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The series depicts the everyday lives of [[Christopher Robin]] and his companions [[Winnie the Pooh|Pooh]], [[Piglet (Winnie the Pooh)|Piglet]], [[Rabbit (Winnie the Pooh)|Rabbit]], [[Tigger]], [[Eeyore]], [[Owl (Winnie the Pooh)|Owl]] and [[Gopher (Winnie the Pooh)|Gopher]]. Rather than a straight-forward adaptation, the show was more [[Americanization|Americanized]] than previous ''Pooh'' efforts. Episodes dealt with strong messages about honesty, responsibility, persistence, cooperative effort, friendship and caring. Many stories are designed to help young children distinguish between fantasy and reality and overcome common childhood fears. The show had very high production values.
The series depicts the everyday lives of [[Christopher Robin]] and his companions [[Winnie the Pooh|Pooh]], [[Piglet (Winnie the Pooh)|Piglet]], [[Rabbit (Winnie the Pooh)|Rabbit]], [[Tigger]], [[Eeyore]], [[Owl (Winnie the Pooh)|Owl]] and [[Gopher (Winnie the Pooh)|Gopher]]. Rather than a straight-forward adaptation, the show was more [[Americanization|Americanized]] than previous ''Pooh'' efforts. Episodes dealt with strong messages about honesty, responsibility, persistence, cooperative effort, friendship and caring. Many stories are designed to help young children distinguish between fantasy and reality and overcome common childhood fears. The show had very high production values.


Publications ranging from ''[[The Los Angeles Times]]'' to ''[[TV Guide]]'' gave the series extremely positive reviews for its resemblance to the earlier Disney efforts and its high production quality. The show was also praised for its wholesome tradition.<ref>{{cite news|last=McKerrow|first=Steve|url=http://articles.baltimoresun.com/1991-09-14/features/1991257099_1_cartoon-characters-k-tv-michael-jordan|title=PRIME TIME FOR KIDS A few gems pan out of the gravel of Saturday morning TV fare|newspaper=[[The Baltimore Sun]]|date=September 14, 1991|accessdate=}}</ref> The show won back-to-back [[Daytime Emmy Award]]s for [[Daytime Emmy Award for Outstanding Children's Animated Program|Outstanding Animated Program]] as well as two [[Humanitas Prize]]s. The show was well-received by both children and their parents.<ref>http://www.americanradiohistory.com/hd2/Archive-TV-Radio-Age-IDX/IDX/80s/1989/1989-08-07-RTVA-Page-0044.pdf#search="pooh"</ref> Most of the viewer mail the crew received was from parents thanking the staff for producing a show that they can watch with their children.<ref name="Rome">{{cite news | last = Bobbin | first = Jay | date = December 6, 1991 | year = 1991 | title = Winnie the Pooh celebrates holidays in network special | url = http://news.google.com/newspapers?id=AG4wAAAAIBAJ&sjid=JjYDAAAAIBAJ&pg=4947%2C1935435 | newspaper = Rome News-Tribune | location = Georgia | agency = Tribune Media Services | page = 3 | accessdate = 2014-05-24 | via = Google News Archive}}</ref> The show is credited with bringing about a resurgence of Pooh animated offerings, including a series of TV and video specials<ref name="TiggerMovie">{{cite web|last=Simon|first=Ben|url=http://animatedviews.com/2012/the-tigger-movie-bounce-a-rrrific-blu-ray|title=''The Tigger Movie'': Bounce-a-rrrific Special Edition|website=Animated Views|date=August 23, 2012|accessdate=September 6, 2014}}</ref>
Publications ranging from ''[[The Los Angeles Times]]'' to ''[[TV Guide]]'' gave the series extremely positive reviews for its resemblance to the earlier Disney efforts and its high production quality. The show was also praised for its wholesome tradition.<ref>{{cite news|last=McKerrow|first=Steve|url=http://articles.baltimoresun.com/1991-09-14/features/1991257099_1_cartoon-characters-k-tv-michael-jordan|title=PRIME TIME FOR KIDS A few gems pan out of the gravel of Saturday morning TV fare|newspaper=[[The Baltimore Sun]]|date=September 14, 1991}}</ref> The show won back-to-back [[Daytime Emmy Award]]s for [[Daytime Emmy Award for Outstanding Children's Animated Program|Outstanding Animated Program]] as well as two [[Humanitas Prize]]s. The show was well-received by both children and their parents.<ref>{{cite magazine|url=https://americanradiohistory.com/Archive-TV-Radio-Age/80s/1989/1989-08-07-RTVA.pdf|title=Bullish outlook in cable-land|magazine=Television/Radio Age|pp=42–5|publication-date=August 7, 1989}}</ref> Most of the viewer mail the crew received was from parents thanking the staff for producing a show that they can watch with their children.<ref name="Rome">{{cite news | last = Bobbin | first = Jay | date = December 6, 1991 | year = 1991 | title = Winnie the Pooh celebrates holidays in network special | url = http://news.google.com/newspapers?id=AG4wAAAAIBAJ&sjid=JjYDAAAAIBAJ&pg=4947%2C1935435 | newspaper = Rome News-Tribune | location = Georgia | agency = Tribune Media Services | page = 3 | accessdate = 2014-05-24 | via = Google News Archive}}</ref> The show is credited with bringing about a resurgence of Pooh animated offerings, including a series of TV and video specials<ref name="TiggerMovie">{{cite web|last=Simon|first=Ben|url=http://animatedviews.com/2012/the-tigger-movie-bounce-a-rrrific-blu-ray|title=''The Tigger Movie'': Bounce-a-rrrific Special Edition|website=Animated Views|date=August 23, 2012|accessdate=September 6, 2014}}</ref>


==History==
==History==
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| date = 24 December 1925 | url = | postscript = . }}</ref> The following year, a collection of Pooh stories was formally released bearing the name ''[[Winnie-the-Pooh (book)|Winnie-the-Pooh]]''. The stories proved very popular and inspired a sequel.
| date = 24 December 1925 | url = | postscript = . }}</ref> The following year, a collection of Pooh stories was formally released bearing the name ''[[Winnie-the-Pooh (book)|Winnie-the-Pooh]]''. The stories proved very popular and inspired a sequel.


The idea for a television series was first discussed in 1957. NBC suggested [[Jay Ward]] undertake the pilot, then titled ''The World of Winnie the Pooh'', with an option for thirty-nine episodes. Some songs and bits of dialogue were recorded, but the project was ultimately abandoned.<ref>{{Cite book | last = Scott | first = Keith | title = The Moose That Roared: The Story of Jay Ward, Bill Scott, a Flying Squirrel and a Talking Moose | publisher = Macmillan | url = http://books.google.com/books?id=2KvcAgAAQBAJ | pages = 78, 137}}</ref> In 1961, [[Walt Disney]] bought the film rights to make an animated movie starring the characters. He subsequently produced a series of three short featurettes throughout the late 1960s and earlier 1970s, beginning with ''[[Winnie the Pooh and the Honey Tree]]''.<ref>{{cite news | last = Gillies | first = Judith S. | date = January 19, 2001 | title = Winnie the Pooh gets a makeover | url = http://news.google.com/newspapers?nid=1454&dat=20010119&id=rLFOAAAAIBAJ&sjid=zR4EAAAAIBAJ&pg=5911,657254 | newspaper = The Washington Post | accessdate = September 8, 2014}}</ref><ref name="Honey">{{cite news | last = Winfrey | first = Lee | date = September 16, 1988 | title = ABC hoping Pooh can pull more than honey out a jar | url = http://news.google.com/newspapers?nid=1876&dat=19880916&id=CqgeAAAAIBAJ&sjid=V84EAAAAIBAJ&pg=6729,251354 | newspaper = [[Spartanburg Herald-Journal]] | location = South Carolina | agency = [[Knight Ridder|Knight-Ridder Newspapers]] | page = A9 | accessdate = September 6, 2014 | via = Google News Archive}}</ref> Disney had also aired a variety show with the characters that used electronically controlled puppetry and life-sized costume titled ''[[Welcome to Pooh Corner]]''.<ref>{{cite news | last = Katz | first = Debra Morgenstern | date = April 28, 1983 | title = Disney channel comes to cable | url = http://news.google.com/newspapers?nid=932&dat=19830428&id=GqJPAAAAIBAJ&sjid=-VIDAAAAIBAJ&pg=4405,6700319 | newspaper = [[The Kingman Daily Miner]] | location = Arizona | series = TV Data | page = 19 | accessdate = 2014-09-06 | via = Google News Archive }}</ref><ref>{{cite news | last = Katz | first = Debra Morgenstern | date = April 18, 1986 | title = Cable offers kids several quality shows | url = http://news.google.com/newspapers?nid=110&dat=19860418&id=8RxQAAAAIBAJ&sjid=PlUDAAAAIBAJ&pg=4175,7473926 | newspaper = [[Ludington Daily News]] | location = Michigan | page = 11 | accessdate = September 8, 2014 | via = Google News Archive }}</ref> This became the highest rated program on the Disney Channel.<ref>{{cite news | last = Holston | first = Noel | date = August 8, 1985 | title = Cable networks list most popular shows | newspaper = [[Orlando Sentinel]] | location = Florida}}</ref> The original featurettes also proved popular, with video sales topping the charts in 1986 and 1987.<ref>{{cite journal|date = December 27, 1986|title = Top Kid Videocassettes|url=http://books.google.com/books?id=tiQEAAAAMBAJ|series = Number One Awards| publisher=Nielsen Business Media|volume=98|issue = 52|page= 24| accessdate=September 8, 2014 | via= Google Books}}</ref><ref>{{cite journal|date = December 26, 1987|title = Top Kid Videocassettes|url = http://books.google.com/books?id=JCgEAAAAMBAJ| series=1987 The Year in Music and Video|publisher = Nielsen Business Media |volume=99|issue = 52|page = 70|accessdate = September 8, 2014|via = Google Books}}</ref>
The idea for a television series was first discussed in 1957. NBC suggested [[Jay Ward]] undertake the pilot, then titled ''The World of Winnie the Pooh'', with an option for thirty-nine episodes. Some songs and bits of dialogue were recorded, but the project was ultimately abandoned.<ref>{{Cite book | last = Scott | first = Keith | title = The Moose That Roared: The Story of Jay Ward, Bill Scott, a Flying Squirrel and a Talking Moose | publisher = Macmillan | url = http://books.google.com/books?id=2KvcAgAAQBAJ | pages = 78, 137}}</ref> In 1961, [[Walt Disney]] bought the film rights to make an animated movie starring the characters. He subsequently produced a series of three short featurettes throughout the late 1960s and earlier 1970s, beginning with ''[[Winnie the Pooh and the Honey Tree]]''.<ref>{{cite news | last = Gillies | first = Judith S. | date = January 19, 2001 | title = Winnie the Pooh gets a makeover | url = http://news.google.com/newspapers?nid=1454&dat=20010119&id=rLFOAAAAIBAJ&sjid=zR4EAAAAIBAJ&pg=5911,657254 | newspaper = The Washington Post}}</ref><ref name="Honey">{{cite news | last = Winfrey | first = Lee | date = September 16, 1988 | title = ABC hoping Pooh can pull more than honey out a jar | url = http://news.google.com/newspapers?nid=1876&dat=19880916&id=CqgeAAAAIBAJ&sjid=V84EAAAAIBAJ&pg=6729,251354 | newspaper = [[Spartanburg Herald-Journal]] | location = South Carolina | agency = [[Knight Ridder|Knight-Ridder Newspapers]] | page = A9 | via = Google News Archive}}</ref> Disney had also aired a variety show with the characters that used electronically controlled puppetry and life-sized costume titled ''[[Welcome to Pooh Corner]]''.<ref>{{cite news | last = Katz | first = Debra Morgenstern | date = April 28, 1983 | title = Disney channel comes to cable | url = http://news.google.com/newspapers?nid=932&dat=19830428&id=GqJPAAAAIBAJ&sjid=-VIDAAAAIBAJ&pg=4405,6700319 | newspaper = [[The Kingman Daily Miner]] | location = Arizona | series = TV Data | page = 19 | via = Google News Archive }}</ref><ref>{{cite news | last = Katz | first = Debra Morgenstern | date = April 18, 1986 | title = Cable offers kids several quality shows | url = http://news.google.com/newspapers?nid=110&dat=19860418&id=8RxQAAAAIBAJ&sjid=PlUDAAAAIBAJ&pg=4175,7473926 | newspaper = [[Ludington Daily News]] | location = Michigan | page = 11 | via = Google News Archive }}</ref> This became the highest rated program on the Disney Channel.<ref>{{cite news | last = Holston | first = Noel | date = August 8, 1985 | title = Cable networks list most popular shows | newspaper = [[Orlando Sentinel]] | location = Florida}}</ref> The original featurettes also proved popular, with video sales topping the charts in 1986 and 1987.<ref>{{cite journal|date = December 27, 1986|title = Top Kid Videocassettes|url=http://books.google.com/books?id=tiQEAAAAMBAJ|series = Number One Awards| publisher=Nielsen Business Media|volume=98|issue = 52|page= 24| via= Google Books}}</ref><ref>{{cite journal|date = December 26, 1987|title = Top Kid Videocassettes|url = http://books.google.com/books?id=JCgEAAAAMBAJ| series=1987 The Year in Music and Video|publisher = Nielsen Business Media |volume=99|issue = 52|page = 70 |via = Google Books}}</ref>


