Blue Öyster Cult (album): Difference between revisions
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== Personnel == |
== Personnel == |
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;Band members |
;Band members |
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* [[Eric Bloom]] – vocals, stun guitar, keyboards |
* [[Eric Bloom]] – lead vocals, stun guitar, keyboards |
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* [[Albert Bouchard]] – drums, vocals |
* [[Albert Bouchard]] – drums, percussion, backing vocals |
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* [[Joe Bouchard]] – bass, vocals |
* [[Joe Bouchard]] – bass, backing vocals |
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* [[Allen Lanier]] – rhythm guitar, keyboards |
* [[Allen Lanier]] – rhythm guitar, keyboards, backing vocals |
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* [[Buck Dharma|Donald "Buck Dharma" Roeser]] – lead guitar, vocals |
* [[Buck Dharma|Donald "Buck Dharma" Roeser]] – lead guitar, vocals |
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2001 bonus tracks as 'Soft White Underbelly' |
2001 bonus tracks as 'Soft White Underbelly' |
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* Eric Bloom - vocals, |
* Eric Bloom - lead vocals, stun guitar |
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* Albert Bouchard - drums, vocals |
* Albert Bouchard - drums, percussion, backing vocals |
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* Andy Winters - bass |
* Andy Winters - bass, backing vocals |
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* Allen Lanier - keyboards, rhythm guitar |
* Allen Lanier - keyboards, rhythm guitar, backing vocals |
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* |
* Buck Dharma - lead guitar, vocals |
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Revision as of 13:11, 1 March 2018
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Blue Öyster Cult is the eponymous debut studio album by the American hard rock band Blue Öyster Cult, released on January 16, 1972 by Columbia Records. The album featured songs such as "Cities on Flame with Rock and Roll", "Stairway to the Stars", and "Then Came the Last Days of May", all of which the band still plays regularly during its concerts. Despite positive reviews, the album failed to chart for some time before finally cracking the Billboard 200 chart on May 20, 1972, peaking at No. 172.[1] Blue Öyster Cult toured with artists such as The Byrds, Alice Cooper and the Mahavishnu Orchestra to support the album.[2]
Track information
The song "I'm on the Lamb but I Ain't No Sheep" is about a fugitive pursued by the Royal Canadian Mounted Police and was originally recorded in 1970 (when the band was known as Oaxaca). Another version from 1970 was intended to be included on the band's unreleased first album for Elektra Records (when the band was known as "Stalk-Forrest Group"). Both of these 1970 versions were eventually included on St. Cecilia: The Elektra Recordings. In 1971, the song was recorded again and finally released on the first Columbia album, and then recorded again at a much faster tempo and with much heavier guitars as "The Red and the Black" and included on the band's second Columbia album, Tyranny and Mutation. The main riff in this song was heavily inspired by "Frying Pan", a Captain Beefheart b-side from 1966. Some versions of the song make this influence more apparent than others.[citation needed]
"Then Came the Last Days of May" is based on a reportedly true story, when two friends were killed in a drug deal gone bad in the West. This song is occasionally played live as a showcase for Roeser's guitar soloing skills.[citation needed]
Originally titled "Conry's Bar," "Before the Kiss, a Redcap" describes scenes from that real location. Guitarist Buck Dharma explains the title as originating in an event witnessed by lyricist/manager Sandy Pearlman in which the titular drug was passed between partners during a kiss. The term "redcap" was supposedly slang for a type of barbiturate;[3] however, "redcap" usually referred to the drug Dalmane.
"Cities on Flame with Rock and Roll" was written by Sandy Pearlman, Donald Roeser and Albert Bouchard, and released as a single. Bouchard performed lead vocals, also singing from his drum kit in concerts. The riff was inspired by Black Sabbath's song "The Wizard", featured on their own self-titled debut album. It remains a staple of Blue Öyster Cult's live shows. On live albums, the name of the song is shortened to "Cities on Flame".
"Redeemed" was written by singer-songwriter Harry Farcas, and sold to the band. Other band members are listed as authors, due to their input in the arrangement. "Sir Rastus Bear" was Farcas' pet Saint Bernard. Farcas is now an iridologist in Southern California.
"Transmaniacon MC" is about the Altamont Free Concert. The "MC" in the title stands for "motorcycle club".
