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===Beginnings===
===Beginnings===
{{Life in Egypt}}
{{Life in Egypt}}
[[File:ModernEgypt, Poster of Yahya el hub, COV 319.jpg|thumb|left|180px|Movie poster of the Egyptian film ''Yahya el hub'' (1938).]]
[[File:ModernEgypt, Poster of Yahya el hub, COV 319.jpg|thumb|left|180px|Poster for the Egyptian film ''Yahya el hub'' (1938).]]
While a limited number of [[silent film]]s were made in Egypt from 1896 (with 1927's ''Laila'' notable as the first full-length feature), [[Cairo]]'s film industry became a regional force with the coming of sound. Between 1930 and 1936, various small studios produced at least 44 feature films. In 1936, Studio Misr, financed by industrialist [[Talaat Pasha Harb|Talaat Harb]], emerged as the leading Egyptian equivalent to Hollywood's major studios, a role the company retained for three decades.<ref>Darwish, Mustafa, ''Dream Makers on the Nile: A Portrait of Egyptian Cinema'', The American University in Cairo Press, Cairo, 1998, Pp. 12–13.</ref>
While a limited number of [[silent film]]s were made in Egypt from 1896 (with 1927's ''Laila'' notable as the first full-length feature), [[Cairo]]'s film industry became a regional force with the coming of sound. Between 1930 and 1936, various small studios produced at least 44 feature films. In 1936, Studio Misr, financed by industrialist [[Talaat Pasha Harb|Talaat Harb]], emerged as the leading Egyptian equivalent to Hollywood's major studios, a role the company retained for three decades.<ref>Darwish, Mustafa, ''Dream Makers on the Nile: A Portrait of Egyptian Cinema'', The American University in Cairo Press, Cairo, 1998, Pp. 12–13.</ref>


Revision as of 02:47, 22 October 2017

Cinema of Egypt
No. of screens294 (2010)[1]
 • Per capita0.4 per 100,000 (2010)[1]
Main distributorsThe Trinity: (Nasr - Oscar - El Massah)
Al Arabia Cinema Company[2]
Produced feature films (2005-2009)[3]
Total42 (average)
Number of admissions (2010)[4]
Total31,000,000
Gross box office (2010)[4]
Total$74.7 million

The cinema of Egypt refers to the flourishing film industry based in Cairo, the capital of Egypt. Since 1976, Cairo has held the annual Cairo International Film Festival, which has been accredited by the International Federation of Film Producers Associations.[5] There is also another festival held in Alexandria. Of the more than 4,000 short and feature-length films made in Arab countries since 1908, more than three-quarters were Egyptian.

History

Beginnings

This article is part of a series on
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Poster for the Egyptian film Yahya el hub (1938).

While a limited number of silent films were made in Egypt from 1896 (with 1927's Laila notable as the first full-length feature), Cairo's film industry became a regional force with the coming of sound. Between 1930 and 1936, various small studios produced at least 44 feature films. In 1936, Studio Misr, financed by industrialist Talaat Harb, emerged as the leading Egyptian equivalent to Hollywood's major studios, a role the company retained for three decades.[6]

Historians disagree in determining the beginning of cinema in Egypt, there are those who said that beginning in 1896 with the first film watched in Egypt, while others thought that the beginning of cinema in the June 20, 1907 with a short documentary film about the visit of Khedive Abbas Hilmi II to the Institute of Mursi Abul-Abbas in Alexandria. In 1917, the director Mohamed Karim established a production company in Alexandria. The company produced two films: Dead Flowers and Honor the Bedouin, which were shown in the city of Alexandria in early 1918.

Since then, more than 4000 films have been produced in Egypt, three quarters of the total Arab production. Egypt is the most productive country in the Middle East in the field of film production, and the one with the most developed media system.

The Golden Age

Main article: Golden Age of Egyptian cinema
Movie poster of the Egyptian film Berlanti (1944).

