Jump to content

Clive Holden: Difference between revisions

Add links
From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
KolbertBot (talk | contribs)
Bots
1,166,042 edits
m Bot: HTTP→HTTPS (v485)
m standard quote handling in WP;standard Apostrophe/quotation marks in WP; MOS general fixes
Line 12: Line 12:
'''Clive Holden''' is a [[Canadians|Canadian]] [[new media]]<ref>[http://vsw.org/afterimage/issues/afterimage-vol-40-no-6/ Afterimage Vol. 40, No. 6]</ref> artist, [[filmmaker]]<ref>[http://www.ucpress.edu/books/pages/11304.php Adventures of Perception, by Scott MacDonald (August, 2009)]</ref> and poet<ref>[http://poeticstoday.dukejournals.org/cgi/content/abstract/28/1/1 Poetics today]</ref> from [[Victoria, British Columbia]], he is currently living in [[Toronto]] with his wife, writer [[Alissa York]].
'''Clive Holden''' is a [[Canadians|Canadian]] [[new media]]<ref>[http://vsw.org/afterimage/issues/afterimage-vol-40-no-6/ Afterimage Vol. 40, No. 6]</ref> artist, [[filmmaker]]<ref>[http://www.ucpress.edu/books/pages/11304.php Adventures of Perception, by Scott MacDonald (August, 2009)]</ref> and poet<ref>[http://poeticstoday.dukejournals.org/cgi/content/abstract/28/1/1 Poetics today]</ref> from [[Victoria, British Columbia]], he is currently living in [[Toronto]] with his wife, writer [[Alissa York]].


Holden’s art focuses on the usage of many kinds of visual art media, and on seeing how they relate to each other with a special interest in the charged spaces between artistic media, genres, and subcultures.
Holden's art focuses on the usage of many kinds of visual art media, and on seeing how they relate to each other with a special interest in the charged spaces between artistic media, genres, and subcultures.


==New Media==
==New Media==
In the inaugural exhibition in 2013 of UNAMERICAN UNFAMOUS<ref>[http://www.ryerson.ca/ric/exhibitions/Holden.html UNAMERICAN UNFAMOUS at Ryerson University Image Centre]</ref> at the [[Ryerson Image Centre]], Holden worked with archive photographs and snap shots submitted by the general public via social media, along with pulsating film leader loops, in a large scale media wall composition. The public was asked to nominate their “favourite unfamous unAmericans” for inclusion in the work. The various media were composed using a musical analogy for over-all structure, where the visuals were intended to be “listened to” rather than viewed in the normal sense. Hundreds of randomization algorithms were also included in the work’s code, so that the work’s creation wasn’t 100% completed until the moment it was viewed, and it could never be viewed the same way twice.
In the inaugural exhibition in 2013 of UNAMERICAN UNFAMOUS<ref>[http://www.ryerson.ca/ric/exhibitions/Holden.html UNAMERICAN UNFAMOUS at Ryerson University Image Centre]</ref> at the [[Ryerson Image Centre]], Holden worked with archive photographs and snap shots submitted by the general public via social media, along with pulsating film leader loops, in a large scale media wall composition. The public was asked to nominate their "favourite unfamous unAmericans" for inclusion in the work. The various media were composed using a musical analogy for over-all structure, where the visuals were intended to be "listened to" rather than viewed in the normal sense. Hundreds of randomization algorithms were also included in the work's code, so that the work's creation wasn't 100% completed until the moment it was viewed, and it could never be viewed the same way twice.