Reception
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Robert Christgau | B+[5] |
Collector's Guide to Heavy Metal | 10/10[6] |
Rolling Stone | (favorable)[7] |
The album received a positive reaction from critics. Lester Bangs gave the album a generally positive review in Rolling Stone stating, "with the Blue Öyster Cult, New York has produced its first authentic boogie beast, and with any luck this one should be around for awhile [sic]" telling readers that "I don't think you should miss this album."[7] Circus wrote that "it could well be the album of the Seventies",[8] while Robert Christgau in The Village Voice called it "the tightest and most musical hard rock record since – dare I say it – Who's Next".[5] The record was named an honorable mention on IGN's list of "Top 25 Metal Albums"[9] and has been called "[h]eavy metal for people who hate heavy metal."[10]
Track listing
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Transmaniacon MC" | Eric Bloom, Albert Bouchard, Donald "Buck Dharma" Roeser, Sandy Pearlman | Bloom | 3:21 |
2. | "I'm on the Lamb but I Ain't No Sheep" | Bloom, A. Bouchard, Pearlman | Bloom | 3:10 |
3. | "Then Came the Last Days of May" | Roeser | Roeser | 3:31 |
4. | "Stairway to the Stars" | A. Bouchard, Roeser, Richard Meltzer | Bloom | 3:43 |
5. | "Before the Kiss, a Redcap" | Allen Lanier, Murray Krugman, Roeser, Pearlman | Roeser | 4:59 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
6. | "Screams" | Joe Bouchard | J. Bouchard | 3:10 |
7. | "She's as Beautiful as a Foot" | A. Bouchard, Lanier, Meltzer | Bloom | 2:58 |
8. | "Cities on Flame with Rock and Roll" | A. Bouchard, Roeser, Pearlman | A. Bouchard | 4:03 |
9. | "Workshop of the Telescopes" | Bloom, A. Bouchard, J. Bouchard, Lanier, Roeser, Pearlman | Bloom | 4:01 |
10. | "Redeemed" | A. Bouchard, Lanier, Harry Farcas, Pearlman | Bloom | 3:51 |
Total length: | 36:48 |
No. | Title | Writer(s) | Length |
---|---|---|---|
11. | "Donovan's Monkey" | A. Bouchard, Meltzer | 3:50 |
12. | "What Is Quicksand" | Lanier, Meltzer | 3:40 |
13. | "A Fact About Sneakers" | A. Bouchard, Meltzer | 2:50 |
14. | "Betty Lou's Got a New Pair of Shoes" | Bobby Freeman | 2:34 |
Total length: | 49:02 |
Personnel
- Band members
- Eric Bloom – lead vocals, stun guitar, keyboards
- Albert Bouchard – drums, percussion, backing vocals
- Joe Bouchard – bass, backing vocals
- Allen Lanier – rhythm guitar, keyboards, backing vocals
- Donald "Buck Dharma" Roeser – lead guitar, vocals
2001 bonus tracks as 'Soft White Underbelly'
- Eric Bloom - lead vocals, stun guitar
- Albert Bouchard - drums, percussion, backing vocals
- Andy Winters - bass, backing vocals
- Allen Lanier - keyboards, rhythm guitar, backing vocals
- Buck Dharma - lead guitar, vocals
- Production
- David Lucas – Music producer, engineer
- Murray Krugman, Sandy Pearlman – Associate producers
- Bill Robertson – David Lucas engineers
- Bruce Dickinson – reissue compilation
- Vic Anesini – reissue mastering
Covers and appearances
"Transmaniacon MC" is featured in the video game Rock Band as downloadable content that may be purchased off of the system or downloaded from the Rock Band Metal Track Pack using a one-time use code.[citation needed]
A cover version of "Cities on Flame with Rock and Roll" was featured as a track in the music video game Guitar Hero III: Legends of Rock. Additionally, the song has been covered by Church of Misery (on Master of Brutality), Iced Earth (on Tribute to the Gods) and 3 Inches of Blood (as a bonus track on Here Waits Thy Doom) Additionally, the song appears in the American television period sitcom That '70s Show, as well as its soundtrack.
Guitarist William Tyler performs a 2015 solo acoustic instrumental version of "She's As Beautiful As A Foot" on Aquarium Drunkard's "Lagniappe Sessions" page.
Charts
Year | Chart | Position |
---|---|---|
1972 | Billboard 200 (United States) | 172[1] |
References
- ^ a b "Blue Öyster Cult Billboard Albums". Allmusic. Rovi Corporation. Retrieved November 4, 2012.
- ^ Perry, Shawn (1997). "The Eric Bloom Interview". Vintagerock.com. Archived from the original on July 20, 2007. Retrieved November 4, 2012.
- ^ Swartz, John (December 10, 2001). "BOC FAQ". Version 3.3. AOL. Archived from the original on February 6, 2002. Retrieved March 3, 2012.
- ^ Jurek, Thom. "Blue Öyster Cult Blue Öyster Cult review". AllMusic. Rovi Corporation. Retrieved November 4, 2012.
- ^ a b Christgau, Robert. "Consumer Guide Reviews: Blue Oyster Cult". Robert Christgau. Retrieved October 25, 2012.
- ^ Popoff, Martin (October 2003). The Collector's Guide to Heavy Metal: Volume 1: The Seventies. Burlington, Ontario, Canada: Collector's Guide Publishing. ISBN 978-1894959025.
- ^ a b Bangs, Lester (March 30, 1972). "Album Reviews: Blue Oyster Cult – Blue Oyster Cult". Rolling Stone. Archived from the original on January 19, 2008. Retrieved November 4, 2012.
{{cite web}}
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(help) - ^ "Blue Öyster Cult (Advertisement)". Rolling Stone (108). Straight Arrow Publishers, Inc.: 11 May 11, 1972.
- ^ Spence D. and Ed T. (September 14, 2011). "Top 25 Metal Albums – Music Feature at IGN". Music.ign.com. IGN. Archived from the original on July 14, 2010. Retrieved November 13, 2011.
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Heavy metal for people who hate heavy metal; sleek, primal rock and roll music, filtered through unsettling, if thrilling, images of Altamont, drug-dealing and murder.
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