The 1940s, 1950s and the 1960s are generally considered the golden age of Egyptian cinema. As in the West, films responded to the popular imagination, with most falling into predictable genres (happy endings being the norm), and many actors making careers out of playing strongly typed parts. In the words of one critic, "If an Egyptian film intended for popular audiences lacked any of these prerequisites, it constituted a betrayal of the unwritten contract with the spectator, the results of which would manifest themselves in the box office."[7]

In 1940,[8] the entrepreneur and translator Anis Ebeid established "Anis Ebeid Films", as the first subtitling company in Egypt and the Middle East, bringing hundreds of American and World movies to Egypt. Later he entered the movie distribution business too.[9]

Political changes in Egypt after the overthrow of King Farouk in 1952 initially had little effect on Egyptian film. The Nasser regime sought control over the industry only after turning to socialism in 1961.[10] By 1966, the Egyptian film industry had been nationalized. As is the case regarding all matters during that period, diametrical opinions can be found about Cinema industry then. In the words of Ahmed Ramzi, a leading man of the era, "it went to the dogs".[11] The "heavy government hand" that accompanied nationalization of Egyptian film "stifled innovative trends and sapped its dynamism".[10] However, considering a rather modern moderate review like that given by Dubai International Film Festival,[12] Most of the 44 Egyptian films featuring in the best 100 Arab films of all time were produced during that period. Notable titles included The Night of Counting The Years, Cairo Station and The Postman.

By the 1970s, Egyptian films struck a balance between politics and entertainment. Films such as 1972's Khalli Balak min Zouzou (Watch out for Zouzou), starring "the Cinderella of Arab cinema", Suad Husni, sought to balance politics and audience appeal. Zouzou integrated music, dance, and contemporary fashions into a story that balanced campus ferment with family melodrama.[13]

Transitional period

The late 1970s and 1980s saw the Egyptian film industry in decline, with the rise of what came to be called "contractor movies". Actor Khaled El Sawy has described these as films "where there is no story, no acting and no production quality of any kind... basic formula movies that aimed at making a quick buck." The number of films produced also declined, from nearly 100 movies a year in the industry's prime to about a dozen in 1995. Throughout most of 1980, the West German filmmaker Teod Richter worked in Cairo filming what would become his last film, the 248 minute silent feature "Memory Through Tales Told".[14]

This lasted until summer 1997, with "Ismailia Rayeh Gayy" (translation: Ismailia back and forth). The comedy shocked the cinema industry enjoying unparalleled success and providing large profits for the producers, introducing Mohammed Fouad (a famous singer) and Mohammed Henedy a rather unknown actor who then became the number one comedian star. Building on the success of that movie, several comedy films were released in the following years

Present

The success of The Yacoubian Building, starring Adel Emam, Youssra, and Nour El-Sherif, is a sign of the continuing vigor of the Egyptian film industry.

Since the 1990s, Egypt's cinema has gone in separate directions. Smaller art films attract some international attention but sparse attendance at home. Popular films, often broad comedies such as What A Lie!, and the extremely profitable works of comedian Mohamed Saad, battle to hold audiences either drawn to Western films or, increasingly, wary of the perceived immorality of film.[10]

A few productions, such as 2003's Sahar el Layali (Sleepless Nights), intertwined stories of four bourgeois couples[15] and 2006's Imarat Yacoubian (The Yacoubian Building) bridge this divide through their combination of high artistic quality and popular appeal.

In 2006, the film Awkat Faragh (Free Times) was released. A social commentary on the decline of Egyptian youth, the film was produced on a low-budget and with the attendant low production values. The film, however, became a success. Its controversial subject matter, namely, the sexual undertones in today's society, was seen as confirmation that the industry was finally beginning to take risks.

A major challenge facing Egyptian and international scholars, students, and fans of Egyptian film is the lack of resources in terms of published works, preserved and available copies of the films themselves, and development in Egypt of state and private institutions dedicated to the study and preservation of film. The Egyptian National Film Centre (ENFC), which theoretically holds copies of all films made after 1961, is according to one Egyptian film researcher, "far from being a library, houses piles of rusty cans containing positive copies."[16]

The year 2007, however, saw a considerable spike in the number of Egyptian movies made. In 1997, the number of Egyptian feature-length films created was 16; 10 years later, that number had risen to 40. Box office records have also risen significantly, as Egyptian movies earned around $50 million while American movies, by comparison, earned $10 million.[citation needed] The quality of movies has also improved both in terms of direction and plot.

Festivals

Main article: Cairo International Film Festival

Since 1976, Cairo has held the annual Cairo International Film Festival, which has been accredited by the International Federation of Film Producers Associations.[5] There is also another festival held in Alexandria. Of the more than 4,000 short- and feature-length films made in Arab countries since 1908, more than three-quarters were Egyptian.

