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== Work ==
== Work ==


Clemente's work has been widely shown. During 1970's to 1980's Clemente stayed in India. The works in this series include “Sun” (1980, Philadelphia Museum of Art),<ref>{{Cite web|url=http://www.philamuseum.org/collections/permanent/76598.html?mulR=666430470%7C2|title=Philadelphia Museum of Art - Collections Object : Sun|last=Art|first=Philadelphia Museum of|website=www.philamuseum.org|access-date=2017-06-16}}</ref> “Hunger” (1980, Philadelphia Museum of Art)<ref>{{Cite web|url=http://www.philamuseum.org/collections/permanent/86215.html?mulR=1122939333%7C4|title=Philadelphia Museum of Art - Collections Object : Hunger|last=Art|first=Philadelphia Museum of|website=www.philamuseum.org|access-date=2017-06-16}}</ref>, “Moon” (1980, Museum of Modern Art).<ref>{{Cite web|url=http://rubinmuseum.org/events/exhibitions/francesco-clemente|title=Francesco Clemente - Inspired by India {{!}} Rubin Museum of Art|website=rubinmuseum.org|language=en|access-date=2017-06-19}}</ref> His early large canvases, painted in 1981–1982, were shown in 1983 at the [[Whitechapel Gallery]] in London, and then in Germany and Sweden.{{r|grove}} In 1985 clemente painted a vaulted ceiling of an old theater in the Palladium.<ref>{{Cite news|url=http://www.nytimes.com/1985/05/20/nyregion/an-appraisal-the-palladium-an-architecturally-dramatic-new-discotheque.html|title=AN APPRAISAL; THE PALLADIUM: AN ARCHITECTURALLY DRAMATIC NEW DISCOTHEQUE|last=Goldberger|first=Paul|date=1985-05-20|work=The New York Times|access-date=2017-06-19|language=en-US|issn=0362-4331}}</ref> In 1986 the [[John and Mable Ringling Museum of Art]] in [[Sarasota, Florida]], mounted a travelling exhibition of his work.{{r|gugg}} In 1987-89 he painted a series of eleven paintings shown at the DIA Foundation.<ref>{{Cite web|url=https://www.diaart.org/program/exhibitions-projects/francesco-clemente-funerary-paintings-exhibition|title=Dia {{!}} Program {{!}} Francesco Clemente: Funerary Paintings|last=Foundation|first=Dia Art|website=www.diaart.org|language=en|access-date=2017-06-19}}</ref> In 1989, a series known as the Black Book was painted by Clemente containing the 13th century sculptures from the [[Konark Sun Temple|Sun Temple]] at Konarak.<ref>{{Cite news|url=https://www.nytimes.com/2014/09/05/arts/design/francesco-clemente-retrospective-at-rubin-museum.html|title=Francesco Clemente Retrospective at Rubin Museum|last=Rosenberg|first=Karen|date=2014-09-04|work=The New York Times|access-date=2017-06-19|language=en-US|issn=0362-4331}}</ref> He also participated in [[Magiciens de la terre|Magiciens de la Terre]] at the [[Centre Georges Pompidou|Centre Pompidou]] in 1989.<ref>{{Cite web|url=http://www.contemporaryand.com/magazines/magiciens-de-la-terre/|title=Magiciens de la Terre {{!}} Contemporary And|website=www.contemporaryand.com|language=de|access-date=2017-06-19}}</ref> Clemente participated in the [[Biennale di Venezia]] in 1988, 1993, 1995 and 1997; in [[documenta]] in [[Kassel]], Germany, in 1992 and 1997; and in the [[Whitney Biennial]], also in 1997.{{r|trecc}} Clemente's ''La stanza della madre'' (Mother’s Room) was commissioned for the inauguration of the [[Guggenheim Museum Bilbao]] in 1995-97.<ref>{{Cite news|url=https://www.guggenheim.org/artwork/23|title=Mother’s Room|date=1995-01-01|work=Guggenheim|access-date=2017-06-19|language=en-US}}</ref> Clemente held his first exhibition in his birth city of [[Naples]] in 2003 at Ave Ovo and transformed a room with his paintings.<ref>{{Cite news|url=http://www.madrenapoli.it/en/collection/francesco-clemente-ave-ovo/|title=Francesco Clemente – Ave Ovo {{!}} MADRE Napoli|work=MADRE Napoli|access-date=2017-06-19}}</ref> In the Metropolitan Opera’s 2008–09 season, Clemente’s [[The Sopranos]], portraits of eight divas was featured.<ref>{{Cite web|url=http://www.metopera.org/Visit/Exhibitions/Gallery-Met-Exhibitions/Gallery-Met-The-Sopranos/|title=Metropolitan Opera {{!}} Gallery Met: The Sopranos|website=www.metopera.org|access-date=2017-06-19}}</ref> Between 2012 and 2014 Clemente created a suite of six painted tents in [[Jodhpur]], [[Rajasthan]]. The tents have been shown together in the exhibition “Encampment” at [[Massachusetts Museum of Contemporary Art|Mass Moca]] (2015)<ref>{{Cite web|url=http://massmoca.org/francesco-clemente-encampment/|title=Francesco Clemente: Encampment {{!}} MASS MoCA|website=massmoca.org|language=en-US|access-date=2017-06-19}}</ref>, traveling to [[Carriageworks]] in [[Sydney]] (2016)<ref>{{Cite web|url=http://www.theaustralian.com.au/news/nation/italian-francesco-clemente-turns-carriageworks-into-colourful-camp/news-story/3208f049768ed6f73df1791a67c5bbe2|title=Subscribe {{!}} theaustralian|website=www.theaustralian.com.au|access-date=2017-06-19}}</ref><ref>{{Cite news|url=http://carriageworks.com.au/events/francesco-clemente-encampment/|title=FRANCESCO CLEMENTE - Carriageworks|work=Carriageworks|access-date=2017-06-19|language=en-US}}</ref>
Clemente's work has been widely shown. His early large canvases, painted in 1981–1982, were shown in 1983 at the [[Whitechapel Gallery]] in London, and then in Germany and Sweden.{{r|grove}} In 1986 the [[John and Mable Ringling Museum of Art]] in [[Sarasota, Florida]], mounted a travelling exhibition of his work.{{r|gugg}} Clemente participated in the [[Biennale di Venezia]] in 1988, 1993, 1995 and 1997; in [[documenta]] in [[Kassel]], Germany, in 1992 and 1997; and in the [[Whitney Biennial]], also in 1997.{{r|trecc}} Solo shows were held at the [[Philadelphia Museum of Art]] in 1990;{{r|phila}} at the [[Sezon Museum of Modern Art]] in Tokyo in 1994; at the [[Galleria d'Arte Moderna, Bologna|Galleria d'Arte Moderna]] of [[Bologna]] in 1999; at the [[Solomon R. Guggenheim Museum]] in New York in 2000; at the [[Museo Archeologico Nazionale di Napoli]] in [[Naples]] in 2002–2003; at the [[Irish Museum of Modern Art]] in Dublin in 2004; at [[Palazzo Sant'Elia]] in [[Palermo]], in Sicily, in 2013; at both the [[Coro della Maddalena]] in [[Alba, Piedmont|Alba]] and [[Santa Maria della Scala, Siena|Santa Maria della Scala]] in [[Siena]] in 2016; and at the [[NSU Art Museum]] in [[Fort Lauderdale, Florida]], in 2017.{{r|trecc|gugg}}


