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* ''[[There We Are, John (film)|There We Are, John]]'' (1993)
* ''[[There We Are, John (film)|There We Are, John]]'' (1993)
* ''[[1867 (film)|1867]]'' (1990)
* ''[[1867 (film)|1867]]'' (1990)
* ''[[1871 (film)|1871]]'' (1990): a period film about the rise and fall of the Paris Commune in 1871. Screened in the [[Un Certain Regard]] section at the [[1990 Cannes Film Festival]].<ref name="festival-cannes.com">{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/204/year/1990.html |title=Festival de Cannes: 1871|accessdate=2009-08-07|work=festival-cannes.com}}</ref>
* ''[[1871 (film)|1871]]'' (1990): a period film about the rise and fall of the Paris Commune in 1871. Screened in the [[Un Certain Regard]] section at the [[1990 Cannes Film Festival]].<ref name="festival-cannes.com">{{cite web|url=http://www.festival-cannes.com/en/archives/ficheFilm/id/204/year/1990.html |title=Festival de Cannes: 1871 |accessdate=2009-08-07 |work=festival-cannes.com |deadurl=yes |archiveurl=https://web.archive.org/web/20120302020314/https://www.festival-cannes.com/en/archives/ficheFilm/id/204/year/1990.html |archivedate=2012-03-02 |df= }}</ref>
* ''[[Partition (1987 film)|Partition]]'' (1987): set in the turmoil surrounding the transfer of political power in [[British Raj|British India]] from [[United Kingdom|British]] to [[India]]n hands and the [[Partition of India|partition of the subcontinent]] into [[History of Pakistan|The Dominion of Pakistan]] and [[History of the Republic of India|The Republic of India]] in 1947.
* ''[[Partition (1987 film)|Partition]]'' (1987): set in the turmoil surrounding the transfer of political power in [[British Raj|British India]] from [[United Kingdom|British]] to [[India]]n hands and the [[Partition of India|partition of the subcontinent]] into [[History of Pakistan|The Dominion of Pakistan]] and [[History of the Republic of India|The Republic of India]] in 1947.
* ''[[Zina (film)|Zina]]'' (1985): comparable to a twentieth century [[Antigone]], the [[Zinaida Volkova|''titular daughter'']] of [[Leon Trotsky]] discusses memories of her life and her father with the [[Berlin]]ian [[psychotherapist]] [[Arthur Kronfeld|Professor Kronfeld]].
* ''[[Zina (film)|Zina]]'' (1985): comparable to a twentieth century [[Antigone]], the [[Zinaida Volkova|''titular daughter'']] of [[Leon Trotsky]] discusses memories of her life and her father with the [[Berlin]]ian [[psychotherapist]] [[Arthur Kronfeld|Professor Kronfeld]].

Revision as of 05:15, 4 May 2017

Ken McMullen (born 31 August 1948, Manchester) is an award-winning [citation needed] film director and since 2012 Anniversary Professor of Film Studies at Kingston University, London. McMullen's films are grounded in philosophy, history, psychoanalysis and literature. McMullen's exhibition Signatures of the Invisible brought together artists and scientists working at CERN, the European particle physics facility near Geneva. His other work includes filming conversations with physicists at Stanford Linear Accelerator Centre, which he describes as "making a diary of the transition in human culture" because he believes physics is arriving at another shifting point. His latest work Arrows of Time is a radical new form of cinema consisting of 40 interchangeable elements that deal with literature, philosophy, and contemporary physics, premiered at the Museum of Modern Art in San Francisco in April 2007.

During the late nineties and early two thousands McMullen also lectured and took tutor groups and what was then 'The London College of Printing and Distributive Trades' - now the London College of Communication. Attached to the department of Film and Television studies at the college's Back Hill facility, McMullen was popular with students.

Selected filmography

References

  1. ^ "Festival de Cannes: 1871". festival-cannes.com. Archived from the original on 2012-03-02. Retrieved 2009-08-07. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)