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{{Infobox artist
| name = Sergio Sarra
| image = Sergio Sarra.jpg
| alt = Sergio Sarra
| caption = Sergio Sarra, Rome 2010
| birth_date = {{birth year and age|1961}}
| birth_place = [[Pescara]], Italy
| nationality = Italian
| education = [[Accademia_di_Belle_Arti_di_Bologna|Academy of Fine Arts in Bologna]]
| known_for = painting, sculpture, drawing
| spouse = Elisabetta Ruscitti
| website = {{URL|sergiosarra.it}}
| module =
}}

Sergio Sarra ([[Pescara|Pescara]] 1961) is an Italian [[Artist|artist]] and former [[Basketball|basketball]] player.

In 1985, at the age of 24, he retired from playing competitively in order to study at the School of Painting at the [[Accademia_di_Belle_Arti_di_Bologna|Academy of Fine Arts in Bologna]], concluding in 1987. Sarra took part in the Biennial of Young Artists from Mediterranean Europe<ref>[http://www.bjcem.org Biennal of Young Artists from Mediterranean Europe (BJCEM)].</ref><ref>Maragall, Pasqual; Truñó, Enric; Dijan, Jean-Michel; et al. [http://www.bjcem.org/wp-content/uploads/2015/08/III001.pdf ''Biennal'87''], exhibition catalogue. [[Barcelona|Barcelona]]: Ajuntament de Barcelona, p. 211.</ref> ([[Barcelona|Barcelona]] - 1987), [[Venice Biennale|Venice Biennale]]<ref name=aperto0>{{cite magazine
| last = Giannattasio
| first = Sandra
| date = 17 December 1992
| title = La Biennale di Bonito Oliva annuncia a Venezia le tendenze di fine secolo
| url = http://avanti.senato.it/avanti/files/Avanti%201896-1993%20PDF/17.%20Avanti%20Ed.%20Nazionale%201990-1993%20OCR/Ocr%20-D-/CFI0422392_19921217.97-296_d.pdf
| magazine = Avanti!'', a. 97, no. 296''
| page = 18
}} {{cite magazine
| last = Verzotti
| first = Giorgio
| date = October 1993
| title = Aperto '93 - The Better Biennale
| url = https://www.artforum.com/print/reviews/199308/aperto-93-57685
| magazine = [[Artforum|Artforum]]'', Vol. 32, no. 2''
| pages = 104-105
}}</ref> at the Corderie dell'Arsenale (1993) in ''Aperto '93'',<ref name=aperto1>''Aperto '93 Emergency/Emergenza'', 45<sup>th</sup> International Art Exhibition: ''Punti cardinali dell'arte'', ''La Biennale di Venezia'', Corderie dell'Arsenale, [[Venice|Venice]], June - October 1993. Project: [[Achille Bonito Oliva|Achille Bonito Oliva]]; Curators: [[Helena Kontova|Helena Kontova]] (Coordinator), [[Francesco Bonami|Francesco Bonami]], [[Nicolas Bourriaud|Nicolas Bourriaud]], Antonio D'Avossa, [[Jeffrey Deitch|Jeffrey Deitch]], Mike Hubert, Thomas Locher, Kong Chang'an (Lauk'ung Chan), Robert Nickas, Rosma Scuteri, Berta Sichel, Matthew Slovoter, Benjamin Weil.</ref><ref name=aperto2>{{cite book
|last1 = Bonito Oliva
|first1 = Achille
|author-link1 = Achille Bonito Oliva
|last2 = Jünger
|first2 = Ernst
|author-link2 = Ernst Jünger
|last3 = Perniola
|first3 = Mario
|last4 = et al
|year= 1993
|title= Punti cardinali dell'arte'' exhibition catalogue, Vol. I''
|publisher = Marsilio Editori s.p.a.
|location= [[Venice|Venice]]
|pages= 303, 311
|oclc= 832241900
|isbn= 88-208-0378-X
|id= [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/RAV0225285 IT\ICCU\RAV\0225285]
}} {{cite book
| last1 = Bonito Oliva
| first1 = Achille
| author-link1 = Achille Bonito Oliva
| last2 = Kontova
| first2 = Helena
| author-link2 = Helena Kontova
| last3 = Daney
| first3 = Serge
| author-link3 = Serge Daney
| last4 = et al
| year = 1993
| title= Aperto'93: Emergency/Emergenza: Flash Art International'', exhibition catalogue''
| publisher = Giancarlo Politi Editore
| location = [[Milan|Milan]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/LO10323441 IT\ICCU\LO1\0323441]
| isbn = 8878160539
| oclc = 832241900
| pages = 217, 396-397
}} {{cite magazine
| last1 = Di Matteo
| first1 = Gabriele
| last2 = Silvestro
| first2 = Franco
| last3 = vedovamazzei
| author-link3 = Vedovamazzei
| date = 1993
| title = Ad Aperto novecentonovantatre si scambiarono per se stessi/The name of player playing the part
| magazine = E IL TOPO magazine'', no. 4''
| url = http://www.eiltopo.org
| pages = 56, 81
}}</ref><ref>Sarra created an environment comprised of a long wooden platform in chipboard (1266 x 211 x 30 cm) with three paintings on the walls featuring: [http://asac.labiennale.org/it/passpres/artivisive/ava-ricerca.php?scheda=360913 ''Iguane''] (1993), [http://asac.labiennale.org/it/passpres/artivisive/ava-ricerca.php?scheda=360911 ''Paesaggio''] (1993), [http://asac.labiennale.org/it/passpres/artivisive/ava-ricerca.php?scheda=360909 ''Autoritratto''] (1993).</ref> at the Italian Pavillion (2011)<ref>{{cite magazine
| last = Moro
| first = Michela
| date = 8 June 2011
| title = Speciale Biennale di Venezia – 54° Esposizione Internazionale d’Arte
| magazine = ''Cool Tour Arte'', RAI5, rai.tv
}}</ref><ref>Sarra exposed [http://asac.labiennale.org/it/passpres/artivisive/ava-ricerca.php?scheda=226015 ''Pettino, planimetria di Contrada Selva''], 2011, acrylic paint on board, 220 x 170 cm.</ref> and in the [[Havana Biennal|Havana Biennial]]<ref>[http://universes-in-universe.de/car/habana/bien7/prog/english.htm ''Los últimos dibujos del siglo''], curated by [https://www.radioartemobile.it/ Zerynthia Associazione per l’Arte Contemporanea], Teatro Nacional de Cuba, Galleria René Portocarrero, 7<sup>th</sup> Havana Biennial, [http://universes-in-universe.de/car/habana/bien7/english.htm Universes in Universe], [[Havana|Havana]], November 2000 - January 2001.</ref><ref>{{cite book
| last = Zerynthia Associazione per l’Arte Contemporanea
| year = 2001
| title= window onto venus - ventana hacia venus - finestra su venere'', conference pubblication and exhibition catalogue''
| publisher = De Agostini Rizzoli arte&cultura
| location = [[Milan|Milan]]
| oclc = 54086561
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TO01065885 IT\ICCU\TO0\1065885]
| pages = 71, 79
}}</ref> (2000). Sarra curated the group exhibition ''Conversione di Saulo''<ref>''Conversione di Saulo'', ideated by [[Erba-Odescalchi|Vittoria Odescalchi]], [[Palazzo Chigi-Odescalchi|Palazzo Chigi Odescalchi]], [[Rome|Rome]], September 21-23, 2000. Artists invited at the exhibition: [[Stefano Arienti|Stefano Arienti]], [[Vanessa Beecroft|Vanessa Beecroft]], [[Jake and Dinos Chapman|Jake and Dinos Chapman]], [[Shay Frisch Peri|Shay Frisch Peri]], [[Avish Khebrehzadeh|Avish Khebrehzadeh]], [[Wolfgang Tillmans|Wolfgang Tillmans]], [[Grazia Toderi|Grazia Toderi]], [[Jane and Louise Wilson|Jane and Louise Wilson]], [[Francesca Woodman|Francesca Woodman]].</ref><ref name=saulo1>{{cite book
| last = Sarra
| first = Sergio
| title = Conversione di Saulo'', exhibition catalogue''
| year = 2000
| publisher = Edizioni Arte Nova
| location = [[Pescara|Pescara]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TO00918995 IT\ICCU\TO0\0918995]
| oclc = 80725368
}} {{cite magazine
| last = Pratesi
| first = Ludovico
| date = 29 August 2000
| title = Guardando Caravaggio
| url = https://ricerca.repubblica.it/repubblica/archivio/repubblica/2000/08/29/guargando-caravaggio.html
| magazine = la Repubblica'', no. 199''
| pages = XII-XIII
}} {{cite magazine
| last = De Venere
| first = Lia
| date = 17 September 2000
| title = Caravaggio a confronto con i nuovi realismi
| magazine = Il Sole 24 Ore'', no. 253''
| page = 34
}} {{cite magazine
| last = Moro
| first = Michela
| date = October 2000
| title = Conversione di Saulo
| magazine = ''Start'', RaiSat Art
}} {{cite magazine
| last = Di Las Plassas
| first = Lorenzo
| date = October 2000
| title = Conversione di Saulo
| magazine = ''Imago'', RAI3
}}</ref> at [[Palazzo Chigi-Odescalchi|Palazzo Chigi Odescalchi]] ([[Rome|Rome]] - 2000) and exhibited at the [[National Museum of Contemporary Art (Romania)|Muzeum Naţional de Artă Contemporaneă]] ([[Bucharest|Bucharest]] - 2007) and the WAX Kultúrgyár ([[Budapest|Budapest]] - 2007) in ''Altered States – Are you experienced?'', group exhibition curated by [[Nicolas Bourriaud|Nicolas Bourriaud]] and Paolo Falcone, and at [[Baths of Diocletian|Baths of Diocletian]] ([[Rome|Rome]] - 2008) at ''Cose mai viste''<ref>{{cite book
| last = Bonito Oliva
| first = Achille
| author-link = Achille Bonito Oliva
| title = Cose mai viste 1'', exhibition catalogue''
| year = 2008
| publisher = The Road To Contemporary Art
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/RMS2007233 IT\ICCU\RMS\2007233]
| oclc = 908550606
| page = 86
}} {{cite magazine
| last = Piccoli
| first = Cloe
| date = 23 February 2008
| title = Cose mai viste: a Roma
| magazine = la Repubblica delle Donne'', no. 586''
| page = 124
}}</ref> curated by [[Achille Bonito Oliva|Achille Bonito Oliva]].