Notable films

Title Transliteration Year Director
My Father above the Tree [17] Abi foq al-Shagara 1969 Hussein Kamal
The Asphalt boogymen[18] Afarit el-asphalt 1996 Oussama Fawzi
Ali Baba and The Forty Thieves[19] Ali Baba wa Al Arbaeen harami 1942 Togo Mizrahi
I Am Free Ana Horra 1959 Salah Abu Seif
Date Wine[20] Arak el-balah 1998 Radwan El-Kashef
The Land Of Fear[21] Ard El-Khof 1999 Daoud Abdel Sayed
The Land[22] El Ard 1969 Youssef Chahine
The Sparrow[23] Al Asfour 1972 Youssef Chahine
The Return of the Prodigal Son[24] Awdat al ibn al dal 1976 Youssef Chahine
Sons of Egypt[25] Awlad Masr 1933 Togo Mizrahi
The Days of Sadat Ayam El-Sadat 2001 Mohamed Khan
The Soft Hands Al Ayde Al Na'ema 1963 Mahmoud Zulfikar
The Will[26] El Azima 1939 Kamal Selim
The Gate of Sun Bab el shams 2004 Yousry Nasrallah
Cairo Station Bab El-Hadid 1958 Youssef Chahine
I Love Cinema Baheb el cima 2004 Oussama Fawzi
The Search for Sayed Marzouk Al Bahths an Al Sayyid Marzuq 1990 Daoud Abdel Sayed
The Innocent El Baree' 1988 Atef El-Tayeb
Barsoum Looking for a Job Barsoum Yabhas Aen Wazifa 1923 Mohamed Bayoumi
A Beginning and an End Bidaya wa Nihaya 1960 Salah Abu Seif
The Postman Al Boustaguy 1968 Hussein Kamal
The Path of Mahabil Darb al-mahabil 1955 Tawfik Saleh
The Nightingale’s prayer Doaa al-Karawan 1959 Henry Barakat
Traffic Light Eisharit morour 1995 Khairy Beshara
In the Land of Tutankhamun Fi bilad Tout Ankh Amoun 1923 Mohamed Bayoumi
The Paradise of the Fallen Angels Gannat al shayateen 1999 Oussama Fawzi
The Island El Geezera 2007 Sherif Arafa
The Flirtation of Girls Ghazal Al Banat 1949 Anwar Wagdi
The Sin Al Haram 1965 Henry Barakat
Hassan and Marcus Hassan wi Mor'os 2008 Ramy Emam
Life or Death Haya aw Maut 1954 Kamal El Sheikh
The Choice Al Ikhtiyar 1970 Youssef Chahine
Terrorism and Kebab Al Irhab wal kabab 1992 Sherif Arafa
Alexandria... Why? Iskanderija... lih? 1978 Youssef Chahine
Karnak Al Karnak 1975 Ali Badrakhan
The Kit Kat El Kit Kat 1991 Daoud Abdel Sayed
The Lady's Puppet Laabet el sitt 1946 Waley-ElDin Sameh
Leila 1927 Aziza Amir
Angel of Mercy Malak al-Rahma 1946 Youssef Wahbi
The City[27] El Medina 1999 Yousry Nasrallah
The Night of Counting the Years Al Mummia 1975 Shadi Abdel Salam
The Impossible El Mustahil 1966 Hussein Kamal
Saladin The Victorious El Nasser Salah El-Din 1963 Youssef Chahine
Yaaqubian building Omaret yakobean 2006 Marwan Hamed
A Bullet in the Heart Rossassa Fel Qalb 1944 Mohammed Karim
Return My Heart Back Rudda Kalbi 1958 Ezz-El-Din Zulfikar
Salama is Okay Salama fi khair 1938 Niazi Mostafa
Salamah 1945 Togo Mizrahi
The Bus Driver Sawaq El-Autobis 1983 Atef El-Tayeb
Some of the Fear Shey min el khouf 1969 Hussein Kamal
Struggle of the Heroes Sira' Al Abtal 1962 Tawfik Saleh
Black Market Suq al-Soda, Al 1945 Kamel El-Telmissany
Adrift on the Nile Tharthara Fawq Al Neel 1971 Hussein Kamal
The Collar and the Bracelet El Tooq wal Eswera 1986 Khairy Beshara
Adieu Bonaparte Weda'an Bonapart 1985 Youssef Chahine
The Two Orphans [28] Al Yateematain 1949 Hassan Al Imam
The Sixth Day[29] Al Yawm al-Sadis 1986 Youssef Chahine
Happy Day[30] Yawm Saeed 1940 Mohammed Karim
Sweet Day, Bitter Day[31] Yom mor... Yom helw 1988 Khairy Beshara
The Wife of an Important Man Zawgat Ragol Mohim 1988 Mohamed Khan
Zeinab[32] 1950 Mohammed Karim
The Second Wife El Zouga El Tania 1967 Salah Abu Seif

