Una storia sbagliata (song): Difference between revisions
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==The songs== |
==The songs== |
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==="Una storia sbagliata"=== |
==="Una storia sbagliata"=== |
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"Una storia sbagliata" [literally "A wrong story", but also translatable as "A story in error" or "A story full of mistakes"]<ref>Commentary by Dennis Criteser, on his blog [https://deandretranslated.blogspot.com ''Fabrizio De André in English''] - including English translations for all of his songs.</ref> is an impassioned [[folk rock]] song in {{music|time|6|8}} time, set at a ''lento'' (= slow) tempo of about 57 BPM (in [[tuplet]]s), featuring an arrangement led by layered [[Acoustic guitar|acoustic]] and [[Electric guitar|electric]] strummed [[guitar]]s, and mostly sung in [[Close and open harmony|close harmony]] by De André and co-writer Bubola. Written on a commission from [[RAI]] as an end-credits song for the 1980 documentary ''Dietro il processo'' ("Behind the trial"), by journalist Franco Biancacci, it is a topical song about the mysterious, unsolved 1975 murder of writer and [[film director]] [[Pier Paolo Pasolini]]. The lyrics do not specifically talk about the event, but refer to it as a forgettable, untold, complex, peripheral, unfinished, black-coloured, badly covered-up, disgraced and ultimately wrong story. All of the above adjectives, and more, are used one at a time in single [[Anaphora (rhetoric)|anaphoric]] lines, in the verses of the song, as attributes to "story", while the chorus refers to the story itself as being either a different one for ordinary people, or as an ordinary one for special people. In the second chorus, "story" is replaced by "night", and the choruses also |
"Una storia sbagliata" [literally "A wrong story", but also translatable as "A story in error" or "A story full of mistakes"]<ref>Commentary by Dennis Criteser, on his blog [https://deandretranslated.blogspot.com ''Fabrizio De André in English''] - including English translations for all of his songs.</ref> is an impassioned [[folk rock]] song in {{music|time|6|8}} time, set at a ''lento'' (= slow) tempo of about 57 BPM (in [[tuplet]]s), featuring an arrangement led by layered [[Acoustic guitar|acoustic]] and [[Electric guitar|electric]] strummed [[guitar]]s, and mostly sung in [[Close and open harmony|close harmony]] by De André and co-writer Bubola. Written on a commission from [[RAI]] as an end-credits song for the 1980 documentary ''Dietro il processo'' ("Behind the trial"), by journalist Franco Biancacci, it is a topical song about the mysterious, unsolved 1975 murder of writer and [[film director]] [[Pier Paolo Pasolini]]. The lyrics do not specifically talk about the event, but refer to it as a forgettable, untold, complex, peripheral, unfinished, black-coloured, badly covered-up, disgraced and ultimately wrong story. All of the above adjectives, and more, are used one at a time in single [[Anaphora (rhetoric)|anaphoric]] lines, in the verses of the song, as attributes to "story", while the chorus refers to the story itself as being either a different one for ordinary people, or as an ordinary one for special people. In the second chorus, "story" is replaced by "night", and the choruses also mention two lives having been tainted, hit and sculpted by Heaven. According to an interview with Bubola within the eight DVD (''Poesia in forma di canzone'' - "Poetry as songs") of the 8-DVD 2011 documentary series ''Dentro Faber'' (about De André's life and career - ''Faber'' being his nickname in [[Genoese dialect|Genoese]]), he and De André accurately chose the word "Heaven", instead of "[[God]]", in order not to involve a religious vision into the song, something De André was not keen on. Bubola also explained the "two lives" line as a reference to the fact that the original RAI documentary (which the song was written for) was also about the equally unsolved murder of 21-year-old aspiring actress Wilma Montesi.<ref>''Dentro Faber'', DVD 8: ''Poesia in forma di canzone''.</ref> |
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==="Titti"=== |
==="Titti"=== |
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Revision as of 18:13, 27 December 2018
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| "Una storia sbagliata" | |
|---|---|
 Cover art for the single | |
| Single by Fabrizio De André | |
| B-side | "Titti" |
| Released | 1980 |
| Recorded | 1980 |
| Genre | Folk rock, singer-songwriter |
| Length | 5:28 |
| Label | Dischi Ricordi |
| Songwriter(s) | Fabrizio De André, Massimo Bubola |
| Producer(s) | Mark Harris, Oscar Prudente |
"Una storia sbagliata" (b/w "Titti") is a song written and performed by Italian singer-songwriter Fabrizio De André, co-composed with folk songwriter Massimo Bubola, recorded at the start of the sessions for De André's self-titled 1981 album (also known as L'Indiano) and released in 1980 as a standalone single, his last such release. It was first released on CD in 1999 as part of the omnicomprehensive box set Fabrizio De André: Opere complete,[1] while a CD release of its B-side "Titti" would only happen in 2005, on the third CD within the first volume of the greatest hits and rarities collection In direzione ostinata e contraria ["In a stubborn and opposite direction"].
