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== Background ==
== Background ==
Tricia Jenkins received her Ph.D. from Michigan State University, and attended [[Ambassador University]],<ref>{{Cite web|url=https://schieffercollege.tcu.edu/faculty_staff/tricia-jenkins/|title=Bob Schieffer College of Communication {{!}} Tricia Jenkins|website=schieffercollege.tcu.edu|access-date=2019-08-26}}</ref> founded by the apocalyptic cult [[The Worldwide Church of God]].
Tricia Jenkins received her Ph.D. from Michigan State University, and attended [[Ambassador University]],<ref>{{Cite web|url=https://schieffercollege.tcu.edu/faculty_staff/tricia-jenkins/|title=Bob Schieffer College of Communication {{!}} Tricia Jenkins|website=schieffercollege.tcu.edu|access-date=2019-08-26}}</ref> founded by the apocalyptic cult [[The Worldwide Church of God]], for her undergraduate education.


She lives in [[Fort Worth, Texas]], and is married to poet and professor of [[English literature]], [[Nat O'Reilly]].
She lives in [[Fort Worth, Texas]], and is married to poet and professor of [[English literature]], [[Nat O'Reilly]].


== Research and Writing ==
== Research and Writing ==
Jenkins has published widely for both the public and the academy, in newspapers and magazines and for academic journals, such as ''[[The Washington Post]]'',<ref>{{Cite web|url=https://www.washingtonpost.com/opinions/when-we-cheer-for-our-team-do-we-have-to-cheer-for-america-too/2013/01/31/cbde5fca-6965-11e2-ada3-d86a4806d5ee_story.html|title=When we cheer for our team, do we have to cheer for America, too?|last=Jenkins|first=Tricia|date=January 31, 2013|website=Washington Post|archive-url=|archive-date=|dead-url=|access-date=August 26, 2019}}</ref> ''[[Newsweek]]'',<ref>{{Cite web|url=https://www.newsweek.com/how-cia-spooked-hollywood-movies-487064|title=In Opinion: How the CIA spooked Hollywood movies|last=Jenkins|first=Tricia|date=2016-08-06|website=Newsweek|language=en|archive-url=|archive-date=|dead-url=|access-date=2019-08-26}}</ref> ''[[Cinema Journal]]'',<ref>{{Cite journal|last=Jenkins|first=Tricia|last2=Shaw|first2=Tony|date=2017-01-07|title=From Zero to Hero: The CIA and Hollywood Today|url=https://muse.jhu.edu/article/645452|journal=Cinema Journal|language=en|volume=56|issue=2|pages=91–113|doi=10.1353/cj.2017.0004|issn=2578-4919}}</ref> [[Journal of Popular Film & Television|''Journal of Popular Film & Television'']]'',''<ref>{{Cite journal|last=Jenkins|first=Tricia|date=2015-01-02|title=Feminism, Nationalism, and the 1960s' Slender Spies: A Look at Get Smart and The Girl from U.N.C.L.E.|url=https://doi.org/10.1080/01956051.2014.961998|journal=Journal of Popular Film and Television|volume=43|issue=1|pages=14–27|doi=10.1080/01956051.2014.961998|issn=0195-6051}}</ref> the ''[[Historical Journal of Film, Radio and Television]]'',<ref>{{Cite journal|last=Jenkins|first=Tricia|date=2009-06-01|title=Get Smart: A Look at the Current Relationship between Hollywood and the CIA|url=https://doi.org/10.1080/01439680902890704|journal=Historical Journal of Film, Radio and Television|volume=29|issue=2|pages=229–243|doi=10.1080/01439680902890704|issn=0143-9685}}</ref> ''[[The Journal of Popular Culture]]'',<ref>{{Cite journal|last=Jenkins|first=Tricia|date=2011|title=Nationalism and Gender: The 1970s, The Six Million Dollar Man, and The Bionic Woman|url=https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1540-5931.2010.00821.x|journal=The Journal of Popular Culture|language=en|volume=44|issue=1|pages=93–113|doi=10.1111/j.1540-5931.2010.00821.x|issn=1540-5931}}</ref> and the Texas National Security Review.