===Development===
===Development===
[[File:Academy_of_Television_Arts_%26_Sciences_%282076600212%29.jpg|thumb|left|Production took place at the [[Academy of Television Arts & Sciences]] complex]]
[[File:Academy_of_Television_Arts_%26_Sciences_%282076600212%29.jpg|thumb|left|Production took place at the [[Academy of Television Arts & Sciences]] complex]]
An animated cartoon starring the characters was first proposed by [[Walt Disney Television Animation]] Vice President Gary Krisel during a Disney retreat, in which company assets and future prospects were examined. [[Richard H. Frank|Rich Frank]] later recalled him saying: "I think Pooh is a great character for Saturday morning animation". He believed the merchandising license, held at that time by [[Sears]], would work as a great promotional tool.<ref name="Channels">{{cite news |author=<!--Staff writer(s); no by-line.--> |title=Looking ahead at Disney's future |newspaper= Channels |location= |publisher= Act III Publishing |date= August 30, 1988 |accessdate= June 6, 2014}}</ref> [[Mark Zaslove]] was contacted to write the series bible; he had recently finished work on the [[DuckTales]] pilot episode. The document was written over Memorial Day weekend 1987, with Zaslove having only three days to complete the proposal. The pitch was well-received by Disney and subsequently green-lit.<ref name="Mark">{{cite news |author=<!--Staff writer(s); no by-line.--> |title=In which Pooh is brought to life by a new team of writers |newspaper= Channels |location= |publisher= Act III Publishing |date=February 15, 1989}}</ref>
An animated cartoon starring the characters was first proposed by [[Walt Disney Television Animation]] Vice President Gary Krisel during a Disney retreat, in which company assets and future prospects were examined. [[Richard H. Frank|Rich Frank]] later recalled him saying: "I think Pooh is a great character for Saturday morning animation". He believed the merchandising license, held at that time by [[Sears]], would work as a great promotional tool.<ref name="Channels">{{cite news |author=<!--Staff writer(s); no by-line.--> |title=Looking ahead at Disney's future |newspaper= Channels |location= |publisher= Act III Publishing |date= August 30, 1988}}</ref> [[Mark Zaslove]] was contacted to write the series bible; he had recently finished work on the [[DuckTales]] pilot episode. The document was written over Memorial Day weekend 1987, with Zaslove having only three days to complete the proposal. The pitch was well-received by Disney and subsequently green-lit.<ref name="Mark">{{cite news |author=<!--Staff writer(s); no by-line.--> |title=In which Pooh is brought to life by a new team of writers |newspaper= Channels |location= |publisher= Act III Publishing |date=February 15, 1989}}</ref>


Instead of shopping ''Winnie the Pooh'' around to different networks, the show was pitched directly to ABC. The channel had desperately wanted a cartoon from Disney for their Saturday morning schedule, which had fallen to last place in the ratings. They had hoped Pooh could boost ratings for the channel.<ref name="Honey" /> Two years earlier, [[Micheal Eisner]] and Krisel had set up meetings with all three major networks in hopes to sell rights to their two cartoon series: ''[[Adventures of the Gummi Bears]]'' and ''[[The Wuzzles]]''. NBC and CBS had purchased ''Gummi Bears'' and ''Wuzzles'', respectively. Realizing they had nothing left to offer ABC, Eisner and Krisel met with them anyway and received a warm response to the gaffe.<ref name="Emmy">{{cite magazine|url=http://books.google.com/books?id=usO2AAAAIAAJ&q=%22although+shows+such+as+darkwing%22&dq=%22although+shows+such+as+darkwing%22&hl=en&sa=X&ei=_WuLU7_hKemgsATtkIDwCQ&ved=0CC0Q6AEwAA|magazine=Emmy|volume=16}}</ref> A deal was reached giving ABC the show, while giving first run rights to [[The Disney Channel]].
Instead of shopping ''Winnie the Pooh'' around to different networks, the show was pitched directly to ABC. The channel had desperately wanted a cartoon from Disney for their Saturday morning schedule, which had fallen to last place in the ratings. They had hoped Pooh could boost ratings for the channel.<ref name="Honey" /> Two years earlier, [[Micheal Eisner]] and Krisel had set up meetings with all three major networks in hopes to sell rights to their two cartoon series: ''[[Disney's Adventures of the Gummi Bears]]'' and ''[[The Wuzzles]]''. NBC and CBS had purchased ''Gummi Bears'' and ''Wuzzles'', respectively. Realizing they had nothing left to offer ABC, Eisner and Krisel met with them anyway and received a warm response to the gaffe.<ref name="Emmy">{{cite magazine|url=http://books.google.com/books?id=usO2AAAAIAAJ&q=%22although+shows+such+as+darkwing%22&dq=%22although+shows+such+as+darkwing%22&hl=en&sa=X&ei=_WuLU7_hKemgsATtkIDwCQ&ved=0CC0Q6AEwAA|magazine=Emmy|volume=16}}</ref> A deal was reached giving ABC the show, while giving first run rights to [[The Disney Channel]].


