Jump to content

John Glines: Difference between revisions

Edit links
From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
Ejonase (talk | contribs)
12 edits
Line 9: Line 9:


In 1983 John Glines became the first person to thank his same-sex partner at the Tony Awards when accepting the honors for his production of Harvey Feirstein’s “Torch Song Trilogy.” Glines gave birth to a gay theater and arts group with Barry Laine and Jerry Tobin in 1976 in New York City. The Glines catered to lesbian and gay male playwrights Jane Chambers, Robert Patrick, Doric Wilson, and Harvey Fierstein. Other recognizable actors and presigious writers (across all gender identities and sexual identities) who in later years worked with The Glines were Matthew Broderick, Charles Busch, Allen Ginsberg, Lou Liberatore, Jonathan Hadary, Armistead Maupin, Pat Bond, Felice Picano, Ned Rorem, Vito Russo, Robin Tyler, Audre Lorde, Edmund White, Dan Lauria, James Purdy, John Rechy, Fisher Stevens, and Jack Wrangler.
In 1983 John Glines became the first person to thank his same-sex partner at the Tony Awards when accepting the honors for his production of Harvey Feirstein’s “Torch Song Trilogy.” Glines gave birth to a gay theater and arts group with Barry Laine and Jerry Tobin in 1976 in New York City. The Glines catered to lesbian and gay male playwrights Jane Chambers, Robert Patrick, Doric Wilson, and Harvey Fierstein. Other recognizable actors and presigious writers (across all gender identities and sexual identities) who in later years worked with The Glines were Matthew Broderick, Charles Busch, Allen Ginsberg, Lou Liberatore, Jonathan Hadary, Armistead Maupin, Pat Bond, Felice Picano, Ned Rorem, Vito Russo, Robin Tyler, Audre Lorde, Edmund White, Dan Lauria, James Purdy, John Rechy, Fisher Stevens, and Jack Wrangler.




In 1985 he told Playbill, “Nine years ago, [gay] playwrights and actors didn’t use their own names; a gay play meant something pornographic. I thought by using my own name, it would be a forerunner — it would force others to do the same.”

Fierstein, on Facebook, wrote, “John Glines gave the world, ‘IT’S NOT EASY BEING GREEN’ [from ‘Sesame Street’] & he gave me my career. Producing ‘TORCH SONG TRILOGY’ despite all odds… Not resting until he’d moved it to Broadway… That took vision, guts, determination, and all the money he’d made from ‘Sesame Street.’ Bravo, John.”



When “Torch Song” won Best Play just two years after public health recognition of the AIDS crisis, Glines said on the national telecast, “This is a stupendous and miraculous moment, and I would like to accept this in memory of Jane Chambers and Billy Blackwell and in honor of all my brothers and sisters.” After thanking Fierstein and others in the company, Glines concluded, “And lastly but most importantly to the one person who believed and followed the dream from the very beginning who never said, ‘You’re crazy and it can’t be done,’ I refer to my partner and my lover, Lawrence Lane.”


Writing last year in The New York Times, Stuart Emmrich said he and his partner, Barry, “were shocked. It was the first time either of us had seen a real-life gay man openly acknowledge a romantic relationship on network TV, much less on an awards program.”
Writing last year in The New York Times, Stuart Emmrich said he and his partner, Barry, “were shocked. It was the first time either of us had seen a real-life gay man openly acknowledge a romantic relationship on network TV, much less on an awards program.”
Line 29: Line 18:
When Glines and Lane returned to Brooklyn that night, his neighbors were there to cheer him. But two days later his curb was spray-painted with “Die, Faggot. Die” and he got a death threat on his answering machine.
When Glines and Lane returned to Brooklyn that night, his neighbors were there to cheer him. But two days later his curb was spray-painted with “Die, Faggot. Die” and he got a death threat on his answering machine.



“I had thanked my lover on television,” Glines told The Los Angeles Times in 1989. “There are people who bash fags, kill them. Sure, I was frightened. How do you get over it? You read Martin Luther King and think, ‘My God, a man lived with that his entire life.’ So you do what you have to do. I knew what I was saying on television was crucial to gay people. And on the other end of the death threats was the outpouring of mail from all over the country — people saying how much what I’d done had meant to them.”


Glines went on to produce the first AIDS-themed play on Broadway, William Hoffman’s “As Is” in 1985, winning another Tony nomination.
Glines went on to produce the first AIDS-themed play on Broadway, William Hoffman’s “As Is” in 1985, winning another Tony nomination.


Envelope stamps from Glines’ Stamp Out AIDS project he created in 1987.







Singer/ composer Tom Wilson Weinberg wrote, “It was my good luck to work with John and The Glines in the late ‘70s and then again in the early ‘90s. His intellect, theater savvy, hands-on participation, and good communication were inspirational.”


