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==Biography==
==Biography==
Haywood “Bill” Rivers was born in Morven, North Carolina on May 8, 1922. He attended the [[Art Students League of New York]] from 1946-1949 and then continued his training at the École du Musée du Louvre in Paris <ref>Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 457.</ref> With funding from the Rosenwald Foundation, Rivers opened Galerie Huit, and exhibition space for American artists in Paris, which he managed along with his partners [[Al Held]] and [[Jules Oltski]], for five years.<ref name="JacquelineFrancis">Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 458.</ref> Some of the gallery’s exhibitors included [[Edward Clark (artist)]], [[Herbert Gentry]], and Paul Keene. Rivers’ early works demonstrate his familiarity with French modernists and their tendencies toward figural simplification, planarity, and non-illusionism; however, when he returned to the United States, he adopted a non-objectivist approach to painting and was strongly influenced by the styles of African American artists, [[Jacob Lawrence]] and [[Horace Pippin]].<ref name="JacquelineFrancis" /> Certain elements remained steadfast in Rivers’ work, such as his heavy and vigorous application of pigment onto the canvas, formidable displays of color,<ref name="JacquelineFrancis" /> and themes from his youth in North Carolina <ref>Baltimore Museum of Art, “Self-Guided Tour: African American Artists in the Collection,” 2001</ref>
Rivers was born in Morven, North Carolina on May 8, 1922. He attended the [[Art Students League of New York]] from 1946-1949 and then continued his training at the [[École du Musée du Louvre]] in Paris. <ref>Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 457.</ref> With funding from the Rosenwald Foundation, Rivers opened Galerie Huit, and exhibition space for American artists in Paris, which he managed along with his partners [[Al Held]] and [[Jules Oltski]], for five years.<ref name="JacquelineFrancis">Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 458.</ref> Some of the gallery’s exhibitors included [[Edward Clark (artist)]], [[Herbert Gentry]], and Paul Keene. Rivers’ early works demonstrate his familiarity with French modernists and their tendencies toward figural simplification, planarity, and non-illusionism; however, when he returned to the United States, he adopted a non-objectivist approach to painting and was strongly influenced by the styles of African American artists, [[Jacob Lawrence]] and [[Horace Pippin]].<ref name="JacquelineFrancis" /> Certain elements remained steadfast in Rivers’ work, such as his heavy and vigorous application of pigment onto the canvas, formidable displays of color,<ref name="JacquelineFrancis" /> and themes from his youth in North Carolina <ref>Baltimore Museum of Art, “Self-Guided Tour: African American Artists in the Collection,” 2001</ref>


Rivers was featured in several solo exhibitions at various art venues including the [[Baltimore Museum of Art]] in 1948,<ref name="JacquelineFrancis" /> the Artist House in New York in 1973, and the Anne Weber Gallery in Georgetown, Maine in 1983.<ref name="EnergyExperimentationBlack">Energy/Experimentation: Black Artist and Abstraction 1964-1980 (New York: The Studio Museum in Harlem, 2006), 137</ref> His work also was shown in many group exhibitions, among them: “Contemporary American Black Artists at the [[Hudson River Museum]] in Yonkers, New York; Afro-American Artists” New York and Boston” at the [[Boston Museum of Fine Arts]]; “Black Artists: Two Generations” at the [[Newark Museum]], “Black Artist/South” at the [[Huntsville Museum of Art]] in Huntsville, Alabama, “Artists Invite Artists” at The New Museum in New York, New York.<ref name="EnergyExperimentationBlack" /> Bill Rivers received awards and honors to recognize his talent: Gretchen H. Hutzler Award, 1948, Baltimore Museum Annual Prize, 1948,<ref name="JacquelineFrancis_a">Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 458</ref> Julius Rosenwald Fellowship, 1948,<ref>A Force for Change: African American Art and the Julius Rosenwald Fund” [[Daniel Schulman (curator)|Daniel Schulman]], ed. (Chicago: Northwestern University Press, 2009), 165</ref> and John Hay Whitney Fellowship, 1952 <ref name="JacquelineFrancis_a" /> His paintings were part of two major public collections as well, the Baltimore Museum of Art and the [[Centre Georges Pomidou]].<ref>Energy/Experimentation: Black Artist and Abstraction 1964-1980 (New York: The Studio Museum in Harlem, 2006), 138</ref>
Rivers was featured in several solo exhibitions at various art venues including the [[Baltimore Museum of Art]] in 1948,<ref name="JacquelineFrancis" /> the Artist House in New York in 1973, and the Anne Weber Gallery in Georgetown, Maine in 1983.<ref name="EnergyExperimentationBlack">Energy/Experimentation: Black Artist and Abstraction 1964-1980 (New York: The Studio Museum in Harlem, 2006), 137</ref> His work also was shown in many group exhibitions, among them: “Contemporary American Black Artists at the [[Hudson River Museum]] in Yonkers, New York; Afro-American Artists” New York and Boston” at the [[Boston Museum of Fine Arts]]; “Black Artists: Two Generations” at the [[Newark Museum]], “Black Artist/South” at the [[Huntsville Museum of Art]] in Huntsville, Alabama, “Artists Invite Artists” at The New Museum in New York, New York.<ref name="EnergyExperimentationBlack" /> Bill Rivers received awards and honors to recognize his talent: Gretchen H. Hutzler Award, 1948, Baltimore Museum Annual Prize, 1948,<ref name="JacquelineFrancis_a">Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 458</ref> Julius Rosenwald Fellowship, 1948,<ref>A Force for Change: African American Art and the Julius Rosenwald Fund” [[Daniel Schulman (curator)|Daniel Schulman]], ed. (Chicago: Northwestern University Press, 2009), 165</ref> and John Hay Whitney Fellowship, 1952 <ref name="JacquelineFrancis_a" /> His paintings were part of two major public collections as well, the Baltimore Museum of Art and the [[Centre Georges Pomidou]].<ref>Energy/Experimentation: Black Artist and Abstraction 1964-1980 (New York: The Studio Museum in Harlem, 2006), 138</ref>

