lyrically, "Boots of Spanish Leather" is a "restless, forlorn ballad for the ages and sages—a classic Dylan tale of two lovers, a crossroads, and the open sea."<ref name=trager2004>{{cite book|last=Trager|first=Oliver|title=Keys to the rain: the definitive Bob Dylan encyclopedia|year=2004|publisher=Billboard Books|location=New York|isbn=0823079740|page=80}}</ref> The song is written as a dialogue, with the first six verses alternating between the |
Lyrically, "Boots of Spanish Leather" is a "restless, forlorn ballad for the ages and sages—a classic Dylan tale of two lovers, a crossroads, and the open sea."<ref name=trager2004>{{cite book|last=Trager|first=Oliver|title=Keys to the rain: the definitive Bob Dylan encyclopedia|year=2004|publisher=Billboard Books|location=New York|isbn=0823079740|page=80}}</ref> The song is written as a dialogue, with the first six verses alternating between the two lovers; however, the last three verses are all given by the lover who has been left behind. Within these nine verses, one of the lovers - a woman - goes across the sea. She writes, asking whether her lover would like any gift, and her lover refuses, saying they only want her back. Towards the end it becomes clear that she is not returning, and she finally writes saying she may never come back. Her lover comes to realize what has happened and finally gives her a material request: "Spanish boots of Spanish leather." Michael Gray says there is a strong parallel between this line and the traditional [[folk music|folk]] song "[[The Gypsy Laddie|Blackjack Davey]]," which Dylan arranged and recorded for his 1992 album ''[[Good as I Been to You]]'', and in which footwear of Spanish leather also plays a significant role.<ref name=gray2002>{{cite book|last=Gray|first=Michael|title=Song & dance man III : the art of Bob Dylan|year=2002|publisher=Continuum|location=London|isbn=0826463827|page=857}}</ref> |
||
The song is included in the ''[[The Norton Anthology of Poetry|Norton Anthology of Poetry]], 5th edition'', in the section titled "Popular Ballads of the 20th Century."<ref>{{cite book|first=[ed. by] Margaret Ferguson|title=The Norton anthology of poetry|year=2005|publisher=Norton|location=New York|isbn=0393979202|edition=5.}}</ref> |
The song is included in the ''[[The Norton Anthology of Poetry|Norton Anthology of Poetry]], 5th edition'', in the section titled "Popular Ballads of the 20th Century."<ref>{{cite book|first=[ed. by] Margaret Ferguson|title=The Norton anthology of poetry|year=2005|publisher=Norton|location=New York|isbn=0393979202|edition=5.}}</ref> |
Revision as of 22:32, 30 September 2016
"Boots of Spanish Leather" | |
---|---|
Song |
"Boots of Spanish Leather" is a ballad written and performed by Bob Dylan, and released in 1964 on his album The Times They Are a-Changin'.[1]
Dylan's recording features him solo on the acoustic guitar, playing the song using fingerpicking.
Lyrically, "Boots of Spanish Leather" is a "restless, forlorn ballad for the ages and sages—a classic Dylan tale of two lovers, a crossroads, and the open sea."[2] The song is written as a dialogue, with the first six verses alternating between the two lovers; however, the last three verses are all given by the lover who has been left behind. Within these nine verses, one of the lovers - a woman - goes across the sea. She writes, asking whether her lover would like any gift, and her lover refuses, saying they only want her back. Towards the end it becomes clear that she is not returning, and she finally writes saying she may never come back. Her lover comes to realize what has happened and finally gives her a material request: "Spanish boots of Spanish leather." Michael Gray says there is a strong parallel between this line and the traditional folk song "Blackjack Davey," which Dylan arranged and recorded for his 1992 album Good as I Been to You, and in which footwear of Spanish leather also plays a significant role.[3]
The song is included in the Norton Anthology of Poetry, 5th edition, in the section titled "Popular Ballads of the 20th Century."[4]
Though occasionally performed live since its composition, Dylan did not start performing "Boots of Spanish Leather" regularly until his Never Ending Tour began in 1988.[5]
Covers
"Boots of Spanish Leather" has been covered by many musicians, including:
- Joan Baez: Any Day Now
- Sebastian Cabot: Sebastian Cabot, Actor-Bob Dylan, Poet (1967)
- Dervish: Spirit (2003)
- Dirk Darmstaedter: Dirk Sings Dylan (2010)
- The Dubliners: 30 Years A-Greying (1992) (with De Dannan)
- Nanci Griffith: Other Voices, Other Rooms (1993), Winter Marquee (2002), Putumayo Presents American Folk (2005)
- Nic Jones: Unearthed (2001)
- Richie Havens: Electric Haven (1966)
- Various Artists (performed by Ida): A Tribute to Bob Dylan, Volume 3: The Times They Are A-Changin' (2000)
- Linda Mason: How Many Seas Must a White Dove Sail (1964)
- Dan McCafferty: Dan McCafferty (1975)
- Ronnie Drew and Eleanor Shanley on their live album A Couple More Years (2000)
- Michael Moore: Jewels and Binoculars (2000)
- Seldom Scene: Scene It All (2000)
- Martin Simpson: Bootleg USA- Martin uses his fluid fingerstyle, frailing and open tuning
- Various Artists (performed by Martin Simpson): A Nod to Bob (2001)
- T. Duggins: T. Duggens:Undone (2006)
- Rebecca Barnard: "Everlasting" (2010)
- Patti Smith: "Bowery Ballroom" (12/30/2010)
- The Airborne Toxic Event: Chimes of Freedom: Songs of Bob Dylan Honoring 50 Years of Amnesty International (1/24/2012)
- Wesley Schultz: from The Lumineers: "Look Sessions" (2013)
- Amos Lee: Played in the opening scene on Episode 10 of the final season of the FX series Sons Of Anarchy.
- Mandolin Orange: Audiotree Live (2014)
- The Lumineers: "Cleopatra" Target Exclulsive Edition (2016)
See also
References
- ^ "The Times They Are A--Changin| The Official Bob Dylan Site". Sony Music. Retrieved 6 June 2013.
- ^ Trager, Oliver (2004). Keys to the rain: the definitive Bob Dylan encyclopedia. New York: Billboard Books. p. 80. ISBN 0823079740.
- ^ Gray, Michael (2002). Song & dance man III : the art of Bob Dylan. London: Continuum. p. 857. ISBN 0826463827.
- ^ The Norton anthology of poetry (5. ed.). New York: Norton. 2005. ISBN 0393979202.
{{cite book}}
:|first=
missing|last=
(help) - ^ "Search results for: "Boots of Spanish Leather" The Official Bob Dylan Site". Sony Music Corporation. Retrieved 6 June 2013.