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'''''Insight Out''''' is the third [[album]] by the American [[Pop music|pop]] [[Musical ensemble|band]] [[The Association]] |
'''''Insight Out''''' is the third [[album]] by the American [[Pop music|pop]] [[Musical ensemble|band]] [[The Association]]. It was released in June 1967 on [[Warner Bros. Records]].<ref name="cherry">{{Cite web|title=Insight Out: Deluxe expanded mono edition - product information|publisher=[[Cherry Red Records|Cherry Red]] |url=http://www.cherryred.co.uk/nowsounds-exd.asp?id=3386|accessdate=2011-12-09}}</ref> It was the band's first album release for the Warner Brothers label and it became one of the top selling [[LP album|LPs]] of the year in America, peaking at number 8 on the [[Billboard 200|''Billboard'' Top LPs]] chart and being [[RIAA certification|certified]] [[Music recording sales certification|gold]] by the [[Recording Industry Association of America]] in December 1967.<ref>{{cite web|title=Insight Out chart information|publisher=[[Allmusic]]|url=http://www.allmusic.com/album/insight-out-r29435/charts-awards|accessdate=2011-12-09}}</ref><ref name="unterberger">{{cite AV media notes|title=Insight Out|titlelink=Insight Out|others=The Association|year=2003|chapter=The Association's ''Insight Out''|first=Richie|last=Unterberger|authorlink=Richie Unterberger|type=CD booklet|publisher=[[Collectors' Choice Music]]}}</ref><ref>{{cite web|title=The Association - RIAA Awards |publisher=[[Recording Industry Association of America]] |url=http://www.riaa.com/goldandplatinumdata.php?resultpage=1&table=SEARCH_RESULTS&action=&title=Insight_Out&artist=Association&format=&debutLP=&category=&sex=&releaseDate=&requestNo=&type=&level=&label=&company=&certificationDate=&awardDescription=&catalogNo=&aSex=&rec_id=&charField=&gold=&platinum=&multiPlat=&level2=&certDate=&album=&id=&after=&before=&startMonth=1&endMonth=1&startYear=1958&endYear=2010&sort=Artist&perPage=25|accessdate=2011-12-09}}</ref> The album's success was largely attributed to the inclusion of the U.S. [[Hit single|hits]] "[[Windy]]" and "[[Never My Love]]", which reached number 1 and number 2 on the [[Billboard Hot 100|''Billboard'' Hot 100]] chart respectively and were among the most-played records on [[AM broadcasting|AM radio]] during the late 1960s.<ref name="unterberger"/> |
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''Insight Out'' was the first Association album to feature |
''Insight Out'' was the first Association album to feature guitarist and vocalist Larry Ramos, who joined the band just prior to the album [[Studio recording|recording sessions]], as a replacement for departed [[lead guitar]]ist Jules Alexander.<ref name="unterberger"/> The album also saw The Association working with [[record producer]] and [[recording engineer]] [[Bones Howe]] for the first time. Howe, who had previously worked with [[The Mamas & the Papas]] and [[The Turtles]], was brought in by the band's manager and Warner Bros. Records in an attempt to steer the group in a more commercial direction.<ref name="unterberger"/> As a result of Howe's focus on obtaining a radio-friendly sound, The Association ceded much of the instrumental playing on ''Insight Out'' to a team of top L.A. [[session musician]]s, including [[drummer]] [[Hal Blaine]], [[bassist]] [[Joe Osborn]], [[keyboardist]] [[Larry Knechtel]], [[guitarist]] [[Al Casey (rock & roll guitarist)|Al Casey]], and guitarist/[[sitarist]] [[Mike Deasy]].<ref name="unterberger"/> The group also elected to record some songs written by non-band members for ''Insight Out'', in stark contrast to their previous album ''[[Renaissance (The Association album)|Renaissance]]'', on which the band had written and performed all of their own music.<ref name="unterberger"/><ref>{{cite web|last=Eder|first=Bruce|title=Renaissance album review |publisher=[[Allmusic]]|url={{Allmusic|class=album|id=rr935|pure_url=yes}}|accessdate=2011-12-09}}</ref> |
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''Insight Out'' saw the band mixing their textured [[Vocal harmony|vocal harmonies]] with an eclectic blend of influences, including [[Baroque pop]], [[folk rock]], [[sunshine pop]], [[Psychedelic music|psychedelia]] and even elements of [[garage punk]].<ref name="unterberger"/><ref name="allmusic">{{cite web|last=Eder|first=Bruce|title=Insight Out album review|publisher=[[Allmusic]]|url={{Allmusic|class=album|id=r29435|pure_url=yes}}|accessdate=2011-12-09}}</ref> |