The show was official announced via a press release on November 15, 1987.<ref>{{cite news|url=https://news.google.com/newspapers?nid=1876&dat=19871115&id=Pj0sAAAAIBAJ&sjid=Lc4EAAAAIBA&pg=3979,6396105|title=Coming from Disney|newspaper=[[Herald-Journal]]|date=November 15, 1987}}</ref> It would mark the first time a classic Disney character was seen on Saturday morning television.{{Ref label|A|a|none}}<ref name="PalmBeach">{{cite news | date = September 4, 1988 | title = Pooh Bear brings new adventures to Saturday morning television Series | url = http://pqasb.pqarchiver.com/tampabay/doc/262608769.html?FMT=ABS&FMTS=ABS:FT&type=current&date=Sep+4%2C+1988&author=&pub=St.+Petersburg+Times&edition=&startpage=&desc=Pooh+Bear+brings+new+adventures+to+Saturday+morning+television+Series%3A+Cover+Story | newspaper = [[Tampa Bay Times|St. Petersburg Times]] | location = Florida | edition = City | page = 6 | subscription = yes | accessdate = 2014-09-06 | via = [[ProQuest|ProQuest Archiver]]}}</ref> The series was viewed as a gamble, with people unsure if Pooh would survive on the new medium.<ref>{{cite news|last=Cawley|first=John|url=https://www.awn.com/animationworld/digital-pooh-and-tigger-too|title=Digital Pooh and Tigger Too|website=Animation World Network|date=May 11, 2007}}</ref> At the time, Saturday morning cartoons were viewed as a place with dry, repetitive storylines, shallow characters, cliched narratives, and cheap animation.<ref name="AmericaToonsIn">http://books.google.com/books?id=riYXAwAAQBAJ&printsec=frontcover&dq=America+Toons+In&hl=en&sa=X&ei=QHHpU8vROpH1oAT8lILgAw&ved=0CBwQ6AEwAA#v=onepage&q=America%20Toons%20In&f=false</ref><ref name="Charles">{{cite news | last = Witbeck | first = Charles | date = September 14, 1988| title = Winnie the Pooh delights again | url = http://news.google.com/newspapers?nid=1665&dat=19880914&id=Qu0eAAAAIBAJ&sjid=MSQEAAAAIBAJ&pg=3860,3254403 | newspaper = [[Times-News (Hendersonville, North Carolina)|Times-News]] | location = North Carolina | page = 6B | accessdate = September 9, 2014 | via = Google News Archive }}</ref> As a result, animation fans greeted Disney's plans to adapt A. A. Milne's childhood favorite to the small screen with a mixture of skepticism and dismay, fearing the show could not top the original featurettes.<ref name="Duckula">http://articles.latimes.com/1988-02-05/entertainment/ca-27348_1_count-duckula</ref>
The show was official announced via a press release on November 15, 1987.<ref>{{cite news|url=https://news.google.com/newspapers?nid=1876&dat=19871115&id=Pj0sAAAAIBAJ&sjid=Lc4EAAAAIBA&pg=3979,6396105|title=Coming from Disney|newspaper=[[Herald-Journal]]|date=November 15, 1987}}</ref> It would mark the first time a classic Disney character was seen on Saturday morning television.{{Ref label|A|a|none}}<ref name="PalmBeach">{{cite news | date = September 4, 1988 | title = Pooh Bear brings new adventures to Saturday morning television Series | url = http://pqasb.pqarchiver.com/tampabay/doc/262608769.html?FMT=ABS&FMTS=ABS:FT&type=current&date=Sep+4%2C+1988&author=&pub=St.+Petersburg+Times&edition=&startpage=&desc=Pooh+Bear+brings+new+adventures+to+Saturday+morning+television+Series%3A+Cover+Story | newspaper = [[Tampa Bay Times|St. Petersburg Times]] | location = Florida | edition = City | page = 6 | url-access = subscription | via = [[ProQuest|ProQuest Archiver]]}}</ref> The series was viewed as a gamble, with people unsure if Pooh would survive on the new medium.<ref>{{cite news|last=Cawley|first=John|url=https://www.awn.com/animationworld/digital-pooh-and-tigger-too|title=Digital Pooh and Tigger Too|website=Animation World Network|date=May 11, 2007}}</ref> At the time, Saturday morning cartoons were viewed as a place with dry, repetitive storylines, shallow characters, cliched narratives, and cheap animation.<ref name="AmericaToonsIn">http://books.google.com/books?id=riYXAwAAQBAJ&printsec=frontcover&dq=America+Toons+In&hl=en&sa=X&ei=QHHpU8vROpH1oAT8lILgAw&ved=0CBwQ6AEwAA#v=onepage&q=America%20Toons%20In&f=false</ref><ref name="Charles">{{cite news | last = Witbeck | first = Charles | date = September 14, 1988| title = Winnie the Pooh delights again | url = http://news.google.com/newspapers?nid=1665&dat=19880914&id=Qu0eAAAAIBAJ&sjid=MSQEAAAAIBAJ&pg=3860,3254403 | newspaper = [[Times-News (Hendersonville, North Carolina)|Times-News]] | location = North Carolina | page = 6B | via = Google News Archive }}</ref> As a result, animation fans greeted Disney's plans to adapt A. A. Milne's childhood favorite to the small screen with a mixture of skepticism and dismay, fearing the show could not top the original featurettes.<ref name="Duckula">{{cite news|last=Solomon|first=Charles|url=http://articles.latimes.com/1988-02-05/entertainment/ca-27348_1_count-duckula|title=Television Reviews: 'Winnie' Wins, 'Duckula' Doesn't Count in Debuts|newspaper=Los Angeles Times|date=February 5, 1988}}</ref>


===Production===
===Production===
{{Further|Walt Disney Television Animation}}
{{Further|Walt Disney Television Animation}}
ABC eagerly commissioned 25 half-hour episodes of ''The New Adventures of Winnie the Pooh'' for its first reason, rather than the standard 13 to 17.<ref name="Hal">{{Cite book | last = Erickson | first = Hal | title = Television Cartoon Shows: The shows, M-Z | publisher = McFarland & Company | url = http://books.google.com/books?id=7eQLAQAAMAAJ | edition = 2nd | date = 2005}}</ref> Karl Geurs, a self-described Pooh fan, developed the series,<ref name="Geurs">{{cite news | last = King | first = Susan | date = August 07, 1997 | title = Pooh Has Gone Straight to Video Too | section = Home Video | url = http://articles.latimes.com/1997/aug/07/entertainment/ca-20052pg=5335,3934494 | newspaper = [[The Los Angeles Times]] | page = 9 | accessdate = October 7, 2014}}</ref> which took many months.<ref>{{cite news | date = February 6, 1989 | title = Buyers' caution at NATPE parley seen as a positive sign by BV's Jacquemin | trans-title = Continuous flow | url = http://www.americanradiohistory.com/hd2/Archive-TV-Radio-Age-IDX/IDX/80s/1989/1989-02-06-RTVA-Page-0096.pdf | newspaper = [[Television/Radio Age (magazine)|Television Radio/Age]] | page = 96 | accessdate = October 7, 2014}}</ref> At the time, Walt Disney Television Animation had only 80 employees and two projects in production.<ref>{{cite news | date = June 28, 2002 | title = Ex-Disney exec finds you can go home again | section = Simpler life in Wisconsin proves a draw | url = http://news.google.com/newspapers?nid=1350&dat=20020628&id=6kxQAAAAIBAJ&sjid=kg4EAAAAIBAJ&pg=5335,3934494 | newspaper = [[The Toledo Blade]] | location = [[Ohio]] | page = 9 | accessdate = October 7, 2014}}</ref> The department did not yet have in-house facilities built,<ref name="AmericaToonsIn" /> so employees worked out of the [[Academy of Television Arts & Sciences]] building.<ref name="Mark" /> Disney put the same high standards of expectation that they had with their feature films.<ref name="Monkey">{{Cite book | last = Hack | first = Richard | title = Richard Hack's Complete Home Video Companion for Parents | publisher = Dove Books | url = http://books.google.com/books?id=z0nwfoF9If4C | page = 156 | date = 1995}}</ref> They had hoped to set a new standard of excellence in Saturday morning television, one with "storytelling rich in language and values, as well as delightful well acted characters" that would appeal to audiences of all ages.<ref name="PalmBeach" /><ref name="Rome" />
ABC eagerly commissioned 25 half-hour episodes of ''The New Adventures of Winnie the Pooh'' for its first reason, rather than the standard 13 to 17.<ref name="Hal">{{Cite book | last = Erickson | first = Hal | title = Television Cartoon Shows: The shows, M-Z | publisher = McFarland & Company | url = http://books.google.com/books?id=7eQLAQAAMAAJ | edition = 2nd | date = 2005}}</ref> Karl Geurs, a self-described Pooh fan, developed the series,<ref name="Geurs">{{cite news | last = King | first = Susan | date = August 7, 1997 | title = Pooh Has Gone Straight to Video Too | url = http://articles.latimes.com/1997/aug/07/entertainment/ca-20052pg=5335,3934494 | newspaper = [[The Los Angeles Times]] | page = 9}}</ref> which took many months.<ref>{{cite magazine | date = February 6, 1989 | title = Buyers' caution at NATPE parley seen as a positive sign by BV's Jacquemin | trans-title = Continuous flow | url = https://americanradiohistory.com/Archive-TV-Radio-Age/80s/1989/1989-02-06-RTVA.pdf | magazine = [[Television/Radio Age (magazine)|Television Radio/Age]] | page = 96}}</ref> At the time, Walt Disney Television Animation had only 80 employees and two projects in production.<ref>{{cite news | date = June 28, 2002 | title = Ex-Disney exec finds you can go home again | url = http://news.google.com/newspapers?nid=1350&dat=20020628&id=6kxQAAAAIBAJ&sjid=kg4EAAAAIBAJ&pg=5335,3934494 | newspaper = [[The Toledo Blade]] | location = [[Ohio]] | page = 9}}</ref> The department did not yet have in-house facilities built,<ref name="AmericaToonsIn" /> so employees worked out of the [[Academy of Television Arts & Sciences]] building.<ref name="Mark" /> Disney put the same high standards of expectation that they had with their feature films.<ref name="Monkey">{{Cite book | last = Hack | first = Richard | title = Richard Hack's Complete Home Video Companion for Parents | publisher = Dove Books | url = http://books.google.com/books?id=z0nwfoF9If4C | page = 156 | date = 1995}}</ref> They had hoped to set a new standard of excellence in Saturday morning television, one with "storytelling rich in language and values, as well as delightful well acted characters" that would appeal to audiences of all ages.<ref name="PalmBeach" /><ref name="Rome" />