<ref>{{Cite web|url=https://warontherocks.com/2018/05/what-did-russian-trolls-want-during-the-2016-election-a-closer-look-at-the-internet-research-agencys-active-measures/|title=What Did Russian Trolls Want During the 2016 Election? A Closer Look at the Internet Research Agency’s Active Measures|date=2018-05-22|website=War on the Rocks|language=en-US|access-date=2019-08-26}}</ref>
Jenkins has published widely for both the public and the academy, in newspapers and magazines and for academic journals, such as ''[[The Washington Post]]'',<ref>{{Cite web|url=https://www.washingtonpost.com/opinions/when-we-cheer-for-our-team-do-we-have-to-cheer-for-america-too/2013/01/31/cbde5fca-6965-11e2-ada3-d86a4806d5ee_story.html|title=When we cheer for our team, do we have to cheer for America, too?|last=Jenkins|first=Tricia|date=January 31, 2013|website=Washington Post|archive-url=|archive-date=|dead-url=|access-date=August 26, 2019}}</ref> ''[[Newsweek]]'',<ref>{{Cite web|url=https://www.newsweek.com/how-cia-spooked-hollywood-movies-487064|title=In Opinion: How the CIA spooked Hollywood movies|last=Jenkins|first=Tricia|date=2016-08-06|website=Newsweek|language=en|archive-url=|archive-date=|dead-url=|access-date=2019-08-26}}</ref> ''[[Cinema Journal]]'',<ref>{{Cite journal|last=Jenkins|first=Tricia|last2=Shaw|first2=Tony|date=2017-01-07|title=From Zero to Hero: The CIA and Hollywood Today|url=https://muse.jhu.edu/article/645452|journal=Cinema Journal|language=en|volume=56|issue=2|pages=91–113|doi=10.1353/cj.2017.0004|issn=2578-4919}}</ref> [[Journal of Popular Film & Television|''Journal of Popular Film & Television'']]'',''<ref>{{Cite journal|last=Jenkins|first=Tricia|date=2015-01-02|title=Feminism, Nationalism, and the 1960s' Slender Spies: A Look at Get Smart and The Girl from U.N.C.L.E.|url=https://doi.org/10.1080/01956051.2014.961998|journal=Journal of Popular Film and Television|volume=43|issue=1|pages=14–27|doi=10.1080/01956051.2014.961998|issn=0195-6051}}</ref> ''[[Historical Journal of Film, Radio and Television]]'',<ref>{{Cite journal|last=Jenkins|first=Tricia|date=2009-06-01|title=Get Smart: A Look at the Current Relationship between Hollywood and the CIA|url=https://doi.org/10.1080/01439680902890704|journal=Historical Journal of Film, Radio and Television|volume=29|issue=2|pages=229–243|doi=10.1080/01439680902890704|issn=0143-9685}}</ref> ''[[The Journal of Popular Culture]]'',<ref>{{Cite journal|last=Jenkins|first=Tricia|date=2011|title=Nationalism and Gender: The 1970s, The Six Million Dollar Man, and The Bionic Woman|url=https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1540-5931.2010.00821.x|journal=The Journal of Popular Culture|language=en|volume=44|issue=1|pages=93–113|doi=10.1111/j.1540-5931.2010.00821.x|issn=1540-5931}}</ref> and the Texas National Security Review.<ref>{{Cite web|url=https://warontherocks.com/2018/05/what-did-russian-trolls-want-during-the-2016-election-a-closer-look-at-the-internet-research-agencys-active-measures/|title=What Did Russian Trolls Want During the 2016 Election? A Closer Look at the Internet Research Agency’s Active Measures|date=2018-05-22|website=War on the Rocks|language=en-US|access-date=2019-08-26}}</ref>