Revision as of 21:30, 3 March 2018

Haywood “Bill” Rivers (May 8, 1922, Morven, North Carolina, USA - December 27, 2001[1] ) was an African American contemporary artist.

Biography

Rivers was born in Morven, North Carolina on May 8, 1922. He attended the Art Students League of New York from 1946-1949 and then continued his training at the École du Musée du Louvre in Paris. [2] With funding from the Rosenwald Foundation, Rivers opened Galerie Huit, and exhibition space for American artists in Paris, which he managed along with his partners Al Held and Jules Oltski, for five years.[3] Some of the gallery’s exhibitors included Edward Clark (artist), Herbert Gentry, and Paul Keene. Rivers’ early works demonstrate his familiarity with French modernists and their tendencies toward figural simplification, planarity, and non-illusionism; however, when he returned to the United States, he adopted a non-objectivist approach to painting and was strongly influenced by the styles of African American artists, Jacob Lawrence and Horace Pippin.[3] Certain elements remained steadfast in Rivers’ work, such as his heavy and vigorous application of pigment onto the canvas, formidable displays of color,[3] and themes from his youth in North Carolina [4]

Rivers was featured in several solo exhibitions at various art venues including the Baltimore Museum of Art in 1948,[3] the Artist House in New York in 1973, and the Anne Weber Gallery in Georgetown, Maine in 1983.[5] His work also was shown in many group exhibitions, among them: “Contemporary American Black Artists at the Hudson River Museum in Yonkers, New York; Afro-American Artists” New York and Boston” at the Boston Museum of Fine Arts; “Black Artists: Two Generations” at the Newark Museum, “Black Artist/South” at the Huntsville Museum of Art in Huntsville, Alabama, “Artists Invite Artists” at The New Museum in New York, New York.[5] Bill Rivers received awards and honors to recognize his talent: Gretchen H. Hutzler Award, 1948, Baltimore Museum Annual Prize, 1948,[6] Julius Rosenwald Fellowship, 1948,[7] and John Hay Whitney Fellowship, 1952 [6] His paintings were part of two major public collections as well, the Baltimore Museum of Art and the Centre Georges Pomidou.[8]

Further reading

  • Artist and Influence. Leo Hamalion and James V. Hatch, eds. New York; Hatch-Billops Collections, Inc., 1986.
  • The Search for Freedom: African American Abstract painting 1945-1975. New York: Kenkeleba House, Inc., 1991.

References

  1. ^ "Haywood Rivers". Genealogy Bank. Retrieved 1 December 2013.
  2. ^ Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 457.
  3. ^ a b c d Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 458.
  4. ^ Baltimore Museum of Art, “Self-Guided Tour: African American Artists in the Collection,” 2001
  5. ^ a b Energy/Experimentation: Black Artist and Abstraction 1964-1980 (New York: The Studio Museum in Harlem, 2006), 137
  6. ^ a b Jacqueline Francis, “Rivers, Haywood (“Bill”).”Black Artists. Thomas Riggs, ed. (New York: St James Press, 1997), 458
  7. ^ A Force for Change: African American Art and the Julius Rosenwald Fund” Daniel Schulman, ed. (Chicago: Northwestern University Press, 2009), 165
  8. ^ Energy/Experimentation: Black Artist and Abstraction 1964-1980 (New York: The Studio Museum in Harlem, 2006), 138
  • Tailor Shop Work of Art by Haywood Bill Rivers at the Baltimore Museum of Art Website
  • The Drape Maker Work of Art by Haywood Bill Rivers at the Baltimore Museum of Art Website
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