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''First Man'' was shot without the use of [[green screen]]. Instead, [[LED display]]s of up to 10 meters were used. These projected images that would simulate the exterior of the spacecraft, both the earth and space. Next to the screens, several simulators were built, each corresponding to a spacecraft. These were programmed to move synchronized with the images of the spherical LED screens that could be seen through the windows. Chazelle chose this technique, as it allowed the actors to get more into the role, since instead of seeing a green screen they saw the outside environment recreated with [[visual effects]]. For several exterior shots of the spacecraft, [[Scale model|miniatures]] were used.<ref name=":2" />
''First Man'' was shot without the use of [[green screen]]. Instead, [[LED display]]s of up to 10 meters were used. These projected images that would simulate the exterior of the spacecraft, both the earth and space. Next to the screens, several simulators were built, each corresponding to a spacecraft. These were programmed to move synchronized with the images of the spherical LED screens that could be seen through the windows. Chazelle chose this technique, as it allowed the actors to get more into the role, since instead of seeing a green screen they saw the outside environment recreated with [[visual effects]]. For several exterior shots of the spacecraft, [[Scale model|miniatures]] were used.<ref name=":2" />


To recreate Armstrong's home, the production crew built a replica of it in an empty lot. The lunar surface was recreated by building a set on the Vulcan quarry in Atlanta.<ref name=":2" /> For the simulation of low gravity on the lunar surface, a balancing system calibrated for the actors was constructed. A single light source was used to simulate the light coming from the sun.<ref name=":1" />
To recreate Armstrong's home, the production crew built a replica of it in an empty lot. The lunar surface was recreated by building a set on the Vulcan quarry in Atlanta.<ref name=":2" /> For the simulation of low gravity on the lunar surface, a balancing system calibrated for the actors was constructed. A single light source was used to simulate the light coming from the sun.<ref name=":1" /> [[NASA]] historian Christian Gelzer, as well as astronauts [[Alan Bean|Al Bean]] and [[Alfred Worden|Al Worden]], were on set as technical consultants.<ref>{{Cite web|url=http://scienceandfilm.org/articles/3179/observations-from-the-set-of-first-man-by-a-nasa-historian|title=Observations From The Set Of First Man By A NASA Historian|last=Gelzer|first=Christian|date=18 December 2018|website=Sloan Science & Film|archive-url=|archive-date=|dead-url=|access-date=}}</ref>


=== Visual effects ===
=== Visual effects ===

Revision as of 18:47, 18 December 2018

This article is about the 2018 biopic about Neil Armstrong. For the 2011 film, see The First Man (film).

First Man
Theatrical release poster
Directed byDamien Chazelle
Screenplay byJosh Singer
Produced by
Starring
CinematographyLinus Sandgren
Edited byTom Cross
Music byJustin Hurwitz
Production
companies
Distributed byUniversal Pictures[1]
Release dates
  • August 29, 2018 (2018-08-29) (Venice)
  • October 12, 2018 (2018-10-12) (United States)
Running time
141 minutes[2]
CountryUnited States
LanguageEnglish
Budget$59 million[3]
Box office$100.5 million[3]

First Man is a 2018 American biographical drama film directed by Damien Chazelle and written by Josh Singer. Based on the book First Man: The Life of Neil A. Armstrong by James R. Hansen, the film stars Ryan Gosling as Neil Armstrong, alongside Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Ciarán Hinds, Christopher Abbott, Patrick Fugit, and Lukas Haas, and follows the years leading up to the Apollo 11 mission to the Moon in 1969. Steven Spielberg serves as an executive producer.[4]

The project was originally announced in 2003, with Clint Eastwood slated to direct. After that rendition fell though, Chazelle, Gosling and Singer all signed on by 2015, and principal photography began in Atlanta, Georgia in November 2017.

First Man had its world premiere at the Venice Film Festival on August 29, 2018, and was theatrically released in the United States on October 12, 2018, by Universal Pictures. The film received positive reviews from critics, with praise directed to the direction, Gosling and Foy's performances, and the Moon landing sequence, although its choice to not depict the planting of the American flag on the lunar surface led critics and politicians from both political parties to debate over the film's stance on patriotism. It grossed $100 million worldwide against its $59 million production budget, and at the 76th Golden Globe Awards received nominations for Best Supporting Actress (Foy) and Best Original Score.