At The Glines he put on Chambers’ “Last Summer at Bluefish Cove,” Wilson’s “A Perfect Relationship” and “Forever After,” Robert Patrick’s “T-Shirts” and “Untold Decades,” and “An Evening with Quentin Crisp” among many others, including his own “Men of Manhattan,” a collection of 10 gay vignettes. The Glines also produced the documentary “Hero of My Own Life” about living with AIDS in 1986.
At The Glines he put on Chambers’ “Last Summer at Bluefish Cove,” Wilson’s “A Perfect Relationship” and “Forever After,” Robert Patrick’s “T-Shirts” and “Untold Decades,” and “An Evening with Quentin Crisp” among many others, including his own “Men of Manhattan,” a collection of 10 gay vignettes. The Glines also produced the documentary “Hero of My Own Life” about living with AIDS in 1986.
Line 46: Line 34:
Philip Crosby, managing director of the Richmond Triangle Players, an LGBTQ theater group now in its 25th year in Virginia, wrote, “He enabled all the LGBTQ theaters across the country to have the courage to produce the works we do.”
Philip Crosby, managing director of the Richmond Triangle Players, an LGBTQ theater group now in its 25th year in Virginia, wrote, “He enabled all the LGBTQ theaters across the country to have the courage to produce the works we do.”



Glines is survived by Chaowarat Chiewvej, a former Buddhist monk. They marrhttp://gaycitynews.nyc/gay-theater-pioneer-john-glines-dies-84/ied in New York in 2014. A memorial service is being planned, time and place to be announced.


Richie Jackson, one of the producers of the Broadway revival of “Torch Song” this fall, told Playbill that he once pitched an NYU student production to Glines and Lane, who “wanted to support a young gay theater student attempting to produce gay theatre.” Jackson called Glines “a fierce activist and his weapon of choice was art.”
Richie Jackson, one of the producers of the Broadway revival of “Torch Song” this fall, told Playbill that he once pitched an NYU student production to Glines and Lane, who “wanted to support a young gay theater student attempting to produce gay theatre.” Jackson called Glines “a fierce activist and his weapon of choice was art.”

Revision as of 01:06, 24 August 2018

John Glines (October 11, 1933 – August 8, 2018)[1] was an American playwright and theater producer. He won a Tony Award and multiple Drama Desk Awards during his producing career.

Playwright and producer

Born in Santa Maria, California, Glines graduated from Yale in 1955 with a BA in drama.[2] As a writer in children’s television, he worked for seven years on Captain Kangaroo and for four years on Sesame Street.[3][4] His play In The Desert Of My Soul was anthologized in Best Short Plays Of 1976.[5][6] His musical Gulp!, written with Stephen Greco and Robin Jones,[7] had a lengthy off-off-Broadway run in 1977.

In 1983 John Glines became the first person to thank his same-sex partner at the Tony Awards when accepting the honors for his production of Harvey Feirstein’s “Torch Song Trilogy.” Glines gave birth to a gay theater and arts group with Barry Laine and Jerry Tobin in 1976 in New York City. The Glines catered to lesbian and gay male playwrights Jane Chambers, Robert Patrick, Doric Wilson, and Harvey Fierstein. Other recognizable actors and presigious writers (across all gender identities and sexual identities) who in later years worked with The Glines were Matthew Broderick, Charles Busch, Allen Ginsberg, Lou Liberatore, Jonathan Hadary, Armistead Maupin, Pat Bond, Felice Picano, Ned Rorem, Vito Russo, Robin Tyler, Audre Lorde, Edmund White, Dan Lauria, James Purdy, John Rechy, Fisher Stevens, and Jack Wrangler.

Writing last year in The New York Times, Stuart Emmrich said he and his partner, Barry, “were shocked. It was the first time either of us had seen a real-life gay man openly acknowledge a romantic relationship on network TV, much less on an awards program.”

The Times did not cover Glines’ historic speech in its next day coverage, but did quote Natalia Makarova who won for Best Supporting Actress in a Musical for “On Your Toes” thanking her husband “who didn’t help much but wasn’t in the way.” And the newspaper noted that Tommy Tune, who won two Tonys for “On Your Toes,” wore “a bright pink shirt and pink bow tie” and thanked his sister.

The then-closeted gossip columnist Liz Smith in her widely read column pronounced Glines’ speech “disgusting.”

When Glines and Lane returned to Brooklyn that night, his neighbors were there to cheer him. But two days later his curb was spray-painted with “Die, Faggot. Die” and he got a death threat on his answering machine.


Glines went on to produce the first AIDS-themed play on Broadway, William Hoffman’s “As Is” in 1985, winning another Tony nomination.




At The Glines he put on Chambers’ “Last Summer at Bluefish Cove,” Wilson’s “A Perfect Relationship” and “Forever After,” Robert Patrick’s “T-Shirts” and “Untold Decades,” and “An Evening with Quentin Crisp” among many others, including his own “Men of Manhattan,” a collection of 10 gay vignettes. The Glines also produced the documentary “Hero of My Own Life” about living with AIDS in 1986.


In 1994, he produced Howard Crabtree’s legendary gay costume farce, “Whoop-Dee-Doo!,” winning his third Drama Desk Award.

