Marlena Shaw: Difference between revisions
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She was first introduced to music by her uncle Jimmy Burgess, a [[jazz]] [[trumpet]] player. In an interview with ''[[The New York Times]]'', she told the reporter “He [Jimmy Burgess] introduced me to good music through records - [[Dizzy Gillespie|Dizzy]] [Gillespie], [[Miles Davis|Miles]] [Davis], a lot of [[Gospel music|gospel]] things, and [[Al Hibbler]], who really knows how to phrase a song.” In 1952, Burgess brought her on stage at the [[Apollo Theatre|Apollo Theater]] in [[Harlem]] to sing with his band. Shaw's mother did not want Marlena to go on tour with her uncle at such a young age. Instead, she enrolled Shaw into the New York State Teachers College in Potsdam (now known as the [[State University of New York at Potsdam]]) to study music. She later dropped out of school, got married, and had five children, but never gave up her singing career. |
She was first introduced to music by her uncle Jimmy Burgess, a [[jazz]] [[trumpet]] player. In an interview with ''[[The New York Times]]'', she told the reporter “He [Jimmy Burgess] introduced me to good music through records - [[Dizzy Gillespie|Dizzy]] [Gillespie], [[Miles Davis|Miles]] [Davis], a lot of [[Gospel music|gospel]] things, and [[Al Hibbler]], who really knows how to phrase a song.” In 1952, Burgess brought her on stage at the [[Apollo Theatre|Apollo Theater]] in [[Harlem]] to sing with his band. Shaw's mother did not want Marlena to go on tour with her uncle at such a young age. Instead, she enrolled Shaw into the New York State Teachers College in Potsdam (now known as the [[State University of New York at Potsdam]]) to study music. She later dropped out of school, got married, and had five children, but never gave up her singing career. |
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Shaw began to make singing appearances in jazz clubs whenever she could spare the time. The most notable of these appearances was in 1963 when she worked with jazz trumpeter [[Howard McGhee]]. She was supposed to play at the [[Newport Jazz Festival]] with McGhee and his band, but left the group after getting into an argument with one of the band members. Later that year, she got an audition with [[Columbia Records|Columbia]] label talent scout [[John H. Hammond|John Hammond]]. Shaw did not perform well during the audition because she was too nervous. |
Shaw began to make singing appearances in jazz clubs whenever she could spare the time. The most notable of these appearances was in 1963 when she worked with jazz trumpeter [[Howard McGhee]]. She was supposed to play at the [[Newport Jazz Festival]] with McGhee and his band, but left the group after getting into an argument with one of the band members. Later that year, she got an audition with [[Columbia Records|Columbia]] label talent scout [[John H. Hammond|John Hammond]]. Shaw did not perform well during the audition because she was too nervous. Undeterred, she continued to play small clubs until 1966. Her career took off in 1966 when she landed a gig with the [[Playboy Club]] chain in Chicago. It was through this gig that she met with representatives of the [[Chess Records]] music label, and soon signed with them. She released her first two albums on their subsidiary [[Cadet Records]]. A 1969 album track "[[California Soul]]" a pop-soul tune written by [[Ashford & Simpson]] and originally issued as a single by American pop quintet [[The Fifth Dimension]] later became a staple of the UK [[rare groove]] scene and following its use in a TV advert in the 2000s' is now her best known recording in the UK. Unable to find her own style at Chess, she moved to the jazz-oriented [[Blue Note Records]] in 1972. |
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In 1977 she released an LP ''Sweet Beginnings'' on [[Columbia Records|Columbia]] that contained, arguably, Shaw's finest moment: ''Yu Ma / [[Go Away Little Girl|Go Away Little Boy]]'', a medley containing the old Goffin and [[Carole King]] standard, originally recorded by [[Nancy Wilson (jazz singer)|Nancy Wilson]]. The album also contained the track ''Look At Me, Look At You'', popular on the U.K. [[rare groove]] scene. She also recorded one of the [[disco|disco era's]] biggest hits, a remake of "[[Touch Me in the Morning]]", also on Columbia Records. |
In 1977 she released an LP ''Sweet Beginnings'' on [[Columbia Records|Columbia]] that contained, arguably, Shaw's finest moment: ''Yu Ma / [[Go Away Little Girl|Go Away Little Boy]]'', a medley containing the old Goffin and [[Carole King]] standard, originally recorded by [[Nancy Wilson (jazz singer)|Nancy Wilson]]. The album also contained the track ''Look At Me, Look At You'', popular on the U.K. [[rare groove]] scene. She also recorded one of the [[disco|disco era's]] biggest hits, a remake of "[[Touch Me in the Morning]]", also on Columbia Records. |
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Revision as of 14:28, 31 August 2017
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Marlena Shaw | |
|---|---|
 Marlena Shaw in 1967 | |
| Background information | |
| Birth name | Marlina Burgess |
| Born | September 22, 1942 New Rochelle, New York, U.S. |
| Genres | Jazz, blues, soul |
| Occupation | Singer |
| Instrument(s) | Vocals, piano |
| Years active | 1967–present |
| Labels | Cadet, Blue Note, Verve |
Marlena Shaw (born Marlina Burgess, September 22, 1942 in New Rochelle, New York) is an American singer. Shaw began her singing career in the 1960s and is still singing today. Her music has often been sampled in hip hop music, and used in television commercials.
