Jump to content

Wong Chun-chun: Difference between revisions

Edit links
From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
fixing grammar and spelling, editing sentence structures to improve overall fluidity of information.
fomat
Line 19: Line 19:
| notable_works =
| notable_works =
}}
}}
'''Barbara Wong Chun-chun''' ({{zh|t=黃真真|sl=Wong<sup>4</sup> Jan<sup>1</sup> Jan<sup>1</sup>}}) is a [[Hong Kong]] actress, film director, scriptwriter and producer<ref name="sina">{{cite web |title=资料：导演黄真真个人档案 |url=https://ent.sina.com.cn/s/2005-03-25/1625685937.html |website=Sina |accessdate=9 October 2019}}</ref>. She is known for her films ''Women’s Private Parts'' (2000), ''[[Truth or Dare: 6th Floor Rear Flat|Truth or Dare: 6th Floor Rear Flat]]'' (2003) and ''[[The Stolen Years]]'' (2013). Wong was awarded the “Hong Kong Ten Outstanding Young Persons” award by the Junior Chamber International Hong Kong in 2002<ref>{{cite news |title=PAST HK TOYP AWARDEES |url=http://toyp1.jcihk.org/en/past-hk-toyp-awardees/ |accessdate=11 October 2019 |publisher=JCI}}</ref>, and "Young Achiever of the Year" in the Women of Influence award by [[United States Chamber of Commerce]] in 2007<ref>{{cite news|url=https://www.scmp.com/article/610663/winners-are-inspiration-new-generation|title=Winners are an inspiration for new generation|last1=George|first1=May|date=October 8, 2007|work=|accessdate=11 October 2019|publisher=South China Morning Post}}</ref>.
'''Barbara Wong Chun-chun''' ({{zh|t=黃真真|sl=Wong<sup>4</sup> Jan<sup>1</sup> Jan<sup>1</sup>}}) is a [[Hong Kong]] actress, film director, scriptwriter and producer.<ref name="sina">{{cite web |title=资料：导演黄真真个人档案 |url=https://ent.sina.com.cn/s/2005-03-25/1625685937.html |website=Sina |accessdate=9 October 2019}}</ref> She is known for her films ''Women’s Private Parts'' (2000), ''[[Truth or Dare: 6th Floor Rear Flat|Truth or Dare: 6th Floor Rear Flat]]'' (2003) and ''[[The Stolen Years]]'' (2013). Wong was awarded the “Hong Kong Ten Outstanding Young Persons” by the Junior Chamber International Hong Kong in 2002,<ref>{{cite news |title=PAST HK TOYP AWARDEES |url=http://toyp1.jcihk.org/en/past-hk-toyp-awardees/ |accessdate=11 October 2019 |publisher=JCI}}</ref> and "Young Achiever of the Year" in the Women of Influence award by [[United States Chamber of Commerce]] in 2007.<ref>{{cite news|url=https://www.scmp.com/article/610663/winners-are-inspiration-new-generation|title=Winners are an inspiration for new generation|last1=George|first1=May|date=October 8, 2007|work=|accessdate=11 October 2019|publisher=South China Morning Post}}</ref>