Solo shows were held at the [[Philadelphia Museum of Art]] in 1990;{{r|phila}} at the [[Sezon Museum of Modern Art]] in Tokyo in 1994; at the [[Galleria d'Arte Moderna, Bologna|Galleria d'Arte Moderna]] of [[Bologna]] in 1999; at the [[Solomon R. Guggenheim Museum]] in New York in 2000; at the [[Museo Archeologico Nazionale di Napoli]] in [[Naples]] in 2002–2003; New Works, [[Reykjavik Art Museum]], Reykjavik, 2003,<ref>{{Cite web|url=http://artmuseum.is/exhibitions/new-works-francesco-clemente|title=New Works Francesco Clemente|last=isakorn|date=2015-01-06|website=listasafnreykjavikur.is|language=en-UK|access-date=2017-06-19}}</ref> at the [[Irish Museum of Modern Art]]<ref>{{Cite web|url=http://www.imma.ie/en/page_12812.htm|title=Francesco Clemente: New Works|last=www.damiencarbery.com|first=Website Designed, Developed and Hosted by Damien Carbery -|website=www.imma.ie|access-date=2017-06-19}}</ref> in Dublin in 2004; at [[Palazzo Sant'Elia]] in [[Palermo]], in Sicily, in 2009, Shipwreck with the Spectator at Madre-Museo d’Arte Contemporanea Donnaregina,<ref>{{Cite news|url=http://www.madrenapoli.it/en/exhibitions/francesco-clemente-shipwreck-with-spectator-1974-2004/|title=Francesco Clemente. Shipwreck with Spectator (1974 – 2004) {{!}} MADRE Napoli|work=MADRE Napoli|access-date=2017-06-19}}</ref> In 2013; at both the [[Coro della Maddalena]] in [[Alba, Piedmont|Alba]] and [[Santa Maria della Scala, Siena|Santa Maria della Scala]] in [[Siena]] in 2016; and at the [[NSU Art Museum]] in [[Fort Lauderdale, Florida]], in 2017.{{r|trecc|gugg}}
Clemente's work is featured in the 1998 movie, [[Great Expectations (1998 film)|Great Expectations]].{{cn|date=May 2017}}

