The Birdcage: Difference between revisions
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The film opened on March 8, 1996, and grossed $18,275,828 in its opening weekend, topping the box office.<ref>[http://www.boxofficemojo.com/weekend/chart/?yr=1996&wknd=10&p=.htm "Weekend Box Office: March 8-10, 1996 Weekend"]. [[Box Office Mojo]]. Retrieved May 10, 2012.</ref> It remained at #1 for the next 3 weeks before being derailed by the openings of ''[[Primal Fear (film)|Primal Fear]]'' and ''[[A Thin Line Between Love and Hate]]''. By the end of its 14-week run, the film had grossed $124,060,553 domestically and $61,200,000 internationally, eventually reaching a total of US$185,260,553 worldwide.<ref name = BOM>{{mojo title|birdcage|The Birdcage}}</ref> |
The film opened on March 8, 1996, and grossed $18,275,828 in its opening weekend, topping the box office.<ref>[http://www.boxofficemojo.com/weekend/chart/?yr=1996&wknd=10&p=.htm "Weekend Box Office: March 8-10, 1996 Weekend"]. [[Box Office Mojo]]. Retrieved May 10, 2012.</ref> It remained at #1 for the next 3 weeks before being derailed by the openings of ''[[Primal Fear (film)|Primal Fear]]'' and ''[[A Thin Line Between Love and Hate]]''. By the end of its 14-week run, the film had grossed $124,060,553 domestically and $61,200,000 internationally, eventually reaching a total of US$185,260,553 worldwide.<ref name = BOM>{{mojo title|birdcage|The Birdcage}}</ref> |
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The film received positive reviews upon its release, and as of |
The film received positive reviews upon its release, and as of 2019, the film holds a 79% approval rating on the [[Review aggregator|review aggregation]] website [[Rotten Tomatoes]], based on 48 critic reviews. The site's critical consensus reads: "[[Mike Nichols]] wrangles agreeably amusing performances from [[Robin Williams]] and [[Nathan Lane]] in this fun, if not quite essential, remake of the French-Italian comedy ''La Cage aux Folles''."<ref name=rt>[http://www.rottentomatoes.com/m/birdcage/ "The Birdcage (1996)"]. [[Rotten Tomatoes]]. Retrieved July 30, 2019.</ref> |
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The review aggregator ''Metacritic'' reported that the film received "generally favorable" reviews, with a score of 72% based on 18 reviews.<ref>{{cite web|url=http://www.metacritic.com/movie/the-birdcage|title=''The Birdcage'' reviews|publisher=[[Metacritic]]}}</ref> |
The review aggregator ''Metacritic'' reported that the film received "generally favorable" reviews, with a score of 72% based on 18 reviews.<ref>{{cite web|url=http://www.metacritic.com/movie/the-birdcage|title=''The Birdcage'' reviews|publisher=[[Metacritic]]}}</ref> |
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Revision as of 21:00, 30 July 2019
| The Birdcage | |
|---|---|
 Theatrical release poster | |
| Directed by | Mike Nichols |
| Screenplay by | Elaine May |
| Produced by |
|
| Starring | |
| Cinematography | Emmanuel Lubezki |
| Edited by | Arthur Schmidt |
| Music by | Stephen Sondheim |
Production company | Nichols Film Company |
| Distributed by | United Artists |
Release date |
|
Running time | 118 minutes |
| Country | United States |
| Language | English |
| Budget | $31 million[1] |
| Box office | $185.3 million[2] |
The Birdcage is a 1996 American comedy film directed by Mike Nichols, written by Elaine May, and starring Robin Williams, Gene Hackman, Nathan Lane, and Dianne Wiest. Dan Futterman, Calista Flockhart, Hank Azaria, and Christine Baranski appear in supporting roles. It is a remake of the 1978 Franco-Italian film La Cage aux Folles by Édouard Molinaro starring Michel Serrault and Ugo Tognazzi.