== Early life and education ==
== Early life and education ==
Born and raised in Hong Kong, China, Wong graduated from [[The Hong Kong Academy for Performing Arts]] in 1990.<ref name="Wei">{{cite book |last1=Wei |first1=Shiyu |title=Cinema East and West |date=2016 |publisher=City University of HK Press |isbn=9629372657 |page=507 |url=https://books.google.ca/books?id=foSIDAAAQBAJ&printsec=frontcover#v=onepage&q&f=false |accessdate=9 October 2019}}</ref> After graduation, she worked at Commercial Radio Hong Kong as a disc jockey<ref name="Wei" />. In 1993, Wong moved to New York to further her studies<ref name="sina" /> where she graduated from [[New York University Tisch School of the Arts]]<ref>{{cite web |title=Wong, Chun-chun Barbara – Critical Biography |url=https://hkwomenfilmmakers.wordpress.com/people/ |website=Hong Kong Women Filmmakers |accessdate=9 October 2019}}</ref>. Her graduation work ''HUGO'' was selected as an [[New York University|NYU]] Best Student Film<ref name="sina" />.
Born and raised in Hong Kong, China, Wong graduated from [[The Hong Kong Academy for Performing Arts]] in 1990.<ref name="Wei">{{cite book |last1=Wei |first1=Shiyu |title=Cinema East and West |date=2016 |publisher=City University of HK Press |isbn=9629372657 |page=507 |url=https://books.google.ca/books?id=foSIDAAAQBAJ&printsec=frontcover#v=onepage&q&f=false |accessdate=9 October 2019}}</ref> After graduation, she worked at Commercial Radio Hong Kong as a disc jockey.<ref name="Wei" /> In 1993, Wong moved to New York to further her studies<ref name="sina" /> where she graduated from [[New York University Tisch School of the Arts]].<ref>{{cite web |title=Wong, Chun-chun Barbara – Critical Biography |url=https://hkwomenfilmmakers.wordpress.com/people/ |website=Hong Kong Women Filmmakers |accessdate=9 October 2019}}</ref> Her graduation work ''HUGO'' was selected as an [[New York University|NYU]] Best Student Film.<ref name="sina" />


== Career ==
== Career ==
After graduating from [[New York University Tisch School of the Arts]], Wong stayed in New York and produced the short film, ''The Hipster''<ref name="Wei" />. In 1995, Wong established a production company in New York called Basko Wong Productions to produce television programs for several networks such as [[American Broadcasting Company|ABC]] and [[NBC]]<ref name="Wei" />. In 1997, Wong directed her first low-budget independent feature film, ''A Carburetor for Suzy'' (1998), at her own expense<ref>{{cite web |title=香港電影人故事(四)：每部電影都是獨一無二的愛情 |url=http://news.takungpao.com/hkol/jsxw/2016-04/3309958.html |website=大公网 |accessdate=9 October 2019}}</ref>. The film was screened at NewFilmmakers New York series of [[Anthology Film Archives]] in 1998<ref name="sina" />.
After graduating from [[New York University Tisch School of the Arts]], Wong stayed in New York and produced the short film, ''The Hipster.''<ref name="Wei" /> In 1995, Wong established a production company in New York called Basko Wong Productions to produce television programs for several networks such as [[American Broadcasting Company|ABC]] and [[NBC]].<ref name="Wei" /> In 1997, Wong directed her first low-budget independent feature film, ''A Carburetor for Suzy'' (1998), at her own expense.<ref>{{cite web |title=香港電影人故事(四)：每部電影都是獨一無二的愛情 |url=http://news.takungpao.com/hkol/jsxw/2016-04/3309958.html |website=大公网 |accessdate=9 October 2019}}</ref> The film was screened at NewFilmmakers New York series of [[Anthology Film Archives]] in 1998.<ref name="sina" />


