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Born in New York, Sanguinetti moved to Argentina at the age of two and lived there until 2003. Sanguinetti has stated that she began taking photographs to create a sense of permanence in her life after realizing that "everything is transitory." <ref name="Vice Magazine">{{cite web|last1=Bayley|first1=Bruno|title=Alessandra Sanguinetti Photographs the Drama of the Countryside|url=https://www.vice.com/read/alessandra-sanguinetti-vice-loves-magnum|website=Vice|publisher=Vice Magazine|accessdate=6 March 2016}}</ref> Currently, she lives in San Francisco, California.
Born in New York, Sanguinetti moved to Argentina at the age of two and lived there until 2003. Sanguinetti has stated that she began taking photographs to create a sense of permanence in her life after realizing that "everything is transitory." <ref name="Vice Magazine">{{cite web|last1=Bayley|first1=Bruno|title=Alessandra Sanguinetti Photographs the Drama of the Countryside|url=https://www.vice.com/read/alessandra-sanguinetti-vice-loves-magnum|website=Vice|publisher=Vice Magazine|accessdate=6 March 2016}}</ref> Currently, she lives in San Francisco, California.


Her most involved project is a documentary photography project about two cousins- Guillermina and Belinda- as they grow up outside of [[Buenos Aires]]. The project began in 1999 when Sanguinetti visited her grandmother, Juana, in [[Argentina]]. She intended to take pictures of the animals which occupied her grandmother's rural farm. However, she saw potential in her cousins, whom she had previously disregarded. Sanguinetti recounts this, "I was shooting them without even thinking it was work. My first idea was to just do a single story trying to figure out what they imagined life to be, just so I could get into their world." <ref>{{cite web|last1=Mahoney|first1=John|title=Intimate Portraits|url=http://web.a.ebscohost.com/ehost/pdfviewer/pdfviewer?sid=80179b9f-609f-4608-9d3d-a4e7438a94fa%40sessionmgr4001&vid=1&hid=4214|website=ebscohost|accessdate=6 March 2016}}</ref> Titled ''The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams'', the project follows them as they fantasize about becoming adults, early motherhood, and becoming young women while their relationship changes.<ref>[http://artdaily.com/news/44199/Alessandra-Sanguinetti-Presents-The-Adventures-of-Guille-and-Belinda-at-Le-Bal#.U2GN-a1dXD4 Alessandra Sanguinetti Presents The Adventures of Guille and Belinda at Le Bal<!-- Bot generated title -->]</ref> In this particular collection of photographs, Alessandra makes commentaries about feminine conventions of beauty and behavior, as well as gender roles and gender identity. She occasionally ridicules social expectations through her images, which are often satirical in nature.<ref name="Art in America. Feb2005, Vol. 93 Issue 2, p124-124. 1/3p."/> These commentaries are best typified in ''Petals'' (2000) and ''The Couple'' (1999).<ref name="Art in America. Feb2005, Vol. 93 Issue 2, p124-124. 1/3p."/> Her images focus on the lives of young women and children. Sanguinetti told ''Vice'' reporter, Bruno Bayley, "Children are fascinating...As a society, we project so much of our hopes, frustrations, denials, and aspirations on children, and they are so transparent in how they reflect everything that is thrust upon them. How could I not photograph them?" <ref name="Vice Magazine"/>
Her most involved project is a documentary photography project about two cousins- Guillermina and Belinda- as they grow up outside of [[Buenos Aires]]. The project began in 1999 when Sanguinetti visited a lady <refhttp://alessandrasanguinetti.com/index.php/adventures/info/></ref> named, Juana, in [[Argentina]]. She visited over several years photographing the many animals who lived in Juana's rural farm. This project, "On the Sixth Day" (1996-2004.) <rhttp://www.yossimilogallery.com/exhibitions/ales-sang-2004-09. Juana's young grand-daughters aged nine and ten years old were constantly running around and interrupting her work. Sanguinetti would sometimes take the girls' picture so that they would leave her alone. However, one day she took special notice of the young cousins, and fully focused her lens on them embarking on a project that would last several years. <ref>http://alessandrasanguinetti.com/index.php/adventures/info/</ref> The images culminated in her series "The Adventures of Belinda and Guille" which became her first exhibited solo show in the US. <ref><http://www.yossimilogallery.com/exhibitions/ales-sang-2004-09. Sanguinetti recounts this, "I was shooting them without even thinking it was work. My first idea was to just do a single story trying to figure out what they imagined life to be, just so I could get into their world." <ref>{{cite /ref>web|last1=Mahoney|first1=John|title=Intimate Portraits|url=http://web.a.ebscohost.com/ehost/pdfviewer/pdfviewer?sid=80179b9f-609f-4608-9d3d-a4e7438a94fa%40sessionmgr4001&vid=1&hid=4214|website=ebscohost|accessdate=6 March 2016}}</ref> Titled ''The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams'', the project follows them as they fantasize about becoming adults, early motherhood, and becoming young women while their relationship changes.<ref>[http://artdaily.com/news/44199/Alessandra-Sanguinetti-Presents-The-Adventures-of-Guille-and-Belinda-at-Le-Bal#.U2GN-a1dXD4 Alessandra Sanguinetti Presents The Adventures of Guille and Belinda at Le Bal<!-- Bot generated title -->]</ref> In this particular collection of photographs, Alessandra makes commentaries about feminine conventions of beauty and behavior, as well as gender roles and gender identity. She occasionally ridicules social expectations through her images, which are often satirical in nature.<ref name="Art in America. Feb2005, Vol. 93 Issue 2, p124-124. 1/3p."/> These commentaries are best typified in ''Petals'' (2000) and ''The Couple'' (1999).<ref name="Art in America. Feb2005, Vol. 93 Issue 2, p124-124. 1/3p."/> Her images focus on the lives of young women and children. Sanguinetti told ''Vice'' reporter, Bruno Bayley, "Children are fascinating...As a society, we project so much of our hopes, frustrations, denials, and aspirations on children, and they are so transparent in how they reflect everything that is thrust upon them. How could I not photograph them?" <ref name="Vice Magazine"/>


