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: ''Than makin' whoopee''

==In popular culture==

Arguably the most famous rendition of "Makin' Whoopee" was performed by [[Michelle Pfeiffer]] in the 1989 film ''[[The Fabulous Baker Boys]]''.


In 2006, "Makin' Whoopee!" was covered by [[Rod Stewart]] in a duet with [[Elton John]] on his album ''The Great American Songbook, Volume 4''.
In 2006, "Makin' Whoopee!" was covered by [[Rod Stewart]] in a duet with [[Elton John]] on his album ''The Great American Songbook, Volume 4''.

Revision as of 03:56, 12 November 2006

"Makin' Whoopee!" is a jazz/blues song, first popularized by Eddie Cantor in the 1928 musical Whoopee!. Walter Donaldson wrote the music and Gus Kahn the lyrics for the song (and indeed for the entire musical).

The title is a slang expression for sexual intimacy,[1] and the song itself is a "dire warning", largely to men, about the "trap" of marriage.[2] "Makin' Whoopee" begins with the celebration of a wedding, honeymoon, and the early years of marital bliss:

Another bride, another June
Another sunny honeymoon
Another season, another reason
For makin' whoopie

but moves on to babies and responsibilities:

He's washing dishes and baby clothes
He's so ambitious, he even sews
But don't forget, folks, that's what you get, folks
For makin' whoopee

and ultimately on to affairs and possible divorce, ending with a judge's advice:

You better keep her
I think it's cheaper
Than makin' whoopee

Arguably the most famous rendition of "Makin' Whoopee" was performed by Michelle Pfeiffer in the 1989 film The Fabulous Baker Boys.

In 2006, "Makin' Whoopee!" was covered by Rod Stewart in a duet with Elton John on his album The Great American Songbook, Volume 4.

References

  1. ^ "whoopee[2,noun]". Merriam-Webster Online. Retrieved 2006-10-08.
  2. ^ Holden, Stephen (April 19, 2002). "Crooning About the Woes of Whoopee". New York Times. Retrieved 2006-10-08. {{cite news}}: Check date values in: |date= (help) A review of a James Naughton cabaret performance. "Mr. Naughton pounces on the dire warning to men lurking beneath the song's playful surface: that once the honeymoon is over, marriage can become a trap from which there is no escape."