Other group exhibitions at: [[Palazzo Rondanini alla Rotonda|Palazzo Rondanini alla Rotonda]] ([[Rome|Rome]] - 1989), [[Palazzo della Permanente|Palazzo della Permanente]] ([[Milan|Milan]] - 1991) and [[Les Ambassadeurs (restaurant)|Espace Pierre Cardin]] ([[Paris|Paris]] - 1992), 34<sup>th</sup> [[Festival dei Due Mondi|Spoleto Festival of 2Worlds]] ([[Clitunno|Fonti del Clitunno]] - 1991), Fondazione Orestiadi ([[Gibellina|Gibellina]] - 1992), [[Palazzo delle Esposizioni|Palazzo delle Esposizioni]] ([[Rome|Rome]] - 1992, 1995), Fondazione Volume! ([[Rome|Rome]] - 2000), Circolo Filologico Milanese ([[Milan|Milan]] - 2008). Sarra has held solo exhibitions at public and private institutions including the [[University of Palermo|Faculty of Architecture of University of Palermo]] (1998), the Micromuseum for Contemporary Art and Culture ([[Palermo|Palermo]] - 2004), the [[Accademia Nazionale di Santa Cecilia|Conservatory of Santa Cecilia]] ([[Rome|Rome]] - 2013), the [[Ewha Womans University|EWHA Womans University]] ([[Seoul|Seoul]] - 2016), the Benedictine [[Santa Maria di Propezzano|Abbey of Propezzano]] ([[Morro d'Oro|Morro d'Oro]] - 2018) and others.

From the beginning of his artistic career, Sarra worked almost exclusively with [[painting|painting]], [[drawing|drawing]] and [[sculpture|sculpture]]. In 1997, the art critic and curator Lorenzo Benedetti wrote:<ref>Benedetti, Lorenzo. ''Il sacro di Fusi e il segno di Sarra'', critique of the exhibition ''Segno Senso Suono Sacro: installazioni di Mario Airò - Federico Fusi – Sergio Sarra'', curated by [https://www.radioartemobile.it/ Zerynthia Associazione per l’Arte Contemporanea], [[Serre di Rapolano|Serre di Rapolano]] ([[Siena|Siena]]), Centro Civico per l’Arte Contemporanea La Grancia and Musei Senesi, May – June 1997.</ref>

{{Quote
|text = […] In Sarra ci troviamo di fronte ad una intensa sinteticità dal punto di vista del processo formale a vantaggio di una maggiore concentrazione al dato concettuale… L’animale, i paesaggi e i volti vengono stilizzati fino al limite del riconoscibile […]<br>''([…] With Sarra we are faced with an intense conciseness from the perspective of the formal process in favour of a greater concentration on the conceptual factor… The animal, the landscapes and the faces are stylised to the limit of being recognisable […])''
|character = Lorenzo Benedetti
|title = "The Sacred of Fusi and the Sign of Sarra"
|source = <ref>{{cite encyclopedia
| last = Benedetti
| first = Lorenzo
| encyclopedia = ''Critique of the exhibition. In ''Literature'', ''sergiosarra.it''
| title = The Sacred of Fusi and the Sign of Sarra
| url = http://sergiosarra.it/pubblicazioni
| year = 1997
}}</ref> May 1997
}}




== Life and work ==
[[File:Earvin 'Magic' Johnson, Sergio Sarra, Darnell Valentine.jpg|thumb|left|150px|From the top: [[Magic Johnson|Earvin 'Magic' Johnson]], Sergio Sarra e [[Darnell Valentine]]. Italia – USA, AST Under-18 Basketball World Cup, Mannheim (FRG), 1977.<br>Courtesy AST Under-18 Basketball World Cup]]
He played for the national youth teams, making his debut at sixteen in the Italian Series A basketball championship with the Fortitudo Bologna team.<ref>[http://195.56.77.208/team/73/alco_bologna Alco Bologna - Team].</ref>

