Biagio da Cesena: Difference between revisions
m Actually fixed dates |
NapoliRoma (talk | contribs) m →In popular culture: fmt/wl |
||
| Line 16: | Line 16: | ||
== In popular culture == |
== In popular culture == |
||
Biagio is referenced in a Saturday Morning Breakfast Cereal cartoon where he is used as an explanation for a character's desire to become an artist. The character explains that great art allows one to show one's enemies as fools for eternity.<ref>{{Cite web|url=http://www.smbc-comics.com/comic/art|title=Art|last=Weinersmith|first=Zach|date=7 September 2017|website=Saturday Morning Breakfast Cereal|archive-url=|archive-date=|dead-url=|access-date=7 September 2017}}</ref> |
Biagio is referenced in a ''[[Saturday Morning Breakfast Cereal]]'' cartoon where he is used as an explanation for a character's desire to become an artist. The character explains that great art allows one to show one's enemies as fools for eternity.<ref>{{Cite web|url=http://www.smbc-comics.com/comic/art|title=Art|last=Weinersmith|first=Zach|date=7 September 2017|website=Saturday Morning Breakfast Cereal|archive-url=|archive-date=|dead-url=|access-date=7 September 2017}}</ref> |
||
==References== |
==References== |
||
Revision as of 16:41, 7 September 2017
Biagio da Cesena | |
|---|---|
| Papal Master of Ceremonies | |
 | |
| Diocese | Rome |
| Personal details | |
| Nationality | Italian |
| Denomination | Roman Catholic |
Biagio da Cesena (1463–1544) was a 16th-century Italian official who served as Papal Master of Ceremonies. He is widely known for his negative reaction to the nude figures presented in Michelangelo's painting of The Last Judgment.
In 1518 da Cesena became Papal Master of Ceremonies to Pope Leo X. He would also act in this role to Popes Adrian VI, Clement VII, and Paul III.[1]
After the completion of The Last Judgment da Cesena said of the fresco, "...it was mostly disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully." da Cesena went on to say the painting was more suitable "for the public baths and taverns" than a Papal chapel. In response, Michelangelo worked Cesena's face into the scene as Minos, judge of the underworld (far bottom-right corner of the painting) with Donkey ears (i.e. indicating foolishness), while his nudity is covered by a coiled snake. It was widely said that when Cesena complained to the Pope, the pontiff joked that his jurisdiction did not extend to hell and the portrait would have to remain.[2]
In popular culture
Biagio is referenced in a Saturday Morning Breakfast Cereal cartoon where he is used as an explanation for a character's desire to become an artist. The character explains that great art allows one to show one's enemies as fools for eternity.[3]
References
- ^ Land, Norman E. (Summer 2013), "Source: Notes in the History of Art", A Concise History of the Tale of Michelangel and Biagio da Cesena, vol. Vol 32, no. Num 4, Ars Brevis Foundation, Inc., JSTOR 41955680
{{citation}}:|volume=has extra text (help) - ^ Reported by Lodovico Domenichi in Historia di detti et fatti notabili di diversi Principi & huommi privati moderni (1556), p. 668
- ^ Weinersmith, Zach (7 September 2017). "Art". Saturday Morning Breakfast Cereal. Retrieved 7 September 2017.
{{cite web}}: Cite has empty unknown parameter:|dead-url=(help)