Nanni Strada: Difference between revisions
GrahamHardy (talk | contribs) m +defsort |
add category |
||
| Line 3: | Line 3: | ||
{{unreliable sources|date=October 2018}} |
{{unreliable sources|date=October 2018}} |
||
}} |
}} |
||
'''Nanni Strada''' is a Milan based fashion and textile designer<ref>{{cite book|last=Giorcelli|first=Maria Cristina|title=Fashion through History: Costumes, Symbols, Communication|url=https://books.google.co.uk/books?id=QJ9fDwAAQBAJ&lpg=PA293&pg=PA293|volume=II|year=2017|publisher=Cambridge Scholars Publishing|isbn=9781527503458|page=293}}</ref> who has produced collections for [[Dolomite]], [[Ermenegildo Zegna]], [[Fiorucci]], [[La Perla (clothing)|La Perla]], [[Max Mara]], [[Nordica (company)|Nordica]], and [[Visconti di Modrone]] among others. Strada produced the first plastic sandals and injected-molded footwear for Fiorucci in 1966. |
'''Nanni Strada''' is a Milan based fashion and textile designer<ref>{{cite book|last=Giorcelli|first=Maria Cristina|title=Fashion through History: Costumes, Symbols, Communication|url=https://books.google.co.uk/books?id=QJ9fDwAAQBAJ&lpg=PA293&pg=PA293|volume=II|year=2017|publisher=Cambridge Scholars Publishing|isbn=9781527503458|page=293}}</ref> who has produced collections for [[Dolomite]], [[Ermenegildo Zegna]], [[Fiorucci]], [[La Perla (clothing)|La Perla]], [[Max Mara]], [[Nordica (company)|Nordica]], and [[Visconti di Modrone]] among others. Strada produced the first plastic sandals and injected-molded footwear for Fiorucci in 1966. |
||
== History == |
== History == |
||
In 1973, Nanni Strada made a film with [[Clino Castelli]] titled "The Cloak and the Skin", which combined documentation of two of her most well known projects to illustrate two fundamental different approaches to clothings' function and manufacture. Strada's "Cloak" is made of layers of quilted cloth cut along straight lines, the seams being simply placed edge-to-edge and overstitched. The design of the "Cloak" is determined by the structure of its single-piece construction. The "Skin" was the first complete one-piece body stocking produced in a single manufacturing operation. The film analyzed the application of the Pantysol method in the manufacturing of the "Skin", illustrating how the fabrication of an H-shaped tubular structure in which the cut of the neckline corresponds to the crotch of the tights.<ref>Branzi, Andrea, "The Hot House", The MIT Press, 1984</ref> |
In 1973, Nanni Strada made a film with [[Clino Castelli]] titled "The Cloak and the Skin", which combined documentation of two of her most well known projects to illustrate two fundamental different approaches to clothings' function and manufacture. Strada's "Cloak" is made of layers of quilted cloth cut along straight lines, the seams being simply placed edge-to-edge and overstitched. The design of the "Cloak" is determined by the structure of its single-piece construction. The "Skin" was the first complete one-piece body stocking produced in a single manufacturing operation. The film analyzed the application of the Pantysol method in the manufacturing of the "Skin", illustrating how the fabrication of an H-shaped tubular structure in which the cut of the neckline corresponds to the crotch of the tights.<ref>Branzi, Andrea, "The Hot House", The MIT Press, 1984</ref> |
||
In 1999, Nanni Strada inaugurated the first laboratory of fashion design at the School of Design of the [http://www.design.polimi.it/en/ Politecnico di Milano], Milan. Her ‘anti-academic’ classes were collected in the book “Lectures. Fashion‐Design and Project Culture”, published by Lupetti in 2013. |
In 1999, Nanni Strada inaugurated the first laboratory of fashion design at the School of Design of the [http://www.design.polimi.it/en/ Politecnico di Milano], Milan. Her ‘anti-academic’ classes were collected in the book “Lectures. Fashion‐Design and Project Culture”, published by Lupetti in 2013. |
||
== Exhibitions == |
== Exhibitions == |
||
The 2008 [[Somerset House]] exhibition of "Skin and Bones"<ref>{{Cite news|url=https://www.somersethouse.org.uk/whats-on/skinbones|title=Skin+Bones|date=2016-12-30|work=Somerset House|access-date=2018-10-20|language=en}}</ref> curated Strada's work alongside figures such as [[Junya Watanabe]], [[Shigeru Ban]], [[Bernard Tschumi]], [[Zaha Hadid]], and [[Peter Eisenman]]. |
The 2008 [[Somerset House]] exhibition of "Skin and Bones"<ref>{{Cite news|url=https://www.somersethouse.org.uk/whats-on/skinbones|title=Skin+Bones|date=2016-12-30|work=Somerset House|access-date=2018-10-20|language=en}}</ref> curated Strada's work alongside figures such as [[Junya Watanabe]], [[Shigeru Ban]], [[Bernard Tschumi]], [[Zaha Hadid]], and [[Peter Eisenman]]. |
||
