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'''Clarence John Laughlin''' (1905 – 2 January 1985) was an American photographer best known for his [[surrealism|surrealist]] photographs of the [[U.S. South]]. |
'''Clarence John Laughlin''' (1905 – 2 January 1985) was an American photographer best known for his [[surrealism|surrealist]] photographs of the [[U.S. South]]. |
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== Biography == |
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=== Early life === |
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Laughlin was born into a middle-class family in [[Lake Charles, Louisiana]]. His rocky childhood, southern heritage, and interest in literature influenced his work greatly. After losing everything in a failed rice-growing venture in 1910, his family was forced to relocate to [[New Orleans, Louisiana|New Orleans]] where Laughlin's father found work in a factory. Laughlin was an introverted child with few friends and a close relationship with his father, who cultivated and encouraged his lifelong love of literature and whose death in 1918 devastated his son. |
Laughlin was born into a middle-class family in [[Lake Charles, Louisiana]]. His rocky childhood, southern heritage, and interest in literature influenced his work greatly. After losing everything in a failed rice-growing venture in 1910, his family was forced to relocate to [[New Orleans, Louisiana|New Orleans]] where Laughlin's father found work in a factory. Laughlin was an introverted child with few friends and a close relationship with his father, who cultivated and encouraged his lifelong love of literature and whose death in 1918 devastated his son. |
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Although he dropped out of high school in 1920 after having barely completed his freshman year, Laughlin was an educated and highly literate man. His large vocabulary and love of language are evident in the elaborate captions he later wrote to accompany his photographs. He initially aspired to be a writer and wrote many poems and stories in the style of [[French symbolism]], most of which remained unpublished. |
Although he dropped out of high school in 1920 after having barely completed his freshman year, Laughlin was an educated and highly literate man. His large vocabulary and love of language are evident in the elaborate captions he later wrote to accompany his photographs. He initially aspired to be a writer and wrote many poems and stories in the style of [[French symbolism]], most of which remained unpublished. |
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=== Photography career === |
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Laughlin discovered photography when he was 25 and taught himself how to use a simple 2½ by 2¼ [[view camera]]. He began working as a freelance architectural photographer and was subsequently employed by agencies as varied as [[Vogue Magazine]] and the US government. Disliking the constraints of government work, Laughlin eventually left Vogue after a conflict with then-editor [[Edward Steichen]]. Thereafter, he worked almost exclusively on personal projects utilizing a wide range of photographic styles and techniques, from simple geometric abstractions of architectural features to elaborately staged allegories utilizing models, costumes, and props. |
Laughlin discovered photography when he was 25 and taught himself how to use a simple 2½ by 2¼ [[view camera]]. He began working as a freelance architectural photographer and was subsequently employed by agencies as varied as [[Vogue Magazine]] and the US government. Disliking the constraints of government work, Laughlin eventually left Vogue after a conflict with then-editor [[Edward Steichen]]. Thereafter, he worked almost exclusively on personal projects utilizing a wide range of photographic styles and techniques, from simple geometric abstractions of architectural features to elaborately staged allegories utilizing models, costumes, and props. |
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Through this period one of his favorite models was [[Dody Weston Thompson]] who went on to become a notable photographer in her own right. |
Through this period one of his favorite models was [[Dody Weston Thompson]] who went on to become a notable photographer in her own right. |
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=== Death === |
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| ⚫ | Many historians credit Laughlin as being the first true surrealist photographer in the United States. His images are often nostalgic, reflecting the influence of [[Eugène Atget]] and other photographers who tried to capture vanishing urban landscapes. |
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He died on January 2, 1985 in New Orleans, leaving behind a massive collection of books and images. Thanks to the 17,000 negatives that he preserved, his work continues to be shown around the United States and Europe. Laughlin's library, comprising over 30,000 volumes, was purchased by [[Louisiana State University]] in 1986. The collection's focus in on science fiction, fantasy, mystery and the macabre. Other subjects represented include 20th-century art and design, European and American architecture, photography, Victoriana, humor, sex and sexuality, psychology, spiritualism, and the occult.<ref>[http://lib.lsu.edu/special/ LSU Libraries Special Collections website.]</ref> |
He died on January 2, 1985 in New Orleans, leaving behind a massive collection of books and images. Thanks to the 17,000 negatives that he preserved, his work continues to be shown around the United States and Europe. Laughlin's library, comprising over 30,000 volumes, was purchased by [[Louisiana State University]] in 1986. The collection's focus in on science fiction, fantasy, mystery and the macabre. Other subjects represented include 20th-century art and design, European and American architecture, photography, Victoriana, humor, sex and sexuality, psychology, spiritualism, and the occult.<ref>[http://lib.lsu.edu/special/ LSU Libraries Special Collections website.]</ref> |