{{Quote box
{{Quote box
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The writing process began with story premises being pitched to Zaslove, who served as [[story editor]] for the first season. The best ones were selected and sent to ABC executives for approval, followed by story outlines and scripts. The process took around four weeks per episode.<ref name="Mark" /> The crew were "dyed-in-the-wool" fan of Milne's works,<ref name="Charles" /> constantly checking their work against published ''Pooh'' books in order to stay true to the original sense of [[A. A. Milne|Milne]]. Special attention was given to maintain the personalities of the characters as they had originally been written.<ref name="Rome" /> The cartoon attempted to have the right balance of both action-adventure sequences and moments of whimsy.<ref name="PalmBeach" /> The staff often found trouble working with the limited cast, with supervising director Ken Kessel quoted as saying: "You are restrained by what the characters can do and who they are".<ref name="Rome" /> The writing staff hoped to channel the spirit of the Walt Disney shorts of the 1940s, drawing inspiration from artists [[Jack Hannah]], [[Ward Kimball]], and [[Jack Kinney|Jack]] and [[Dick Kinney]].<ref name="Charles" />
The writing process began with story premises being pitched to Zaslove, who served as [[story editor]] for the first season. The best ones were selected and sent to ABC executives for approval, followed by story outlines and scripts. The process took around four weeks per episode.<ref name="Mark" /> The crew were "dyed-in-the-wool" fan of Milne's works,<ref name="Charles" /> constantly checking their work against published ''Pooh'' books in order to stay true to the original sense of [[A. A. Milne|Milne]]. Special attention was given to maintain the personalities of the characters as they had originally been written.<ref name="Rome" /> The cartoon attempted to have the right balance of both action-adventure sequences and moments of whimsy.<ref name="PalmBeach" /> The staff often found trouble working with the limited cast, with supervising director Ken Kessel quoted as saying: "You are restrained by what the characters can do and who they are".<ref name="Rome" /> The writing staff hoped to channel the spirit of the Walt Disney shorts of the 1940s, drawing inspiration from artists [[Jack Hannah]], [[Ward Kimball]], and [[Jack Kinney|Jack]] and [[Dick Kinney]].<ref name="Charles" />


The series had one internal standards director.<ref>{{Cite book | last1 = Singer | first1 = Dorothy G. | last2 = Singer | first2 = Jerome L. | title = Handbook of Children and the Media | publisher = Sage Publications | url = http://books.google.com/books/about/Handbook_of_Children_and_the_Media.html?id=moifZwJHunsC | page = 611 | edition = Illustrated, revised | date = 2001}}</ref> Care was made to ensure there was no imitable behavior that children could copy. A source of friction on the show was whether Gopher was allowed to have gunpowder<ref>{{cite web | url = https://valenti29.wordpress.com/2013/09/07/industry-insider-interview-mark-zaslove/ | title = Industry Insider Interview: Writer Mark Zaslove | last1 = Valenti | first1 = Mark | date = September 7, 2013 | website = Wordpress | series = The Creators of Kindertainment | accessdate = September 9, 2014 | quote = "I once got into a battle on whether I could have a giant cask of gunpowder in Winnie The Pooh (Gopher is a miner and needed to carve out the side of a hill). Nope: imitatable behavior."
The series had one internal standards director.<ref>{{Cite book | last1 = Singer | first1 = Dorothy G. | last2 = Singer | first2 = Jerome L. | title = Handbook of Children and the Media | publisher = Sage Publications | url = http://books.google.com/books/about/Handbook_of_Children_and_the_Media.html?id=moifZwJHunsC | page = 611 | edition = Illustrated, revised | date = 2001}}</ref> Care was made to ensure there was no imitable behavior that children could copy. A source of friction on the show was whether Gopher was allowed to have gunpowder<ref>{{cite web | url = https://valenti29.wordpress.com/2013/09/07/industry-insider-interview-mark-zaslove/ | title = Industry Insider Interview: Writer Mark Zaslove | last1 = Valenti | first1 = Mark | date = September 7, 2013 | website = Wordpress | series = The Creators of Kindertainment | quote = "I once got into a battle on whether I could have a giant cask of gunpowder in Winnie The Pooh (Gopher is a miner and needed to carve out the side of a hill). Nope: imitatable behavior."
}}</ref> A consulting company based in Glendale, California advised the team on how the characters should speak, look, and act in order to better appeal to the target demographic. The relationship with the production staff was described as positive.<ref>{{cite news | last = Haithman | first = Diane | date = September 3, 1987 | title = HOW IMAGE MAKERS SHAPE KIDS' TV : Q5 Firm Advises ABC on the Look and Style of Cartoon Shows; Some Writers Call It Intrusion | url = http://articles.latimes.com/1987-09-03/entertainment/ca-5843_1_tv-shows/3 | newspaper = [[The Los Angeles Times]] | page = 3 | accessdate = September 9, 2014}}</ref>
}}</ref> A consulting company based in Glendale, California advised the team on how the characters should speak, look, and act in order to better appeal to the target demographic. The relationship with the production staff was described as positive.<ref>{{cite news | last = Haithman | first = Diane | date = September 3, 1987 | title = HOW IMAGE MAKERS SHAPE KIDS' TV : Q5 Firm Advises ABC on the Look and Style of Cartoon Shows; Some Writers Call It Intrusion | url = http://articles.latimes.com/1987-09-03/entertainment/ca-5843_1_tv-shows/3 | newspaper = [[The Los Angeles Times]] | page = 3}}</ref>


Like most other cartoons, the animation was outsourced to other countries. This mainly done for cost purposes and the limited availability of artists in the United States. All the writing, music, direction, character design, and color was worked by around thirty Disney employees in Hollywood. After this, everything was sent overseas for the animation. Approximately 300 employees would work on inking and printing.<ref name="Honey" /> An unusually high number of animation [[cel]]s were used for the show, with 20000 cels in each episode as opposed to 8000-12000 for typical cartoons.<ref name="PalmBeach" /> The show had more drawings per minute than any other TV cartoon at the time.<ref name="Milwaukee">{{cite news|last=Wahlers|first=Roberta|url=https://news.google.com/newspapers?id=xGoaAAAAIBAJ&sjid=zioEAAAAIBAJ&pg=5554,2299155&dq=winnie+the+pooh&hl=en|title=New fall season is kids' stuff|newspaper=[[The Milwaukee Journal]]|date=September 4, 1988}}</ref><ref name="PalmBeach" /> Early episodes were completed by [[TMS Entertainment]] in [[Taiwan]] and later by Walt Disney Animation UK Ltd, [[Hanho Heung-Up]]<ref name="Hal" /> and [[Wang Film Productions]].<ref>{{cite news|last=Drogin|first=Ben|url=http://articles.latimes.com/1993-03-30/news/wr-17071_1_cheap-labor|title=Doing Business: Cartoon Stars Take Around-the-World Cruise|newspaper=Los Angeles Times|date=March 30, 1993}}</ref> Sixteen episodes were also produced by [[Animation studios owned by The Walt Disney Company#Disney Animation Australia|Walt Disney Television Australia]].<ref>http://www.varietyultimate.com/search/?search=%22+talent+set+up+a+studio+that+employs+120%22&startYear=1906&endYear=2014</ref> The show set a benchmark for similar cartoons that both Disney as well as other channels expected for future shows.<ref name="AmericaToonsIn" /><ref>www.americanradiohistory.com/hd2/Archive-BC-IDX/90-OCR/BC-1990-02-19-OCR-Page-0056.pdf#search="winnie the pooh"</ref>
Like most other cartoons, the animation was outsourced to other countries. This mainly done for cost purposes and the limited availability of artists in the United States. All the writing, music, direction, character design, and color was worked by around thirty Disney employees in Hollywood. After this, everything was sent overseas for the animation. Approximately 300 employees would work on inking and printing.<ref name="Honey" /> An unusually high number of animation [[cel]]s were used for the show, with 20,000 cels in each episode as opposed to 8,000–12,000 for typical cartoons.<ref name="PalmBeach" /> The show had more drawings per minute than any other TV cartoon at the time.<ref name="Milwaukee">{{cite news|last=Wahlers|first=Roberta|url=https://news.google.com/newspapers?id=xGoaAAAAIBAJ&sjid=zioEAAAAIBAJ&pg=5554,2299155&dq=winnie+the+pooh&hl=en|title=New fall season is kids' stuff|newspaper=[[The Milwaukee Journal]]|date=September 4, 1988}}</ref><ref name="PalmBeach" /> Early episodes were completed by [[TMS Entertainment]] in [[Taiwan]] and later by Walt Disney Animation UK Ltd, [[Hanho Heung-Up]]<ref name="Hal" /> and [[Wang Film Productions]].<ref>{{cite news|last=Drogin|first=Ben|url=http://articles.latimes.com/1993-03-30/news/wr-17071_1_cheap-labor|title=Doing Business: Cartoon Stars Take Around-the-World Cruise|newspaper=Los Angeles Times|date=March 30, 1993}}</ref> Sixteen episodes were also produced by [[Animation studios owned by The Walt Disney Company#Disney Animation Australia|Walt Disney Television Australia]]. The show set a benchmark for similar cartoons that both Disney as well as other channels expected for future shows.<ref name="AmericaToonsIn" /><ref>{{cite magazine|url=https://www.americanradiohistory.com/Archive-BC/BC-1990/BC-1990-02-19.pdf|title=Networks promise summer punch|magazine=Broadcasting & Cable|pp=52–7|date=February 19, 1990}}</ref>