She has been a full member of [[Magnum Photos]] since 2007<ref>[http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL53X_A Magnum Photos Photographer Portfolio<!-- Bot generated title -->]</ref> and is a Magnum Workshop teacher.<ref>[http://www.lighthouse.org.uk/programme/brighton-photo-biennial-magnum-workshops Lighthouse<!-- Bot generated title -->]</ref><ref>[http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_4&VBID=2K1HZO0XAMDOE&IID=2K1HRGY8M5G&PN=1 Magnum Photos Blog<!-- Bot generated title -->]</ref><ref>[https://www.vice.com/en_uk/read/alessandra-sanguinetti-vice-loves-magnum Alessandra Sanguinetti Makes Slaughter Look Beautiful | VICE United Kingdom<!-- Bot generated title -->]</ref>
She has been a full member of [[Magnum Photos]] since 2007<ref>[http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL53X_A Magnum Photos Photographer Portfolio<!-- Bot generated title -->]</ref> and is a Magnum Workshop teacher.<ref>[http://www.lighthouse.org.uk/programme/brighton-photo-biennial-magnum-workshops Lighthouse<!-- Bot generated title -->]</ref><ref>[http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_4&VBID=2K1HZO0XAMDOE&IID=2K1HRGY8M5G&PN=1 Magnum Photos Blog<!-- Bot generated title -->]</ref><ref>[https://www.vice.com/en_uk/read/alessandra-sanguinetti-vice-loves-magnum Alessandra Sanguinetti Makes Slaughter Look Beautiful | VICE United Kingdom<!-- Bot generated title -->]</ref>

Revision as of 01:51, 18 April 2018

Alessandra Sanguinetti
Born1968
New York
NationalityAmerican
Known forphotographer

Alessandra Sanguinetti (1968, New York, New York) is an American photographer.[1] A number of her works have been published and she is a member of Magnum Photos. She has received multiple awards and grants, including the esteemed Guggenheim Fellowship. Her first solo show in the United States was in 2005 at Yossi Milo.[2]

Life and work

Born in New York, Sanguinetti moved to Argentina at the age of two and lived there until 2003. Sanguinetti has stated that she began taking photographs to create a sense of permanence in her life after realizing that "everything is transitory." [3] Currently, she lives in San Francisco, California.

Her most involved project is a documentary photography project about two cousins- Guillermina and Belinda- as they grow up outside of Buenos Aires. The project began in 1999 when Sanguinetti visited a lady <refhttp://alessandrasanguinetti.com/index.php/adventures/info/></ref> named, Juana, in Argentina. She visited over several years photographing the many animals who lived in Juana's rural farm. This project, "On the Sixth Day" (1996-2004.) <rhttp://www.yossimilogallery.com/exhibitions/ales-sang-2004-09. Juana's young grand-daughters aged nine and ten years old were constantly running around and interrupting her work. Sanguinetti would sometimes take the girls' picture so that they would leave her alone. However, one day she took special notice of the young cousins, and fully focused her lens on them embarking on a project that would last several years. [4] The images culminated in her series "The Adventures of Belinda and Guille" which became her first exhibited solo show in the US. Cite error: A <ref> tag is missing the closing </ref> (see the help page). Titled The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams, the project follows them as they fantasize about becoming adults, early motherhood, and becoming young women while their relationship changes.[5] In this particular collection of photographs, Alessandra makes commentaries about feminine conventions of beauty and behavior, as well as gender roles and gender identity. She occasionally ridicules social expectations through her images, which are often satirical in nature.[2] These commentaries are best typified in Petals (2000) and The Couple (1999).[2] Her images focus on the lives of young women and children. Sanguinetti told Vice reporter, Bruno Bayley, "Children are fascinating...As a society, we project so much of our hopes, frustrations, denials, and aspirations on children, and they are so transparent in how they reflect everything that is thrust upon them. How could I not photograph them?" [3]

She has been a full member of Magnum Photos since 2007[6] and is a Magnum Workshop teacher.[7][8][9]

She has contributed to Life and The New York Times and been a resident at Light Work.[10]

Publications

  • On the Sixth Day. Portland, OR: Nazraeli Press, 2005. ISBN 978-1590050705.
  • The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams.
  • Sorry Welcome. Oakland, CA: TBW, 2013. Subscription Series #4, Book #2. Edition of 1500. Sanguinetti, Christian Patterson, Raymond Meeks and Wolfgang Tillmans each had one book in a set of four.[11]

Awards

Collections

Sanguinetti's work is held in the following collections:

References