Upon completing his studies at the [[Accademia di Belle Arti di Bologna|Accademia di Belle Arti di Bologna]]<ref>In 1986, Sarra has collaborated in the realization of the [https://massmoca.org/event/walldrawing462/ Wall Drawing 462] by [[Sol LeWitt | Sol LeWitt]] at [http://www.galleriastudiog7.it/ Galleria Studio G7] in [[Bologna|Bologna]].</ref> (1987), Sarra then moved to [[Rome|Rome]] where he held his first solo exhibition at the Galleria Alice in 1990,<ref>{{cite magazine
| last = Nardone
| first = Domenico
| date = May 1990
| title = Sergio Sarra ''(press release)''
}} {{cite encyclopedia
| last = Pratesi
| first = Ludovico
| editor-last = Pratesi
| editor-first = Ludovico
| encyclopedia = Sergio Sarra'', exhibition catalogue''
| title = The Power of Fate
| url = http://sergiosarra.it/pubblicazioni
| year = 1990
| publisher = Galleria Alice arte contemporanea
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/IEI0285597 IT\ICCU\IEI\0285597]
| oclc = 1004344143
}}</ref> presenting an [[Installation art|installation]] comprised of four painted sheets of glass and crossed by white light from industrial neon tubes. Such works - being ''glass'' - on which Sarra drew symbolic and enigmatic figures, went on to become a constant in his work. In this sense, two solo exhibitions - ''Trinacria dream''<ref>Sergio Sarra: ''Trinacria dream'', MCO Arte Contemporânea, [[Oporto|Oporto]], March - April 2007.</ref><ref>{{cite encyclopedia
| last = Scuderi
| first = Massimiliano
| editor-last1 = Pinto
| editor-first1 = Sílvia
| editor-last2 = Laranja
| editor-first2 = Ana Rocha
| editor-last3 = Bernandes
| editor-first3 = Marta
| editor-last4 = et. al
| encyclopedia = MCO Arte Contemporânea - Livro 2
| title = Sergio Sarra: Trinacria Dream
| year = 2008
| publisher = MCO Arte Contemporânea
| location = [[Oporto|Oporto]]
| oclc = 959193042
| page = 43
}}</ref> ([[Oporto|Oporto]] - 2007) and ''un ambiente, sei vetri''<ref>Sergio Sarra: ''un ambiente, sei vetri'', [[Rome|Rome]], [[Accademia Nazionale di Santa Cecilia|Conservatory of Santa Cecilia]], May - June 2013.</ref> ([[Rome|Rome]] - 2013) - appear indicative. In occasion of the exhibition in Portugal, art critic Miguel Amado wrote:<ref name=amado1>{{cite magazine
| last = Amado
| first = Miguel
| date = 2 April 2007
| title = Sergio Sarra - MCO Arte Contemporânea
| url = https://www.artforum.com/picks/sergio-sarra-13001
| magazine = artforum.com
}}</ref>

{{Quote
|text = […] Referencing classicism and employing symbolism in creating his enigmatic vision of the world, Sarra calls attention to the iconic power of the handmade image in Western civilization.
|character = Miguel Amado
|title = "Sergio Sarra - MCO Arte Contemporânea"
|source = <ref name=amado1 /> ''artforum.com,'' 2 April 2017
}}
[[File:Sergio Sarra, two Ipnlogic 5, 2013.jpg|thumb|right|200px|''two Ipnologic 5'', 2013, painted glass and neon, 26 x 240 x 10 cm, [[Accademia Nazionale di Santa Cecilia|Conservatory of Santa Cecilia]], [[Rome]], 2013.<br>Ph. Franco Sarra]]
Over the next few years, he produced a series of paintings on emulsified canvas<ref>The surface treated with gel to render the surface photosensitive and permitting the reproduction of images on the canvas via a procedure similar to that of traditional photographic printing. Subsequently, the pictorial process thus becomes less detached. Sarra then painted the images reproduced in transparent red ink. Cf. ''Sergio Sarra'' (press release), [[Florence|Florence]], Gentili arte contemporanea, January 1994. {{cite magazine
| last = Vecere
| first = Laura
| date = March 1994
| title = I varani di Sarra e la Mori futurista mai vista
| magazine = Il Giornale dell'Arte'', no. 120''
| page = 76
}}</ref> - ''Primitive''<ref>Cf. Urban, Carla (June 1991). "Sergio Sarra - Achille Bonito Oliva (L’arte fino al 2000 e Fuori Uso ’91)". In Urban, Carla. ''TvDonna'', TMC. {{cite magazine
| last = Pratesi
| first = Ludovico
| date = 21 July 1991
| title = Senza confini
| magazine = Panorama, no. 1318
| page = 28
}} Caruso, Rossella (January 1992). "Sergio Sarra: ateleta (press release)". Rome: Galleria Cecilia Nesbitt. Caruso, Rossella (January 1992). "ateleta". In ''Sergio Sarra: ateleta'', video-catalogue, Rome: Galleria Cecilia Nesbitt Federici. {{cite magazine
| last = Pratesi
| first = Ludovico
| date = 19 February 1992
| title = Sergio Sarra
| magazine = la Repubblica, no. 42
| page = VIII
}} </ref> - comprising zoomorphic figures that were almost always mirror images.<ref>{{cite magazine
| last = Pratesi
| first = Ludovico
| date = 1 February 1992
| title = La personale di Sarra e i fossili viventi
| magazine = la Repubblica'', no. 27''
| page = IX
}} {{cite magazine
| last = Cherubini
| first = Laura
| date = June–July 1992
| title = Sergio Sarra
| magazine = [[Flash Art|Flash Art]]'', no. 168''
| pages = 120-121
}} {{cite encyclopedia
| last = Cherubini
| first = Laura
| editor-last1 = Apa
| editor-first1 = Mariano
| editor-last2 = Cherubini
| editor-first2 = Laura
| editor-last3 = Di Capua
| editor-first3 = Marco
| editor-last4 = et al.
| encyclopedia = Giovani Artisti IV'', exhibition catalogue''
| title = Giovani artisti IV
| year = 1992
| publisher = Edizioni Carte Segrete
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/RMR0007183 IT\ICCU\RMR\0007183]
| isbn = 88-85203-70-1
| oclc = 800726202
| pages = 27-28, 37-39, 103
}}</ref> The artist was invited to take part in the ''Aperto '93 Emergency/Emergenza''<ref name=aperto1 /><ref name=aperto0 /><ref name=aperto2 /> - 45<sup>th</sup> [[Venice Biennale|Venice Biennale]], where he created an environment comprised of a long wooden platform<ref>''platform-container'', 1993, wood chipboard, 1266 x 211 x 30 cm.</ref> in chipboard with three paintings on the walls featuring: ''Iguane'',<ref>[http://asac.labiennale.org/it/passpres/artivisive/ava-ricerca.php?scheda=360913 ''Iguane''].</ref> ''Paesaggio''<ref>[http://asac.labiennale.org/it/passpres/artivisive/ava-ricerca.php?scheda=360911 ''Paesaggio''].</ref> and ''Autoritratto''<ref>[http://asac.labiennale.org/it/passpres/artivisive/ava-ricerca.php?scheda=360909 ''Autoritratto''].</ref>. Clarity and essentiality become the dominant factors in his work.