After the animation was completed, the production reels were sent back to the United States where music and sound effects were added.<ref name="Honey" /> The show's theme song, entitled ''Pooh Bear'', was written by Steve Nelson and sung by Steve Wood.<ref>{{cite web|url=http://stevewoodmusic.com/index.php/bio.html|title=Steve Wood Music – Bio|website=Steve Wood Music}}</ref> A version with Nelson doing the vocals later appeared on his ''Listen What the Katmandu'' album.<ref>http://www.stevenelson.org/bio.html</ref> Nelson also composed several additional songs that were shown on the early episodes.<ref name="Hal" /> The music was particularly praised by critics.<ref>{{cite book|last=Taitz|first=Sonya|title=Mothering Heights|page=131|year=1994|publisher=Berkley|isbn=978-0425142363}}</ref> The show's underscore was composed by Thom Sharp.<ref>{{cite web|url=https://www.lachsa.net/apps/pages/index.jsp?uREC_ID=539766&type=u&termREC_ID=&pREC_ID=526379|title=Thom Sharp|website=LA County High School for the Arts|accessdate=November 12, 2019}}</ref> An orchestra was used to record the music, using instruments such as trumpets and woodwinds.<ref>{{cite web|url=http://www.loc.gov/item/jots.200026576#about-this-item|title=The New Adventures of Winnie the Pooh|website=[[Library of Congress]]|accessdate=November 12, 2019}}</ref> The composers were given the unique opportunity to examine the animator's exposure sheets, enabling them to write music while an episode was being scripted.<ref name="PalmBeach" />
After the animation was completed, the production reels were sent back to the United States where music and sound effects were added.<ref name="Honey" /> The show's theme song, entitled "Pooh Bear", was written by Steve Nelson and sung by Steve Wood.<ref>{{cite web|url=http://stevewoodmusic.com/index.php/bio.html|title=Steve Wood Music – Bio|website=Steve Wood Music}}</ref> A version with Nelson doing the vocals later appeared on his ''Listen What the Katmandu'' album.<ref>http://www.stevenelson.org/bio.html</ref> Nelson also composed several additional songs that were shown on the early episodes.<ref name="Hal" /> The music was particularly praised by critics.<ref>{{cite book|last=Taitz|first=Sonya|title=Mothering Heights|page=131|year=1994|publisher=Berkley|isbn=978-0425142363}}</ref> The show's underscore was composed by Thom Sharp.<ref>{{cite web|url=https://www.lachsa.net/apps/pages/index.jsp?uREC_ID=539766&type=u&termREC_ID=&pREC_ID=526379|title=Thom Sharp|website=LA County High School for the Arts|accessdate=November 12, 2019}}</ref> An orchestra was used to record the music, using instruments such as trumpets and woodwinds.<ref>{{cite web|url=http://www.loc.gov/item/jots.200026576#about-this-item|title=The New Adventures of Winnie the Pooh|website=[[Library of Congress]]|accessdate=November 14, 2019}}</ref> The composers were given the unique opportunity to examine the animator's exposure sheets, enabling them to write music while an episode was being scripted.<ref name="PalmBeach" />


The producers actively sought out the original voice cast which had been used in the 1960s featurettes. [[Sterling Holloway]], the original voice of Winnie the Pooh, read for the part, but had aged to the point where he could no longer do the voice successfully.<ref name="Mark" /> A [[casting call]] was held and [[Jim Cummings]] was selected as his replacement, a role he has continued with to the present day.<ref>{{cite interview|url=https://discussingfilm.net/2018/04/18/jim-cummings-talks-winnie-the-pooh-christopher-robin-darkwing-duck-joining-duck-tales-hondo-ohnaka-much-more-in-our-interview-exclusive/|title=Jim Cummings Talks Winnie The Pooh, Christopher Robin, Darkwing Duck Joining Duck Tales, Hondo Ohnaka & Much More In Our Interview (Exclusive)|website=Discussing Film|date=April 18, 2018|accessdate=November 12, 2019}}</ref> [[John Fiedler]] and [[Hal Smith]], the original voices for [[Piglet (Winnie-the-Pooh)|Piglet]] and [[Owl (Winnie-the-Pooh)|Owl]] respectively, returned for the series. [[Paul Winchell]] also reprised his role as [[Tigger]]. On advice from his cardiologist, Winchell mostly avoided working with the rest of the cast. The studio let him do his voices alone.<ref name="Winchell">{{cite news|url=http://news.google.com/newspapers?nid=2004&dat=19881026&id=cbUiAAAAIBAJ&sjid=7rQFAAAAIBAJ&pg=2869,5307882|title=Paul Winchell brings Pooh's 'Tigger' to life|work=Associated Press|publisher=Allegheny Times|date=October 26, 1988|via=Google News Archive}}</ref> At the time, Winchell was making various trips to Africa to do research on the artificial heart.<ref>http://www.goshtv.com/2009/08/07/15/</ref> Cummings often filled in for Winchell during these.<ref name="HowStuff" /> In the show's third season, Cummings permanently took over the role of Tigger.{{Ref label|B|b|none}}<ref>{{Cite book | last = Grant | first = John | title = Encyclopedia of Walt Disney's animated characters | publisher = Hyperion Books | url = http://books.google.com/books?id=T7ozAQAAIAAJ | page = 141 | date = April 29, 1998 | quote = "Paul Winchell (1988-1989) and Jim Cummings (1990-onward) for Tigger"}}</ref> Most of the sessions occurred at B&B Sound<!--a studio--> in Burbank, California. Newer technology allowed for the actors to record their roles without having to be in the same room. For example, Fiedler always did his recordings from New York<ref name="Sansom">{{cite news|last=Arave|first=Lynn|url=http://news.google.com/newspapers?nid=336&dat=19930618&id=DIEoAAAAIBAJ&sjid=z4QDAAAAIBAJ&pg=5718,834212|title='Rabbit' leaves L.A. area, returns to his Utah roots|newspaper=[[Deseret News]]|via=Google News Archive|date=June 18, 1993}}</ref> and Winchell was able to do some from Florida.<ref name="Winchell" />
The producers actively sought out the original voice cast which had been used in the 1960s featurettes. [[Sterling Holloway]], the original voice of Winnie the Pooh, read for the part, but had aged to the point where he could no longer do the voice successfully.<ref name="Mark" /> A [[casting call]] was held and [[Jim Cummings]] was selected as his replacement, a role he has continued with to the present day.<ref>{{cite interview|url=https://discussingfilm.net/2018/04/18/jim-cummings-talks-winnie-the-pooh-christopher-robin-darkwing-duck-joining-duck-tales-hondo-ohnaka-much-more-in-our-interview-exclusive/|title=Jim Cummings Talks Winnie The Pooh, Christopher Robin, Darkwing Duck Joining Duck Tales, Hondo Ohnaka & Much More In Our Interview (Exclusive)|website=Discussing Film|date=April 18, 2018|accessdate=November 14, 2019}}</ref> [[John Fiedler]] and [[Hal Smith]], the original voices for [[Piglet (Winnie-the-Pooh)|Piglet]] and [[Owl (Winnie-the-Pooh)|Owl]] respectively, returned for the series. [[Paul Winchell]] also reprised his role as [[Tigger]]. On advice from his cardiologist, Winchell mostly avoided working with the rest of the cast. The studio let him do his voices alone.<ref name="Winchell">{{cite news|url=http://news.google.com/newspapers?nid=2004&dat=19881026&id=cbUiAAAAIBAJ&sjid=7rQFAAAAIBAJ&pg=2869,5307882|title=Paul Winchell brings Pooh's 'Tigger' to life|work=Associated Press|publisher=Allegheny Times|date=October 26, 1988|via=Google News Archive}}</ref> At the time, Winchell was making various trips to Africa to combat hunger.<ref>{{cite news|last=Bentley|first=Rick|url=https://www.statesman.com/news/20180801/its-no-bother-for-voice-actor-to-speak-for-pooh-tigger|title=It's no bother for voice actor to speak for Pooh, Tigger|website=Austin-American Statesman|date=August 1, 2018|accessdate=November 14, 2019}}</ref> Cummings often filled in for Winchell during these.<ref name="HowStuff" /> In the show's third season, Cummings permanently took over the role of Tigger.{{Ref label|B|b|none}}<ref>{{Cite book | last = Grant | first = John | title = Encyclopedia of Walt Disney's animated characters | publisher = Hyperion Books | url = http://books.google.com/books?id=T7ozAQAAIAAJ | page = 141 | date = April 29, 1998 | quote = "Paul Winchell (1988-1989) and Jim Cummings (1990-onward) for Tigger"}}</ref> Most of the sessions occurred at B&B Sound<!--a studio--> in Burbank, California. Newer technology allowed for the actors to record their roles without having to be in the same room. For example, Fiedler always did his recordings from New York<ref name="Sansom">{{cite news|last=Arave|first=Lynn|url=http://news.google.com/newspapers?nid=336&dat=19930618&id=DIEoAAAAIBAJ&sjid=z4QDAAAAIBAJ&pg=5718,834212|title='Rabbit' leaves L.A. area, returns to his Utah roots|newspaper=[[Deseret News]]|via=Google News Archive|date=June 18, 1993}}</ref> and Winchell was able to do some from Florida.<ref name="Winchell" />
<!--John and Paul were FANTASTIC to work with, by the way. Just a joy.-->