Media Mediated<ref>[https://www.academia.edu/3534056/Clive_Holden_Mediated_Algorithms Mediated Algorithms by Matthew Ryan Smith in Afterimage, the journal of media arts and cultural criticism, pages 20-21]</ref> (2013) is an ongoing series of new media works, [[net art]] works, and [[Chromogenic color print|chromogenic prints]]. They interrelate in spite of their disparate natures as either ephemeral time-based net art works and installations, or more traditional art objects. Their juxtapositions highlight what they have in common as well as their differences.
Media Mediated<ref>[https://www.academia.edu/3534056/Clive_Holden_Mediated_Algorithms Mediated Algorithms by Matthew Ryan Smith in Afterimage, the journal of media arts and cultural criticism, pages 20-21]</ref> (2013) is an ongoing series of new media works, [[net art]] works, and [[Chromogenic color print|chromogenic prints]]. They interrelate in spite of their disparate natures as either ephemeral time-based net art works and installations, or more traditional art objects. Their juxtapositions highlight what they have in common as well as their differences.

Revision as of 06:53, 9 September 2018

Clive Holden
Occupationpoet, visual artist
NationalityCanadian
Period1990s-present
Notable worksTrains of Winnipeg, Utopia Suite
SpouseAlissa York
Website
www.cliveholden.com

Clive Holden is a Canadian new media[1] artist, filmmaker[2] and poet[3] from Victoria, British Columbia, he is currently living in Toronto with his wife, writer Alissa York.

Holden's art focuses on the usage of many kinds of visual art media, and on seeing how they relate to each other with a special interest in the charged spaces between artistic media, genres, and subcultures.

New Media

In the inaugural exhibition in 2013 of UNAMERICAN UNFAMOUS[4] at the Ryerson Image Centre, Holden worked with archive photographs and snap shots submitted by the general public via social media, along with pulsating film leader loops, in a large scale media wall composition. The public was asked to nominate their "favourite unfamous unAmericans" for inclusion in the work. The various media were composed using a musical analogy for over-all structure, where the visuals were intended to be "listened to" rather than viewed in the normal sense. Hundreds of randomization algorithms were also included in the work's code, so that the work's creation wasn't 100% completed until the moment it was viewed, and it could never be viewed the same way twice.

Media Mediated[5] (2013) is an ongoing series of new media works, net art works, and chromogenic prints. They interrelate in spite of their disparate natures as either ephemeral time-based net art works and installations, or more traditional art objects. Their juxtapositions highlight what they have in common as well as their differences.

Trains of Winnipeg

Holden's best-known and publicized project to date is the award-winning[6] "film poem" series Trains of Winnipeg,[7] a collection of 14 short films featuring Holden's poetry with musical accompaniment by Christine Fellows, John K. Samson, Jason Tait, Steve Bates and Emily Goodden. Trains of Winnipeg was screened internationally, a.o. at the IFFR.[8] In it is included the haunting short, 18000 Dead In Gordon Head,[9] in which Holden recalls the shooting of a young girl in Gordon Head, a suburb of Victoria. The 18,000 in the title refers to the average number of murders a television viewer has seen by the time they reach the age of sixteen years.

Utopia Suite

Currently he is working on his project Utopia Suite,[10] launched at the Holland Festival in Amsterdam (2006),[11] investigating into 21st-century views on utopianism in its broadest sense. Utopia Suite has since been touring art-galleries through Canada.[12] His recent works, UNAMERICAN UNFAMOUS and Media, Mediated are parts of the Utopia Suite project.

References

  1. ^ Afterimage Vol. 40, No. 6
  2. ^ Adventures of Perception, by Scott MacDonald (August, 2009)
  3. ^ Poetics today
  4. ^ UNAMERICAN UNFAMOUS at Ryerson University Image Centre
  5. ^ Mediated Algorithms by Matthew Ryan Smith in Afterimage, the journal of media arts and cultural criticism, pages 20-21
  6. ^ 'Trains of Winnipeg' wins in Denmark, cbc.ca
  7. ^ trains of winnipeg . clive holden . jason tait . christine fellows . john k. samson
  8. ^ IFFR screening in 2005
  9. ^ 18,000 Dead in Gordon Head (2001)
  10. ^ Utopia Suite
  11. ^ Holland Festival 2006
  12. ^ Foreman Gallery showing the touring Utopia Suite[permanent dead link‍]
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Clive_Holden&oldid=858732137"