Plot

In 1961, NASA test pilot Neil Armstrong is flying the X-15 rocket plane when it inadvertently bounces off the atmosphere. Although he manages to land the plane in the Mojave Desert, his colleagues express concern that his recent record of mishaps is due to distraction and he is grounded. His two-and-a-half year old daughter, Karen, is undergoing treatment for a brain tumor. Desperate to save her, Armstrong keeps a detailed log of her symptoms and feverishly tries to find possible treatments, but she dies soon afterwards. Grief-stricken, Armstrong applies for Project Gemini and is accepted to NASA Astronaut Group 2. Armstrong, his wife Janet, and their son Rick move to Houston alongside other astronaut families. Armstrong befriends Elliot See, another civilian test pilot, and Ed White. As Armstrong begins training, Deke Slayton impresses upon the new astronauts the importance of the Gemini program, as the Soviet Union had reached every milestone in the Space Race ahead of the United States. Armstrong and Janet have a second son, Mark.

By 1965, the family has settled in Houston, and Armstrong awaits selection for a crew. After the Soviets complete the first extravehicular activity (EVA), Armstrong is informed that he will be the commander of Gemini 8, with David Scott as the pilot. Prior to the mission, See and Charles Bassett are killed in a T-38 crash, deepening Armstrong’s grief at the string of recent losses. Armstrong and Scott successfully launch on Gemini 8, and dock with the Agena target vehicle, but soon afterward, the spacecraft begins to spin at a rapid rate. After nearly blacking out, Armstrong activates the RCS thrusters and safely aborts the mission. Armstrong initially faces criticism, but NASA determines the crew is not at fault. Later, White reveals that he has been selected for the Apollo 1 mission along with Gus Grissom and Roger Chaffee.

During a launch rehearsal test on January 27, 1967, a fire kills the Apollo 1 crew, and Armstrong hears the news while representing NASA at the White House. The next year, after nearly being killed ejecting from the Lunar Landing Research Vehicle, Armstrong is selected to command Apollo 11, and Slayton informs him that it will likely be the first lunar landing. As the mission nears, Neil becomes more and more preoccupied and emotionally distant from his family. Just prior to the launch, Janet confronts Armstrong about the possibility that he won't survive the flight, and insists that he explain the risks of the mission to their young sons. After telling them about the risks he faces, Armstrong says goodbye to his family and departs.

Apollo 11 successfully launches, and arrives at the Moon on the fourth day out. Armstrong and Aldrin undock in the Lunar Module and begin the landing attempt, but as they descend towards their landing site, Aldrin realizes the area is full of large boulders, forcing Armstrong to take manual control of the spacecraft. The lunar module successfully lands with minimal fuel remaining. After setting foot on the Moon, Armstrong drops Karen's bracelet into Little West crater. With their mission complete, the astronauts return home and are placed in quarantine, where a rerun of JFK's 1962 speech "We choose to go to the Moon" is shown, and Armstrong and Janet share a moment of tenderness.

Cast

Production

Development

In early 2003, actor-director Clint Eastwood and production people at the studio Warner Bros. bought the film rights to James R. Hansen's First Man: The Life of Neil A. Armstrong. Eastwood had previously directed as well as starred in the 2000 space-themed picture Space Cowboys, though he stated that he would likely not appear on camera in First Man.[10]

Universal and DreamWorks ultimately took up the First Man project in the mid-2010s.[11] Damien Chazelle, who had received critical acclaim for his work on 2014's Whiplash, signed onto the film's production that year, and hired Josh Singer to rewrite an existing script.[12] Gosling, who starred in Chazelle's 2016 film La La Land, joined as well to portray Armstrong in November 2015, and Hansen was hired to co-produce the film because of his role as the book's author.[13][14] Wyck Godfrey and Marty Bowen also produced the film through Temple Hill Entertainment, with pre-production starting in March 2017.[15][12]

Filming

Principal photography began in Atlanta in November 2017.[16] Chazelle and cinematographer Linus Sandgren chose to shoot the film in three different formats: 16mm, 35mm and IMAX 70mm film for the Moon sequence.[17] The 16mm format was used in most of the scenes that occur inside the spacecraft, with 35mm film being used for the scenes that take place in the Armstrong house and around the NASA facility.[18]

