Daniel Lind-Ramos: Difference between revisions
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Lind-Ramos paints on canvas with oil using traditional and uncommon applications techniques from brushes to spatulas.<ref name=":0" /> He also works with recycled or reused materials such as cardboard, wire screen, discarded appliances, car parts, the foliage of coconut palm trees, broken musical instruments and other used items.<ref name=":0" /> |
Lind-Ramos paints on canvas with oil using traditional and uncommon applications techniques from brushes to spatulas.<ref name=":0" /> He also works with recycled or reused materials such as cardboard, wire screen, discarded appliances, car parts, the foliage of coconut palm trees, broken musical instruments and other used items.<ref name=":0" /> |
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He was described as the "breakout star" or highlight of the [[2019 Whitney Biennial]] by multiple reviewers<ref>Yablonsky, Linda (5/14/19). [https://www.theartnewspaper.com/review/whitney-biennial-2019 "Everything is good at the Whitney Biennial but nothing makes a difference"], ''The Art Newspaper''.Retrieved July 29, 2019.</ref><ref> Andrew Russeth (5/13/19) |
He was described as the "breakout star" or highlight of the [[2019 Whitney Biennial]] by multiple reviewers<ref>Yablonsky, Linda (5/14/19). [https://www.theartnewspaper.com/review/whitney-biennial-2019 "Everything is good at the Whitney Biennial but nothing makes a difference"], ''The Art Newspaper''.Retrieved July 29, 2019.</ref><ref> Andrew Russeth (5/13/19). [http://www.artnews.com/2019/05/13/whitney-biennial-review/ "Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now"], ''ArtNews''. Retrieved July 29, 2019.</ref><ref>Sebastian Smee (5/18/19). [https://beta.washingtonpost.com/entertainment/museums/the-whitney-biennial-presents-the-best-new-artists-in-the-country--and-lots-of-fluff/2019/05/17/0af0d7f6-78d7-11e9-bd25-c989555e7766_story.html?outputType=amp "The Whitney Biennial presents the best new artists in the country — and lots of fluff"], ''Washington Post''. Retrieved 7/29/19.</ref><ref>Aruna D’Souza (5/24/19), [http://4columns.org/d-souza-aruna/whitney-biennial-2019?fbclid=IwAR3mi5spqmxcgJhDVbamS6NyjlsCHFz7rRIluGHTlhcApCgXwbtDb4bLsSQ "Self, society, tear gas: the museum surveys current American art."], 4 Columns. Retrieved July 29, 2019. </ref>, with the ''New York Times'' writing that his sculpture ''Maria Maria'' exemplified the pieces in the Biennial that "reassert the power of spirituality."<ref name=":2">{{Cite web|url=https://www.nytimes.com/2019/05/16/arts/design/whitney-biennial-review.html|publisher=''[[New York Times]]''|author=[[Holland Cotter]]| title=The Whitney Biennial: Young Art Cross-Stitched With Politics|date=May 16, 2019|access-date=2019-07-26}} </ref> Critic [[Holland Cotter]] elaborated on the sculpture, explaining how Lind-Ramos "creat[ed] from wood, beads, coconuts and a blue [[Federal Emergency Management Agency|FEMA tarp]], a figure that is both the [[Virgin mary|Virgin Mary]] and personification of the [[Hurricane Maria|hurricane]] that devastated the island in 2017 ... the piece looks presidingly majestic."<ref name=":2" /><ref>{{Cite web|url=https://repeatingislands.com/2019/07/06/puerto-rican-artist-daniel-lind-ramos-stands-out-as-a-best-of-show/|title=Puerto Rican Artist Daniel Lind-Ramos Stands Out as a Best of Show|last=ivetteromero|date=2019-07-07|website=Repeating Islands|language=en|access-date=2019-07-26}}</ref> |
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=== Selected Exhibitions, awards, & commendations === |
=== Selected Exhibitions, awards, & commendations === |
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Revision as of 22:53, 29 July 2019
Daniel Lind-Ramos | |
|---|---|
| Born | 1953 Loiza, Puerto Rico |
| Other names | Daniel Lind Ramos |