Clemente's work is featured in the 1998 movie, [[Great Expectations (1998 film)|Great Expectations]].<ref>{{Cite web|url=http://www.nytimes.com/movie/review?res=9402E7DB143AF933A05752C0A96E958260&mcubz=0|title=Movie Review FILM REVIEW; Tale of Two Stories, This One With a Ms. NYTimes.com|last=|first=|date=|website=www.nytimes.com|language=en|archive-url=|archive-date=|dead-url=|access-date=2017-06-19}}</ref> Clemente played the genie in the indie film [[Adam Green's Aladdin]] in 2016.<ref>{{Cite web|url=https://www.queensworldfilmfestival.com/films/detail.asp?fid=839|title=ADAM GREENS ALADDIN by Adam Green, Feature Narrative Film at Queens World Film Festival|last=|first=|date=|website=www.queensworldfilmfestival.com|language=en-US|archive-url=|archive-date=|dead-url=|access-date=2017-06-19}}</ref>


<gallery caption="''Undae Clemente flamina pulsae'', Francesco Clemente, 1978, Groninger Museum" mode=packed>
<gallery caption="''Undae Clemente flamina pulsae'', Francesco Clemente, 1978, Groninger Museum" mode=packed>

Revision as of 19:01, 19 June 2017

Francesco Clemente
black-and-white photograph of an elderly man with grey-stubbled chin
Portrait by Michael Avedon, 2011
Born(1952-03-23)23 March 1952
Naples, Italy
NationalityItalian
EducationArchitecture, University of Rome
Known forpainting, drawing
Websitefrancescoclemente.net
Cover of Francesco Clemente Pinxit, artist's book, 1981
With self-portrait, San Francisco, 1991

Francesco Clemente (born 23 March 1952) is an Italian contemporary artist. He has lived at various times in Italy, in India, and in New York City. Some of his work is influenced by the traditional art and culture of India.[1] He has worked in various artistic media including drawing, fresco, graphics, mosaic, oils and sculpture.[2] He was among the principal figures in the Italian Transavanguardia movement of the 1980s, which was characterised by a rejection of Formalism and conceptual art and a return to figurative art and Symbolism.[3]

Life

Clemente was born in 1952 in Naples, in Campania in southern Italy. In 1970 he enrolled in the faculty of architecture of the Sapienza, the university of Rome, but did not complete a degree there.[3] In Rome he came into contact with contemporary artists such as Luigi Ontani and Alighiero Boetti, who had come to the city at about the same time,[4] and also with the American Cy Twombly, who lived there.[1] Boetti, who was ten years older, became both a friend and a mentor; in 1974 they visited Afghanistan together.[5] With Ontani, Clemente gave performances at the Galleria L'Attico.[6] Despite his close involvement with these artists associated with the Arte povera movement, and his interest in others such as Pino Pascali and Michelangelo Pistoletto, Clemente preferred to work on paper. He made ink drawings of dreams and recollections of his childhood, and in 1971, in his first solo show, exhibited collages at the Galleria Giulia in Rome.[1]

