Tumult (album): Difference between revisions
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| genre = *[[Post-punk]] |
| genre = *[[Post-punk]] |
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*[[anarcho-punk]] |
*[[anarcho-punk]] |
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*[[ |
*[[noise rock]] |
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*[[industrial music]] |
*[[industrial music]] |
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| length = 53:20 |
| length = 53:20 |
Revision as of 05:56, 25 February 2019
This article needs additional citations for verification. (September 2014) |
Tumult | ||||
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Studio album by | ||||
Released | April 1983 | |||
Recorded | January 10–19, 1983 at Koeienverhuur Studio | |||
Genre | ||||
Length | 53:20 | |||
Label | Original LP on FAI Records Reissued on CD by Ex Records (Europe) and Fistpuppet (USA) | |||
Producer | Jon Langford and Dolf Anonymusfortaxreasons | |||
The Ex chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Tumult is the third album by Dutch punk rock band The Ex, originally released in 1983. It was produced by Jon Langford of The Mekons and Dolf Anonymusfortaxreasons.[2]
Reception
Stewart Mason's review of the album for Allmusic was quite positive, writing that the band "are something of a rarity in political rock circles, in that their albums are at least as musically interesting as they are lyrically pungent." He praised Jon Langford's production, who "gives the band a slightly more structured sound, which turns out to be to their advantage; in so doing, Langford minimizes the group's obvious points of comparison (singer G.W. Sok sounds more than a little like the Fall's Mark E. Smith) and makes them sound more like their own band." The opening track "Bouquet of Barbed Wire", picked as a highlight from the album, was described as "build[ing] slowly from a hypnotic guitar riff, adding instruments one at a time before exploding into an intense post-punk roar". The "declamatory" "Squat!" was picked as another "musical and sociological high point" while the closing track "Island Race" "ends with an industrial clanging that predates the early records by Test Department and Einsturzende Neubauten."[1] An unattributed review on The Ex's official website describes the album as the "[m]usic of malcontents, rebellion and impotent rage about everything that is wrong in this world [...] But they're quite aware themselves, too, that reality is not always black and white [...] What they lack in pure originality, gets compensated by their passion and devotion. In a time during which many of their contemporaries have switched their brain off, the primeval music of The Ex sounds really beneficial."[2]
Track listing
- "Bouquet of Barbed Wire" - 6:58
- "Fear" - 2:17
- "Hunt the Hunters" - 3:34
- "Survival of the Fattest" - 5:18
- "Red Muzak" - 2:44
- "Happy Thoughts" - 5:33
- "The Well-Known Soldier" - 2:22
- "Black and White Statements" - 4:39
- "Squat!" - 2:25
- "Same Old News" - 2:08
- "F.U.N.E.I.D.Y." - 5:23
- "O.S.L. (New Schvienhunt League)" - 2:42
- "Island Race" - 7:17
Personnel & Credits
- Bass – Bas
- Drums – Sabien
- Guitar – Terrie
- "Lacquer Cut"– Porky
- Recording – Dolf Anonymousfortaxreasons, Jon Langford
- Vocals – Cobie, GW Sok
- Writing – The Ex
Notes
- Cogan, Brian. Encyclopedia of Punk Music and Culture. Westport, Conn.: Greenwood Press, 2006. p. 70. ISBN 978-0-313-33340-8.
- Mount, Heather. "Three Looks into The Ex". In Crane, Larry. Tape Op: The Book about Creative Music Recording, Volume 2. Milwaukee: Hal Leonard Corporation, 2010. pp. 230–233.
- Robbins, Ira A., ed. The Trouser Press Guide to '90s Rock: The all-new 5th edition of The Trouser Press Record Guide. New York: Simon & Schuster, 1997. ISBN 0684814374.
- Sok, G.W. A Mix of Bricks & Valentines: Lyrics 1979–2009. New York: PM Press, 2011.
- Temporary Services. Group Work. New York: Printed Matter, March 2007.