In 1999, she returned to Hong Kong from New York and filmed ''Women’s Private Parts'' (2000)<ref name="sina" />, a documentary interviewing Chinese women about how they view their bodies to express their attitudes and thoughts towards sexuality<ref>{{Cite journal|last=Marchetti|first=Gina|date=2017-12-01|title=Handover Bodies in a Feminist Frame|url=http://berghahnjournals.com/view/journals/screen-bodies/2/2/screen020202.xml|journal=Screen Bodies|volume=2|issue=2|pages=2|doi=10.3167/screen.2017.020202|issn=2374-7552}}</ref>. This film got the attention of the Hong Kong film industry and went on to win Best International Feature Film at the [[New York City Independent Film Festival]] in 2001<ref>{{cite web |title=Hong Kong Film Directors' Guild - Directors - Chun Chun Barbara WONG |url=http://www.hkfilmdirectors.com/en/director/wong-chun-chun-barbara |website=The Ultimate to HK Film Directors |accessdate=10 October 2019 |language=en}}</ref>. Following this, Wong directed ''Men's Private Parts'' (2002) as a sequel to ''Women’s Private Parts'', which interviewed 30 men about their attitudes and thoughts towards sex, love, and power<ref>{{cite web |title=黄真真：男人这东西 |url=http://ent.sina.com.cn/r/2004-03-23/1824341211.html |website=Sina |accessdate=10 October 2019}}</ref>.
In 1999, she returned to Hong Kong from New York and filmed ''Women’s Private Parts'' (2000),<ref name="sina" /> a documentary interviewing Chinese women about how they view their bodies to express their attitudes and thoughts towards sexuality.<ref>{{Cite journal|last=Marchetti|first=Gina|date=2017-12-01|title=Handover Bodies in a Feminist Frame|url=http://berghahnjournals.com/view/journals/screen-bodies/2/2/screen020202.xml|journal=Screen Bodies|volume=2|issue=2|pages=2|doi=10.3167/screen.2017.020202|issn=2374-7552}}</ref> This film got the attention of the Hong Kong film industry and went on to win Best International Feature Film at the [[New York City Independent Film Festival]] in 2001.<ref>{{cite web |title=Hong Kong Film Directors' Guild - Directors - Chun Chun Barbara WONG |url=http://www.hkfilmdirectors.com/en/director/wong-chun-chun-barbara |website=The Ultimate to HK Film Directors |accessdate=10 October 2019 |language=en}}</ref> Following this, Wong directed ''Men's Private Parts'' (2002) as a sequel to ''Women’s Private Parts,'' which interviewed 30 men about their attitudes and thoughts towards sex, love, and power.<ref>{{cite web |title=黄真真：男人这东西 |url=http://ent.sina.com.cn/r/2004-03-23/1824341211.html |website=Sina |accessdate=10 October 2019}}</ref>


In 2003, Wong collaborated with Lawrence Cheng to produce the comedy, ''[[Truth or Dare: 6th Floor Rear Flat]]'' (2003), inspired by Madonna’s documentary, ''[[Madonna: Truth or Dare]]'' (1991). The narrative is a story of six youths living in a 6th floor rear flat in Hong Kong. Wong was also nominated for Best New Director at the 23rd Hong Kong Film Awards<ref>{{cite web |title=List of Nominees and Awardees of The 23rd Hong Kong Film Awards |url=http://www.hkfaa.com/winnerlist23.html |website=Hongkong Film Awards |accessdate=10 October 2019}}</ref>.
In 2003, Wong collaborated with Lawrence Cheng to produce the comedy, ''[[Truth or Dare: 6th Floor Rear Flat]]'' (2003), inspired by Madonna’s documentary, ''[[Madonna: Truth or Dare]]'' (1991). The narrative is a story of six youths living in a 6th floor rear flat in Hong Kong. Wong was also nominated for Best New Director at the 23rd Hong Kong Film Awards.<ref>{{cite web |title=List of Nominees and Awardees of The 23rd Hong Kong Film Awards |url=http://www.hkfaa.com/winnerlist23.html |website=Hongkong Film Awards |accessdate=10 October 2019}}</ref>


Wong continued to shaping the Hong Kong community, going on to film ''Six Strong Guys'' (2004), ''Protégé de la Rose Noire'' (2004), ''Wonder Women'' (2007), ''Happy Funeral'' (2008) and ''[[Break Up Club]]'' (2010). Of these, ''Wonder Women'' (2007) was filmed to celebrate Hong Kong's tenth anniversary of its handover, and the film was premiered at the Great Hall of the People in 2007<ref name="Wei 2">{{cite book |last1=Wei |first1=Shiyu |title=Cinema East and West |date=2016 |publisher=City University of HK Press |isbn=9629372657 |page=539 |url=https://books.google.ca/books?id=foSIDAAAQBAJ&printsec=frontcover#v=onepage&q&f=false |accessdate=9 October 2019}}</ref>.
Wong continued to shape the Hong Kong community, going on to film ''Six Strong Guys'' (2004), ''Protégé de la Rose Noire'' (2004), ''Wonder Women'' (2007), ''Happy Funeral'' (2008) and ''[[Break Up Club]]'' (2010). Of these, ''Wonder Women'' (2007) was filmed to celebrate Hong Kong's tenth anniversary of its handover, and the film was premiered at the Great Hall of the People in 2007.<ref name="Wei 2">{{cite book |last1=Wei |first1=Shiyu |title=Cinema East and West |date=2016 |publisher=City University of HK Press |isbn=9629372657 |page=539 |url=https://books.google.ca/books?id=foSIDAAAQBAJ&printsec=frontcover#v=onepage&q&f=false |accessdate=9 October 2019}}</ref>