In 1973 Clemente made the first of many visits to India.[1] He established a studio in Madras (now Chennai),[2] and became interested in both the religious and folk traditions of India and in the traditional art and crafts of the country. In 1976 and 1977 he visited the library of the Theosophical Society of Madras to study the religious texts there.[3] In 1980 and 1981 he worked on Francesco Clemente Pinxit, a series of twenty-four gouaches on antique hand-made rag paper, in collaboration with miniature painters from Orissa and Jaipur.[1][3][7]: 88  In 1982 he moved to New York City, in the United States.[8]

Paper tent at the Kochi-Muziris Biennale in Kochi, in Kerala, India, 2014

Work

Clemente's work has been widely shown. During 1970's to 1980's Clemente stayed in India. The works in this series include “Sun” (1980, Philadelphia Museum of Art),[9] “Hunger” (1980, Philadelphia Museum of Art)[10], “Moon” (1980, Museum of Modern Art).[11] His early large canvases, painted in 1981–1982, were shown in 1983 at the Whitechapel Gallery in London, and then in Germany and Sweden.[1] In 1985 clemente painted a vaulted ceiling of an old theater in the Palladium.[12] In 1986 the John and Mable Ringling Museum of Art in Sarasota, Florida, mounted a travelling exhibition of his work.[3] In 1987-89 he painted a series of eleven paintings shown at the DIA Foundation.[13] In 1989, a series known as the Black Book was painted by Clemente containing the 13th century sculptures from the Sun Temple at Konarak.[14] He also participated in Magiciens de la Terre at the Centre Pompidou in 1989.[15] Clemente participated in the Biennale di Venezia in 1988, 1993, 1995 and 1997; in documenta in Kassel, Germany, in 1992 and 1997; and in the Whitney Biennial, also in 1997.[2] Clemente's La stanza della madre (Mother’s Room) was commissioned for the inauguration of the Guggenheim Museum Bilbao in 1995-97.[16] Clemente held his first exhibition in his birth city of Naples in 2003 at Ave Ovo and transformed a room with his paintings.[17] In the Metropolitan Opera’s 2008–09 season, Clemente’s The Sopranos, portraits of eight divas was featured.[18] Between 2012 and 2014 Clemente created a suite of six painted tents in Jodhpur, Rajasthan. The tents have been shown together in the exhibition “Encampment” at Mass Moca (2015)[19], traveling to Carriageworks in Sydney (2016)[20][21]

Solo shows were held at the Philadelphia Museum of Art in 1990;[22] at the Sezon Museum of Modern Art in Tokyo in 1994; at the Galleria d'Arte Moderna of Bologna in 1999; at the Solomon R. Guggenheim Museum in New York in 2000; at the Museo Archeologico Nazionale di Napoli in Naples in 2002–2003; New Works, Reykjavik Art Museum, Reykjavik, 2003,[23] at the Irish Museum of Modern Art[24] in Dublin in 2004; at Palazzo Sant'Elia in Palermo, in Sicily, in 2009, Shipwreck with the Spectator at Madre-Museo d’Arte Contemporanea Donnaregina,[25] In 2013; at both the Coro della Maddalena in Alba and Santa Maria della Scala in Siena in 2016; and at the NSU Art Museum in Fort Lauderdale, Florida, in 2017.[2][3]

Clemente's work is featured in the 1998 movie, Great Expectations.[26] Clemente played the genie in the indie film Adam Green's Aladdin in 2016.[27]

