Jakub Arbes: Difference between revisions
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== Writer == |
== Writer == |
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Arbes cooperated with contemporary writers including [[Jiří Karásek ze Lvovic]], [[Josef Svatopluk Machar]] and his mentor [[Jan Neruda]], and was influenced by the English-language writers [[Lord Byron]] and [[Edgar Allan Poe]]. He translated many of Poe's writings into French and Czech, and named his son Edgar. Perhaps Arbes' greatest influence came from [[Émile Zola]]'s theory of the experimental novel. Arbes's writing analysed the plight of the urban working classes and promoted his ideas of utopian socialism. Arbes's work is characterised by a sense of moral justice and rationalist, critical thinking. His most important works are his "romanettoes", written in the 1860s and the 1870s, predecessors of the modern detective story. They are firmly set within concrete locations, mostly in Central Europe, and they usually present a gothic mystery, which is subsequently resolved through intellectual effort and rational analysis. Arbes's "romanettoes" introduced technical knowledge and scientific reasoning into modern literature. Arbes used autobiographical elements and anarchic and free-thinking themes in his novels. He was fascinated by creative individuals and political rebels whose intellectual capacities gave them personal independence, but whose non-conformism led them to destruction.<ref>[http://www.arts.gla.ac.uk/Slavonic/Cz_novel.html]{{deadlink}}</ref> |
Arbes cooperated with contemporary writers including [[Jiří Karásek ze Lvovic]], [[Josef Svatopluk Machar]] and his mentor [[Jan Neruda]], and was influenced by the English-language writers [[Lord Byron]] and [[Edgar Allan Poe]]. He translated many of Poe's writings into French and Czech, and named his son Edgar. Perhaps Arbes' greatest influence came from [[Émile Zola]]'s theory of the experimental novel. Arbes's writing analysed the plight of the urban working classes and promoted his ideas of utopian socialism. Arbes's work is characterised by a sense of moral justice and rationalist, critical thinking. His most important works are his "romanettoes", written in the 1860s and the 1870s, predecessors of the modern detective story. They are firmly set within concrete locations, mostly in Central Europe, and they usually present a gothic mystery, which is subsequently resolved through intellectual effort and rational analysis. Arbes's "romanettoes" introduced technical knowledge and scientific reasoning into modern literature. Arbes used autobiographical elements and anarchic and free-thinking themes in his novels. He was fascinated by creative individuals and political rebels whose intellectual capacities gave them personal independence, but whose non-conformism led them to destruction.<ref>[http://www.arts.gla.ac.uk/Slavonic/Cz_novel.html]{{deadlink|date=March 2017}}</ref> |
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== Newton's Brain == |
== Newton's Brain == |
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Revision as of 20:13, 27 March 2017
Jakub Arbes (June 12, 1840, Prague (Smíchov) – April 8, 1914) was a Czech writer and intellectual. He is best known as the creator of the literary genre called romanetto and spent much of his professional life in France.
Life and Politics
A native of Smíchov in Prague, Arbes studied under Jan Neruda, for whom he had a lifelong admiration, and later he studied Philosophy and Literature at Prague Polytechnic. In 1867 he began his career in journalism as editor of Vesna Kutnohorská, and from 1868 to 1877 as the chief editor of the National Press. Arbes was also an editor of political magazines Hlas (The Voice) and Politiks (Politics), and a sympathizer of the Májovci literary group. During this time Arbes was persecuted and spent 15 months in the Czech Lipa prison, for leading opposition to the ruling Austro-Hungarian Empire.[1] He left Prague soon after, spending time in Paris and the South of France as part of the intellectual community there. In France he was an associate of other "Bohemian Parisiens" such as Paul Alexis, Luděk Marold, Guy de Maupassant, Viktor Oliva, and Karel Vítězslav Mašek, as well as the French writer Émile François Zola.
Writer
 | This section's tone or style may not reflect the encyclopedic tone used on Wikipedia. (March 2017) |
Arbes cooperated with contemporary writers including Jiří Karásek ze Lvovic, Josef Svatopluk Machar and his mentor Jan Neruda, and was influenced by the English-language writers Lord Byron and Edgar Allan Poe. He translated many of Poe's writings into French and Czech, and named his son Edgar. Perhaps Arbes' greatest influence came from Émile Zola's theory of the experimental novel. Arbes's writing analysed the plight of the urban working classes and promoted his ideas of utopian socialism. Arbes's work is characterised by a sense of moral justice and rationalist, critical thinking. His most important works are his "romanettoes", written in the 1860s and the 1870s, predecessors of the modern detective story. They are firmly set within concrete locations, mostly in Central Europe, and they usually present a gothic mystery, which is subsequently resolved through intellectual effort and rational analysis. Arbes's "romanettoes" introduced technical knowledge and scientific reasoning into modern literature. Arbes used autobiographical elements and anarchic and free-thinking themes in his novels. He was fascinated by creative individuals and political rebels whose intellectual capacities gave them personal independence, but whose non-conformism led them to destruction.[2]
Newton's Brain
Among Arbes's most influential works was Newton's Brain (1877). In this story, two ideas coincide: the brain of the genius and trickster, apparently dies at the Battle of Koniggratz in the Austro-Prussian War of 1866. However, he has not died and instead is able to procure a replacement for his injured brain, which is the brain of Isaac Newton. Subsequently, he uses Newton's knowledge of the laws of nature to overcome them, using a strange device to travel faster than the speed of light, and also to photograph the past. In the end, the narrator's friend discloses to the audience that this device is human imagination. However, it is a very precise instrument and can be used to reconstruct the truth of history, in this case the Battle of Koniggratz. Newton's brain was published 18 years before H.G. Wells' The Time Machine, and has been considered a strong influence on Wells. Zola wrote that Arbes "is not a poet, not an artist, but rather a writer, and one of considerable stature, by which I mean an intellectual experimenter, a mind of a certain intellectual partiality and from a specific social background, an author with a socially critical and ameliorative tendency, and an educator rather than a discoverer in spheres of soul and form".[3]
Legacy
A public square in central Prague is named in his honour, as well as several other squares and streets in Czech cities.
Works
Romanettos
- Ďábel na skřipci (1865)
- Elegie o černých očích (1865–1867)
- Svatý Xaverius (1873)
- Sivooký démon (1873)
- Zázračná madona (1875)
- Ukřižovaná (1876)
- Newtonův mozek “Newton’s Brain” (1877)
- Akrobati (1878)
- Zborcené harfy tón (1885–1886)
- Lotr Gólo (1886)
- Duhový bod nad hlavou (1889)
- Duhokřídlá Psýché (1891)
- Kandidáti existence
- Etiopská lilie
Novels
- Moderní upíři
- Štrajchpudlíci
- Mesiáš
- Anděl míru
- Kandidáti existence
- Český Paganini
- Záhadné povahy
- Z duševní dílny básníků
Journalism
- Epizody
- Pláč koruny české neboli Nová persekuce
See also
References
- ^ ed. Věra Menclová, Václav Vaněk (2005). Slovník českých spisovatelů (in Czech). Prague: Libri. p. 52. ISBN 80-7277-179-5.
{{cite book}}:|author=has generic name (help) - ^ [1][dead link]
- ^ Parrinder, Patrick; Partington, John S. (12 July 2005). "The Reception of H.G. Wells in Europe". Bloomsbury Academic – via Google Books.
External links