Since releasing the film ''[[The Allure of Tears]]'' (2011), Wong has shifted her focus from Hong Kong to the mainland in a more commercial direction<ref>{{Cite journal|last=Marchetti|first=Gina|date=2017-12-01|title=Handover Bodies in a Feminist Frame|url=http://berghahnjournals.com/view/journals/screen-bodies/2/2/screen020202.xml|journal=Screen Bodies|volume=2|issue=2|pages=7|doi=10.3167/screen.2017.020202|issn=2374-7552}}</ref>. She has since directed several romance-drama films such as ''[[The Stolen Years]]'' (2013), ''[[Girls (2014 film)|Girls]]'' (2014), ''[[The Secret (2016 film)|The Secret]]'' (2016) and ''[[Girls 2|Girls 2: Girls vs Gangsters]]'' (2018).
Since releasing the film ''[[The Allure of Tears]]'' (2011), Wong has shifted her focus from Hong Kong to the mainland in a more commercial direction.<ref>{{Cite journal|last=Marchetti|first=Gina|date=2017-12-01|title=Handover Bodies in a Feminist Frame|url=http://berghahnjournals.com/view/journals/screen-bodies/2/2/screen020202.xml|journal=Screen Bodies|volume=2|issue=2|pages=7|doi=10.3167/screen.2017.020202|issn=2374-7552}}</ref> She has since directed several romance-drama films such as ''[[The Stolen Years]]'' (2013), ''[[Girls (2014 film)|Girls]]'' (2014), ''[[The Secret (2016 film)|The Secret]]'' (2016) and ''[[Girls 2|Girls 2: Girls vs Gangsters]]'' (2018).


==Filmography==
==Filmography==

Revision as of 01:47, 4 November 2019

Barbara Wong Chun-chun
黄真真
Born (1972-10-05) October 5, 1972 (age 52)
Hongkong, China
NationalityChinese
Occupation(s)Director, actress, scriptwriter, producer

Barbara Wong Chun-chun (Chinese: 黃真真; Sidney Lau: Wong4 Jan1 Jan1) is a Hong Kong actress, film director, scriptwriter and producer.[1] She is known for her films Women’s Private Parts (2000), Truth or Dare: 6th Floor Rear Flat (2003) and The Stolen Years (2013). Wong was awarded the “Hong Kong Ten Outstanding Young Persons” by the Junior Chamber International Hong Kong in 2002,[2] and "Young Achiever of the Year" in the Women of Influence award by United States Chamber of Commerce in 2007.[3]

Early life and education

Born and raised in Hong Kong, China, Wong graduated from The Hong Kong Academy for Performing Arts in 1990.[4] After graduation, she worked at Commercial Radio Hong Kong as a disc jockey.[4] In 1993, Wong moved to New York to further her studies[1] where she graduated from New York University Tisch School of the Arts.[5] Her graduation work HUGO was selected as an NYU Best Student Film.[1]

Career

After graduating from New York University Tisch School of the Arts, Wong stayed in New York and produced the short film, The Hipster.[4] In 1995, Wong established a production company in New York called Basko Wong Productions to produce television programs for several networks such as ABC and NBC.[4] In 1997, Wong directed her first low-budget independent feature film, A Carburetor for Suzy (1998), at her own expense.[6] The film was screened at NewFilmmakers New York series of Anthology Film Archives in 1998.[1]

In 1999, she returned to Hong Kong from New York and filmed Women’s Private Parts (2000),[1] a documentary interviewing Chinese women about how they view their bodies to express their attitudes and thoughts towards sexuality.[7] This film got the attention of the Hong Kong film industry and went on to win Best International Feature Film at the New York City Independent Film Festival in 2001.[8] Following this, Wong directed Men's Private Parts (2002) as a sequel to Women’s Private Parts, which interviewed 30 men about their attitudes and thoughts towards sex, love, and power.[9]

