Wendy Hui Kyong Chun: Difference between revisions
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==Life== |
==Life== |
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Chun holds degrees from the [[University of Waterloo]] and [[Princeton University]], where she studied [[Systems Design Engineering]] and English Literature.<ref name=brown /> She is a 2016 Guggenheim fellow.<ref>{{cite web|url=http://www.gf.org/fellows/all-fellows/wendy-chun/|title=John Simon Guggenheim Foundation - Wendy Hui Kyong Chun|publisher=}}</ref> |
Chun holds degrees from the [[University of Waterloo]] and [[Princeton University]], where she studied [[Systems Design Engineering]] and English Literature.<ref name=brown /> She is a 2016 [[Guggenheim Fellowship|Guggenheim fellow]].<ref>{{cite web|url=http://www.gf.org/fellows/all-fellows/wendy-chun/|title=John Simon Guggenheim Foundation - Wendy Hui Kyong Chun|publisher=}}</ref> |
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==Publications== |
==Publications== |
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*''Programmed Visions: Software and Memory (2013) |
*''Programmed Visions: Software and Memory (2013) |
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*''Updating to Remain the Same: Habitual New Media (2016)'' |
*''Updating to Remain the Same: Habitual New Media (2016)'' |
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Chun has also co-edited a special issue of |
Chun has also co-edited a special issue of ''American Literature'' on New Media and American Literature and a special issue of ''Camera Obscura'' on Race and/as Technology.<ref name=":0" /> |
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==References== |
==References== |
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Revision as of 00:08, 9 March 2017
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Wendy Hui Kyong Chun (born 1969) is an author, theorist of digital media, and Professor and Chair of Modern Culture and Media at Brown University, United States.[1][2] She has been a member of Princeton University's Institute for Advanced Study, a fellow at Harvard's Radcliffe Institute for Advanced Study, and a Wriston Fellow at Brown University[3].
Life
Chun holds degrees from the University of Waterloo and Princeton University, where she studied Systems Design Engineering and English Literature.[1] She is a 2016 Guggenheim fellow.[4]
Publications
- New Media, Old Media: A History and Theory Reader (with Thomas Keenan, 2005)
- Control and Freedom: Power and Paranoia in the Age of Fiber Optics (2008)
- Programmed Visions: Software and Memory (2013)
- Updating to Remain the Same: Habitual New Media (2016)
Chun has also co-edited a special issue of American Literature on New Media and American Literature and a special issue of Camera Obscura on Race and/as Technology.[3]
References
- ^ a b "Chun, Wendy". Vivo.brown.edu. doi:10.1215/10407391-3145937. Retrieved 2016-04-13.
- ^ "Wendy Hui Kyong Chun". mitpress.mit.edu. Retrieved 2016-04-13.
- ^ a b "Triple Canopy – To Be Is to Be Updated by Wendy Hui Kyong Chun & Brian Droitcour". Triple Canopy. Retrieved 2017-03-09.
- ^ "John Simon Guggenheim Foundation - Wendy Hui Kyong Chun".
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