''Insight Out'' saw the band mixing their textured [[Vocal harmony|vocal harmonies]] with an eclectic blend of influences, including [[Baroque pop]], [[folk rock]], [[sunshine pop]], [[Psychedelic music|psychedelia]] and even elements of [[garage punk]].<ref name="unterberger"/><ref name="allmusic">{{cite web|last=Eder|first=Bruce|title=Insight Out album review|publisher=[[Allmusic]]|url={{Allmusic|class=album|id=r29435|pure_url=yes}}|accessdate=2011-12-09}}</ref> "Requiem for the Masses" is a somber piece written by multi-instrumentalist [[Terry Kirkman]], featuring layered [[Latin]] vocals<ref name="unterberger"/> and the story of a [[Torero|matador]] dying alone in the [[bullring]], miles away from his home.<ref name="shs">{{cite web|last=McGlynn|first=Tim|title=Terry Kirkman - Requiem for the Masses|publisher=Schaumburg High School Concert Choir website|url=http://www.shs.d211.org/Music/choir/terrykirkman.htm|accessdate=2011-12-09}}</ref> The song was intended by Kirkman to strike parallels with the plight of U.S. soldiers serving in the [[Vietnam War]] and to function as a veiled protest against that conflict.<ref name="unterberger"/><ref name="shs"/> |
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==Reception and reissues== |
==Reception and reissues== |
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Music critic Matthew Weiner, writing for [[Stylus Magazine|''Stylus'' magazine]], has described ''Insight Out'' and its follow-up ''[[Birthday (The Association album)|Birthday]]'' as "minor classics in the late-sixties pop genre",<ref>{{cite web|last=Weiner|first=Matthew|title=The Association Collector's Choice CD reissues review|publisher=[[Stylus Magazine]]|url=http://www.stylusmagazine.com/reviews/the-association/renaissanceinsight-outbirthdaythe-associationlivestop-your-motor.htm|accessdate=2011-12-09}}</ref> while music historian [[Richie Unterberger]] viewed the album, within the context of The Association's back catalogue, as "characteristically eclectic".<ref name="unterberger"/> |
Music critic Matthew Weiner, writing for [[Stylus Magazine|''Stylus'' magazine]], has described ''Insight Out'' and its follow-up ''[[Birthday (The Association album)|Birthday]]'' as "minor classics in the late-sixties pop genre",<ref>{{cite web|last=Weiner|first=Matthew|title=The Association Collector's Choice CD reissues review|publisher=[[Stylus Magazine]]|url=http://www.stylusmagazine.com/reviews/the-association/renaissanceinsight-outbirthdaythe-associationlivestop-your-motor.htm|accessdate=2011-12-09}}</ref> while music historian [[Richie Unterberger]] viewed the album, within the context of The Association's back catalogue, as "characteristically eclectic".<ref name="unterberger"/> In his review for the [[Allmusic]] website, Bruce Eder has described ''Insight Out'' as "an enjoyable folk-rock album", but also noted that the LP was recorded "somewhat in the shadow of [[Harpers Bizarre]]'s experimental "[[The 59th Street Bridge Song (Feelin' Groovy)|Feelin' Groovy]]" single.<ref name="allmusic"/> |
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''Insight Out'' has been reissued a number of times on [[Compact Disc|CD]], including a [[remaster]]ed edition of the album in its standard [[Stereophonic sound|stereo]] configuration on [[Collectors' Choice Music]] in 2003 and as a Japanese release on Warner Bros. in 2005, with the addition of two [[bonus tracks]]. In 2011, ''Insight Out'' was reissued in a deluxe CD package by [[Cherry Red Records]], featuring the original [[Monaural|mono]] mix of the album and multiple bonus tracks.<ref name="cherry"/> |
''Insight Out'' has been reissued a number of times on [[Compact Disc|CD]], including a [[remaster]]ed edition of the album in its standard [[Stereophonic sound|stereo]] configuration on [[Collectors' Choice Music]] in 2003 and as a Japanese release on Warner Bros. in 2005, with the addition of two [[bonus tracks]]. In 2011, ''Insight Out'' was reissued in a deluxe CD package by [[Cherry Red Records]], featuring the original [[Monaural|mono]] mix of the album and multiple bonus tracks.<ref name="cherry"/> |
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Insight Out is the third album by the American pop band The Association. It was released in June 1967 on Warner Bros. Records.[1] It was the band's first album release for the Warner Brothers label and it became one of the top selling LPs of the year in America, peaking at number 8 on the Billboard Top LPs chart and being certified gold by the Recording Industry Association of America in December 1967.[2][3][4] The album's success was largely attributed to the inclusion of the U.S. hits "Windy" and "Never My Love", which reached number 1 and number 2 on the Billboard Hot 100 chart respectively and were among the most-played records on AM radio during the late 1960s.[3]