First Man was shot without the use of green screen. Instead, LED displays of up to 10 meters were used. These projected images that would simulate the exterior of the spacecraft, both the earth and space. Next to the screens, several simulators were built, each corresponding to a spacecraft. These were programmed to move synchronized with the images of the spherical LED screens that could be seen through the windows. Chazelle chose this technique, as it allowed the actors to get more into the role, since instead of seeing a green screen they saw the outside environment recreated with visual effects. For several exterior shots of the spacecraft, miniatures were used.[19]

To recreate Armstrong's home, the production crew built a replica of it in an empty lot. The lunar surface was recreated by building a set on the Vulcan quarry in Atlanta.[19] For the simulation of low gravity on the lunar surface, a balancing system calibrated for the actors was constructed. A single light source was used to simulate the light coming from the sun.[18] NASA historian Christian Gelzer, as well as astronauts Al Bean and Al Worden, were on set as technical consultants.[20]

Visual effects

Paul Lambert served as the main visual effects supervisor. Visual effects for the film were provided by DNEG. To create the images that would be displayed on the LED screens, Terragen, a scenery generation program, was used. Additionally, archival footage such as that of the Apollo 11 launch was used, found by DNEG in a 70mm military stock that had not been seen before. These shots were then cleaned up and extended on each side of the frame.[19] Chazelle believed that it was important that the space scenes in the film matched what people knew from the historical footage, and using the historical footage itself made this possible.[21]

Soundtrack

First Man: Original Motion Picture Soundtrack
Soundtrack album by
Justin Hurwitz
ReleasedOctober 12, 2018 (2018-10-12)
GenreSoundtrack
Length1:07:57
LabelBack Lot Music
Justin Hurwitz chronology
La La Land
(2016) 		First Man: Original Motion Picture Soundtrack
(2018)

The musical score for First Man was composed by Justin Hurwitz. The score was performed by a 94-piece orchestra, with instruments such as the electronic theremin and Moog synthesizer, as well as vintage sound-altering machines including Leslie speakers and an Echoplex.[22]

Based primarily on the script from Josh Singer, Hurwitz began creating piano demos before principal photography began until he and Chazelle decided on one that would become the main theme. "It had to have a sense of loneliness but also beauty," said Hurwitz. "Like when he gets to the moon – you're on this barren surface; it's all very beautiful, but it's very, very lonely." Chazelle liked the theremin's association with low-budget sci-fi pictures of the '50s and early '60s because Armstrong and his NASA colleagues were, in their race to the Moon, "basically doing real-life science fiction," Chazelle said. "Those were the sounds and images we had in our minds of the moon, and space in general." "At its heart," said Chazelle, "this was a story about grief, about someone who lost a lot of people he loved, and what those losses did to him. There was something about the theremin that seemed to convey that grief that spanned across the cosmos. It obviously makes you think of space, but it also has those qualities of the human voice – a sort of wailing – that could feel very mournful to me." Hurwitz acquired a theremin and learned how to play it, and his performances are in the final score. "We wanted it to sound electronic but not harsh or abrasive," he said. "I've tried to make it, in most places, pretty mild, and to blend with the orchestra."[23]

The score was praised by critics, especially for its balance of softer melodic passages and powerful themes.[24][25]

The digital album was released through Back Lot Music on October 12, 2018.