In the paintings after 1997, the artist poses with his 'sign-drawing', being continuous and abstract, various elements - faces, zoomorphic groups, buildings with unknown geometries - that insist upon previous pictorial composition processes<ref>"In the visual arts, composition is the placement or arrangement of visual elements or 'ingredients' in a work of art, as distinct from the subject. It can also be thought of as the organization of the elements of art according to the principles of art.", [https://en.wikipedia.org/wiki/Composition_(visual_arts) Composition (visual arts) - Wikipedia.org].</ref> that are not entirely erased to reveal further combinatorial forms.<ref name=fuoriuso1>{{cite encyclopedia
| last = Di Pietrantonio
| first = Giacinto
| editor-last = Di Pietrantonio
| editor-first = Giacinto
| encyclopedia = Fuoriuso in Opera'', exhibition catalogue''
| title = Sergio Sarra
| year = 2012
| publisher = Edizioni Arte Nova
| location = [[Pescara|Pescara]]
| page = 25
}} Cf. {{cite encyclopedia
| last = Di Pietrantonio
| first = Giacinto
| editor-last1 = Prini
| editor-first1 = Emilio
| editor-link1 = Emilio Prini
| editor-last2 = Sarra
| editor-first2 = Sergio (curated by)
| encyclopedia = Sergio Sarra'', exhibition catalogue''
| title = Oblique Archetypes
| url = http://sergiosarra.it/pubblicazioni
| year = 1997
| publisher = Edizione Galleria Cesare Manzo
| location = [[Pescara|Pescara]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TO01048791 IT\ICCU\TO0\1048791]
| oclc = 1004344143
| pages = 13-15
}} {{cite magazine
| last = Visci
| first = Giulia
| date = June-July 1997
| title = Sergio Sarra
| magazine = [[Flash Art|Flash Art]]'', no. 204, [[Milan|Milan]]: Giancarlo Politi Editore''
| page = 109
}} {{cite magazine
| last = Moro
| first = Michela
| date = 4 November 1999
| title = Sergio Sarra
| magazine = ''Start'', RaiSat Art
}} Martino, Adriana (December-January 2000). "Sergio Sarra". ''[[Flash Art|Flash Art]]'', no. 219, p. 123. [[Milan|Milan]]: Giancarlo Politi Editore. {{cite encyclopedia
| last = Cherubini
| first = Laura
| editor-last1 = Cherubini
| editor-first1 = Laura
| editor-last2 = Manzoni
| editor-first2 = Gian Ruggero
| encyclopedia = Sotto pioggia e sotto vento'', exhibition catalogue''
| title = L'aure d'Abruzzo
| year = 1997
| publisher = Umberto Sala Editore
| location = [[Pescara|Pescara]]
| page = 7
}}</ref> In ''Une correspondance sur les fantômes avec Sergio Sarra''<ref>English translate: ''A correspondence on ghosts with Sergio Sarra.''</ref> between Sarra e [[Nicolas Bourriaud|Nicolas Bourriaud]] in May 2007, the French critic and theorist wrote:
[[File:Sergio Sarra, Relationship, 2006.jpg|thumb|right|200px|''Relationship'', 2006, acrylic paint on board, 42,8 x 58 cm, MCO Arte Contemporânea, [[Oporto]], 2007.<br>Ph. Gino Di Paolo]]
{{Quote
|text = […] Vos travaux font penser à des palimpsestes, ces manuscrits que leur auteur trace sur un document existant, sans effacer la ou les couches d'écriture précédentes. […]<br>''([…] Your works make one think of palimpsests, namely of those manuscripts that an author writes over an earlier text, without cancelling previous layers of writing. […])''
|character = [[Nicolas Bourriaud|Nicolas Bourriaud]]
|title = "Une correspondance sur les fantômes avec Sergio Sarra"
|source = <ref>{{cite encyclopedia
| last = Bourriaud
| first = Nicolas
| author-link = Nicolas Bourriaud
| encyclopedia = ''In'' Sergio Sarra'', catalogue''
| title = A correspondence on ghosts with Sergio Sarra
| url = http://sergiosarra.it/pubblicazioni
| year = 2007
| publisher = Galleria Cesare Manzo
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/UBO3622112 IT\ICCU\UBO\3622112]
| oclc = 880870197
| page = 8
}} In ''Literature'', ''sergiosarra.it''.</ref> ''Sergio Sarra'', catalogue, May 2007
}}
[[File:Sergio Sarra Table sculpture.jpg|thumb|left|200px|''Table sculpture (table projection on 12 points)'', 2004, mixed media, 110 x 550 x 95 cm, [[Circolo Filologico Milanese]], [[Milan]], 2007.<br>Ph. Sergio Sarra]]
[[File:Umberto Curi, La forza dello sguardo.jpg|thumb|left|125px|cover image: ''Profili'', 2001, ink on paper, 21 x 30 cm.<br>Courtesy [[Bollati Boringhieri]] Editore]]
In 2000 in [[Rome|Rome]], his works were exhibited at the Fondazione Volume!.<ref>[http://www.fondazionevolume.com/index.php/it/la-fondazione Fondazione Volume! website].</ref><ref>{{cite AV media
| people = Dafni&Papadatos
| date = 2000
| title = Bruna Esposito Sergio Sarra Richard Van Buren
| url = https://www.youtube.com/watch?v=N5sPwACQJMI
| archive-date = 24 February 2015
| location = [[Rome|Rome]]
| publisher = Fondazione VOLUME!
}} {{cite book
| last1 = Magni
| first1 = Paola
| year = 2001
| title= Claudio Abate: VOLUME! Portfolio
| publisher = Associazione culturale Francesco Nucci
| location = [[Rome|Rome]]
| pages = 54-55
}} {{cite encyclopedia
| last1 = Borriello
| first1 = Marilena
| last2 = Marsano
| first2 = Silvia
| editor-last1 = Borriello
| editor-first1 = Marilena
| editor-last2 = Marsano
| editor-first2 = Silvia
| encyclopedia = VOLUME! 1998>2008
| title = Esposito/Sarra/Van Buren
| url = http://www.fondazionevolume.com/index.php/it/artisti/item/sarra-sergio-esposito-bruna-van-buren-richard
| year = 2008
| publisher = Edizioni VOLUME!
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TO01725777 IT\ICCU\TO0\1725777]
| isbn = 978-88-95986-00-5
}} {{cite book
| last1 = Bonito Oliva
| first1 = Achille
| author-link1 = Achille Bonito Oliva
| last2 = Eccher
| first2 = Danilo
| author-link2 = Danilo Eccher
| last3 = Hegyi
| first3 = Lóránd
| author-link3 = Lóránd Hegyi
| last4 = Benedetti
| first4 = Lorenzo
| last5 = et al
| year = 2015
| title= VOLUME! 1997…TODAY
| publisher = Silvana Editoriale
| location = Cinisello Balsamo ([[Milan|Milan]])
| oclc = 913214444
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/MIL0901065 IT\ICCU\MIL\0901065]
| isbn = 9788836631667
| pages = 120, 122-123
}}</ref> In the same year, Sarra curated at [[Palazzo Chigi-Odescalchi|Palazzo Chigi Odescalchi]] the group exhibition ''Conversione di Saulo''<ref name=saulo1 /> that was developed around the painting of the same name, painted in 1600 by [[Caravaggio|Caravaggio]]. Also in 2000, Sarra married Elisabetta Ruscitti in [[Amalfi|Amalfi]], with whom he lived for a short time in [[Naples|Naples]]. In 2001, their son Gerolamo Papik Merlino was born. It was in [[Naples|Naples]] that he produced ''Table Sculpture (table projection on 12 points)'',<ref name=works>[https://www.sergiosarra.it/opere/ Sergio Sarra - Works, ''sergiosarra.it''].</ref><ref>{{cite encyclopedia
| last = Bonito Oliva
| first = Achille
| author-link = Achille Bonito Oliva
| editor-last1 = Bonito Oliva
| editor-first1 = Achille
| editor-link1 = Achille Bonito Oliva
| encyclopedia = Cose mai viste 1'', exhibition catalogue''
| title = Table Sculpture (table projection on 12 points), 2004
| year = 2008
| publisher = The Road To Contemporary Art
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/RMS2007233 IT\ICCU\RMS\2007233]
| oclc = 908550606
| page = 86
}} {{cite magazine
| last = Piccoli
| first = Cloe
| date = 23 February 2008
| title = Cose mai viste: a Roma
| magazine = la Repubblica delle Donne'', no. 586''
| page = 124
}}</ref> a table/sculpture with a huge red [[Komodo dragon|Komodo dragon]] hooked underneath.