Philip Crosby, managing director of the Richmond Triangle Players, an LGBTQ theater group now in its 25th year in Virginia, wrote, “He enabled all the LGBTQ theaters across the country to have the courage to produce the works we do.”


Richie Jackson, one of the producers of the Broadway revival of “Torch Song” this fall, told Playbill that he once pitched an NYU student production to Glines and Lane, who “wanted to support a young gay theater student attempting to produce gay theatre.” Jackson called Glines “a fierce activist and his weapon of choice was art.”

(Gay City News, August 22, 2018) [8]

His plays written for, and originally produced by The Glines, the non-profit organization for gay arts which he co-founded in 1976 with Barry Laine and Jerry Tobin, include On Tina Tuna Walk,[9] In Her Own Words (A Biography of Jane Chambers),[10] Men Of Manhattan (also made into a film directed by Anthony Marsellis),[11] Chicken Delight,[12][13] Body And Soul[14] Murder In Disguise, Key West, and Heavenly Days. His last play, Butterflies And Tigers, based on stories of the Chinese people during the Cultural Revolution, had an extended run in New York City in 1998.[15][16]

Glines won a Tony Award and a Drama Desk Award in 1983 as producer of Torch Song Trilogy. In his acceptance speech for the Tony, he was the first person ever to acknowledge his same-sex lover on a major awards show.[17][18] He won the Drama Desk Award and a Tony nomination in 1985 as producer of As Is, and won the Drama Desk Award in 1994 for Whoop-Dee-Doo!

Activism

In 1987, John founded Stamp Out AIDS to raise a million dollars to fight the HIV and AIDS epidemic by selling stamps that people could use like CEaster Seals. He enlisted the participation of Helen Hayes, Pearl Bailey, Vivian Blaine, Ellen Greene, Richard Dreyfuss, and Estelle Getty. In 1992, Glines was a founding board member of Broadway Cares/ Equity Fights AIDS, whose longtime executive director, Tom Viola, wrote on Facebook, “John will always be a part of our legacy.” [19]


Concurrently with his theatre work, Glines was a founding trustee of Broadway Cares/Equity Fights AIDS, which grew out of Stamp Out AIDS, the non-profit organization he founded in 1985 as a result of his work on As Is.[20][21]

Glines was honored by numerous organizations, including the Empire State Pride Agenda (Artistic Vision Award), Parents, Families, and Friends of Lesbians and Gays (PFLAG) (Oscar Wilde Award), the Allied Gay and Lesbian Association of Los Angeles, and Off-Off-Broadway Review (Lifetime Achievement Award).

Glines died from complications from surgery and emphysema at 84 on August 8 at his home in Bangkok, Thailand. (Gay City News, August 22, 2018) [22]

References

  1. ^ "John Glines, Tony Winning Producer and Playwright, Passes Away". Broadwayworld.com. Retrieved 8 August 2018.
  2. ^ The Pink and the Blue Archived 2006-09-21 at the Wayback Machine Lesbian and Gay Studies at Yale
  3. ^ 1965 through 1971
  4. ^ Shows #1316-1445, 1979-80
  5. ^ John Glines In the Desert of My Soul Dramatists Play Service
  6. ^ Bruce Mason Hurry, dinner theatre is being served Archived 2007-09-29 at the Wayback Machine Gabriola Sounder, British Columbia Community Newspaper website, October 23, 2006
  7. ^ [1] [dead link‍]
  8. ^ http://gaycitynews.nyc/gay-theater-pioneer-john-glines-dies-84/
  9. ^ [2] [dead link‍]
  10. ^ Stephen Holden Review/Theater; Comedy of Self-Acceptance And a Portrait of Its Writer The New York Times, August 17, 1989.
  11. ^ [3] [dead link‍]
  12. ^ [4] [dead link‍]
  13. ^ "2005-06 Theatre Season Reviews". Web.archive.org. 18 December 2007. Retrieved 8 August 2018.
  14. ^ Bruckner, D.J.R. (July 10, 1991), Review/Theater Bygone Love's Shocks and Sorrows The New York Times. Retrieved, March 4, 2007.
  15. ^ "Lamentations : Butterflies and Tigers". Oobr.com. Retrieved 8 August 2018.
  16. ^ Lipfert, David, A CurtainUp Review:Butterflies and Tigers, Curtainup.com. Retrieved February 28, 2007
  17. ^ David Mermelstein GLAAD leads, Oscar and Tonys follow Award Central (Variety.com) website
  18. ^ Ron Stokes From Hair to Hairspray, A Broadway Timeline New York Magazine, web exclusive.
  19. ^ http://gaycitynews.nyc/gay-theater-pioneer-john-glines-dies-84/
  20. ^ Out in the Mountains National Fundraising Initiated for People with AIDS Archived 2007-09-27 at the Wayback Machine February 1987
  21. ^ Jeremy Gerard CREATIVE ARTS BEING RESHAPED BY THE EPIDEMIC The New York Times, June 9, 1987.
  22. ^ http://gaycitynews.nyc/gay-theater-pioneer-john-glines-dies-84/
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=John_Glines&oldid=856266431"