She is the author of ''The CIA in Hollywood: How the Agency Shapes Film and Television,''<ref>{{Cite book|url=https://www.worldcat.org/oclc/914339453|title=The CIA in Hollywood : how the agency shapes film and television|last=Jenkins, Tricia,|isbn=9780292772465|edition=Revised and updated edition|location=Austin|oclc=914339453}}</ref> which gives an account of the intelligence agency's "unprecedented" actions to do “damage control” and bolster its image by establishing formal ties with Hollywood,<ref>{{Cite web|url=https://networks.h-net.org/node/12840/reviews/13533/montesclaros-jenkins-cia-hollywood-how-agency-shapes-film-and|title=Montesclaros on Jenkins, 'The CIA in Hollywood: How the Agency Shapes Film and Television' {{!}} H-War {{!}} H-Net|website=networks.h-net.org|access-date=2019-08-26}}</ref> initially through the work of [[Chase Brandon]], an intelligence operations officer who acted as a liaison to Hollywood and who consulted on a number of film and TV scripts to further CIA interests.<ref>{{Cite web|url=https://www.lawfareblog.com/cia-hollywood-how-agency-shapes-film-and-television-tricia-jenkins|title="The CIA in Hollywood: How the Agency Shapes Film and Television," by Tricia Jenkins|date=2015-04-17|website=Lawfare|language=en|access-date=2019-08-26}}</ref> Movies and TV shows that Jenkins claims were developed or influenced by the CIA include [[The Bourne Identity (2002 film)|''The Bourne Identity'']], [[Alias (TV series)|Alias]], [[The Sum of All Fears (film)|''The Sum of All Fears'']], and ''[[The Recruit]]''.<ref>{{Cite news|url=https://www.theglobeandmail.com/arts/film/the-cias-image-in-films-has-never-been-shinier/article8935790/|title=The CIA’s image in films has never been shinier|last=Lacey|first=Liam|date=May 11, 2018|work=The Globe and Mail|access-date=2019-08-26}}</ref>
She is the author of ''The CIA in Hollywood: How the Agency Shapes Film and Television,''<ref>{{Cite book|url=https://www.worldcat.org/oclc/914339453|title=The CIA in Hollywood : how the agency shapes film and television|last=Jenkins, Tricia,|isbn=9780292772465|edition=Revised and updated edition|location=Austin|oclc=914339453}}</ref> which


== Media and Public Appearances ==
== Media and Public Appearances ==
Her work on CIA propaganda and its involvement in Hollywood has been profiled by the [[Los Angeles Review of Books|''Los Angeles Review of Books'']],<ref>{{Cite web|url=https://lareviewofbooks.org/article/the-cia-goes-to-hollywood-how-americas-spy-agency-infiltrated-the-big-screen-and-our-minds/|title=The CIA Goes To Hollywood: How America’s Spy Agency Infiltrated the Big Screen (and Our Minds)|last=Hayden|first=Tom|website=Los Angeles Review of Books|access-date=2019-08-26}}</ref> [[The Conversation (website)|''The Conversation'']],<ref>{{Cite web|url=http://theconversation.com/washington-dcs-role-behind-the-scenes-in-hollywood-goes-deeper-than-you-think-80587|title=Washington DC's role behind the scenes in Hollywood goes deeper than you think|last=Alford|first=Matthew|website=The Conversation|language=en|access-date=2019-08-26}}</ref> the national security publication [[Lawfare (blog)|Lawfare]],<ref>{{Cite web|url=https://www.lawfareblog.com/cia-hollywood-how-agency-shapes-film-and-television-tricia-jenkins|title="The CIA in Hollywood: How the Agency Shapes Film and Television," by Tricia Jenkins|date=2015-04-17|website=Lawfare|language=en|access-date=2019-08-26}}</ref> and <ref>{{Cite journal|last=Jenkins|first=Tricia|date=2009-06-01|title=Get Smart: A Look at the Current Relationship between Hollywood and the CIA|url=https://doi.org/10.1080/01439680902890704|journal=Historical Journal of Film, Radio and Television|volume=29|issue=2|pages=229–243|doi=10.1080/01439680902890704|issn=0143-9685}}</ref>
Her work on CIA propaganda and its involvement in Hollywood has been profiled by the [[Los Angeles Review of Books|''Los Angeles Review of Books'']],<ref>{{Cite web|url=https://lareviewofbooks.org/article/the-cia-goes-to-hollywood-how-americas-spy-agency-infiltrated-the-big-screen-and-our-minds/|title=The CIA Goes To Hollywood: How America’s Spy Agency Infiltrated the Big Screen (and Our Minds)|last=Hayden|first=Tom|website=Los Angeles Review of Books|access-date=2019-08-26}}</ref> [[The Conversation (website)|''The Conversation'']],<ref>{{Cite web|url=http://theconversation.com/washington-dcs-role-behind-the-scenes-in-hollywood-goes-deeper-than-you-think-80587|title=Washington DC's role behind the scenes in Hollywood goes deeper than you think|last=Alford|first=Matthew|website=The Conversation|language=en|access-date=2019-08-26}}</ref> the national security publication [[Lawfare (blog)|Lawfare]],<ref>{{Cite web|url=https://www.lawfareblog.com/cia-hollywood-how-agency-shapes-film-and-television-tricia-jenkins|title="The CIA in Hollywood: How the Agency Shapes Film and Television," by Tricia Jenkins|date=2015-04-17|website=Lawfare|language=en|access-date=2019-08-26}}</ref> and