Over the same period, he produced the performance ''Life drawing no. 2'',<ref name=works /><ref>{{cite encyclopedia
| encyclopedia = ''In'' Sergio Sarra'', catalogue''
| title = Life Drawing no. 2, 2004
| year = 2007
| publisher = Galleria Cesare Manzo
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/UBO3622112 IT\ICCU\UBO\3622112]
| oclc = 880870197
| pages = 42-43
}}</ref> representing the connection between the manual creation and collective fruition<ref>{{cite encyclopedia
| last = Macrì
| first = Teresa
| author-link = Teresa Macrì
| editor-last1 = Macrì
| editor-first1 = Teresa
| editor-link1 = Teresa Macrì
| encyclopedia = Anomalie'', exhibition catalogue''
| title = Anomalo Hotel
| year = 2003
| publisher = Edizioni Arte Nova
| location = [[Pescara|Pescara]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TO01282378 IT\ICCU\TO0\1282378]
| page = 18
}} - English version: [http://sergiosarra.it/pubblicazioni "Anomalous Hotel"], in ''Literature'', ''sergiosarra.it''. {{cite magazine
| last = Nicita
| first = Paola
| date = 24 June 2004
| title = Micromuseum si trasferisce e ospita la performance di Sarra
| url = https://ricerca.repubblica.it/repubblica/archivio/repubblica/2004/06/24/micromuseum-si-trasferisce-ospita-la-performance-di.pa_041micromuseum.html
| magazine = la Repubblica
}} {{cite magazine
| last = Nicita
| first = Paola
| date = 8 July 2004
| title = Buglisi, design e pittura Sarra espone al Micromuseum
| url = https://ricerca.repubblica.it/repubblica/archivio/repubblica/2004/07/08/buglisi-design-pittura-sarra-espone-al-micromuseum.html
| magazine = la Repubblica
}}</ref> in which Sarra coerces the public's perceptive nature, using a [[Strobe light|strobe light]] to produce a decisive intermittence between darkness and light. This is the same direction in which Sarra heads when painting '[[Figure drawing|from real life]]' inside the WAX Kultúrgyár in [[Budapest|Budapest]] and the [[National Museum of Contemporary Art (Romania)|Muzeum Naţional de Artă Contemporanea]] in [[Bucharest|Bucharest]] for the exhibition ''Altered States - Are you Experienced?''<ref>''Altered States - Are you experienced?'', ''Fuori Uso 2006'', curated by [[Nicolas Bourriaud|Nicolas Bourriaud]], Paolo Falcone, former C.O.F.A. [[Pescara|Pescara]], December 2006 – February 2007 / WAX Kultúrgyár (former MEO), [[Budapest|Budapest]], May - June 2007 / [http://www.mnac.ro/en/archives/1444 Muzeum Naţional de Artă Contemporaneă (MNAC)], [[Bucharest|Bucharest]], June - August 2007 / Galeria Nouă, [[Bucharest|Bucharest]], June - August 2007.</ref><ref>{{cite book
| last1 = Bourriaud
| first1 = Nicolas
| author-link1 = Nicolas Bourriaud
| last2 = Falcone
| first2 = Paolo
| year = 2007
| title= Altered States - Are you experienced?'', exhibition catalogue''
| publisher = Edizioni Arte Nova
| location = [[Pescara|Pescara]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/URB0638550 IT\ICCU\URB\0638550]
| oclc = 501423064
}}</ref> (2006-2007).
Between 2006 and 2009, Sarra worked on a series of paintings entitled ''Psichedelyc garden'',<ref name=works /> in which he reiterates the same design, altering the chromatic impact each time.

In 2011, Sarra published ''perché la spiaggia si assottiglia dopo le Nàiadi'',<ref>English translate: ''why the beach becomes narrower after the Naìadi''.</ref><ref>{{cite book
| last1 = Sarra
| first1 = Sergio
| year = 2011
| title = perché la spiaggia si assottiglia dopo le Nàiadi
| publisher = Edizioni Sarra Varano
| location = Silvi ([[Teramo|Teramo]])
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TER0036016 IT\ICCU\TER\0036016]
| isbn = 978-88-906766-04
}} {{cite magazine
| last = Flash Art
| date = April 2012
| title = perché la spiaggia si assottiglia dopo le Naìadi - Sergio Sarra
| magazine = [[Flash Art|Flash Art]]'', no. 301''
| page = 22
}}</ref> a book in which he collates a series of drawings and writings focused on the city of [[Pescara|Pescara]]. In 2012 came the he designed ''Handrail for Cubist Films'',<ref name=works /><ref>{{cite magazine
| last = Moro
| first = Michela
| date = 8 December 2012
| title = Sergio Sarra - Garage Carcani
| magazine = ''Cool Tour Arte'', RAI5
}}</ref> inspired by [[Fernand Léger|Fernand Léger]]'s 1924 film ''[[Ballet Mécanique|Ballet Mécanique]]'', and the diptych ''Involuntary Commitment''<ref name=works /> which was exhibited at Galleria Cesare Manzo<ref name=ciglia1>{{cite magazine
| last = Ciglia
| first = Simone
| date = March 2010
| title = Sergio Sarra: The indifferents ''(press release)''
| url = http://www.exibart.com/profilo/eventiV2.asp?idelemento=87092
| magazine = exhibart.com
}}</ref> in [[Rome|Rome]] and at ''Fuori Uso 2012''<ref name=fuoriuso1 /> in [[Pescara|Pescara]].

{{Quote
|text = […] Anche in quest'ultima occasione Sarra elabora un percorso in cui l'apparente 'ripetizione' dell'opera viene simultaneamente smentita. Il tentativo di dipingere due quadri uguali sposta l'attenzione del pubblico sull’abilità pittorica, la copia, l'indifferenza. Lo sforzo esercitato diventa un 'impegno controvoglia'. […]<br>''([…] Also on this occasion, Sarra expounds a path along which the apparent 'repetition' of the work is simultaneously denied. The attempt to paint two equal paintings shifts the public’s attention to the pictorial ability, to copying, to indifference. The effort exerted becomes an 'involuntary commitment'. […])''
|character = Simone Ciglia
|title = "The indifferents"<ref name=ciglia1 /> (press release)
|source = ''exhibart.com'', March 2010
}}

[[File:Sergio Sarra, iceberg 7 - study no.2, 2017.jpg|thumb|right|225px|''iceberg 7 (study no. 2)'', 2016, pencil on paper, 19,5 x 28,5 cm, [[Ewha Womans University]], [[Seoul]], 2016.<br>Ph. Ito Lim]]

