Death Be Not Proud: Difference between revisions
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The poem was set for voice and piano by [[Benjamin Britten]] as the concluding song in his [[song cycle|cycle]] ''[[The Holy Sonnets of John Donne]]''. |
The poem was set for voice and piano by [[Benjamin Britten]] as the concluding song in his [[song cycle|cycle]] ''[[The Holy Sonnets of John Donne]]''. |
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The poem's opening words are echoed in a contemporary poem, "Death be not proud, thy hand gave not this blow", sometimes attributed to Donne, but more likely by his patron Lucy Harington Russell, Countess of Bedford. |
The poem's opening words are echoed in a contemporary poem, "Death be not proud, thy hand gave not this blow", sometimes attributed to Donne, but more likely by his patron [[Lucy_Russell,_Countess_of_Bedford|Lucy Harington Russell, Countess of Bedford]]. |
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==Further reading== |
==Further reading== |
Revision as of 07:05, 31 October 2016
This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. (April 2014) |
Sonnet X. "Death be not proud" | |
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by John Donne | |
Written | between February and August 1609 |
First published in | Songs and Sonnets (1633) |
Country | Kingdom of England |
Series | Holy Sonnets |
Subject(s) | Christianity, Mortality, Resurrection, Eternal Life |
Genre(s) | religious poetry, devotional poetry |
Form | Sonnet |
Rhyme scheme | abba abba cddcaa |
Lines | 14 |
Sonnet X, also known by part of its first line as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets of sixteenth-century English literature. Written between February and August 1609 the poem was not published during Donne's lifetime and was first published posthumously in 1633. It is included as one of the nineteen sonnets that comprise Donne's Holy Sonnets or Divine Meditations, among his most well-known works. Most editions number the poem as the tenth in the sonnet sequence, which follows the order of poems in the Westmoreland Manuscript (circa 1620), the most complete arrangement of the cycle, discovered in the late nineteenth century. However, two editions published shortly after Donne's death include some of the sonnets in different order where this poem appears as eleventh in the Songs and Sonnets (published 1633) and sixth in Divine Meditations (published 1635).
Poem
Death be not proud, though some have called thee
Mighty and dreadful, for, thou art not so,
For, those, whom thou think'st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and souls deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,
And poppie, or charmes can make us sleepe as well,
And better than thy stroake; why swell'st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more, Death, thou shalt die.
Donne suffered a major illness that brought him close to death during his eighth year as an Anglican minister. The illness may have been typhoid fever, but in recent years it has been shown that he may have had a relapsing fever in combination with other illnesses.
The sonnet has an ABBA ABBA CDD CAA rhyme scheme.
The last line alludes to 1 Corinthians 15:26: "The last enemy that shall be destroyed is death".
The poem was set for voice and piano by Benjamin Britten as the concluding song in his cycle The Holy Sonnets of John Donne.
The poem's opening words are echoed in a contemporary poem, "Death be not proud, thy hand gave not this blow", sometimes attributed to Donne, but more likely by his patron Lucy Harington Russell, Countess of Bedford.
Further reading
- John Donne, Devotions upon Emergent Occasions, ed. by Anthony Raspa (Montreal: McGill-Queen’s University Press, 1975), xii–xiv.
- Charles M. Coffin’s ed. Donne’s poetry, The Complete Poetry and Selected Prose of John Donne (New York: The Modern Library, 1952