===Promotion===
===Promotion===
Coming into the 1988–89 television season, networks had been struggling with a drop in ratings among children. ABC itself experienced a decline of 37 percent in kids under the age of 6.<ref name="Chicago">{{cite news | last = Harmetz | first = Aljean | date = June 7, 1988 | title = Kids Like Tube, But Tune Out Networks | url = http://articles.chicagotribune.com/1988-06-07/features/8801060009_1_squire-rushnell-people-meter-young-viewers | newspaper = [[Chicago Tribune]] | agency = New York Times News Service | accessdate = September 8, 2014}}</ref> It had been surmised by ABC executives that this was due to a change in the way [[Nielsen ratings]] were collected.<ref name="Honey"/> The data had historically been recorded automatically by a device inside household television sets. However this had been changed the year before; children now had to use [[people meter|people meters]] for their viewership to be counted. This required manually pushing buttons that would clock kids in and out and programs, something they often had trouble successfully completing.<ref>{{cite news | date = October 17, 1988 | title = Children's television: Saturday morning live | url = http://www.americanradiohistory.com/hd2/Archive-BC-IDX/88-OCR/BC-1988-10-17-OCR-Page-0052.pdf | newspaper = [[Broadcasting & Cable]] | page = 52 | accessdate = September 8, 2014}}</ref><ref name="Chicago" /> What resulted was a demographic that could not be guaranteed to advertisers.<ref name="BC">{{cite news | last1 = Tiegel | first1 = Eliot | last2 = Sobel | first2 = Robert | date = August 8, 1988 | title = Syndicators look to new form | trans-title = People meters blamed | url = http://www.americanradiohistory.com/hd2/Archive-TV-Radio-Age-IDX/IDX/80s/1988/1988-08-08-RTVA-Page-0053.pdf | newspaper = [[Television/Radio Age (magazine)|Television Radio/Age]] | page = 53 | accessdate = September 8, 2014}}</ref>
Coming into the 1988–89 television season, networks had been struggling with a drop in ratings among children. ABC itself experienced a decline of 37 percent in kids under the age of 6.<ref name="Chicago">{{cite news | last = Harmetz | first = Aljean | date = June 7, 1988 | title = Kids Like Tube, But Tune Out Networks | url = https://articles.chicagotribune.com/1988-06-07/features/8801060009_1_squire-rushnell-people-meter-young-viewers | newspaper = [[Chicago Tribune]] | agency = New York Times News Service}}</ref> It had been surmised by ABC executives that this was due to a change in the way [[Nielsen ratings]] were collected.<ref name="Honey"/> The data had historically been recorded automatically by a device inside household television sets. However this had been changed the year before; children now had to use [[people meter|people meters]] for their viewership to be counted. This required manually pushing buttons that would clock kids in and out and programs, something they often had trouble successfully completing.<ref>{{cite news | date = October 17, 1988 | title = Children's television: Saturday morning live | url = http://www.americanradiohistory.com/hd2/Archive-BC-IDX/88-OCR/BC-1988-10-17-OCR-Page-0052.pdf | newspaper = [[Broadcasting & Cable]] | page = 52}}</ref><ref name="Chicago" /> What resulted was a demographic that could not be guaranteed to advertisers.<ref name="BC">{{cite news | last1 = Tiegel | first1 = Eliot | last2 = Sobel | first2 = Robert | date = August 8, 1988 | title = Syndicators look to new form | trans-title = People meters blamed | url = http://www.americanradiohistory.com/hd2/Archive-TV-Radio-Age-IDX/IDX/80s/1988/1988-08-08-RTVA-Page-0053.pdf | newspaper = [[Television/Radio Age (magazine)|Television Radio/Age]] | page = 53}}</ref>


In order to combat this, ABC decided to fill their programming with "old favorites".<ref name="Daniel">{{cite news | date = June 21, 1988 | title = Here's what's coming for the kids this fall | url = http://news.google.com/newspapers?id=zuhVAAAAIBAJ&sjid=q-EDAAAAIBAJ&pg=6954%2C4914499 | newspaper = [[The Register-Guard]] (Oregon) | series = HIGHLIGHTS | page = 7A | accessdate = October 19, 2014 | via = Google News Archive}}</ref> The studio began to develop and retool classic characters and shows, ones that they hoped could attract older children and their parents into watching the program.<ref name="USA Today">{{cite news | last = Roush | first = Matt | date = September 8, 1988 | title = On ABC: Portrait of Scooby as a young dog | url = http://pqasb.pqarchiver.com/USAToday/doc/306108370.html | newspaper = [[USA Today]] | page = 03.D | subscription = yes | accessdate = September 7, 2014 | via = ProQuest Archiver}}</ref> ''Winnie the Pooh'' became the centerpiece in this plan, with the show was described as the highlight of ABC's Saturday morning schedule.<ref name="Daniel" /> The character had what network executives call "marquee value"—meaning they are familiar and already have a built-in audience.<ref name="Gardner'sGuide">{{cite book|url=https://www.amazon.com/gp/reader/0966107594/ref=sr_1_55?p=S00J&keywords=%22new+adventures+of+winnie+the+pooh%22&ie=UTF8&qid=1402807264#reader_0966107594|last=Webber|first=Marilyn|title=Gardner's Guide to Animation Scriptwriting: The Writer's Road Map|publisher=Garth Gardner Company|year=2000|page=18|isbn=978-0966107593}}</ref> Squire Rushnell, Children's Vice President for ABC, was hoping ''Pooh'' could draw a "somewhat more sophisticated" audience in the range from 6 to 11 years.<ref name="Honey" />
In order to combat this, ABC decided to fill their programming with "old favorites".<ref name="Daniel">{{cite news | date = June 21, 1988 | title = Here's what's coming for the kids this fall | url = http://news.google.com/newspapers?id=zuhVAAAAIBAJ&sjid=q-EDAAAAIBAJ&pg=6954%2C4914499 | newspaper = [[The Register-Guard]] (Oregon) | series = HIGHLIGHTS | page = 7A | accessdate = October 19, 2014 | via = Google News Archive}}</ref> The studio began to develop and retool classic characters and shows, ones that they hoped could attract older children and their parents into watching the program.<ref name="USA Today">{{cite news | last = Roush | first = Matt | date = September 8, 1988 | title = On ABC: Portrait of Scooby as a young dog | url = http://pqasb.pqarchiver.com/USAToday/doc/306108370.html | newspaper = [[USA Today]] | page = 03.D | subscription = yes | accessdate = September 7, 2014 | via = ProQuest Archiver}}</ref> ''Winnie the Pooh'' became the centerpiece in this plan, with the show was described as the highlight of ABC's Saturday morning schedule.<ref name="Daniel" /> The character had what network executives call "marquee value"—meaning they are familiar and already have a built-in audience.<ref name="Gardner'sGuide">{{cite book|url=https://www.amazon.com/gp/reader/0966107594/ref=sr_1_55?p=S00J&keywords=%22new+adventures+of+winnie+the+pooh%22&ie=UTF8&qid=1402807264#reader_0966107594|last=Webber|first=Marilyn|title=Gardner's Guide to Animation Scriptwriting: The Writer's Road Map|publisher=Garth Gardner Company|year=2000|page=18|isbn=978-0966107593}}</ref> Squire Rushnell, Children's Vice President for ABC, was hoping ''Pooh'' could draw a "somewhat more sophisticated" audience in the range from 6 to 11 years.<ref name="Honey" />
Line 115: Line 114:
| series = People
| series = People
| page = 12
| page = 12
| accessdate = August 23, 2014
| via = Google News Archive
| via = Google News Archive
}}</ref> The show's run ended that July.<ref>{{cite news
}}</ref> The show's run ended that July.<ref>{{cite news
Line 121: Line 119:
| first1 = Gail
| first1 = Gail
| date = May 7, 1988
| date = May 7, 1988
| year = 1988
| title = Pooh, Beany, Cecil, Slimer And Friends Are On Their Way
| title = Pooh, Beany, Cecil, Slimer And Friends Are On Their Way
| url = https://articles.chicagotribune.com/1988-05-07/entertainment/8803150256_1_pooh-corner-cecil-beany
| url = https://articles.chicagotribune.com/1988-05-07/entertainment/8803150256_1_pooh-corner-cecil-beany
| newspaper = [[Chicago Tribune]]
| newspaper = [[Chicago Tribune]]
| agency = [[Knight Ridder|Knight Ridder Newspapers]]
| agency = [[Knight Ridder|Knight Ridder Newspapers]]
| accessdate = August 23, 2014
}}</ref>
}}</ref>


The show then moved to Saturday morning where it aired for a full hour from 8:30am to 9:30am. For the second season, the show was cut back to 30 minutes to make room for new entries. The show was merged with [[Adventures of the Gummi Bears]] and aired as part of the ''Gummi Bears-Winnie the Pooh Hour''.<ref name="Wonderful">{{Cite book | last = Cotter | first = Bill | title = THE WONDERFUL WORLD OF DISNEY TELEVISION: A COMPLETE HISTORY | publisher = Disney Editions | url = http://books.google.com/books/about/THE_WONDERFUL_WORLD_OF_DISNEY_TELEVISION.html?id=AA5mAAAAMAAJ | date = September 22, 1997}}</ref> This partnership was short lived and lasted only one year, when Gummi Bears moved to daily syndication. ''Winnie the Pooh'' returned as a solo effort the following year.<ref name="Hal" /><ref>{{cite news | last = Carmody | first = John | date = April 24, 1989 | title = The TV Column | url = http://www.highbeam.com/doc/1P2-1187042.html | newspaper = [[The Washington Post]] | dead-url=yes | accessdate = 2014-10-08 | via = [[HighBeam Research]]}}</ref><ref>{{Cite book | last = McNeil | first = Alex | title = Total Television: The Comprehensive Guide to Programming from 1948 to the Present | publisher = Penguin Books | page = 350, 594 | edition = 4 | url = http://books.google.com/books/about/Total_Television.html?id=dctkAAAAMAAJ | date = 1996}}</ref> New episodes intermixed with reruns returned for a third season in the fall of 1990<ref name="Hal" /> During this time two of the show's characters—Winnie the Pooh and Tigger—were incorporated into [[Cartoon All Stars to the Rescue]].<ref>{{cite news | date = April 21, 1990 | title = Hollywood and Networks Fight Drugs With Cartoon | url = https://www.nytimes.com/1990/04/21/movies/hollywood-and-networks-fight-drugs-with-cartoon.html | newspaper = [[The New York Times]] | accessdate = October 8, 2014}}</ref> The show returned for a fourth season on September 7, 1991.<ref name="Hal" /> The show was not renewed the following year. After the series ended, the crew produced ''[[Winnie the Pooh and Christmas Too]]'', a primetime spin-off of the show.<ref>{{cite news | date = December 14, 1991 | title = 'Winnie the Pooh and Christmas Too' airs tonight | url = http://news.google.com/newspapers?nid=1980&dat=19911213&id=66giAAAAIBAJ&sjid=9K4FAAAAIBAJ&pg=1378,4491524 | newspaper = [[The Item]] | location = South Carolina | page = 11B | section = Television | accessdate = October 8, 2014 | via = Google News Archive}}</ref>
The show then moved to Saturday morning where it aired for a full hour from 8:30am to 9:30am. For the second season, the show was cut back to 30 minutes to make room for new entries. The show was merged with ''Disney's Adventures of the Gummi Bears'' and aired as part of the ''Gummi Bears-Winnie the Pooh Hour''.<ref name="Wonderful">{{Cite book | last = Cotter | first = Bill | title = THE WONDERFUL WORLD OF DISNEY TELEVISION: A COMPLETE HISTORY | publisher = Disney Editions | url = http://books.google.com/books/about/THE_WONDERFUL_WORLD_OF_DISNEY_TELEVISION.html?id=AA5mAAAAMAAJ | date = September 22, 1997}}</ref> This partnership was short lived and lasted only one year, when Gummi Bears moved to daily syndication. ''Winnie the Pooh'' returned as a solo effort the following year.<ref name="Hal" /><ref>{{cite news | last = Carmody | first = John | date = April 24, 1989 | title = The TV Column | url = http://www.highbeam.com/doc/1P2-1187042.html | newspaper = [[The Washington Post]] | dead-url=yes | via = [[HighBeam Research]]}}</ref><ref>{{Cite book | last = McNeil | first = Alex | title = Total Television: The Comprehensive Guide to Programming from 1948 to the Present | publisher = Penguin Books | page = 350, 594 | edition = 4 | url = http://books.google.com/books/about/Total_Television.html?id=dctkAAAAMAAJ | date = 1996}}</ref> New episodes intermixed with reruns returned for a third season in the fall of 1990.<ref name="Hal" /> During this time, two of the show's characters—Winnie the Pooh and Tigger—were incorporated into ''[[Cartoon All Stars to the Rescue]]''.<ref>{{cite news | date = April 21, 1990 | title = Hollywood and Networks Fight Drugs With Cartoon | url = https://www.nytimes.com/1990/04/21/movies/hollywood-and-networks-fight-drugs-with-cartoon.html | newspaper = [[The New York Times]]}}</ref> The show returned for a fourth season on September 7, 1991.<ref name="Hal" /> The show was not renewed the following year. After the series ended, the crew produced ''[[Winnie the Pooh and Christmas Too]]'', a primetime spin-off of the show.<ref>{{cite news | date = December 14, 1991 | title = 'Winnie the Pooh and Christmas Too' airs tonight | url = http://news.google.com/newspapers?nid=1980&dat=19911213&id=66giAAAAIBAJ&sjid=9K4FAAAAIBAJ&pg=1378,4491524 | newspaper = [[The Item]] | location = South Carolina | page = 11B | section = Television | via = Google News Archive}}</ref>