In June 2016, Sarra was invited to exhibit at the [[Ewha Womans University|EWHA Womans University]] in [[Seoul|Seoul]], where he presented a series of drawings and paintings entitled ''iceberg rosaspina'',<ref>{{cite AV media
| people = Lim, Ito
| date = 2016
| title = Sergio Sarra: iceberg rosaspina
| url = https://www.youtube.com/watch?v=ViHkrk5KTAg
| archive-date = 14 June 2014
| location = [[Seoul|Seoul]]
| publisher = Art and Real Movement
}}</ref> accompanied by a short text written by the artist:

{{Quote
| text = I am painting icebergs, a series of icebergs. Each of them is a still life drawing, even though it may look like an automatisme. Icebergs are wandering and solitary shapes subject to imperceptible transformation, and they incorporate other shapes and remote images. The submerged parts of these ice mountains are almost completely invisible and their balance and floatation capacity are strictly connected to the emerging part. When this ratio ceases to exist, icebergs can overturn with deafening sounds, showing the part which has been hidden for millennia.
|character = Sergio Sarra
|title = "Icebergs"<ref>{{cite magazine
| last = Sarra
| first = Sergio
| date = 25 May 2016
| title = Icebergs
| url = http://www.sergiosarra.it/pubblicazioni
| magazine = ''In ''Literature'', ''sergiosarra.it''
}}</ref> (press release)
|source = 25 May 2016
}}

Traces of the theoretical processes underlying his works can be found in the short film ''My Painting Technique'' (2009, 2015).<ref>{{cite AV media
| people = Carella, Andrea
| date = 2015
| title = Sergio Sarra My Painting Technique
| url = https://www.youtube.com/watch?v=5LUDHu9NLaQ
| archive-date = 25 September 2018
| format = 2nd Edition
| location = [[Pescara|Pescara]]
| publisher = Vario Edition
}}</ref>



== Critical Review ==

{{Quote
|text = Since the early Nineties, Sergio Sarra has been exploring the iconic nature of painting, (and of sculptural installations and performances) to approach things through an abstract comprehension, while also conjuring up ancestral figures: "it would be important for me to be able to make a really archaic drawing, that can be recognized only by one's consciousness, and has never been seen in real life".<br>For Sarra, the manual aspect of drawing is akin to a sort of imponderable writing, executed "from life" but detached from any interest in spatial composition; "the color must only be meaningful, not descriptive", and "a painting is finished when it resists the company of the other work in the studio."<br>Each piece is generated by an observing consciousness, that moves within autobiographical spaces and cultural affiliations, interrelating signs in redundant sequences: architectural antinomies, dualities, border zones, specious repetitions; transparent grids and aporias.<br>His home studio project is a clear form that interprets one of the artist's favorite landscapes: a protected space, personal and familiar, that fosters suggestions and ideas, where Sergio Sarra has organized his own painting possibilities.
|character = Rossella Caruso
|title = "Sergio Sarra Critical Review"
|source = <ref>{{cite magazine
| last = Caruso
| first = Rossella
| date = July 2018
| title = Sergio Sarra Critical Review
| url = http://sergiosarra.it/pubblicazioni
| magazine = ''In'' Literature, sergiosarra.it
}}</ref> ''sergiosarra.it'', July 2018
}}



== Selected Exhibitions ==

[[File:1 - Aperto '93, Venice Biennale, installation view.jpg|thumb|right|150px|installation view, Aperto '93, [[Venice Biennale]], Corderie dell’Arsenale, 1993.<br>Ph. Sergio Sarra]]

[[File:Sergio Sarra, Psichedelyc garden 1 - Psichedelyc garden 3, 2008.jpg|thumb|right|200px|''Psichedelyc garden 1'' (left) - ''Psichedelyc garden 3'', 2008, acrylic paint on board, 219,5 x 180 cm, [[Santa Maria di Propezzano|Abbey of Propezzano]], [[Morro d'Oro|Morro d'Oro]], 2018.<br>Ph. Attilio Di Daniele]]

[[File:Sergio Sarra, Involuntary commitment, 2010.jpg|thumb|right|200px|''Involuntary commitment'', 2010, acrylic paint on board, 202 x 149 cm and 208 x 154 cm, Fuori Uso 2012, [[Pescara]], 2012.<br>Ph. Paolo Angelucci]]

[[File:Sergio Sarra, Pettino, planimetria di Contrada Selva, 2011.jpg|thumb|right|150px|''Pettino, planimetria di Contrada Selva'', 2011, acrylic paint on panel, 220 x 170 cm, [[Venice Biennale]], Italian Pavillion, Tese delle Vergini, 2011.<br>Ph. Paolo Angelucci]]

* 1987 Gabriele Lamberti - Alessandro Pessoli - Sergio Sarra, Galleria del Circolo Artistico di [[Bologna|Bologna]]
* 1987 3<sup>rd</sup> Biennial of Young Artists from Mediterranean Europe, [[Barcelona|Barcelona]]
* 1988  Musée des Augustins, Toulouse
* 1989 [[Palazzo Rondanini alla Rotonda|Palazzo Rondanini alla Rotonda]], [[Rome|Rome]]
* 1990 Sergio Sarra, Galleria Alice, [[Rome|Rome]]
* 1991 Sergio Sarra, Galleria Lattuada, [[Milan|Milan]]
* 1991 34<sup>th</sup> Spoleto Festival of 2Worlds, [[Clitunno|Fonti del Clitunno]], [[Perugia|Perugia]]
* 1991 Volpaia in vista, Cantina Caparsino, [[Radda in Chianti|Radda in Chianti]], [[Siena|Siena]]
* 1991 – 1993 [[Palazzo della Permanente|Palazzo della Permanente]], [[Milan|Milan]] - former Convento di Santa Maria sopra Minerva, [[Rome|Rome]] - Espace Pierre Cardin, [[Paris|Paris]] - National Academy of Design, [[New York|New York]] - U.C.L.A., [[Los Angeles|Los Angeles]]
* 1992 Sergio Sarra, Galleria Cecilia Nesbitt Federici, [[Rome|Rome]]
* 1992 Palazzo delle Esposizioni, [[Rome|Rome]]
* 1992 Fondazione Orestiadi, [[Gibellina|Gibellina]], [[Trapani|Trapani]]
* 1993 Aperto '93, Corderie dell'Arsenale, 45<sup>th</sup> Venice Biennale
* 1993 - 1994 Galleria Il Segno, [[Rome|Rome]] - Galleria Eva Menzio, [[Turin|Turin]]
* 1994 Sergio Sarra, Gentili arte contemporanea, [[Florence|Florence]]
* 1995 Palazzo delle Esposizioni, [[Rome|Rome]]
* 1996 opere di Sergio Sarra - Ettore Spalletti, Palazzo Coen e Pieroni, [[Pescara|Pescara]]
* 1996 Fuori Uso 1996, former F.E.A., [[Pescara|Pescara]]
* 1997 Sergio Sarra, Galleria Cesare Manzo, [[Pescara|Pescara]]. The exhibition was introduced by the performance by [[Emilio Prini|Emilio Prini]] ''Emilio Prini performavit''
* 1997 Stadio della Vittoria, [[Bari|Bari]]
* 1997 Segno Senso Suono Sacro: installazioni di Mario Airò - Federico Fusi - Sergio Sarra, Zerynthia Associazione per l'Arte Contemporanea, [[Serre di Rapolano|Serre di Rapolano]], [[Siena|Siena]]
* 1997 Opera Paese Associazione Artistica, [[Rome|Rome]]
* 1997 Cava Oliviera, [[Serre di Rapolano|Serre di Rapolano]], [[Siena|Siena]]
* 1998 Sergio Sarra, former Chiesa di San Nicola, Carpineto Romano, [[Rome|Rome]]
* 1998 Sergio Sarra, Faculty of Architecture of University of Palermo, [[Palermo|Palermo]]
* 2000 Bruna Esposito – Sergio Sarra – Richard Van Buren, Fondazione Volume!, [[Rome|Rome]]
* 2000 [[Palazzo Chigi-Odescalchi|Palazzo Chigi Odescalchi]], [[Rome|Rome]]
* 2000 Teatro Nacional de Cuba, Galeria René Portocarrero, 7<sup>th</sup> Havana Biennial, [[Havana|Havana]]
* 2003 Fuori Uso 2003, former Ferrotel, [[Pescara|Pescara]]
* 2004 Sergio Sarra, Micromuseum for Contemporary Art and Culture, [[Palermo|Palermo]]
* 2006 Fuori Uso 2006, former C.O.F.A., [[Pescara|Pescara]]
* 2007 WAX Kultúrgyár, [[Budapest|Budapest]]
* 2007 Muzeum Naţional de Artă Contemporaneă (MNAC), Galeria Nouă, [[Bucharest|Bucharest]]
* 2007 Sergio Sarra, MCO arte contemporânea, [[Oporto|Oporto]]
* 2008 Sergio Sarra, Circolo Filologico Milanese, [[Milan|Milan]]
* 2008 Baths of Diocletian, [[Rome|Rome]]
* 2011 Michelangelo Pistoletto – Sergio Sarra – Bob & Roberta Smith, Galleria Cesare Manzo, [[Rome|Rome]]
* 2011 Padiglione Italia, Tese delle Vergini, 54<sup>th</sup> Venice Biennale
* 2013 Sergio Sarra, Conservatory of Santa Cecilia, [[Rome|Rome]]
* 2014 Sergio Sarra, inner room, [[Siena|Siena]]
* 2015 Sergio Sarra, ESAD, [[Córdoba, Spain|Córdoba]]
* 2016 Sergio Sarra, EWHA Womans University, [[Seoul|Seoul]]
* 2016 Margherita Morgantin – Sergio Sarra – Italo Zuffi: Ricettivo Nouveau, Garage Carcani, [[Rome|Rome]]
* 2018 Bruna Esposito - Sergio Sarra, Idill’Io arte contemporanea, [[Recanati|Recanati]], [[Macerata|Macerata]]
* 2018 Sergio Sarra, Abbey of Propezzano, [[Morro d'Oro|Morro d'Oro]], [[Teramo|Teramo]]