Plot
Armand Goldman is the openly gay owner of a drag club in South Beach called The Birdcage; his life partner Albert, an effeminate and flamboyant man, plays "Starina", the star attraction of the club. They live together in an apartment above The Birdcage with Agador, their flamboyant Guatemalan housekeeper who dreams of being in Albert's drag show as well.
One day, Armand's son Val (born after Armand had a one-night stand with a woman named Katherine) comes home to visit and announces that he has been seeing a young woman named Barbara, whom he intends to marry. Although unhappy about the news, Armand agrees to support his son. Unfortunately, Barbara's parents are the ultraconservative Republican Senator Kevin Keeley and his wife Louise.
Kevin, who is co-founder of a conservative group called the Coalition for Moral Order, becomes embroiled in a political scandal when his co-founder and fellow senator is found dead in the bed of an underage African-American prostitute. Louise and Barbara convince Kevin that a visit to his daughter's fiancé's family would be the perfect way to stave off bad press, and plan to travel to South Beach as soon as possible.
Barbara shares news of her father's plan to Val; to cover the Goldmans' truth, she has told her parents that Armand is straight and a cultural attaché to Greece. Armand dislikes the idea of being forced into the closet, but agrees to play along, enlisting the help of friends and club employees to redecorate the family's apartment to more closely resemble a traditional household. Albert initially wants to use his skills as a drag artist to play Val's mother, but Val and Armand fear that the trick will not work, and instead convince him to pose as Val's uncle. Armand contacts Katherine and explains the situation; she agrees to the farce, promising to come to the party and pretend to be his wife. Armand then tries to coach Albert on how to be straight, but Albert's flamboyant nature makes the task difficult. When Albert realizes his plan will not fool anyone, he takes offense and locks himself in his room.
The Keeleys arrive at the Goldmans (who are calling themselves "Coleman" for the evening to hide their Jewish heritage) redecorated apartment; they are greeted by Agador, who is passing himself off as a Greek butler named "Spartacus" for the night. Unfortunately, Katherine gets caught in traffic, and the Keeleys begin wondering where "Mrs. Coleman" is. Suddenly, Albert enters, dressed and styled as a conservative middle-aged woman. Armand, Val, and Barbara are nervous, but Kevin and Louise are tricked by the disguise.
Despite the success of the evening, trouble begins when the senator's chauffeur betrays him to two tabloid journalists, down-and-out Harry Radman and his photographer, who have been hoping for a scoop on the Coalition story. While they research The Birdcage, they also remove a note that Armand has left on the door informing Katherine not to come upstairs. When she finally arrives, she unknowingly reveals the deceptions. Though Armand and Albert scramble to find a new cover story, Val instead confesses to the scheme and identifies Albert as his true parent.
Kevin is initially confused by the situation, but Louise both informs him of the truth and scolds him for being more concerned with his career than his family's happiness. He agrees to the marriage, but discovers that the paparazzi are waiting outside to take his picture. Albert then realizes that there is a way for the family to escape without being recognized: he dresses Kevin and Louise in drag, and they use the apartment's back entrance to sneak into The Birdcage, with Armand introducing them as a part of the club's nightly act. They all dance out of the nightclub door and reach safety, preventing a disaster. Barbara and Val are married in an interfaith service, which both families attend.