Biography
She was first introduced to music by her uncle Jimmy Burgess, a jazz trumpet player. In an interview with The New York Times, she told the reporter “He [Jimmy Burgess] introduced me to good music through records - Dizzy [Gillespie], Miles [Davis], a lot of gospel things, and Al Hibbler, who really knows how to phrase a song.” In 1952, Burgess brought her on stage at the Apollo Theater in Harlem to sing with his band. Shaw's mother did not want Marlena to go on tour with her uncle at such a young age. Instead, she enrolled Shaw into the New York State Teachers College in Potsdam (now known as the State University of New York at Potsdam) to study music. She later dropped out of school, got married, and had five children, but never gave up her singing career.
Shaw began to make singing appearances in jazz clubs whenever she could spare the time. The most notable of these appearances was in 1963 when she worked with jazz trumpeter Howard McGhee. She was supposed to play at the Newport Jazz Festival with McGhee and his band, but left the group after getting into an argument with one of the band members. Later that year, she got an audition with Columbia label talent scout John Hammond. Shaw did not perform well during the audition because she was too nervous. Undeterred, she continued to play small clubs until 1966. Her career took off in 1966 when she landed a gig with the Playboy Club chain in Chicago. It was through this gig that she met with representatives of the Chess Records music label, and soon signed with them. She released her first two albums on their subsidiary Cadet Records. A 1969 album track "California Soul" a pop-soul tune written by Ashford & Simpson and originally issued as a single by American pop quintet The Fifth Dimension later became a staple of the UK rare groove scene and following its use in a TV advert in the 2000s' is now her best known recording in the UK. Unable to find her own style at Chess, she moved to the jazz-oriented Blue Note Records in 1972.
In 1977 she released an LP Sweet Beginnings on Columbia that contained, arguably, Shaw's finest moment: Yu Ma / Go Away Little Boy, a medley containing the old Goffin and Carole King standard, originally recorded by Nancy Wilson. The album also contained the track Look At Me, Look At You, popular on the U.K. rare groove scene. She also recorded one of the disco era's biggest hits, a remake of "Touch Me in the Morning", also on Columbia Records.
In 1982 Marlena recorded the Gary Taylor ballad called "Without You In My Life" from the LP "Let Me In Your Life" that was jointly produced by Johnny Bristol and Webster Lewis on South Bay records. This had moderate chart success in the USA. In 1983 she recorded the vocals for Could It Be You, a track by Phil Upchurch on his Name Of The Game album.
Shaw still performs and records today. In 2001 and 2007 Shaw was one of the performers at the North Sea Jazz Festival in the Netherlands.
Selected discography
Cadet
- Out of Different Bags (1967)
- The Spice of Life (1969)
Blue Note
- Marlena (1972)
- From the Depths of My Soul (1973)
- Marlena Shaw Live at Montreux (1974)
- Who Is This Bitch, Anyway? (1975)
- Just a Matter of Time (1976)
Columbia
- Sweet Beginnings (1977)
- Acting Up (1978)
- Take A Bite (1979)
South Bay
- Let Me In Your Life (1982)
Verve
- It Is Love (1986)
- Love Is In Flight (1988)
Concord Jazz
- Dangerous (1996)
- Elemental Soul (1997)
Soul Brother Records
- Anthology (2000)
- Live In Tokyo (2002)
- Lookin' For Love (2004)
References
External links
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| Other | |