Nanni Strada's work has been exhibited in major museums around the world including the [[Cooper Hewitt, Smithsonian Design Museum|Cooper Hewitt Museum]] in New York (1976), the [[Palais Galliera|Musée de la Mode de la Ville de Paris]] (2000), the MOCA - [[Museum of Contemporary Art, Los Angeles|Museum of Contemporary Art]] in Los Angeles (2006 - 2007), the [[The National Art Center, Tokyo|National Art Center]] in Tokyo (2007), the [[Mori Art Museum|Mori Arts Museum]] in Tokyo (2007), [[Somerset House, Park Lane|Somerset House]] in London (2008),<ref>{{cite news|url=https://www.nytimes.com/2008/04/28/style/28iht-fbones.1.12392875.html|title=London exhibit probes parallels between architecture and fashion|last=Menkes|first=Suzy|date=28 April 2008|work=New York Times|accessdate=16 October 2018}}</ref> the NAMOC - [[National Art Museum of China]] in Beijing (2008), the National Museum of Science and Technology in Milan (2011), the [[State Historical Museum]] in Moscow (2011 - 2012). |
Nanni Strada's work has been exhibited in major museums around the world including the [[Cooper Hewitt, Smithsonian Design Museum|Cooper Hewitt Museum]] in New York (1976), the [[Palais Galliera|Musée de la Mode de la Ville de Paris]] (2000), the MOCA - [[Museum of Contemporary Art, Los Angeles|Museum of Contemporary Art]] in Los Angeles (2006 - 2007), the [[The National Art Center, Tokyo|National Art Center]] in Tokyo (2007), the [[Mori Art Museum|Mori Arts Museum]] in Tokyo (2007), [[Somerset House, Park Lane|Somerset House]] in London (2008),<ref>{{cite news|url=https://www.nytimes.com/2008/04/28/style/28iht-fbones.1.12392875.html|title=London exhibit probes parallels between architecture and fashion|last=Menkes|first=Suzy|date=28 April 2008|work=New York Times|accessdate=16 October 2018}}</ref> the NAMOC - [[National Art Museum of China]] in Beijing (2008), the National Museum of Science and Technology in Milan (2011), the [[State Historical Museum]] in Moscow (2011 - 2012). |
||
| Line 22: | Line 22: | ||
{{DEFAULTSORT:Strada, Nanni}} |
{{DEFAULTSORT:Strada, Nanni}} |
||
[[Category: |
[[Category:Living people]] |
||
[[Category:Year of birth missing (living people)]] |
|||
Revision as of 18:15, 2 March 2019
 | This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
Nanni Strada is a Milan based fashion and textile designer[1] who has produced collections for Dolomite, Ermenegildo Zegna, Fiorucci, La Perla, Max Mara, Nordica, and Visconti di Modrone among others. Strada produced the first plastic sandals and injected-molded footwear for Fiorucci in 1966.
History
In 1973, Nanni Strada made a film with Clino Castelli titled "The Cloak and the Skin", which combined documentation of two of her most well known projects to illustrate two fundamental different approaches to clothings' function and manufacture. Strada's "Cloak" is made of layers of quilted cloth cut along straight lines, the seams being simply placed edge-to-edge and overstitched. The design of the "Cloak" is determined by the structure of its single-piece construction. The "Skin" was the first complete one-piece body stocking produced in a single manufacturing operation. The film analyzed the application of the Pantysol method in the manufacturing of the "Skin", illustrating how the fabrication of an H-shaped tubular structure in which the cut of the neckline corresponds to the crotch of the tights.[2]
In 1999, Nanni Strada inaugurated the first laboratory of fashion design at the School of Design of the Politecnico di Milano, Milan. Her ‘anti-academic’ classes were collected in the book “Lectures. Fashion‐Design and Project Culture”, published by Lupetti in 2013.
Exhibitions
The 2008 Somerset House exhibition of "Skin and Bones"[3] curated Strada's work alongside figures such as Junya Watanabe, Shigeru Ban, Bernard Tschumi, Zaha Hadid, and Peter Eisenman.
Nanni Strada's work has been exhibited in major museums around the world including the Cooper Hewitt Museum in New York (1976), the Musée de la Mode de la Ville de Paris (2000), the MOCA - Museum of Contemporary Art in Los Angeles (2006 - 2007), the National Art Center in Tokyo (2007), the Mori Arts Museum in Tokyo (2007), Somerset House in London (2008),[4] the NAMOC - National Art Museum of China in Beijing (2008), the National Museum of Science and Technology in Milan (2011), the State Historical Museum in Moscow (2011 - 2012).
Awards & Recognition
Nanni Strada received a Compasso d'Oro in 1979, and a Lifetime Achievement Compasso d'Oro in 2018.[5]
References
- ^ Giorcelli, Maria Cristina (2017). Fashion through History: Costumes, Symbols, Communication. Vol. II. Cambridge Scholars Publishing. p. 293. ISBN 9781527503458.
- ^ Branzi, Andrea, "The Hot House", The MIT Press, 1984
- ^ "Skin+Bones". Somerset House. 2016-12-30. Retrieved 2018-10-20.
- ^ Menkes, Suzy (28 April 2008). "London exhibit probes parallels between architecture and fashion". New York Times. Retrieved 16 October 2018.
- ^ "XXV Compasso d'Oro (2018): i vincitori" (in Italian). Associazione per il Disegno Industriale. Retrieved 16 October 2018.