She has spoken widely on the topic at academic conferences (including the Lennox Seminar on Propaganda and Political Persuasion<ref>{{Cite web|url=http://propagandaseminar.com/|title=Propaganda – Lennox Seminar on Propaganda and Political Persuasion (Trinity University)|language=en-US|access-date=2019-08-26}}</ref> at [[Trinity University (Texas)|Trinity University]]<ref>{{Cite web|url=http://propagandaseminar.com/index.php/speakers/tricia-jenkins/|title=Tricia Jenkins – Propaganda|language=en-US|access-date=2019-08-26}}</ref>), and in the media, on networks like [[Fox News]] and
She has spoken widely on the topic at academic conferences (including the Lennox Seminar on Propaganda and Political Persuasion<ref>{{Cite web|url=http://propagandaseminar.com/|title=Propaganda – Lennox Seminar on Propaganda and Political Persuasion (Trinity University)|language=en-US|access-date=2019-08-26}}</ref> at [[Trinity University (Texas)|Trinity University]]<ref>{{Cite web|url=http://propagandaseminar.com/index.php/speakers/tricia-jenkins/|title=Tricia Jenkins – Propaganda|language=en-US|access-date=2019-08-26}}</ref>), and in the media, on networks like [[Fox News]] and

Revision as of 21:57, 26 August 2019

Tricia Jenkins is Associate Professor of Film, Television and Digital Media in the Bob Schieffer College of Communication at Texas Christian University, where she teaches well-reviewed[1] courses in film history, genre studies, and media analysis.[2]

He research includes covert CIA involvement in the development and production of Hollywood movies, the culture and impact of the over-5000 international film festivals occurring around the world each year,[3] and Russian interference in the 2016 United States elections through social media.[4][5]

Background

Tricia Jenkins received her Ph.D. from Michigan State University, and attended Ambassador University,[6] founded by the apocalyptic cult The Worldwide Church of God, for her undergraduate education.

She lives in Fort Worth, Texas, and is married to poet and professor of English literature, Nat O'Reilly.

Research and Writing

Jenkins has published widely for both the public and the academy, in newspapers and magazines and for academic journals, such as The Washington Post,[7] Newsweek,[8] Cinema Journal,[9] Journal of Popular Film & Television,[10] Historical Journal of Film, Radio and Television,[11] The Journal of Popular Culture,[12] and the Texas National Security Review.[13]

She is the author of The CIA in Hollywood: How the Agency Shapes Film and Television,[14] which gives an account of the intelligence agency's "unprecedented" actions to do “damage control” and bolster its image by establishing formal ties with Hollywood,[15] initially through the work of Chase Brandon, an intelligence operations officer who acted as a liaison to Hollywood and who consulted on a number of film and TV scripts to further CIA interests.[16] Movies and TV shows that Jenkins claims were developed or influenced by the CIA include The Bourne Identity, Alias, The Sum of All Fears, and The Recruit.[17]

Media and Public Appearances

Her work on CIA propaganda and its involvement in Hollywood has been profiled by the Los Angeles Review of Books,[18] The Conversation,[19] the national security publication Lawfare,[20] and

She has spoken widely on the topic at academic conferences (including the Lennox Seminar on Propaganda and Political Persuasion[21] at Trinity University[22]), and in the media, on networks like Fox News and

Controversy

CIA calls her researched "asserted but not proven."

