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'''LC Concept''' was a [[35mm movie film|35 mm film]] projection sound format, developed in France and released in 1991. It used 5.25" 300 megabyte capacity re-writable magneto-optical disks to hold 4 or 5.1 channels of [[MUSICAM]] compressed audio. Two disks were used to hold approximately three hours of sound. The system was adopted in France, Belgium, and Switzerland. A large litigation against Universal, Spielberg and DTS frightened the investors. DTS had to buy the LC patents to resolve the issue.<ref>Le lexique subjectif d'Emir Kusturica: Portrait d'un réalisateur - Page 28 Matthieu Dhennin - 2006 "LC Concept - Format de son numérique associé à une pellicule 35 millimètres mis au point à la fin des années 1980 par deux ... Le procédé LC Concept a eu une existence commerciale très courte. En effet, trois ans après son apparition, ..."</ref>
'''LC Concept''' was a [[35mm movie film|35 mm film]] projection sound format, developed in France and released in 1991. It used 5.25" 300 megabyte capacity re-writable magneto-optical disks to hold 4 or 5.1 channels of [[MUSICAM]] compressed audio. Two disks were used to hold approximately three hours of sound. The system was adopted in France, Belgium, and Switzerland. A large litigation against Universal, Spielberg and DTS frightened the investors. DTS had to buy the LC patents to resolve the issue.<ref>Le lexique subjectif d'Emir Kusturica: Portrait d'un réalisateur - Page 28 Matthieu Dhennin - 2006 "LC Concept - Format de son numérique associé à une pellicule 35 millimètres mis au point à la fin des années 1980 par deux ... Le procédé LC Concept a eu une existence commerciale très courte. En effet, trois ans après son apparition, ..."</ref>


The system was developed by Pascal Chedeville and Elisabeth Löchen. A standard [[SMPTE timecode]] printed next to analogue soundtrack on the film print was read by a reader connected to the playback unit kept the playback in sync. The system was tested with a re-release of the ''[[Cyrano de Bergerac (1990 film)|Cyrano de Bergerac]]'', and the first commercial release was ''[[Until the End of the World]]''. Overall, around 30 features were released in this format in France, among which:
The system was developed by Pascal Chedeville and [[Élisabeth Lochen|Elisabeth Löchen]]. A standard [[SMPTE timecode]] printed next to analogue soundtrack on the film print was read by a reader connected to the playback unit kept the playback in sync. The system was tested with a re-release of the ''[[Cyrano de Bergerac (1990 film)|Cyrano de Bergerac]]'', and the first commercial release was ''[[Until the End of the World]]''.<ref name=":0">{{Cite web|url=https://mkpe.com/publications/d-cinema/misc/multichannel.php|title=Multichannel Film Sound|website=mkpe.com|access-date=2019-06-02}}</ref> Overall, around 30 features were released in this format in France, among which:


''[[Basic Instinct]]'', ''[[Free Willy]]'', ''[[Falling Down]]'', ''[[Cliffhanger (film)|Cliffhanger]]'', ''[[Backbeat (film)|Backbeat]]'', ''[[Silent Tongue]]'', ''[[Boiling Point (1993 film)|Boiling Point]]'', ''[[Heaven & Earth (1993 film)|Heaven and Earth]]'', ''[[Cyrano de Bergerac (play)|Cyrano de Bergerac]]'', ''[[L.627]]'', ''[[The Lover (film)|The Lover]]'', ''[[Until the End of the World]]'', ''[[The Accompanist]]'', ''{{Interlanguage link multi|IP5: L'île aux pachydermes|fr|3=IP5 (film)|lt=IP5: L'île aux pachydermes}}'', ''[[Tous les matins du monde|All the World's Mornings]]'', ''[[Arizona Dream]]'', ''[[La Belle Histoire]]'', ''[[Bitter Moon]]''.
''[[Basic Instinct]]'', ''[[Free Willy]]'', ''[[Falling Down]]'', ''[[Cliffhanger (film)|Cliffhanger]]'', ''[[Backbeat (film)|Backbeat]]'', ''[[Silent Tongue]]'', ''[[Boiling Point (1993 film)|Boiling Point]]'', ''[[Heaven & Earth (1993 film)|Heaven and Earth]]'', ''[[Cyrano de Bergerac (play)|Cyrano de Bergerac]]'', ''[[L.627]]'', ''[[The Lover (film)|The Lover]]'', ''[[Until the End of the World]]'', ''[[The Accompanist]]'', ''{{Interlanguage link multi|IP5: L'île aux pachydermes|fr|3=IP5 (film)|lt=IP5: L'île aux pachydermes}}'', ''[[Tous les matins du monde|All the World's Mornings]]'', ''[[Arizona Dream]]'', ''[[La Belle Histoire]]'', ''[[Bitter Moon]]''.

The company folded in 1994 due to lack of funding.<ref name=":0" />


==See also==
==See also==
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==References==
==References==
{{reflist}}
{{reflist}}
{{refbegin}}
{{refbegin|}}
* http://www.mkpe.com/publications/d-cinema/misc/multichannel.php
* http://users.pandora.be/nicks_auditorium/en/digital.html#
* http://users.pandora.be/nicks_auditorium/en/digital.html#
{{refend}}
{{refend}}

Revision as of 08:40, 2 June 2019

LC Concept was a 35 mm film projection sound format, developed in France and released in 1991. It used 5.25" 300 megabyte capacity re-writable magneto-optical disks to hold 4 or 5.1 channels of MUSICAM compressed audio. Two disks were used to hold approximately three hours of sound. The system was adopted in France, Belgium, and Switzerland. A large litigation against Universal, Spielberg and DTS frightened the investors. DTS had to buy the LC patents to resolve the issue.[1]

The system was developed by Pascal Chedeville and Elisabeth Löchen. A standard SMPTE timecode printed next to analogue soundtrack on the film print was read by a reader connected to the playback unit kept the playback in sync. The system was tested with a re-release of the Cyrano de Bergerac, and the first commercial release was Until the End of the World.[2] Overall, around 30 features were released in this format in France, among which:

Basic Instinct, Free Willy, Falling Down, Cliffhanger, Backbeat, Silent Tongue, Boiling Point, Heaven and Earth, Cyrano de Bergerac, L.627, The Lover, Until the End of the World, The Accompanist, IP5: L'île aux pachydermes, All the World's Mornings, Arizona Dream, La Belle Histoire, Bitter Moon.

The company folded in 1994 due to lack of funding.[2]

See also

References

  1. ^ Le lexique subjectif d'Emir Kusturica: Portrait d'un réalisateur - Page 28 Matthieu Dhennin - 2006 "LC Concept - Format de son numérique associé à une pellicule 35 millimètres mis au point à la fin des années 1980 par deux ... Le procédé LC Concept a eu une existence commerciale très courte. En effet, trois ans après son apparition, ..."
  2. ^ a b "Multichannel Film Sound". mkpe.com. Retrieved 2019-06-02.