All Blues: Difference between revisions
Added the cover by Larry Coryell |
Fixed typo Tags: Mobile edit Mobile app edit |
||
| Line 27: | Line 27: | ||
}} |
}} |
||
"'''All Blues'''" is a jazz composition by [[Miles Davis]] first appearing on the influential 1959 album ''[[Kind of Blue]]''. It is a [[twelve-bar blues]] in 6/ |
"'''All Blues'''" is a jazz composition by [[Miles Davis]] first appearing on the influential 1959 album ''[[Kind of Blue]]''. It is a [[twelve-bar blues]] in 6/8; the chord sequence is that of a basic blues and made up entirely of 7th chords, with a {{flat}}VI in the [[blues turnaround|turnaround]] instead of just the usual V chord. In the song's original key of G this chord is an E{{flat}}7. "All Blues" is a modal blues in G [[mixolydian]].<ref>{{cite book | publisher=Hal Leonard Corporation | title=The Real Book Sixth Edition | isbn=0-634-06038-4|page=18}}</ref> |
||
A particularly distinctive feature of the piece is the bass line that repeats through the whole piece, except when a V or {{flat}}VI chord is reached (the 9th and 10th bars of a chorus). Further, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of ''Kind of Blue'') at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus. |
A particularly distinctive feature of the piece is the bass line that repeats through the whole piece, except when a V or {{flat}}VI chord is reached (the 9th and 10th bars of a chorus). Further, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of ''Kind of Blue'') at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus. |
||
Revision as of 04:07, 5 November 2017
| "All Blues" | |
|---|---|
| Song |
"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6/8; the chord sequence is that of a basic blues and made up entirely of 7th chords, with a ♭VI in the turnaround instead of just the usual V chord. In the song's original key of G this chord is an E♭7. "All Blues" is a modal blues in G mixolydian.[2]
A particularly distinctive feature of the piece is the bass line that repeats through the whole piece, except when a V or ♭VI chord is reached (the 9th and 10th bars of a chorus). Further, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of Kind of Blue) at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus.
While originally an instrumental piece and usually performed as such, lyrics were later written for it by Oscar Brown Jr.
A cover was made by Ron Carter on his album All Blues which came out in 1973.
A cover was made by Colin Hodgkinson on his album The Bottom Line (1998).
A cover was made by Larry Coryell on his album Monk, Trane, Miles & Me (1999).
The song "Strange Feelin'" sung by the folksinger Tim Buckley in 1968 on his album "Happy sad" shares similarities to All Blues, including vocals as well.
References
- ^ Bambarger, Bradley. "Miles Davis True 'Blue'". Billboard. August 7, 1999. pp. 1, 74. Retrieved 2016-01-25.
- ^ The Real Book Sixth Edition. Hal Leonard Corporation. p. 18. ISBN 0-634-06038-4.
