Segah: Difference between revisions
Wikimostafa (talk | contribs) {{Distinguish|Sigah}} |
Rescuing 1 sources and tagging 0 as dead. #IABot (v1.6.5) |
||
| Line 3: | Line 3: | ||
'''Segah''' ({{lang-fa|سه گاه}},{{lang-az|Segah}},{{lang-tr|Segâh}}) is a musical [[musical mode|modal]] system in traditional [[mugham]] music. |
'''Segah''' ({{lang-fa|سه گاه}},{{lang-az|Segah}},{{lang-tr|Segâh}}) is a musical [[musical mode|modal]] system in traditional [[mugham]] music. |
||
This is the third mode and consists of 0.5-1-1 tone which is created in amalgamation of three tetra-chords with the reach method. Segah mugam associated with love, romantic feelings at listener.<ref name=atmo>[http://azer.com/aiweb/categories/magazine/ai142_folder/142_articles/142_aida_repression_music.html Politically Correct Music]</ref> Subgenres of Segah includes: egah Zabul-Segah-Bardasht, Maye, Muya, Manandi-Mukhalif, Segah, high-pitched tone Zabul, Manandi-Hisar (in high-pitched tone), Manandi-Mukhalif (in high-pitched tone), Ashig-Kush, Mubarriga, Zabul, space for Segah, Kharij Segah-Bardasht, Maye, Takhtigah, Mubarriga, Manandi-Hisar, Manandi-Mukhalif, high-pitched tone Segah, space for Kharij Segah. Other mugams relating to the Segah are: Hashym Segah-sol, Kharij Segah-si, Mirza-Huseyn-lya, Orta Segah-mi, Zabul Segah.<ref name=7fret>[http://www.mugamradio.az/about-mugam/mugams/ There are seven main modes and three auxiliary modes in Azerbaijan Mugam]</ref> |
This is the third mode and consists of 0.5-1-1 tone which is created in amalgamation of three tetra-chords with the reach method. Segah mugam associated with love, romantic feelings at listener.<ref name=atmo>[http://azer.com/aiweb/categories/magazine/ai142_folder/142_articles/142_aida_repression_music.html Politically Correct Music]</ref> Subgenres of Segah includes: egah Zabul-Segah-Bardasht, Maye, Muya, Manandi-Mukhalif, Segah, high-pitched tone Zabul, Manandi-Hisar (in high-pitched tone), Manandi-Mukhalif (in high-pitched tone), Ashig-Kush, Mubarriga, Zabul, space for Segah, Kharij Segah-Bardasht, Maye, Takhtigah, Mubarriga, Manandi-Hisar, Manandi-Mukhalif, high-pitched tone Segah, space for Kharij Segah. Other mugams relating to the Segah are: Hashym Segah-sol, Kharij Segah-si, Mirza-Huseyn-lya, Orta Segah-mi, Zabul Segah.<ref name=7fret>[http://www.mugamradio.az/about-mugam/mugams/ There are seven main modes and three auxiliary modes in Azerbaijan Mugam] {{webarchive|url=https://web.archive.org/web/20100807090710/http://www.mugamradio.az/about-mugam/mugams/ |date=2010-08-07 }}</ref> |
||
In classical Turkish music "si" pitch, and the melody type in this pitch. |
In classical Turkish music "si" pitch, and the melody type in this pitch. |
||
Revision as of 10:29, 10 May 2018
Segah (Template:Lang-fa,Template:Lang-az,Template:Lang-tr) is a musical modal system in traditional mugham music.
This is the third mode and consists of 0.5-1-1 tone which is created in amalgamation of three tetra-chords with the reach method. Segah mugam associated with love, romantic feelings at listener.[1] Subgenres of Segah includes: egah Zabul-Segah-Bardasht, Maye, Muya, Manandi-Mukhalif, Segah, high-pitched tone Zabul, Manandi-Hisar (in high-pitched tone), Manandi-Mukhalif (in high-pitched tone), Ashig-Kush, Mubarriga, Zabul, space for Segah, Kharij Segah-Bardasht, Maye, Takhtigah, Mubarriga, Manandi-Hisar, Manandi-Mukhalif, high-pitched tone Segah, space for Kharij Segah. Other mugams relating to the Segah are: Hashym Segah-sol, Kharij Segah-si, Mirza-Huseyn-lya, Orta Segah-mi, Zabul Segah.[2]
In classical Turkish music "si" pitch, and the melody type in this pitch.