Michael Sands

References

  1. ^ "Tricia Jenkins at Texas Christian University - RateMyProfessors.com". www.ratemyprofessors.com. Retrieved 2019-08-26.
  2. ^ "Bob Schieffer College of Communication | Tricia Jenkins". schieffercollege.tcu.edu. Retrieved 2019-08-26.
  3. ^ "Toronto International Film Festival Reading List". www.smithsonianjourneys.org. August 1, 2019. Retrieved 2019-08-26. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  4. ^ "Texas Christian University Honors College | Honors Students Accompany Professor to Conference at Oxford". honors.tcu.edu. Retrieved 2019-08-26.
  5. ^ "What Did Russian Trolls Want During the 2016 Election? A Closer Look at the Internet Research Agency's Active Measures". War on the Rocks. 2018-05-22. Retrieved 2019-08-26.
  6. ^ "Bob Schieffer College of Communication | Tricia Jenkins". schieffercollege.tcu.edu. Retrieved 2019-08-26.
  7. ^ Jenkins, Tricia (January 31, 2013). "When we cheer for our team, do we have to cheer for America, too?". Washington Post. Retrieved August 26, 2019. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  8. ^ Jenkins, Tricia (2016-08-06). "In Opinion: How the CIA spooked Hollywood movies". Newsweek. Retrieved 2019-08-26. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  9. ^ Jenkins, Tricia; Shaw, Tony (2017-01-07). "From Zero to Hero: The CIA and Hollywood Today". Cinema Journal. 56 (2): 91–113. doi:10.1353/cj.2017.0004. ISSN 2578-4919.
  10. ^ Jenkins, Tricia (2015-01-02). "Feminism, Nationalism, and the 1960s' Slender Spies: A Look at Get Smart and The Girl from U.N.C.L.E." Journal of Popular Film and Television. 43 (1): 14–27. doi:10.1080/01956051.2014.961998. ISSN 0195-6051.
  11. ^ Jenkins, Tricia (2009-06-01). "Get Smart: A Look at the Current Relationship between Hollywood and the CIA". Historical Journal of Film, Radio and Television. 29 (2): 229–243. doi:10.1080/01439680902890704. ISSN 0143-9685.
  12. ^ Jenkins, Tricia (2011). "Nationalism and Gender: The 1970s, The Six Million Dollar Man, and The Bionic Woman". The Journal of Popular Culture. 44 (1): 93–113. doi:10.1111/j.1540-5931.2010.00821.x. ISSN 1540-5931.
  13. ^ "What Did Russian Trolls Want During the 2016 Election? A Closer Look at the Internet Research Agency's Active Measures". War on the Rocks. 2018-05-22. Retrieved 2019-08-26.
  14. ^ Jenkins, Tricia,. The CIA in Hollywood : how the agency shapes film and television (Revised and updated edition ed.). Austin. ISBN 9780292772465. OCLC 914339453. {{cite book}}: |edition= has extra text (help)CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)
  15. ^ "Montesclaros on Jenkins, 'The CIA in Hollywood: How the Agency Shapes Film and Television' | H-War | H-Net". networks.h-net.org. Retrieved 2019-08-26.
  16. ^ ""The CIA in Hollywood: How the Agency Shapes Film and Television," by Tricia Jenkins". Lawfare. 2015-04-17. Retrieved 2019-08-26.
  17. ^ Lacey, Liam (May 11, 2018). "The CIA's image in films has never been shinier". The Globe and Mail. Retrieved 2019-08-26.
  18. ^ Hayden, Tom. "The CIA Goes To Hollywood: How America's Spy Agency Infiltrated the Big Screen (and Our Minds)". Los Angeles Review of Books. Retrieved 2019-08-26.
  19. ^ Alford, Matthew. "Washington DC's role behind the scenes in Hollywood goes deeper than you think". The Conversation. Retrieved 2019-08-26.
  20. ^ ""The CIA in Hollywood: How the Agency Shapes Film and Television," by Tricia Jenkins". Lawfare. 2015-04-17. Retrieved 2019-08-26.
  21. ^ "Propaganda – Lennox Seminar on Propaganda and Political Persuasion (Trinity University)". Retrieved 2019-08-26.
  22. ^ "Tricia Jenkins – Propaganda". Retrieved 2019-08-26.
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