{{yellow tick}}Despite production ending the year before, reruns of the show returned to ABC's fall schedule for the 1992–93 season.<ref>http://www.highbeam.com/doc/1P2-4131468.html</ref> By the following year, the show was dropped by ABC and sold in syndication.<ref>http://americanradiohistory.com/Archive-BC/BC-1993/BC-1993-02-22.pdf</ref> Executives felt the show could make more money selling directly to television stations rather than accepting ABC's [[license fee]].<ref>{{cite news|last=Cerone|first=Daniel|https://www.articles.latimes.com/1993-02-20/entertainment/ca-117_1_fox-affiliate/|title='X-Men' vs. the Gang of Three: Animation Series Has Helped Fox Challenge the Other Networks on Saturday Mornings|newspaper=Los Angeles Times|date=February 20, 1993}}</ref> The show later returned on October 28, 1995 when reruns of the program replaced ''[[The New Adventures of Madeline]]'',<ref>{{cite news|url=http://news.google.com/newspapers?nid=1454&dat=19951026&id=0vZOAAAAIBAJ&sjid=FhUEAAAAIBAJ&pg=6867,4553168|title=Baseball over 'Blue'|newspaper=[[Star-News]]|date=October 25, 1995|accessdate=November 12, 2019}}</ref> but the show left for the 1996–97 season.<ref>{{cite news|url=http://www.highbeam.com/doc/1G1-83902622.html|title=ABC adds three Disney shows to Saturday morning lineup.|archiveurl=https://web.archive.org/web/20181117214522/https://www.highbeam.com/doc/1G1-83902622.html|newspaper=Los Angeles Daily News|date=January 31, 1996|accessdate=November 12, 2019|archivedate=November 17, 2018|dead-url=yes|via=HighBeam Research}}</ref>
Despite production ending the year before, reruns of the show returned to ABC's fall schedule for the 1992–93 season.<ref>{{cite news|last=McFarlin|first=Jim|url=https://www.highbeam.com/doc/1P2-4131468.html|archiveurl=https://web.archive.org/web/20160410070651/https://www.highbeam.com/doc/1P2-4131468.html|title=NBC Drops Out, but TV Still Has Ton of Saturday 'Toons|newspaper=Chicago Sun-Times|dead-url=yes|date=September 25, 1992|archivedate=April 10, 2016|via=HighBeam Research}}</ref> By the following year, the show was dropped by ABC and sold in syndication.<ref>http://americanradiohistory.com/Archive-BC/BC-1993/BC-1993-02-22.pdf</ref> Executives felt the show could make more money selling directly to television stations rather than accepting ABC's [[license fee]].<ref>{{cite news|last=Cerone|first=Daniel|url=https://www.articles.latimes.com/1993-02-20/entertainment/ca-117_1_fox-affiliate/|title='X-Men' vs. the Gang of Three: Animation Series Has Helped Fox Challenge the Other Networks on Saturday Mornings|newspaper=Los Angeles Times|date=February 20, 1993}}</ref> The show later returned on October 28, 1995 when reruns of the program replaced ''[[The New Adventures of Madeline]]'',<ref>{{cite news|url=http://news.google.com/newspapers?nid=1454&dat=19951026&id=0vZOAAAAIBAJ&sjid=FhUEAAAAIBAJ&pg=6867,4553168|title=Baseball over 'Blue'|newspaper=[[Star-News]]|date=October 25, 1995|accessdate=November 12, 2019}}</ref> but the show left for the 1996–97 season.<ref>{{cite news|url=http://www.highbeam.com/doc/1G1-83902622.html|title=ABC adds three Disney shows to Saturday morning lineup.|archiveurl=https://web.archive.org/web/20181117214522/https://www.highbeam.com/doc/1G1-83902622.html|newspaper=Los Angeles Daily News|date=January 31, 1996|accessdate=November 12, 2019|archivedate=November 17, 2018|dead-url=yes|via=HighBeam Research}}</ref> The show then returned January 4, 1997 and continued until 2002.<ref>{{cite news|url=http://www.highbeam.com/doc/1P2-810097.html|title=The TV Column|archiveurl=https://web.archive.org/web/20181115221009/https://www.highbeam.com/doc/1P2-810097.html|newspaper=The Washington Post|date=November 29, 1996|accessdate=November 12, 2019|archivedate=November 15, 2018|dead-url=yes|via=HighBeam Research}}</ref>
The show then returned January 4, 1997 and continued until 2002.<ref>{{cite news|url=http://www.highbeam.com/doc/1P2-810097.html|title=The TV Column|archiveurl=https://web.archive.org/web/20181115221009/https://www.highbeam.com/doc/1P2-810097.html|newspaper=The Washington Post|date=November 29, 1996|accessdate=November 12, 2019|archivedate=November 15, 2018|dead-url=yes|via=HighBeam Research}}</ref>


The Disney Channel began airing reruns of the series on October 3, 1994.<ref>''The Disney Channel Magazine'', Vol. 12, no. 6, October/November 1994: pp. 36, 48.</ref> These continued until September of 2006, at which point it was taken off the schedule to make way for a new television series, ''[[My Friends Tigger & Pooh]]''.<ref name="HowStuff" /> It was also shown on [[Toon Disney]], first airing April 18, 1998.<ref>{{cite magazine|url=https://www.awn.com/mag/issue2.10/2.10pages/2.10television.html|title=Television News|magazine=[[Animation World Magazine]]|volume=2|issue=10|publication-date=January 1998}}</ref> Internationally, the show has aired in several countries including the Family Channel in Canada,<ref>{{cite news | last = Greer | first = Sandy | date = September 24, 1988 | title = For the Family | url = http://pqasb.pqarchiver.com/thestar/doc/435775467.html | newspaper = [[The Toronto Star]] | edition = SA2 | page = S.98 | series = StarWeek | subscription = yes | accessdate = September 7, 2014 | via = ProQuest Archiver}}</ref> India,<ref>http://www.bollywoodtrade.com/television/the-new-adventures-of-winnie-the-pooh-premieres-on-disney-channel/B93B47FC-63B1-498A-8CC9-1656CB5EC6D5/index.htm</ref> and Poland<ref>{{cite news | last = Sienkiewicz | first = Aleksander | date = February 21, 2006 | title = Kolejne cykle Disneya na dobranoc w Jedynce | url = http://www.press.pl/newsy/telewizja/pokaz/5056,Kolejne-cykle-Disneya-na-dobranoc-w-Jedynce | newspaper = Press | series = Telewizja | language = Polish }}</ref>
The Disney Channel began airing reruns of the series on October 3, 1994.<ref>''The Disney Channel Magazine'', Vol. 12, no. 6, October/November 1994: pp. 36, 48.</ref> These continued until September of 2006, at which point it was taken off the schedule to make way for a new television series, ''[[My Friends Tigger & Pooh]]''.<ref name="HowStuff" /> It was also shown on [[Toon Disney]], first airing April 18, 1998.<ref>{{cite magazine|url=https://www.awn.com/mag/issue2.10/2.10pages/2.10television.html|title=Television News|magazine=[[Animation World Network]]|issue=2.10|publication-date=January 1998}}</ref> Internationally, the show has aired in several countries including the Family Channel in Canada,<ref>{{cite news | last = Greer | first = Sandy | date = September 24, 1988 | title = For the Family | archiveurl = https://web.archive.org/web/20160304220041/http://pqasb.pqarchiver.com/thestar/doc/435775467.html | url = http://pqasb.pqarchiver.com/thestar/doc/435775467.html | newspaper = [[The Toronto Star]] | edition = SA2 | page = S.98 | dead-url= yes | accessdate = | via = ProQuest Archiver}}</ref> India,<ref>{{cite news|archiveurl=https://web.archive.org/web/20120914031157/http://www.bollywoodtrade.com/television/the-new-adventures-of-winnie-the-pooh-premieres-on-disney-channel/B93B47FC-63B1-498A-8CC9-1656CB5EC6D5/index.htm|url=http://www.bollywoodtrade.com/television/the-new-adventures-of-winnie-the-pooh-premieres-on-disney-channel/B93B47FC-63B1-498A-8CC9-1656CB5EC6D5/index.htm|title=THE NEW ADVENTURES OF WINNIE THE POOH premieres on Disney Channel|website=Bollywood Trade|date=September 11, 2012|archivedate=September 14, 2012}}</ref> and Poland.<ref>{{cite news | last = Sienkiewicz | first = Aleksander | date = February 21, 2006 | title = Kolejne cykle Disneya na dobranoc w Jedynce | url = https://www.press.pl/tresc/3760,kolejne-cykle-disneya-na-dobranoc-w-jedynce | newspaper = Press | series = Telewizja | language = Polish }}</ref>