Insight Out was the first Association album to feature guitarist and vocalist Larry Ramos, who joined the band just prior to the album recording sessions, as a replacement for departed lead guitarist Jules Alexander.[3] The album also saw The Association working with record producer and recording engineer Bones Howe for the first time. Howe, who had previously worked with The Mamas & the Papas and The Turtles, was brought in by the band's manager and Warner Bros. Records in an attempt to steer the group in a more commercial direction.[3] As a result of Howe's focus on obtaining a radio-friendly sound, The Association ceded much of the instrumental playing on Insight Out to a team of top L.A. session musicians, including drummer Hal Blaine, bassist Joe Osborn, keyboardist Larry Knechtel, guitarist Al Casey, and guitarist/sitarist Mike Deasy.[3] The group also elected to record some songs written by non-band members for Insight Out, in stark contrast to their previous album Renaissance, on which the band had written and performed all of their own music.[3][5]
Insight Out saw the band mixing their textured vocal harmonies with an eclectic blend of influences, including Baroque pop, folk rock, sunshine pop, psychedelia and even elements of garage punk.[3][6] "Requiem for the Masses" is a somber piece written by multi-instrumentalist Terry Kirkman, featuring layered Latin vocals[3] and the story of a matador dying alone in the bullring, miles away from his home.[7] The song was intended by Kirkman to strike parallels with the plight of U.S. soldiers serving in the Vietnam War and to function as a veiled protest against that conflict.[3][7]
Reception and reissues
Music critic Matthew Weiner, writing for Stylus magazine, has described Insight Out and its follow-up Birthday as "minor classics in the late-sixties pop genre",[8] while music historian Richie Unterberger viewed the album, within the context of The Association's back catalogue, as "characteristically eclectic".[3] In his review for the Allmusic website, Bruce Eder has described Insight Out as "an enjoyable folk-rock album", but also noted that the LP was recorded "somewhat in the shadow of Harpers Bizarre's experimental "Feelin' Groovy" single.[6]
Insight Out has been reissued a number of times on CD, including a remastered edition of the album in its standard stereo configuration on Collectors' Choice Music in 2003 and as a Japanese release on Warner Bros. in 2005, with the addition of two bonus tracks. In 2011, Insight Out was reissued in a deluxe CD package by Cherry Red Records, featuring the original mono mix of the album and multiple bonus tracks.[1]
Track listing
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Wasn't It a Bit Like Now?" (Terry Kirkman) | Kirkman and Ramos | 3:33 |
2. | "On a Quiet Night" (P. F. Sloan) | Yester | 3:21 |
3. | "We Love Us" (Ted Bluechel) | Bluechel and Ramos | 2:25 |
4. | "When Love Comes to Me" (Jim Yester) | Yester | 2:45 |
5. | "Windy" (Ruthann Friedman) | Giguere and Ramos | 2:56 |
6. | "Reputation" (Tim Hardin) | Cole | 2:38 |
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Never My Love" (Don Addrisi, Dick Addrisi) | Kirkman and Ramos | 3:10 |
2. | "Happiness Is" (Don Addrisi, Dick Addrisi) | Ramos and Bluechel | 2:13 |
3. | "Sometime" (Russ Giguere) | Giguere | 2:38 |
4. | "Wantin' Ain't Gettin'" (Mike Deasy) | Cole and Giguere | 2:20 |
5. | "Requiem for the Masses" (Terry Kirkman) | Kirkman | 4:06 |
No. | Title | Writer(s) | Length |
---|---|---|---|
12. | "Autumn Afternoon" (Outtake) | Don Addrisi, Dick Addrisi | |
13. | "On a Quiet Night" (Instrumental) | P. F. Sloan | |
14. | "Windy" (Instrumental) | Ruthann Friedman | |
15. | "Sometime" (Instrumental) | Russ Giguere | |
16. | "We Love Us" (Instrumental) | Ted Bluechel | |
17. | "When Love Comes to Me" (Instrumental) | Jim Yester | |
18. | "Never My Love" (Mono 45) | Don Addrisi, Dick Addrisi | |
19. | "Sometime" (Mono 45) | Russ Giguere | |
20. | "Requiem for the Masses" (Mono 45) | Terry Kirkman | |
21. | "Windy" (Mono 45) | Ruthann Friedman | |
22. | "Never My Love" (Instrumental) | Don Addrisi, Dick Addrisi |
References
- ^ a b "Insight Out: Deluxe expanded mono edition - product information". Cherry Red. Retrieved 2011-12-09.
- ^ "Insight Out chart information". Allmusic. Retrieved 2011-12-09.
- ^ a b c d e f g h i j Unterberger, Richie (2003). "The Association's Insight Out". Insight Out (CD booklet). The Association. Collectors' Choice Music.
{{cite AV media notes}}
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ignored (|title-link=
suggested) (help) - ^ "The Association - RIAA Awards". Recording Industry Association of America. Retrieved 2011-12-09.
- ^ Eder, Bruce. "Renaissance album review". Allmusic. Retrieved 2011-12-09.
- ^ a b Eder, Bruce. "Insight Out album review". Allmusic. Retrieved 2011-12-09.
- ^ a b McGlynn, Tim. "Terry Kirkman - Requiem for the Masses". Schaumburg High School Concert Choir website. Retrieved 2011-12-09.
- ^ Weiner, Matthew. "The Association Collector's Choice CD reissues review". Stylus Magazine. Retrieved 2011-12-09.