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Laughlin is buried in Paris's [[Père Lachaise Cemetery]] in grave 18223. |
Laughlin is buried in Paris's [[Père Lachaise Cemetery]] in grave 18223. |
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== Legacy == |
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| ⚫ | A pair of surrealistic photographs of parts on a 1939 Ford, in which the photographer's reflection as he took the pictures could be seen, were showcased on an episode of [[Antiques Roadshow]] in Baton Rouge, LA |
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| ⚫ | Many historians credit Laughlin as being the first true surrealist photographer in the United States. His images are often nostalgic, reflecting the influence of [[Eugène Atget]] and other photographers who tried to capture vanishing urban landscapes. Laughlin's best-known book, ''Ghosts Along the Mississippi'', was first published in 1948. |
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| ⚫ | A pair of surrealistic photographs of parts on a 1939 Ford, in which the photographer's reflection as he took the pictures could be seen, were showcased in 2013 on an episode of [[Antiques Roadshow]] set in Baton Rouge, LA, and attributed to Clarence John Laughlin.<ref>http://www.pbs.org/wgbh/roadshow/season/18/baton-rouge-la/appraisals/clarence-john-laughlin-photos-ca-1938--201306A45/</ref> The man who brought the photographs to the Roadshow knew Laughlin's son, and saw the photos hanging at the son's place of business. In order to acquire them, the man traded automobile repairs and various parts, first for one, then for the other. Their retail value, as a pair, was appraised at $7,000 to $9,000, although the appraiser indicated that he thought they were priceless. |
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==References== |
==References== |
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Revision as of 17:17, 4 August 2018
 | This article needs additional citations for verification. (September 2014) |
Clarence John Laughlin (1905 – 2 January 1985) was an American photographer best known for his surrealist photographs of the U.S. South.
Biography
Early life
Laughlin was born into a middle-class family in Lake Charles, Louisiana. His rocky childhood, southern heritage, and interest in literature influenced his work greatly. After losing everything in a failed rice-growing venture in 1910, his family was forced to relocate to New Orleans where Laughlin's father found work in a factory. Laughlin was an introverted child with few friends and a close relationship with his father, who cultivated and encouraged his lifelong love of literature and whose death in 1918 devastated his son.
Although he dropped out of high school in 1920 after having barely completed his freshman year, Laughlin was an educated and highly literate man. His large vocabulary and love of language are evident in the elaborate captions he later wrote to accompany his photographs. He initially aspired to be a writer and wrote many poems and stories in the style of French symbolism, most of which remained unpublished.
Photography career
Laughlin discovered photography when he was 25 and taught himself how to use a simple 2½ by 2¼ view camera. He began working as a freelance architectural photographer and was subsequently employed by agencies as varied as Vogue Magazine and the US government. Disliking the constraints of government work, Laughlin eventually left Vogue after a conflict with then-editor Edward Steichen. Thereafter, he worked almost exclusively on personal projects utilizing a wide range of photographic styles and techniques, from simple geometric abstractions of architectural features to elaborately staged allegories utilizing models, costumes, and props.
Through this period one of his favorite models was Dody Weston Thompson who went on to become a notable photographer in her own right.
Death
He died on January 2, 1985 in New Orleans, leaving behind a massive collection of books and images. Thanks to the 17,000 negatives that he preserved, his work continues to be shown around the United States and Europe. Laughlin's library, comprising over 30,000 volumes, was purchased by Louisiana State University in 1986. The collection's focus in on science fiction, fantasy, mystery and the macabre. Other subjects represented include 20th-century art and design, European and American architecture, photography, Victoriana, humor, sex and sexuality, psychology, spiritualism, and the occult.[1]
Laughlin is buried in Paris's Père Lachaise Cemetery in grave 18223.
Legacy
Many historians credit Laughlin as being the first true surrealist photographer in the United States. His images are often nostalgic, reflecting the influence of Eugène Atget and other photographers who tried to capture vanishing urban landscapes. Laughlin's best-known book, Ghosts Along the Mississippi, was first published in 1948.
A pair of surrealistic photographs of parts on a 1939 Ford, in which the photographer's reflection as he took the pictures could be seen, were showcased in 2013 on an episode of Antiques Roadshow set in Baton Rouge, LA, and attributed to Clarence John Laughlin.[2] The man who brought the photographs to the Roadshow knew Laughlin's son, and saw the photos hanging at the son's place of business. In order to acquire them, the man traded automobile repairs and various parts, first for one, then for the other. Their retail value, as a pair, was appraised at $7,000 to $9,000, although the appraiser indicated that he thought they were priceless.
References
External links
- Masters of Photography
- Informative Essay on Laughlin
- Clarence John Laughlin: Prophet without Honor University Press of Mississippi
- "Clarence John Laughlin: An Artist with a Camera" (2009)
- Clarence John Laughlin: Poems of Desolation