Cast
- Robin Williams as Armand Goldman
- Gene Hackman as Senator Kevin Keeley
- Nathan Lane as Albert Goldman
- Dianne Wiest as Louise Keeley
- Dan Futterman as Val Goldman
- Calista Flockhart as Barbara Keeley
- Hank Azaria as Agador Spartacus
- Christine Baranski as Katherine Archer
- Tom McGowan as Harry Radman
- Grant Heslov as National Enquirer photographer
- Kirby Mitchell as Keeley's chauffeur
Soundtrack
A number of songs written by Stephen Sondheim were used in the film. The song that Albert rehearses during the sequence with the gum-chewing dancer is entitled "Little Dream" and was written specifically for use in the film.[3] Albert's first song as "Starina" is "Can That Boy Foxtrot", cut from Sondheim's Follies. The song that Armand and Katherine sing and dance to in her office, "Love Is in the Air", had been intended as the opening number for the musical A Funny Thing Happened on the Way to the Forum in 1962. The song was cut from the show and replaced with Comedy Tonight.[4]
Reception
The film opened on March 8, 1996, and grossed $18,275,828 in its opening weekend, topping the box office.[5] It remained at #1 for the next 3 weeks before being derailed by the openings of Primal Fear and A Thin Line Between Love and Hate. By the end of its 14-week run, the film had grossed $124,060,553 domestically and $61,200,000 internationally, eventually reaching a total of US$185,260,553 worldwide.[2]
The film received positive reviews upon its release, and as of 2019, the film holds a 79% approval rating on the review aggregation website Rotten Tomatoes, based on 48 critic reviews. The site's critical consensus reads: "Mike Nichols wrangles agreeably amusing performances from Robin Williams and Nathan Lane in this fun, if not quite essential, remake of the French-Italian comedy La Cage aux Folles."[6]
The review aggregator Metacritic reported that the film received "generally favorable" reviews, with a score of 72% based on 18 reviews.[7]
James Berardinelli wrote, "The film is so boisterously entertaining that it's easy for the unsuspecting viewer not to realize that there's a message here."[8] Desson Thomson from The Washington Post described the film as "A spirited remake of the French drag farce [that] has everything in place, from eyeliner to one-liner."[8] Owen Gleiberman from Entertainment Weekly called the film "Enchantingly witty".[8]
The Gay & Lesbian Alliance Against Defamation (GLAAD) praised the film for "going beyond the stereotypes to see the characters' depth and humanity. The film celebrates differences and points out the outrageousness of hiding those differences."[9] The film was also nominated for a GLAAD Media Award.[10]
Accolades
See also
- Cross-dressing in film and television
- La Cage aux Folles, the original 1973 French play
- La Cage aux Folles, the 1983 American stage musical
- List of lesbian, gay, bisexual, or transgender-related films by storyline
References
- ^ "The Birdcage". Powergrid.com. Archived from the original on 2015-09-20.
{{cite web}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ a b The Birdcage at Box Office Mojo
- ^ Kimmel, Bruce. "The Birdcage". Sondheim.com. Retrieved May 10, 2012.
- ^ "A Funny Thing Happened on the Way to the Forum ". Sondheim.com. Retrieved May 10, 2012.
- ^ "Weekend Box Office: March 8-10, 1996 Weekend". Box Office Mojo. Retrieved May 10, 2012.
- ^ "The Birdcage (1996)". Rotten Tomatoes. Retrieved July 30, 2019.
- ^ "The Birdcage reviews". Metacritic.
- ^ a b c Alexander Ryll (2014). "Essential Gay Themed Films To Watch, The Birdcage". Gay Essential. Retrieved 22 December 2014.
- ^ Calley, John (March 5, 1996). "GLAAD APPLAUDS 'THE BIRDCAGE'". GLAAD. Retrieved January 20, 2007
- ^ "What to Watch: Thursday, September 1". GLAAD. August 1, 2011.
External links
- The Birdcage at IMDb
- ‹The template AllMovie title is being considered for deletion.› The Birdcage at AllMovie
- The Birdcage at Box Office Mojo
- The Birdcage at Rotten Tomatoes
- The Birdcage at Metacritic
- 1996 films
- 1990s comedy films
- 1990s LGBT-related films
- American comedy films
- American films
- American LGBT-related films
- American remakes of French films
- Cross-dressing in American films
- English-language films
- Films about weddings
- Films based on adaptations
- Gay-related films
- American films based on plays
- Films directed by Mike Nichols
- Films set in Miami
- Films shot in Miami
- Interfaith romance films
- LGBT-related comedy films
- American remakes of Italian films
- Screenplays by Elaine May
- United Artists films