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== Biography ==
== Biography ==
Khaled Malas was born in Damascus, Syria. He studied architecture at the American University of Beirut <ref>[http://alumni.aub.edu.lb/s/1716/index.aspx?pgid=523&gid=2&cid=2247 AUB Alumni News]</ref> and at [[Cornell University]].<ref>[http://www.jadaliyya.com/Details/31473/Exhibiting-the-War-in-Syria-Interview-with-Khaled-Malas Jadaliyya.com: Exhibiting the War in Syria: Interview with Khaled Malas]</ref> He is currently a PhD candidate in medieval Islamic art history at the [[New York University Institute of Fine Arts|Institute of Fine Arts]] at [[New York University]]. <ref>[http://www.nyu.edu/gsas/dept/fineart/events/archive.htm]</ref>
Khaled Malas was born in Damascus, Syria. <ref>[http://www.eastjournal.net/archives/73256]</ref> He studied architecture at the American University of Beirut <ref>[http://alumni.aub.edu.lb/s/1716/index.aspx?pgid=523&gid=2&cid=2247 AUB Alumni News]</ref> and at [[Cornell University]].<ref>[http://www.jadaliyya.com/Details/31473/Exhibiting-the-War-in-Syria-Interview-with-Khaled-Malas Jadaliyya.com: Exhibiting the War in Syria: Interview with Khaled Malas]</ref> He is currently a PhD candidate in medieval Islamic art history at the [[New York University Institute of Fine Arts|Institute of Fine Arts]] at [[New York University]]. <ref>[http://www.nyu.edu/gsas/dept/fineart/events/archive.htm]</ref>
<ref name=speakers>[https://www.harvardarabweekend.com/speakers Harvard Arab Weekend Speakers]</ref> Prior to joining the Institute, he was an architect at the [[Office for Metropolitan Architecture]] and [[Herzog & de Meuron]]. His work has been published widely and was shown in Venice<ref name=artribune>[http://www.artribune.com/2014/09/la-siria-in-un-pozzo-alla-biennale-di-architettura/ Artribune: La Siria in un pozzo. Alla Biennale di Architettura] {{it icon}}</ref>, Oslo,<ref name=archinect/> Annandale-on-Hudson<ref>[http://www.bard.edu/ccs/exhibitions/no-to-the-invasion-breakdowns-and-side-effects/ Bard.edu: Exhibitions - No to the invasion breakdowns and side effects]</ref>, Beirut<ref>[https://sursock.museum/content/fruit-sleep Sursock Museum: Frut Sleep]</ref>, Dubai and Marrakech (during 6th edition of [[Arts in Marrakech (AiM) International Biennale#6th_Edition_2016|Arts in Marrakech (AiM) International Biennale]]. He is a member of the [[Arab Image Foundation]]'s General Assembly.<ref>[http://www.fai.org.lb/Template.aspx?id=4 Arab Image Foundation website]
<ref name=speakers>[https://www.harvardarabweekend.com/speakers Harvard Arab Weekend Speakers]</ref> Prior to joining the Institute, he was an architect at the [[Office for Metropolitan Architecture]] and [[Herzog & de Meuron]]. His work has been published widely and was shown in Venice<ref name=artribune>[http://www.artribune.com/2014/09/la-siria-in-un-pozzo-alla-biennale-di-architettura/ Artribune: La Siria in un pozzo. Alla Biennale di Architettura] {{it icon}}</ref>, Oslo,<ref name=archinect/> Annandale-on-Hudson<ref>[http://www.bard.edu/ccs/exhibitions/no-to-the-invasion-breakdowns-and-side-effects/ Bard.edu: Exhibitions - No to the invasion breakdowns and side effects]</ref>, Beirut<ref>[https://sursock.museum/content/fruit-sleep Sursock Museum: Frut Sleep]</ref>, Dubai and Marrakech (during 6th edition of [[Arts in Marrakech (AiM) International Biennale#6th_Edition_2016|Arts in Marrakech (AiM) International Biennale]]. He is a member of the [[Arab Image Foundation]]'s General Assembly.<ref>[http://www.fai.org.lb/Template.aspx?id=4 Arab Image Foundation website]
</ref> He has taught at Columbia University's [[Columbia Graduate School of Architecture, Planning and Preservation|Graduate School of Architecture, Planning and Preservation]] (GSAPP) <ref name=gsaap/> and at Columbia University's Columbia Global Center/Studio-X in Amman where he led the second [[Janet Abu Lughod]] seminar which focused on [[Qusayr Amra]]<ref> [https://globalcenters.columbia.edu/news/second-janet-abu-lughod-seminar-led-khaled-malas Columbia University Global Centers: Second Janet Abu Lughod seminar led Khaled Malas]</ref>
</ref> He has taught at Columbia University's [[Columbia Graduate School of Architecture, Planning and Preservation|Graduate School of Architecture, Planning and Preservation]] (GSAPP) <ref name=gsaap/> and at Columbia University's Columbia Global Center/Studio-X in Amman where he led the second [[Janet Abu Lughod]] seminar which focused on [[Qusayr Amra]]<ref> [https://globalcenters.columbia.edu/news/second-janet-abu-lughod-seminar-led-khaled-malas Columbia University Global Centers: Second Janet Abu Lughod seminar led Khaled Malas]</ref>



