Claudia Barainsky: Difference between revisions
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She performed at the [[Deutsche Oper am Rhein]] in 1995 the parts of Sophie in ''[[Der Rosenkavalier]]'' by Richard Strauss, Musetta in Puccini's ''[[La Bohème]]'' and Blonde in ''Die Entführung''. She appeared at the [[Bayreuth Festival]] first in 1998 as a flower maiden in ''[[Parsifal]]'', and again in 2000 as the character Waldvogel in ''[[Siegfried (opera)|Siegfried]]''.<ref name="Bayreuth" /> |
She performed at the [[Deutsche Oper am Rhein]] in 1995 the parts of Sophie in ''[[Der Rosenkavalier]]'' by Richard Strauss, Musetta in Puccini's ''[[La Bohème]]'' and Blonde in ''Die Entführung''. She appeared at the [[Bayreuth Festival]] first in 1998 as a flower maiden in ''[[Parsifal]]'', and again in 2000 as the character Waldvogel in ''[[Siegfried (opera)|Siegfried]]''.<ref name="Bayreuth" /> |
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Barainsky participated in the 2000 premiere of [[Aribert Reimann]]'s ''Bernarda Albas Haus'' at the [[Bayerische Staatsoper]] as Martirio, and performed the same part at the [[Komische Oper Berlin]].<ref name="Reimann" /> In 2001, she appeared as Anna in Heinrich Marschner's ''[[Hans Heiling]]'' at the [[Deutsche Oper Berlin]]. She was awarded the [[Preis der deutschen Schallplattenkritik]] in the category "best singer" in 2007 for her interpretation of Marie in Bernd Alois Zimmermann's ''[[Die Soldaten]]''. |
Barainsky participated in the 2000 premiere of [[Aribert Reimann]]'s ''Bernarda Albas Haus'' at the [[Bayerische Staatsoper]] as Martirio, and performed the same part at the [[Komische Oper Berlin]].<ref name="Reimann" /> In 2001, she appeared as Anna in Heinrich Marschner's ''[[Hans Heiling]]'' at the [[Deutsche Oper Berlin]]. She was awarded the [[Preis der deutschen Schallplattenkritik]] in the category "best singer" in 2007 for her interpretation of Marie in Bernd Alois Zimmermann's ''[[Die Soldaten]]''.<ref name="Dresden" /> |
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She performed at {{ill|Handel Festival Karlsruhe|de|Händel-Festspiele Karlsruhe}}, and at the opera houses in [[Amsterdam]], [[Avignon]], [[Brüssel]] and [[Tokio]], among others. In 2009, she appeared at the Semperoper as Badi'at in Henze's ''[[L'Upupa und der Triumph der Sohnesliebe|L'Upupa]]''. |
She performed at {{ill|Handel Festival Karlsruhe|de|Händel-Festspiele Karlsruhe}}, and at the opera houses in [[Amsterdam]], [[Avignon]], [[Brüssel]] and [[Tokio]], among others. In 2009, she appeared at the Semperoper as Badi'at in Henze's ''[[L'Upupa und der Triumph der Sohnesliebe|L'Upupa]]''.<ref name="Dresden" /> |
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She appeared in the title role of Reimann's ''[[Medea (Reimann)|Medea]]'' at the [[Frankfurt Opera]] in the German premiere in September 2010,<ref name="Reimann" /> and was awarded the 2011 ''[[Der Faust (award)|Der Faust]]'' for her performance.<ref name="DSO" /> She repeated the role in 2017 at the [[Vienna State Opera]], conducted by {{ill|Michael Boder|de}}.<ref name="Vienna" /> |
She appeared in the title role of Reimann's ''[[Medea (Reimann)|Medea]]'' at the [[Frankfurt Opera]] in the German premiere in September 2010,<ref name="Reimann" /> and was awarded the 2011 ''[[Der Faust (award)|Der Faust]]'' for her performance.<ref name="DSO" /> She repeated the role in 2017 at the [[Vienna State Opera]], conducted by {{ill|Michael Boder|de}}.<ref name="Vienna" /> |
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| first = Joachim |
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| url = http://www.omm.de/veranstaltungen/musiktheater20082009/DD-l-upupa.html |
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| title = L'Upupa und der Triumph der Sohnesliebe |
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| publisher = Online Musik Magazine |
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| date = 1 June 2009 |
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| language = German |
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| accessdate = 1 July 2017 |
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| publisher = [[Vienna State Opera]] |
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| year = 2017 |
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| language = German |
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| accessdate = 1 July 2017 |
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Revision as of 20:26, 1 July 2017
Claudia Barainsky | |
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Born | Berlin | 30 September 1965
Education | Hochschule der Künste |
Occupation |
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Awards | |
Website | www |
Claudia Barainsky (born 30 September 1965) is a German operatic soprano. She has performed internationally, and won awards for her roles in contemporary operas such as Bernd Alois Zimmermann's Die Soldaten and Aribert Reimann's Medea.