Track listing
- "Una storia sbagliata" ["A wrong story"] (Fabrizio De André/Massimo Bubola) - 5:28
- "Titti" (Bubola/De André) - 4:47
The songs
"Una storia sbagliata"
"Una storia sbagliata" [literally "A wrong story", but also translatable as "A story in error" or "A story full of mistakes"][2] is an impassioned folk rock song in 6
8 time, set at a lento (= slow) tempo of about 57 BPM (in tuplets), featuring an arrangement led by layered acoustic and electric strummed guitars, and mostly sung in close harmony by De André and co-writer Bubola. Written on a commission from RAI as an end-credits song for the 1980 documentary Dietro il processo ("Behind the trial"), by journalist Franco Biancacci, it is a topical song about the mysterious, unsolved 1975 murder of writer and film director Pier Paolo Pasolini. The lyrics do not specifically talk about the event, but refer to it as a forgettable, untold, complex, peripheral, unfinished, black-coloured, badly covered-up, disgraced and ultimately wrong story. All of the above adjectives, and more, are used one at a time in single anaphoric lines, in the verses of the song, as attributes to "story", while the chorus refers to the story itself as being either a different one for ordinary people, or as an ordinary one for special people. In the second chorus, "story" is replaced by "night", and the choruses also mention two lives having been tainted, hit and sculpted by Heaven. According to an interview with Bubola within the eight DVD (Poesia in forma di canzone - "Poetry as songs") of the 8-DVD 2011 documentary series Dentro Faber (about De André's life and career - Faber being his nickname in Genoese), he and De André accurately chose the word "Heaven", instead of "God", in order not to involve a religious vision into the song, something De André was not keen on. Bubola also explained the "two lives" line as a reference to the fact that the original RAI documentary (which the song was written for) was also about the equally unsolved murder of 21-year-old aspiring actress Wilma Montesi.[3]
"Titti"
Totally different in mood from the A-side, "Titti" [an Italian shortening for the female names Tiziana or Elisabetta] is a happy-sounding Tejano song, set in 4
4 time at an allegro moderato tempo of about 120 BPM and again featuring acoustic strummed guitars as the basis of its arrangement (similarly to "Andrea", from Rimini, but harsher and less melodic than its predecessor). The lyrics are mostly whimsical and, except for the chorus, do not tell a consistent story. Indeed, the titular Titti appears only in the chorus, which was freely inspired by Jorge Amado's 1966 fantasy novel Dona Flor and Her Two Husbands. In a very lightweight tone, De André sings about a carefree woman named Titti who "had two loves, one of heaven, one of earth; of opposite sign, one of peace, one of war" and, in the second half of the chorus, "one on earth, one in heaven, [...] one good, one true". The verses, on the other hand, consist in a series of disconnected images about pairs (or couples) of objects and people, each pair/couple being linked only by a common object or a common place. Two such lines, "And it was two wooden beams which made up the cross/and, around it, two bandits with the same voice", may be read as a biblical reference to the two thieves crucified alongside Jesus.[4] The song is one of De André's lesser-known ones in his entire discography: he has always considered it very irrelevant, he has never engaged in any promotion at all regarding it, and he has never even commented on it. Co-writer Bubola, however, on Dentro Faber, mentioned it en passant as "just a B-side", and explained that the name "Titti" was preferred to his original choice of "Flora" - from the title of Amado's novel - as "Titti" had a more percussive sound (thus making a better fit to the music of the song and its chorus), without caring at all about any possible significance of either name.[5]
Personnel
According to Bubola, both sides of the single feature unspecified members of Premiata Forneria Marconi and New Trolls, in what the songwriter referred to as "a sort of jam session".[6]
Notes and references
- ^ In spite of its title, the box is actually far from complete, as it only includes De André's thirteen official studio albums, as well as a two-track CD single featuring "Il pescatore" and "Una storia sbagliata". De André's live albums, all of his early production originally released on the Karim label, Mina's virtual duet with De André on "La canzone di Marinella" and "Titti" are not included in the box.
- ^ Commentary by Dennis Criteser, on his blog Fabrizio De André in English - including English translations for all of his songs.
- ^ Dentro Faber, DVD 8: Poesia in forma di canzone.
- ^ Commentary by Dennis Criteser, as above.
- ^ Dentro Faber, DVD 8.
- ^ Riccardo Bertoncelli (2003). "Interview with Massimo Bubola". Belin, sei sicuro? Storia e canzoni di Fabrizio De André ("Are you fucking sure? History and songs of Fabrizio De André"). Giunti Publishing. ISBN 978-88-09-02853-1.
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