== Main readings ==

* {{cite encyclopedia
| last = Pratesi
| first = Ludovico
| editor-last = Pratesi
| editor-first = Ludovico
| encyclopedia = Sergio Sarra'', exhibition catalogue''
| title = The Power of Fate
| url = http://sergiosarra.it/pubblicazioni
| year = 1990
| publisher = Galleria Alice arte contemporanea
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/IEI0285597 IT\ICCU\IEI\0285597]
| oclc = 1004344143
}}

* {{cite encyclopedia
| last = Bonito Oliva
| first = Achille
| author-link = Achille Bonito Oliva
| editor-last = Argan
| editor-first = Giulio Carlo
| editor-link = Giulio Carlo Argan
| encyclopedia = L'Arte Moderna di Giulio Carlo Argan'', volume attached to the ''[[Corriere della Sera|Corriere della Sera]]'' of 28 November 1990, Vol. 11''
| title = L'arte fino al 2000 di Achille Bonito Oliva
| year = 1990
| publisher = RCS Editoriale Quotidiani SpA
| location = [[Milan|Milan]]
| pages = L, LI
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/LO11291387 IT\ICCU\LO1\1291387]
}} {{cite encyclopedia
| last = Bonito Oliva
| first = Achille
| author-link = Achille Bonito Oliva
| editor-last = Argan
| editor-first = Giulio Carlo
| editor-link = Giulio Carlo Argan
| encyclopedia = L’Arte moderna / Giulio Carlo Argan. L’arte fino al 2000 / Achille Bonito Oliva
| title = L'arte fino al 2000 di Achille Bonito Oliva
| year = 1991
| publisher = Sansoni Editore
| location = [[Florence|Florence]]
| isbn = 88-3831-34-4-X
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/PAL0153123 IT\ICCU\PAL\0153123]
| oclc = 797910250
| page = 72
}}

* {{cite encyclopedia
| last = Bonito Oliva
| first = Achille
| author-link = Achille Bonito Oliva
| editor-last = Bonito Oliva
| editor-first = Achille
| editor-link = Achille Bonito Oliva
| encyclopedia = Così - Lo stato dell’arte
| title = Così: lo stato dell’arte (e anche della critica)
| year = 1991
| publisher = Leonardo - De Luca Editori
| location = [[Rome|Rome]]
| isbn = 88-7813-347-7
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/LO10052213 IT\ICCU\LO1\0052213]
| oclc = 484125510
| pages = 13, 98
}}

* {{cite encyclopedia
| last = Bonito Oliva
| first = Achille
| author-link = Achille Bonito Oliva
| editor-last = Bonito Oliva
| editor-first = Achille
| editor-link = Achille Bonito Oliva
| encyclopedia = Propaganda Arte
| title = Immagini allo zoo
| year = 1992
| publisher = Carte Segrete Editore
| location = [[Rome|Rome]]
| isbn = 978-8885203853
| oclc = 193358740
| pages = 210-213
}}

* {{cite encyclopedia
| last = D'Avossa
| first = Antonio
| editor-last1 = Bonito Oliva
| editor-first1 = Achille
| editor-link1 = Achille Bonito Oliva
| editor-last2 = Kontova
| editor-first2 = Helena
| editor-link2 = Helena Kontova
| editor-last3 = Daney
| editor-first3 = Serge
| editor-link3 = Serge Daney
| editor-last4 = ''et al.''
| encyclopedia = Aperto '93: Emergency/Emergenza: Flash Art International'', exhibition catalogue''
| title = La risposta, amico mio, sta soffiando nel vento - Lettera aperta a Pep Agut, Bigert & Bergström, Marco Brandizzi, Giorgio Cattani, Maria Eichhorn, Marcelo Expósito, Carsten Höller, Kirsten Mosher, Luca Quaranta, Sergio Sarra e SubREAL
| year = 1993
| publisher = Giancarlo Politi Editore
| location = [[Milan|Milan]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/LO10323441 IT\ICCU\LO1\0323441]
| isbn = 8878160539
| oclc = 832241900
| page = 217-219
}}

* {{cite encyclopedia
| last = Caruso
| first = Rossella
| editor-last1 = Bonito Oliva
| editor-first1 = Achille
| editor-link1 = Achille Bonito Oliva
| editor-last2 = Kontova
| editor-first2 = Helena
| editor-link2 = Helena Kontova
| editor-last3 = Daney
| editor-first3 = Serge
| editor-link3 = Serge Daney
| editor-last4 = ''et al.''
| encyclopedia = Aperto '93: Emergency/Emergenza: Flash Art International'', exhibition catalogue''
| title = ateleta
| url = http://sergiosarra.it/pubblicazioni
| year = 1993
| publisher = Giancarlo Politi Editore
| location = [[Milan|Milan]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/LO10323441 IT\ICCU\LO1\0323441]
| isbn = 8878160539
| oclc = 832241900
| page = 396
}}