Notable figures

Directors

Cinematographers

Actors

Film critics

Music Composers

See also

In the press

References

  1. ^ a b "Table 8: Cinema Infrastructure - Capacity". UNESCO Institute for Statistics. Retrieved 5 November 2013.
  2. ^ "Table 6: Share of Top 3 distributors (Excel)". UNESCO Institute for Statistics. Retrieved 5 November 2013.
  3. ^ "Average national film production". UNESCO Institute for Statistics. Retrieved 5 November 2013.
  4. ^ a b "Table 11: Exhibition - Admissions & Gross Box Office (GBO)". UNESCO Institute for Statistics. Retrieved 5 November 2013.
  5. ^ a b Cairo Film Festival information.
  6. ^ Darwish, Mustafa, Dream Makers on the Nile: A Portrait of Egyptian Cinema, The American University in Cairo Press, Cairo, 1998, Pp. 12–13.
  7. ^ Farid, Samir, "Lights, camera...retrospection", Al-Ahram Weekly, December 30, 1999
  8. ^ "Archived copy". Archived from the original on 2013-09-24. Retrieved 2013-09-24. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
  9. ^ "Archived copy". Archived from the original on 2013-09-28. Retrieved 2013-09-24. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)CS1 maint: archived copy as title (link)
  10. ^ a b c Farid, Samir, "An Egyptian Story", Al-Ahram Weekly, November 23–29, 2006
  11. ^ Khairy, Khaireya, "Ahmed Ramzi: rendezvous at the snooker club", Al-Ahram Weekly, June 22, 2000
  12. ^ http://arabic.rt.com/news/633029-%D9%85%D9%87%D8%B1%D8%AC%D8%A7%D9%86_%D8%AF%D8%A8%D9%8A_%D8%A7%D9%84%D8%B3%D9%8A%D9%86%D9%85%D8%A7%D8%A6%D9%8A_%D9%8A%D8%B5%D8%AF%D8%B1_%D9%82%D8%A7%D8%A6%D9%85%D8%A9_%D8%A3%D9%81%D8%B6%D9%84_100_%D9%81%D9%8A%D9%84%D9%85_%D8%B9%D8%B1%D8%A8%D9%8A/
  13. ^ Anis, Mouna, "Before the public gaze", Al-Ahram Weekly, June 28, 2001
  14. ^ El Bakry, Rehab, "Reeling them in", Business Monthly, July 2006
  15. ^ "Sahar el Layali", The New York Times, 2004
  16. ^ El-Assyouti, Mohamed, "Forgotten memories",Al-Ahram Weekly, September 2, 1999
  17. ^ IMDb.com
  18. ^ IMDb.com
  19. ^ IMDb.com
  20. ^ IMDb.com
  21. ^ IMDb.com
  22. ^ IMDb.com
  23. ^ IMDb.com
  24. ^ IMDb.com
  25. ^ IMDb.com
  26. ^ IMDb.com
  27. ^ IMDb.com
  28. ^ IMDb.com
  29. ^ IMDb.com
  30. ^ IMDb.com
  31. ^ IMDb.com
  32. ^ IMDb.com

Further reading

  • Viola Shafik, Popular Egyptian Cinema: Gender, Class, and Nation, American University in Cairo Press, 2007, ISBN 978-977-416-053-0
  • Walter Armbrust, "Political Film in Egypt" in: Josef Gugler (ed.) Film in the Middle East and North Africa: Creative Dissidence, University of Texas Press and American University in Cairo Press, 2011, ISBN 978-0-292-72327-6, ISBN 978-9-774-16424-8, pp 228–251
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