No.TitlePerformersLength
1."X-15"Justin Hurwitz1:22
2."Good Engineer"Justin Hurwitz1:06
3."Karen"Justin Hurwitz0:45
4."Armstrong Cabin"Justin Hurwitz1:15
5."Another Egghead"Justin Hurwitz1:05
6."It'll Be an Adventure"Justin Hurwitz0:41
7."Houston"Justin Hurwitz2:16
8."Multi-Axis Trainer"Justin Hurwitz2:54
9."Baby Mark"Justin Hurwitz0:47
10."Lunar Rhapsody" (featuring Les Baxter)Dr. Samuel J. Hoffman3:04
11."First to Dock"Justin Hurwitz1:27
12."Elliot"Justin Hurwitz0:28
13."Sextant"Justin Hurwitz1:45
14."Squawk Box"Justin Hurwitz1:54
15."Searching for the Aegena"Justin Hurwitz1:51
16."Docking Waltz"Justin Hurwitz3:22
17."Spin"Justin Hurwitz1:15
18."Naha Rescue 1"Justin Hurwitz1:05
19."Pat and Janet"Justin Hurwitz1:34
20."The Armstrongs"Justin Hurwitz2:25
21."I Oughta Be Getting Home / Plugs Out"Justin Hurwitz1:10
22."News Report"Justin Hurwitz0:42
23."Dad's Fine"Justin Hurwitz1:03
24."Whitey on the Moon"Leon Bridges1:48
25."Neil Packs"Justin Hurwitz1:25
26."Contingency Statement"Justin Hurwitz1:56
27."Apollo 11 Launch"Justin Hurwitz5:50
28."Translunar"Justin Hurwitz1:01
29."Moon"Justin Hurwitz1:07
30."Tunnel"Justin Hurwitz0:52
31."The Landing"Justin Hurwitz5:31
32."Moon Walk"Justin Hurwitz1:29
33."Home"Justin Hurwitz1:51
34."Crater"Justin Hurwitz2:00
35."Quarantine"Justin Hurwitz2:15
36."End Credits"Justin Hurwitz4:19
37."Sep Ballet" (bonus track)Justin Hurwitz1:17
Total length:67:57

Release

The film had its world premiere at the Venice Film Festival on August 29, 2018.[26][27][28] It screened at the Telluride Film Festival on August 31, 2018,[29][30] and at the Toronto International Film Festival on September 9, 2018.[31] It was theatrically released in the United States on October 12, 2018, by Universal Pictures.[32]

Reception

Box office

As of December 9, 2018, First Man has grossed $44.8 million in the United States and Canada, and $55.7 million in other territories, for a total worldwide gross of $100.5 million, against a production budget of $59 million.[3]

In the United States and Canada, First Man was released alongside Goosebumps 2: Haunted Halloween and Bad Times at the El Royale, and was projected to gross $18–25 million from 3,640 theaters in its opening weekend.[33][34] The film made $5.8 million on its first day, including $1.1 million from Thursday night previews at 2,850 theaters. It went on to debut to $16 million, finishing third at the box office behind holdovers Venom and A Star Is Born.[2] Anthony D'Alessandro of Deadline Hollywood stated that the under-performance was less a matter of any controversy involving the American flag and more to do with the 141 minute runtime and the film's focus on drama,[2] although Forbes speculated the backlash played a factor.[35] Michael Cieply, also of Deadline, acknowledged that the flag controversy drew Internet criticism and that it could have hurt the film's performance at the box office.[36] The film fell 47% in its second weekend, grossing $8.6 million and finishing fifth, and then made $4.9 million in its third week, finishing seventh.[37][38]

Critical response

On review aggregator Rotten Tomatoes, the film holds an approval rating of 88% based on 368 reviews, with an average rating of 8.1/10. The website's critical consensus reads, "First Man uses a personal focus to fuel a look back at a pivotal moment in human history - and takes audiences on a soaring dramatic journey along the way."[39] On Metacritic, the film has a weighted average score of 84 out of 100, based on 56 critics, indicating "universal acclaim".[40] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while PostTrak reported filmgoers gave it a 79% positive score.[2]

Owen Gleiberman of Variety called the film "so revelatory in its realism, so gritty in its physicality, that it becomes a drama of thrillingly hellbent danger and obsession."[41] Writing for IndieWire, Michael Nordine awarded the film a B+, describing it as "A powerful experience that will inspire renewed awe of what Armstrong and his ilk did." Nordine praised the opening flight sequence, Gosling's performance and Chazelle's direction.[42] Peter Howell of the Toronto Star praised the Moon landing sequence, writing: "When the Eagle finally lands on the moon in First Man, the picture truly soars."[43] Nicholas Barber of the BBC gave it a five-star rating, stating that "Gosling and Foy's performances in First Man are probably too unshowy to win awards. But they should, because they could hardly have been bettered. The same goes for the whole of this extraordinary film."[44]