In 2003, Wong collaborated with Lawrence Cheng to produce the comedy, Truth or Dare: 6th Floor Rear Flat (2003), inspired by Madonna’s documentary, Madonna: Truth or Dare (1991). The narrative is a story of six youths living in a 6th floor rear flat in Hong Kong. Wong was also nominated for Best New Director at the 23rd Hong Kong Film Awards.[10]

Wong continued to shape the Hong Kong community, going on to film Six Strong Guys (2004), Protégé de la Rose Noire (2004), Wonder Women (2007), Happy Funeral (2008) and Break Up Club (2010). Of these, Wonder Women (2007) was filmed to celebrate Hong Kong's tenth anniversary of its handover, and the film was premiered at the Great Hall of the People in 2007.[11]

Since releasing the film The Allure of Tears (2011), Wong has shifted her focus from Hong Kong to the mainland in a more commercial direction.[12] She has since directed several romance-drama films such as The Stolen Years (2013), Girls (2014), The Secret (2016) and Girls 2: Girls vs Gangsters (2018).

Filmography

As director

As actress

As scriptwriter

Awards and nominations

Year Award Category Nominated work Result
1998 Anthology Film Archives NewFilmmakers New York series 1998 A Carburetor for Suzy Won
2001 New York City Independent Film Festival Best International Feature Film 2000 Women’s Private Parts Won
2002 Junior Chamber International Hong Kong Hong Kong Ten Outstanding Young Persons — Honored
2004 23rd Hong Kong Film Awards Best New Director 2003 Truth or Dare: 6th Floor Rear Flat Nominated
2005 24th Hong Kong Film Awards Best Director 2004 Six Strong Guys Nominated
8th Shanghai International Film Festival Asian New Talent Award Best Film[13] Nominated
2011 30th Hong Kong Film Awards Best Screenplay 2010 Break Up Club Nominated



Stub icon

This article about a Hong Kong actor is a stub. You can help Wikipedia by expanding it.

Stub icon

This article about a Hong Kong film director is a stub. You can help Wikipedia by expanding it.

References

  1. ^ a b c d e "资料：导演黄真真个人档案". Sina. Retrieved 9 October 2019.
  2. ^ "PAST HK TOYP AWARDEES". JCI. Retrieved 11 October 2019.
  3. ^ George, May (October 8, 2007). "Winners are an inspiration for new generation". South China Morning Post. Retrieved 11 October 2019.
  4. ^ a b c d Wei, Shiyu (2016). Cinema East and West. City University of HK Press. p. 507. ISBN 9629372657. Retrieved 9 October 2019.
  5. ^ "Wong, Chun-chun Barbara – Critical Biography". Hong Kong Women Filmmakers. Retrieved 9 October 2019.
  6. ^ "香港電影人故事(四)：每部電影都是獨一無二的愛情". 大公网. Retrieved 9 October 2019.
  7. ^ Marchetti, Gina (2017-12-01). "Handover Bodies in a Feminist Frame". Screen Bodies. 2 (2): 2. doi:10.3167/screen.2017.020202. ISSN 2374-7552.
  8. ^ "Hong Kong Film Directors' Guild - Directors - Chun Chun Barbara WONG". The Ultimate to HK Film Directors. Retrieved 10 October 2019.
  9. ^ "黄真真：男人这东西". Sina. Retrieved 10 October 2019.
  10. ^ "List of Nominees and Awardees of The 23rd Hong Kong Film Awards". Hongkong Film Awards. Retrieved 10 October 2019.
  11. ^ Wei, Shiyu (2016). Cinema East and West. City University of HK Press. p. 539. ISBN 9629372657. Retrieved 9 October 2019.
  12. ^ Marchetti, Gina (2017-12-01). "Handover Bodies in a Feminist Frame". Screen Bodies. 2 (2): 7. doi:10.3167/screen.2017.020202. ISSN 2374-7552.
  13. ^ "Shanghai International Film Festival". IMDB. Retrieved 30 October 2019.
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Wong_Chun-chun&oldid=924470200"