== Works as Sigil ==
== Works as Sigil ==

Revision as of 14:36, 26 March 2018

Khaled Malas
خالد ملص
Born1981
Damascus, Syria.
NationalitySyrian

Khaled Malas (in Arabic خالد ملص) (born in 1981 in Damascus) is a Syrian architect and an art historian. He is also a co-founder of the Sigil Collective alongside Salim al-Kadi, Alfred Tarazi and Jana Traboulsi.[1][2][3]

Biography

Khaled Malas was born in Damascus, Syria. [4] He studied architecture at the American University of Beirut [5] and at Cornell University.[6] He is currently a PhD candidate in medieval Islamic art history at the Institute of Fine Arts at New York University. [7] [8] Prior to joining the Institute, he was an architect at the Office for Metropolitan Architecture and Herzog & de Meuron. His work has been published widely and was shown in Venice[9], Oslo,[3] Annandale-on-Hudson[10], Beirut[11], Dubai and Marrakech (during 6th edition of Arts in Marrakech (AiM) International Biennale. He is a member of the Arab Image Foundation's General Assembly.[12] He has taught at Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) [1] and at Columbia University's Columbia Global Center/Studio-X in Amman where he led the second Janet Abu Lughod seminar which focused on Qusayr Amra[13]

Works as Sigil

Selected Awards and Honors

  • 2015: 'The Arab Fund for Arts and Culture Visual Arts Grant' [21]
  • 2016: 'Distinguished Young Alumni Award of the Architecture & Design Department, Faculty of Engineering and Architecture, American University of Beirut, Awarded in recognition of interdisciplinary creativity and activism. [22]

Selected Writing

  • 2016: "Monuments of the Everyday" ‘After Belonging: The Objects, Spaces, and Territories of the Ways We Stay in Transit’ by Lluís Alexandre Casanovas Blanco, Ignacio G. Galán, Carlos Mínguez Carrasco, Alejandra Navarrete Llopis, and Marina Otero Verzier (eds.)(Zurich: Lars Muller, 2016)
  • 2016: "Review: Pattern, Color, Light: Architectural Ornament in the Near East (500–1000)," Journal of the Society of Architectural Historians, Vol. 75 No. 2 (2016): pp. 238-239
  • 2017: "The body, writhing in pain, sits before an intoxicated audience" ‘No to the Invasion: Breakdown and Side-effects’ edited by Fawz Kabra (Annandale-on-Hudson: CCS Bard, 2017)

Further reading

  • Watenpaugh Heghnar Zeitlian, “Cultural Heritage and the Arab Spring: War over Culture, Culture of War, and Culture War,” International Journal of Islamic Architecture 5 (2016): pp. 245–63
  • Al Araby Al Jadeed - خالد ملص: بحثاً عن عمارة الناس [23]
  • Wilson-Goldie, Kaelen "Practical Magic: Can Art Make a Difference in Assad Syria?," Bookforum (Apr/May 2017): pp.42-43
  • Traboulsi, Fawwaz "Excavating the Sky, Excavating the Earth" Blood of two Brothers: Violence in Civil Wars (Beirut: Riad el-Rayyes Books, 2017), pp. 207-227

References