A. O. Scott, of The New York Times, wrote that the film "gets almost everything right, but it's also strangely underwhelming. It reminds you of an extraordinary feat and acquaints you with an interesting, enigmatic man. But there is a further leap beyond technical accomplishment – into meaning, history, metaphysics or the wilder zones of the imagination – that the film is too careful, too earthbound, to attempt."[45] Anthony Lane of The New Yorker said the film "captures the grandeur and otherness of the Apollo saga, but not the Midwestern modesty of its hero, Neil Armstrong," writing: "Skillful and compelling this film may be, but, if Neil Armstrong had been the sort of fellow who was likely to cry on the moon, he wouldn't have been the first man chosen to go there. He would have been the last."[46]

Richard Brody, also of The New Yorker, said First Man would appeal to right-wing proponents as "a film of deluded, cultish longing for an earlier era of American life, one defined not by conservative politics but, rather, by a narrow and regressive emotional perspective that shapes and distorts the substance of the film."[47] Armond White of the National Review gave the film a negative review, writing: "...director Damien Chazelle aims to give a realistic, procedural account of Armstrong's journey, yet the poetry never happens. Chazelle's take is dour, deliberately unromantic."[48]

Accolades

Award Date of ceremony Category Recipient(s) and nominee(s) Result Ref(s)
Satellite Awards February 17, 2019 Best Motion Picture - Drama First Man Pending [49]
Best Actor - Drama Ryan Gosling Pending
Best Supporting Actress Claire Foy Pending
Best Original Score Justin Hurwitz Pending
Best Film Editing Tom Cross Pending
Best Art Direction and Production Design Nathan Crowley Pending
Best Sound First Man Pending
Los Angeles Online Film Critics Society January 9, 2019 Best Visual Effects First Man Pending [50]
Best Cinematography Linus Sandgren Pending
Best Score Justin Hurwitz Pending
Golden Globe Awards January 6, 2019 Best Supporting Actress Claire Foy Pending [51]
Best Original Score Justin Hurwitz Pending
Washington D.C. Area Film Critics Association December 3, 2018 Best Production Design Nathan Crowley Nominated [52]
Best Cinematography Linus Sandgren Nominated
Best Editing Tom Cross Won
Best Original Score Justin Hurwitz Nominated
Atlanta Film Critics Circle December 3, 2018 Best Original Score Justin Hurwitz Won [53]
22nd Hollywood Film Awards November 4, 2018 Hollywood Director Award Damien Chazelle Won [54]
Hollywood Film Composer Award Justin Hurwitz Won
Hollywood Editor Award Tom Cross Won
Hamilton Behind the Camera Awards November 4, 2018 Best Costume Design Mary Zophres Won [55]

American flag controversy

On August 31, 2018, it was reported that the film would not include a scene of Armstrong and Aldrin planting the American flag on the Moon. Florida Senator Marco Rubio described the omission as "total lunacy". Chazelle responded with a statement, saying: "I show the American flag standing on the lunar surface, but the flag being physically planted into the surface is one of several moments [...] that I chose not to focus upon. To address the question of whether this was a political statement, the answer is no. My goal with this movie was to share with audiences the unseen, unknown aspects of America's mission to the Moon."[56] United States President Donald Trump commented on the film, "It's almost like they're embarrassed at the achievement coming from America, I think it's a terrible thing. When you think of Neil Armstrong and when you think of the landing on the moon, you think about the American flag. For that reason, I wouldn't even want to watch the movie."[57] Following the film's below-expectations opening of $16 million, some analysts speculated that the flag controversy was in part to blame,[35][36] while others dispute that presumption.[58]

Janet Armstrong

The film revived international interest in Armstrong's first wife Janet, who plays a central part in the film.[59][60][61] She died a few months before the film's release.[62]

See also

  • The Right Stuff, a 1983 docudrama film about the U.S. side of the Cold War Space Race.
  • Apollo 13, a 1995 docudrama film about the 1970 Apollo 13 disaster.
  • From the Earth to the Moon, a 1998 docudrama mini-series based on the Apollo missions.
  • Gagarin: First in Space, a 2013 docudrama film about the first human spaceflight.
  • Spacewalk, a 2017 docudrama film about Alexei Leonov's historic first spacewalk in 1965.
  • Salyut 7, a 2017 docudrama film about the 1985 rescue of Soviet space station Salyut 7

References

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  • First Man (2018) at History vs. Hollywood
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