References

  1. ^ a b c d e f [s.n.] (2012). Clemente, Francesco. Grove Art Online. Oxford Art Online. Oxford: Oxford University Press. Accessed April 2017. (subscription required)
  2. ^ a b c d Clemènte, Francesco (in Italian). Enciclopedie on line. Rome: Istituto dell'Enciclopedia Italiana. Accessed March 2017.
  3. ^ a b c d e f Francesco Clemente. Guggenheim. The Solomon R. Guggenheim Foundation. Accessed March 2017.
  4. ^ Alex Bacon (3 May 2013). Francesco Clemente in Conversation with Alex Bacon. Brooklyn Rail.
  5. ^ Francesco Clemente (2012). TateShots: Francesco Clemente on Alighiero Boetti. London: Tate. Accessed April 2017.
  6. ^ Matthew Gale ([n.d.]). Ontani, Luigi. Grove Art Online. Oxford Art Online. Oxford: Oxford University Press. Accessed April 2017. (subscription required)
  7. ^ Stella Kramrisch (1990). The Twenty-Four Indian Miniatures; in: Ann Percy, Raymond Foye (1990). Francesco Clemente: Three Worlds (exhibition catalogue). Philadelphia: Philadelphia Museum of Art. Pages 88–109. ISBN 9780847812974.
  8. ^ Kay Larson (19 November 1990). On The Line. New York. ISSN 00287369.
  9. ^ Art, Philadelphia Museum of. "Philadelphia Museum of Art - Collections Object : Sun". www.philamuseum.org. Retrieved 16 June 2017.
  10. ^ Art, Philadelphia Museum of. "Philadelphia Museum of Art - Collections Object : Hunger". www.philamuseum.org. Retrieved 16 June 2017.
  11. ^ "Francesco Clemente - Inspired by India | Rubin Museum of Art". rubinmuseum.org. Retrieved 19 June 2017.
  12. ^ Goldberger, Paul (20 May 1985). "AN APPRAISAL; THE PALLADIUM: AN ARCHITECTURALLY DRAMATIC NEW DISCOTHEQUE". The New York Times. ISSN 0362-4331. Retrieved 19 June 2017.
  13. ^ Foundation, Dia Art. "Dia | Program | Francesco Clemente: Funerary Paintings". www.diaart.org. Retrieved 19 June 2017.
  14. ^ Rosenberg, Karen (4 September 2014). "Francesco Clemente Retrospective at Rubin Museum". The New York Times. ISSN 0362-4331. Retrieved 19 June 2017.
  15. ^ "Magiciens de la Terre | Contemporary And". www.contemporaryand.com (in German). Retrieved 19 June 2017.
  16. ^ "Mother's Room". Guggenheim. 1 January 1995. Retrieved 19 June 2017.
  17. ^ "Francesco Clemente – Ave Ovo | MADRE Napoli". MADRE Napoli. Retrieved 19 June 2017.
  18. ^ "Metropolitan Opera | Gallery Met: The Sopranos". www.metopera.org. Retrieved 19 June 2017.
  19. ^ "Francesco Clemente: Encampment | MASS MoCA". massmoca.org. Retrieved 19 June 2017.
  20. ^ "Subscribe | theaustralian". www.theaustralian.com.au. Retrieved 19 June 2017.
  21. ^ "FRANCESCO CLEMENTE - Carriageworks". Carriageworks. Retrieved 19 June 2017.
  22. ^ Francesco Clemente: Three Worlds. Philadelphia: Philadelphia Museum of Art. Archived 30 March 2011.
  23. ^ isakorn (6 January 2015). "New Works Francesco Clemente". listasafnreykjavikur.is. Retrieved 19 June 2017.
  24. ^ www.damiencarbery.com, Website Designed, Developed and Hosted by Damien Carbery -. "Francesco Clemente: New Works". www.imma.ie. Retrieved 19 June 2017.{{cite web}}: CS1 maint: multiple names: authors list (link)
  25. ^ "Francesco Clemente. Shipwreck with Spectator (1974 – 2004) | MADRE Napoli". MADRE Napoli. Retrieved 19 June 2017.
  26. ^ "Movie Review FILM REVIEW; Tale of Two Stories, This One With a Ms. NYTimes.com". www.nytimes.com. Retrieved 19 June 2017. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  27. ^ "ADAM GREENS ALADDIN by Adam Green, Feature Narrative Film at Queens World Film Festival". www.queensworldfilmfestival.com. Retrieved 19 June 2017. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)

