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*[[Nathan MacDonald]]
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*[[Mel Mercier]] and his father [[Peadar Mercier]]
*[[Mel Mercier]] and his father [[Peadar Mercier]]
*[[Seán McCann (musician)|Seán McCann]] (of [[Great Big Sea]])
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*[[Mance Grady]]
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Revision as of 15:14, 9 September 2006

Bodhrán with tipper

The bodhrán (IPA [ˈbɔːrɑːn] or [ˈbaʊrɑːn]; plural bodhráns or bodhráin) is an Irish frame drum ranging in anywhere from 10" to 26" in diameter, with most drums measuring from 14" to 18". The sides of the drum are 3 1/2" to 8" deep. A goat skin head is tacked to one side (although nowadays, synthetic heads, or new materials like kangaroo skin, are sometimes used). The other side is open ended for one hand to be placed against the inside of the drum head to control the pitch. One or two crossbars may be inside the frame but this is increasingly rare on professional instruments. The vast majority of professional modern bodhráin integrate mechanical tuning systems similar to those used on drums found in drum kits. Tool-less tuning invented by Rob Forkner of Metloef drums is now becoming more widely available, a simple development with a big impact.

Playing

A bodhrán being played with a brush-ended beater.

The drum is usually played in a seated position, held vertically on the player's thigh and supported by his or her upper body and arm (usually on the left side, for a right-handed player), with the hand placed on the inside of the skin where it is able to control the tension (and therefore the pitch) by applying varying amounts of pressure and also the amount of surface area being played, with the back of the hand against the crossbar, if present. The drum is struck with the other arm (usually the right) and is played either with the bare hand or with a lathe-turned piece of wood called a "tipper", "beater", or "cipín". Brush-ended beaters are also used. There are numerous playing styles, mostly named after the region of Ireland in which they originated. The most common is Kerry style, which uses a two-headed tipper.

Another style which has gained in popularity is the so-called "top-end" style, often played on a smaller (14-15 inch) and deeper (4-6 inch) drum with a thinner resonant skin, prepared like the skin of a Lambeg drum. The tipper in this style is usually straight and most of the expressive action is focused on the top end of the drum. Crossbars are most often absent, allowing a more unrestricted access for the left hand to modify the tone. This enables a more melodic approach to this rhythm instrument, with a wide range of tones being employed. An influential proponent of this style is John-Joe Kelly playing with Flook. This band is renowned for their tight arrangements and expressive playing, where a top-end bodhrán style adds significantly to the overall texture and dynamics. This approach to playing, however, doesn't always fit in with the informal setting of many Irish music sessions unless the player has a good ear for improvisation and listens to what the tune needs. A good player of any style accompanies and enhances the tune, rather than uses the tune as an opportunity to show off or go through their repertoire of techniques.

When playing the bodhran as an accompaniment to Irish music, different beats may be used. For example, reels, which have a 4/4 time, the bodhran player annunciates to first beat of four, making a sound like ONE two three four ONE two three four.

Although most common in Ireland, the bodhrán has gained popularity throughout the Celtic music world, especially in Scotland, Cape Breton, and Newfoundland. In Cornwall, traditional music sometimes uses a version of the bodhrán called a crowdy crawn.

Players

Fergus O'Byrne

Some notable bodhrán players include:

New techniques

As world music in general has become more popular, techniques once associated with other ethnic drumming traditions have become widespread in bodhran playing.

Lorcan Mac Muiris incorporates jazz and Ghanaian styles into his technique, often playing the drum held between his knees and mutating the sound by pressing on the outer surface of the head, and uses Indian konokol recitation to provide counter-rhythms.

Glen Velez uses Arab, South Indian, South Italian and Central Asian finger techniques, inspiring players like N. Scott Robinson, Yousif Sheronick, Glen Fittin, and John Loose.

John Bergamo has also explored cross-techniques for bodhrán with the drum seated between his legs and using fingers in methods close to Indian drumming techniques, unlike Mac Muiris who uses a thin stick in an imitation of African Ewe drumming.

Origin

The bodhrán is a frame drum similar to instruments distributed widely across northern Africa from the Middle East, and has cognates in Arab music and musical traditions of the Mediterranean region. (See Music of North Africa, Music of Greece etc.)

Some claim that its name is derived from the Irish word bodhar, meaning deaf, and that this indicates that it has been known on the island long enough to have acquired the name. However, there are no known references to this particular name for a drum prior to the 17th century, and the frame drum itself was observed in Irish traditional music only in the 1960s, during which it was popularised by bands such as The Chieftains and The Dubliners. Previously tambourines were used, and others have suggested this is the origin of the word (from the abbreviation "'bourine").

Peter Kennedy observed a similar instrument in Dorset and Wiltshire in the 1950s, where it was known as the "riddle drum", and suggests that this is the likely origin of the bodhrán.

Wikimedia Commons has media related to Bodhráns.

References

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