* {{cite encyclopedia
| last = Di Pietrantonio
| first = Giacinto
| editor-last1 = Prini
| editor-first1 = Emilio
| editor-link1 = Emilio Prini
| editor-last2 = Sarra
| editor-first2 = Sergio (curated by)
| encyclopedia = Sergio Sarra'', exhibition catalogue''
| title = Oblique Archetypes
| url = http://sergiosarra.it/pubblicazioni
| year = 1997
| publisher = Edizione Galleria Cesare Manzo
| location = [[Pescara|Pescara]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TO01048791 IT\ICCU\TO0\1048791]
| oclc = 1004344143
| pages = 13-15
}}

* {{cite encyclopedia
| last = Benedetti
| first = Lorenzo
| encyclopedia = ''Critique of the exhibition. ''In ''Literature'', ''sergiosarra.it''
| title = The Sacred of Fusi and the Sign of Sarra
| url = http://sergiosarra.it/pubblicazioni
| year = 1997
}}

* {{cite encyclopedia
| last = Sarra
| first = Sergio
| encyclopedia = ''Exhibition catalogue''
| title = Conversione di Saulo
| year = 2000
| publisher = Edizioni Arte Nova
| location = [[Pescara|Pescara]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TO00918995 IT\ICCU\TO0\0918995]
| oclc = 80725368
}}

* {{cite encyclopedia
| last = Macrì
| first = Teresa
| author-link = Teresa Macrì
| editor-last1 = Macrì
| editor-first1 = Teresa
| editor-link1 = Teresa Macrì
| encyclopedia = Anomalie'', exhibition catalogue''
| title = Anomalous Hotel
| url = http://sergiosarra.it/pubblicazioni
| year = 2003
| publisher = Edizioni Arte Nova
| location = [[Pescara|Pescara]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TO01282378 IT\ICCU\TO0\1282378]
| pages = 16-18
}}

* Curi, Umberto (2007). “Testo dedicato all'opera «Ipotesi di Biblioteca di Chimica dell'Università di Padova (LSD)» di Sergio Sarra". Special Project. In [[Nicolas Bourriaud|Bourriaud, Nicolas]]; Falcone, Paolo. ''Altered States - Are you experienced?'',<ref>[http://bibliothequekandinsky.centrepompidou.fr/clientBookline/service/reference.asp?INSTANCE=INCIPIO&OUTPUT=PORTAL&DOCID=0874837&DOCBASE=CGPP Library collocation of the Monograph - Centre G. Pompidou, [[Paris|Paris]]].</ref> exhibition catalogue. [[Pescara|Pescara]]: Edizioni Arte Nova. [[OCLC|OCLC]] [https://www.worldcat.org/oclc/501423064 501423064]. [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/URB0638550 IT\ICCU\URB\0638550].

* {{cite magazine
| last = Amado
| first = Miguel
| date = 2 April 2007
| title = Sergio Sarra - MCO Arte Contemporânea
| url = https://www.artforum.com/picks/sergio-sarra-13001
| magazine = artforum.com
}}

* {{cite encyclopedia
| last = Bourriaud
| first = Nicolas
| author-link = Nicolas Bourriaud
| encyclopedia = ''In'' Sergio Sarra'', catalogue''
| title = A correspondence on ghosts with Sergio Sarra
| url = http://sergiosarra.it/pubblicazioni
| year = 2007
| publisher = Galleria Cesare Manzo
| location = [[Rome|Rome]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/UBO3622112 IT\ICCU\UBO\3622112]
| oclc = 880870197
}}

* {{cite encyclopedia
| last = Marsala
| first = Helga
| encyclopedia = ''In'' Sergio Sarra: pearl fishermen'', exhibition catalogue''
| title = Noisy Writings. Sergio Sarra's Aesthetics of Void
| url = http://sergiosarra.it/pubblicazioni
| year = 2008
| publisher = Circolo Filologico Milanese
| location = [[Milan|Milan]]
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/RMS2754024 IT\ICCU\RMS\2754024]
}}

* {{cite encyclopedia
| last = Piccoli
| first = Cloe
| encyclopedia = ''In'' Sergio Sarra, perché la spiaggia si assottiglia dopo le Nàiadi
| title = Town drawings
| url = http://sergiosarra.it/pubblicazioni
| year = 2011
| publisher = Edizione Sarra Varano
| location = Silvi ([[Teramo|Teramo]])
| id = [[Online public access catalog | OPAC]] [http://id.sbn.it/bid/TER0036016 IT\ICCU\TER\0036016]
| isbn = 978-88-906766-0-4
| pages = 12-16
}}

* {{cite magazine
| last = Cippitelli
| first = Lucrezia
| date = 13 December 2012
| title = Sergio Sarra
| url = http://www.neromagazine.it/n/?p=9073
| magazine = neromagazine.it
}}

* {{cite encyclopedia
| last = Cherubini
| first = Laura
| encyclopedia = ''In'' Bruna Esposito Sergio Sarra'', exhibition catalogue''
| title = INFINITY. Bruna Esposito & Sergio Sarra in Recanati
| url = http://sergiosarra.it/pubblicazioni
| year = 2018
| publisher = Idill'Io arte contemporanea
| location = Recanati
}}

* {{cite magazine
| last = Caruso
| first = Rossella
| date = July 2018
| title = Sergio Sarra Critical Review
| url = http://sergiosarra.it/pubblicazioni
| magazine = sergiosarra.it
}}

* {{cite encyclopedia
| last = D'Orazio
| first = Giorgio
| editor-last = Sarra
| editor-first = Sergio
| encyclopedia = Dico a te,''. exhibition catalogue''
| title = I Say to You,
| url = http://sergiosarra.it/pubblicazioni
| year = 2018
| publisher = Abbey of Propezzano
| location = [[Morro d'Oro|Morro d'Oro]]
| page = 7
}}



== References ==

<references />



== External links ==

* [http://www.sergiosarra.it sergiosarra.it]

* {{cite AV media
| people = Zerynthia Associazione per l’Arte Contemporanea
| date = 1997
| title = Solstizio d'estate # 2, Serre di Rapolano, 1997
| url = https://www.youtube.com/watch?v=XXvurJK5_Z4
| archive-date = 21 June 2018
| location = [[Rome|Rome]]
| publisher = radioartemobile
}}

* {{cite AV media
| people = Zerynthia Associazione per l’Arte Contemporanea
| date = 1998
| title = Sergio Sarra TRAVE - exercise
| url = https://www.youtube.com/watch?v=MfJbrVrsIpI
| archive-date = 24 February 1998
| location = [[Rome|Rome]]
| publisher = radioartemobile
}}

* {{cite AV media
| people = Carella, Andrea
| date = 2015
| title = Sergio Sarra My Painting Technique
| url = https://www.youtube.com/watch?v=5LUDHu9NLaQ
| archive-date = 25 September 2018
| format = 2nd Edition
| location = [[Pescara|Pescara]]
| publisher = Vario Edition
}}

* {{cite AV media
| people = Lim, Ito
| date = 2016
| title = Sergio Sarra iceberg rosaspina
| url = https://www.youtube.com/watch?v=ViHkrk5KTAg
| archive-date = 14 June 2014
| location = [[Seoul|Seoul]]
| publisher = Art and Real Movement
}}

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