Further reading

Books

  • Seidel, Max. Francesco Clemente: The Tarots. Hirmer Publishers. 2012. ISBN 9783777445212
  • Clemente,Francesco; Hollein, Max and Walcott, Derek. Francesco Clemente: Palimpsest. Moderne Kunst Nürnberg. 2012. ISBN 9783869842257
  • Danto, C. Artur. Francesco Clemente: The Sopranos. Charta. 2008. ISBN 9788881586981
  • Clemente,Francesco; Walcott, Derek. Francesco Clemente: Three Rainbows. Charta. 2009. ISBN 9788881587452
  • Clemente,Francesco; Danto, Arthur. Francesco Clemente: A Private Geography. Charta. 2011. ISBN 9788881587957
  • Jain, Jyotindra. Clemente: Made in India. Charta. 2011. ISBN 9788881588091
  • Ammann, Jean- Christophe; Clemente, Francesco. Francesco Clemente: Works 1971–1979. Charta. 2007. ISBN 9788881586509
  • Matthews, Harry. Singular Pleasures. Dalkey Archive Press. 1999. ISBN 9781564782335
  • Clemente, Francesco. Francesco Clemente. Charta. 2000. ISBN 9788881582822
  • Babini, Luca. Francesco Clemente: Art and Life. Aperture Foundation. 1999. ISBN 9780893818722
  • Rushdie, Salman. Francesco Clemente: Self Portraits. Gagosian Gallery. 2005. ISBN 9781932598247
  • Clemente, Francesco. Polaroids, Celebrities and Self-Portraits. Jablonka Galerie. 2001. ISBN 9788391307526
  • Fahey, David; Clemente, Francesco. Sante D'Orazio: A Private View. Prestel Publishing. 2006. ISBN 9783829602471
  • Clemente, Francesco. India. Twelvetrees Press. 1989. ISBN 9780942642308
  • Rimanelli, David. Francesco Clemente Paintings 2000-2003. Gagosian Gallery. 2003. ISBN 9781880154946
  • Clemente, Francesco. Francesco Clemte: Fifty One Days at Mount Abu. D'Offay, Anthony Gallery. 1999. ISBN 9780947564773
  • Fischl, Eric; Ammann, Jean-Christophe; Young, Goeffrey; Clemente, Francesco. Eric Fischl: It's Where I look...It's How I See... Their World, My World, The World. Mary Boone Gallery/ Jablonka Gallery. 2009. ISBN 9783931354329
  • Auping, Michael. Francesco Clemente. Abrams, Harry N., Inc. 1985. ISBN 9780810907720
  • Colombo, Paulo. Francesco Clemente. Electa. 2006. ISBN 9788837043469
  • Avedon, Elizabeth. Francesco Clemente. Knopf Publishing Group. 1987. ISBN 9780394747873
  • Katz, Vincent. Life Is Paradise: The Portraits of Francesco Clemente. Powerhouse Books. 1999. ISBN 9781576870532
  • McLure, Michael. Francesco Clemente Testa Coda. Rizzoli. 1992. ISBN 9780847814695
  • Percy, Ann. Francesco Clemente: Three Worlds. Rizzoli. 1990. ISBN 9780847812974
  • Percy, Ann. Francesco Clemente: Three Worlosi. Philadelphia Museum of Art. 1998. ISBN 9780876330845
  • Warner, Marina. Francesco Clemente: The Book of the Sea. Gagosian Gallery. 2002. ISBN 9781880154779
  • Shapiro, David. Francesco Clemente. Parkett Verlag AG. 1986. ISBN 9783907509593
  • Valli, Giambattista. Giambattista Valli. Rizzoli. 16 October 2012. ISBN 9780847835713
  • Denninson, Lisa. Clemente: A Retrospective. Abrams, Harry N., Inc. 1999. ISBN 9780810969179
  • Crone, Rainer. Francesco Clemente: Pastelle 1972-1983 Prestel Verlag GmbH & Co KG. 1984.ISBN 9783791306421
  • Eccher, Danilo. Francesco Clemente. Allemandi, Umberto & Company. 1999. ISBN 9788842209171

Articles

  • Walcott, Derek. A Conversion.[1] Exhibition catalogue Deitch Projects, New York, Edizioni Charta, Milano 2009.
  • Rushdie, Salman. Being Francesco Clemente.[2] This essay was originally published as Salman Rushdie, “Being Francesco Clemente,” in Francesco Clemente: Self Portraits, exh. cat. (New York: Gagosian Gallery, 2006), pp. 5–10.

Interviews

  • Kort, Pamela. Francesco Clemente in Conversation with Pamela Kort.[2] New York, 26 March 2011 (Published in Francesco Clemente, Palimpsest, exhibition catalogue Schirn Kunsthalle, Frankfurt, 2011)
  • Rose, Charlie. A conversation with artist Francesco Clemente.[3] New York, 20 August 2008
  1. ^ "A Conversion by Derek Walcott" (PDF). Retrieved 24 March 2012.
  2. ^ a b "Being Francesco Clemente" (PDF). Retrieved 24 March 2012.
  3. ^ "A conversation with artist Francesco Clemente". Retrieved 24 March 2012.
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