| Alma mater | Universidad de Puerto Rico 1975 New York University 1980[1] |
Daniel Lind-Ramos (born 1953) is an African-Puerto Rican painter and sculptor who lives and works in Puerto Rico.[2][3]
Life
Lind-Ramos was born in 1953 in Loíza, a coastal town in Puerto Rico. He studied painting at the University of Puerto Rico in 1975 and in 1980 he graduated from NYU with a master’s of art degree.[4] In addition to his studio practice, Lind-Ramos also currently teaches in the Humanities Department at the University of Puerto Rico-Humacao.[5]
Artistic practice
Lind-Ramos paints on canvas with oil using traditional and uncommon applications techniques from brushes to spatulas.[2] He also works with recycled or reused materials such as cardboard, wire screen, discarded appliances, car parts, the foliage of coconut palm trees, broken musical instruments and other used items.[2]
He was described as the "breakout star" or highlight of the 2019 Whitney Biennial by multiple reviewers[6][7][8][9], with the New York Times writing that his sculpture Maria Maria exemplified the pieces in the Biennial that "reassert the power of spirituality."[10] Critic Holland Cotter elaborated on the sculpture, explaining how Lind-Ramos "creat[ed] from wood, beads, coconuts and a blue FEMA tarp, a figure that is both the Virgin Mary and personification of the hurricane that devastated the island in 2017 ... the piece looks presidingly majestic."[10][11]
Selected Exhibitions, awards, & commendations
- Fundación Arana Scholarship (1989) - funded Lind-Ramos to study in Paris, France for one year with Antonio Seguí’s Studio at the Ecole des Beaux Arts[12]
- Salon International Val D’or at Hyères (1990) - First Prize
- Salón Internacional de Plástica Latina at Meillant, France (2000) - Delegation Prize
- World Festival of Black Culture and Arts in Dakar, Senegal, Africa (2010) - Invitation[4]
- Second Gran Bienal Tropical (2016) at Piñones, Puerto Rico - Piña de oro[13]
- Whitney Biennial 2019, Whitney Museum of American Art, New York, NY - curated by Rujeko Hockley and Jane Panetta[14]
References
- ^ "Daniel Lind Ramos". Joan Mitchell Center.
- ^ a b c "Daniel Lind-Ramos". Harvard.
- ^ aicasc, Posté par (2015-11-11). "Daniel Lind Ramos and the Visual Politics of Race in Puerto Rican Art". Aica Caraïbe du Sud (in French). Retrieved 2019-04-09.
- ^ a b "DANIEL LIND RAMOS". enciclopediapr.org. Retrieved 2019-04-09.
{{cite web}}: Cite has empty unknown parameter:|dead-url=(help) - ^ ivetteromero (2013-11-16). "Art Exhibition: Daniel Lind's "De pie"". Repeating Islands. Retrieved 2019-04-09.
- ^ Yablonsky, Linda (5/14/19). "Everything is good at the Whitney Biennial but nothing makes a difference", The Art Newspaper.Retrieved July 29, 2019.
- ^ Andrew Russeth (5/13/19). "Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now", ArtNews. Retrieved July 29, 2019.
- ^ Sebastian Smee (5/18/19). "The Whitney Biennial presents the best new artists in the country — and lots of fluff", Washington Post. Retrieved 7/29/19.
- ^ Aruna D’Souza (5/24/19), "Self, society, tear gas: the museum surveys current American art.", 4 Columns. Retrieved July 29, 2019.
- ^ a b Holland Cotter (May 16, 2019). "The Whitney Biennial: Young Art Cross-Stitched With Politics". New York Times. Retrieved 2019-07-26.
{{cite web}}: Italic or bold markup not allowed in:|publisher=(help) - ^ ivetteromero (2019-07-07). "Puerto Rican Artist Daniel Lind-Ramos Stands Out as a Best of Show". Repeating Islands. Retrieved 2019-07-26.
- ^ "Daniel Lind Ramos". Joan Mitchell Center. Retrieved 2019-04-09.
- ^ "2da Gran Bienal Tropical". granbienaltropical.tumblr.com. Retrieved 2019-04-09.
- ^ "Whitney Biennial 2019". whitney.org.
External Links
- Daniel Lind Ramos and the Visual Politics of Race in Puerto Rican Art
- DANIEL LIND RAMOS - Enciclopedia Puerto Rico
- Daniel Lind Ramos - Museo de Arte de Puerto Rico
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