Career
Born in Berlin, Barainsky studied at the Hochschule der Künste with Ingrid Figur. She took classes with Dietrich Fischer-Dieskau and Aribert Reimann. At the beginning of her career, she appeared in concerts at festivals such as Sommerliche Musiktage Hitzacker, Internationale Maifestspiele Wiesbaden, the Schubertiade in Feldkirch, and the Wittener Tage für neue Kammermusik. She made her stage debut in 1993 at the Stadttheater Bern as Konstanze in Mozart's Die Entführung aus dem Serail. A year later, at the same festival, she sang in the title role of Alban Berg's Lulu.[1] She appeared in the title role of Aribert Reimann's Melusine at the Semperoper in Dresden.[2][3]
She performed at the Deutsche Oper am Rhein in 1995 the parts of Sophie in Der Rosenkavalier by Richard Strauss, Musetta in Puccini's La Bohème and Blonde in Die Entführung. She appeared at the Bayreuth Festival first in 1998 as a flower maiden in Parsifal, and again in 2000 as the character Waldvogel in Siegfried.[1]
Barainsky participated in the 2000 premiere of Aribert Reimann's Bernarda Albas Haus at the Bayerische Staatsoper as Martirio, and performed the same part at the Komische Oper Berlin.[3] In 2001, she appeared as Anna in Heinrich Marschner's Hans Heiling at the Deutsche Oper Berlin. She was awarded the Preis der deutschen Schallplattenkritik in the category "best singer" in 2007 for her interpretation of Marie in Bernd Alois Zimmermann's Die Soldaten.[4]
She performed at Handel Festival Karlsruhe , and at the opera houses in Amsterdam, Avignon, Brüssel and Tokio, among others. In 2009, she appeared at the Semperoper as Badi'at in Henze's L'Upupa.[4]
She appeared in the title role of Reimann's Medea at the Frankfurt Opera in the German premiere in September 2010,[3] and was awarded the 2011 Der Faust for her performance.[2] She repeated the role in 2017 at the Vienna State Opera, conducted by Michael Boder.[5]
In 2014, she performed the title role of Daphne by Strauss at the Théâtre du Capitole in Touloouse. She performed at the 2017 premiere of Uri Caine's song cycle on texts from Des Knaben Wunderhorn, conducted by Kristjan Järvi. Composers have written works for her; for example, Aribert Reimann's Tarde for soprano and orchestra in 2003, after a poem by Juan Ramón Jiménez.[3]
She collaborated with conductors such as Gerd Albrecht, Herbert Blomstedt, Sylvain Cambreling, Christoph Eschenbach, Michael Gielen, Hartmut Haenchen, Daniel Harding, Zubin Mehta, Ingo Metzmacher, Christian Thielemann and Lothar Zagrosek.[2]
Recordings
She was the soprano soloist in a 2008 recording of Bern Alois Zimmermann's Requiem für einen jungen Dichter by Cybele Records, with the Czech Philharmonic Choir Brno, the Slovak Philharmonic Choir, EuropaChorAkademie, Eric Vloeimans Quintet and the Holland Symfonia, conducted by Bernhard Kontarsky.[6]
References
- ^ a b "Claudia Barainsky". Bayreuth Festival. Retrieved 5 June 2017.
- ^ a b c "Claudia Barainsky". DSO Berlin. Retrieved 30 May 2017.
- ^ a b c d "Aribert Reimann" (PDF). Schott. Retrieved 30 May 2017.
- ^ a b Cite error: The named reference
Dresden
was invoked but never defined (see the help page). - ^ "Aribert Reimann / Medea" (in German). Vienna State Opera. 2017. Retrieved 1 July 2017.
- ^ Clements, Dominy (2009). "Bernd Alois Zimmermann (1918–1970) / Requiem für einen jungen Dichter". musicweb-international.com. Retrieved 2 May 2017.
External links
- Literature by and about Claudia Barainsky in the German National Library catalogue
- Official website
- Claudia Barainsky Ruhrtriennale
- Claudia Barainsky Hamburger Symphoniker
- Claudia Barainsky at IMDb
- Claudia Barainsky discography at Discogs