{| class="wikitable plainrowheaders" border="2" width="100%" style="text-align: center;"
{| class="wikitable plainrowheaders" border="2" width="100%" style="text-align: center;"
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==Characters==
==Characters==
{{main|List of Winnie the Pooh characters}}
{{main|List of Winnie the Pooh characters}}
*{{cross}}'''[[Winnie the Pooh]]''' ([[Jim Cummings]]) is the main character. He is a very lovable character who is always good-natured. Very naive and "bear of very little brain". Cummings called the program timeless<ref>{{Cite book | last1 = Lawson | first1 = Tim | last2 = Persons | first2 = Alisa | title = The Magic Behind the Voices: A Who's Who of Cartoon Voice Actors | publisher = Univ. Press of Mississippi | url = http://books.google.com/books/about/The_Magic_Behind_the_Voices.html?id=0cEAOsLJad8C | page = 139 | quote = "When asked for his opinion of what will will endure of recent animation, Cummings replied that he believes the Disney programs like ''Winnie the Pooh'', ''Goof Troop'', and ''Tale Spin'' are timeless." | date = December 9, 2004}}</ref>
*'''[[Winnie the Pooh]]''' ([[Jim Cummings]]) is the main character. He is a very lovable character who is always good-natured. Very naive and "bear of very little brain". Cummings called the program timeless.<ref>{{Cite book | last1 = Lawson | first1 = Tim | last2 = Persons | first2 = Alisa | title = The Magic Behind the Voices: A Who's Who of Cartoon Voice Actors | publisher = Univ. Press of Mississippi | url = http://books.google.com/books/about/The_Magic_Behind_the_Voices.html?id=0cEAOsLJad8C | page = 139 | quote = "When asked for his opinion of what will will endure of recent animation, Cummings replied that he believes the Disney programs like ''Winnie the Pooh'', ''Goof Troop'', and ''Tale Spin'' are timeless." | date = December 9, 2004}}</ref>
*{{cross}}'''[[Piglet (Winnie-the-Pooh)|Piglet]]''' ([[John Fiedler]]) is Pooh's best friend. He is shy, very kindhearted and is obsessed with keeping things neat and tidy, and enjoys beautiful things like flowers. His fears and nervousness often hinder his life, as he runs and hides when unnecessary and often stutters when nervous, but has been shown to have a lot of hidden courage and often faces danger to help others. He sometimes has an inferiority complex, although his friends think highly of him. Episodes about him tend to revolve around these traits as well as his small size. Fellow actor Jim Cummings described his voice as "kind of like the wind blowing through tall grass. It sounded homey, and it sounding comforting"<ref>{{cite news|last=Mclellan|first=Dennis|url=https://www.latimes.com/archives/la-xpm-2005-jun-28-me-fiedler28-story.html|title=John Fiedler, 80; Character Actor Best Known for Distinctive Voice|newspaper=Los Angeles Times|date=June 28, 2005}}</ref> Fiedler was very proud of his work on the show and enjoyed the role just as much as when he started in 1968<ref name="Fiedler">{{cite book|last=Messina|first=Elizabeth|title=What's His Name? John Fiedler: The Man, the Face, the Voice|page=155|publisher=[[AuthorHouse]]|year=2012|isbn=978-1468558562}}</ref>
*'''[[Piglet (Winnie-the-Pooh)|Piglet]]''' ([[John Fiedler]]) is Pooh's best friend. He is shy, very kindhearted and is obsessed with keeping things neat and tidy, and enjoys beautiful things like flowers. His fears and nervousness often hinder his life, as he runs and hides when unnecessary and often stutters when nervous, but has been shown to have a lot of hidden courage and often faces danger to help others. He sometimes has an inferiority complex, although his friends think highly of him. Episodes about him tend to revolve around these traits as well as his small size. Fellow actor Jim Cummings described his voice as "kind of like the wind blowing through tall grass. It sounded homey, and it sounding comforting".<ref>{{cite news|last=Mclellan|first=Dennis|url=https://www.latimes.com/archives/la-xpm-2005-jun-28-me-fiedler28-story.html|title=John Fiedler, 80; Character Actor Best Known for Distinctive Voice|newspaper=Los Angeles Times|date=June 28, 2005}}</ref> Fiedler was very proud of his work on the show and enjoyed the role just as much as when he started in 1968.<ref name="Fiedler">{{cite book|last=Messina|first=Elizabeth|title=What's His Name? John Fiedler: The Man, the Face, the Voice|page=155|publisher=[[AuthorHouse]]|year=2012|isbn=978-1468558562}}</ref>
*{{cross}}'''[[Tigger]]''' ([[Paul Winchell]], Jim Cummings) is an [[wikt:ebullient|ebullient]] tiger. Tigger is always filled with great energy and optimism, and though always well-meaning, he can also be mischievous, and his actions have sometimes led to chaos and trouble for himself and his friends. He is very confident and has quite an ego, having a high opinion of himself. He has a notable habit of mispronouncing various words, or stressing wrong syllables in them. Unlike previous adaptations, Tigger is shown living in a large treehouse. Winchell thought of him as a cross between the [[Dead End Kids]] and the [[Cowardly Lion]].<ref name="Jim">{{cite news|url=http://news.google.com/newspapers?nid=1129&dat=20050212&id=iYlIAAAAIBAJ&sjid=FXEDAAAAIBAJ&pg=6129,708801|title=Voice of Pooh found honey in a career|newspaper=[[Pittsburgh Post-Gazette]]|via=Google News Archive|date=February 12, 2005}}</ref> Tigger was voiced by Winchell for the first 33 episodes and by Jim Cummings for the later seasons<ref name="PoohChristmas">{{cite news | last = Jefferson | first = Graham | date = December 13, 1991 | title = Prime-time 'Pooh' Christmas | url = http://pqasb.pqarchiver.com/USAToday/doc/306509861.html?FMT=ABS&FMTS=ABS:FT&date=Dec+13%2C+1991&author=Jefferson%2C+Graham&pub=USA+TODAY+%28pre-1997+Fulltext%29&edition=&startpage=&desc=Prime-time+%60Pooh%27+Christmas | newspaper = [[USA Today]] | section = Life | page = 03.D | subscription = yes | accessdate = September 7, 2014 | via = ProQuest Archiver }}</ref> When Cummings took over the role, Winchell said "Take care of my little friend for me."<ref name="Jim" />
*'''[[Tigger]]''' ([[Paul Winchell]], Jim Cummings) is an [[wikt:ebullient|ebullient]] tiger. Tigger is always filled with great energy and optimism, and though always well-meaning, he can also be mischievous, and his actions have sometimes led to chaos and trouble for himself and his friends. He is very confident and has quite an ego, having a high opinion of himself. He has a notable habit of mispronouncing various words, or stressing wrong syllables in them. Unlike previous adaptations, Tigger is shown living in a large treehouse. Winchell thought of him as a cross between the [[Dead End Kids]] and the [[Cowardly Lion]].<ref name="Jim">{{cite news|url=http://news.google.com/newspapers?nid=1129&dat=20050212&id=iYlIAAAAIBAJ&sjid=FXEDAAAAIBAJ&pg=6129,708801|title=Voice of Pooh found honey in a career|newspaper=[[Pittsburgh Post-Gazette]]|via=Google News Archive|date=February 12, 2005}}</ref> Tigger was voiced by Winchell for the first 33 episodes and by Jim Cummings for the later seasons<ref name="PoohChristmas">{{cite news | last = Jefferson | first = Graham | date = December 13, 1991 | title = Prime-time 'Pooh' Christmas | url = http://pqasb.pqarchiver.com/USAToday/doc/306509861.html?FMT=ABS&FMTS=ABS:FT&date=Dec+13%2C+1991&author=Jefferson%2C+Graham&pub=USA+TODAY+%28pre-1997+Fulltext%29&edition=&startpage=&desc=Prime-time+%60Pooh%27+Christmas | newspaper = [[USA Today]] | section = Life | page = 03.D | url-access = subscription | via = ProQuest Archiver }}</ref> When Cummings took over the role, Winchell said "Take care of my little friend for me."<ref name="Jim" />
*{{cross}}'''[[Rabbit (Winnie-the-Pooh)|Rabbit]]''' ([[Ken Sansom]]) is finicky rabbit. In addition to wanting to be organized and practical, Rabbit's tendency to take charge is inflated to the extent that he becomes a control freak who insists on doing things exactly right, in his way and in the proper order. He keeps a garden and does whatever he can to protect it from other animals such as bugs and crows and he gets upset when anyone or anything tries to steal his vegetables. He and Tigger are usually foils for each other, reluctantly working together. He was shown as green in the series, compared to yellow in later efforts.<ref>{{cite web|last=Jacobson|first=Colin|url=http://www.dvdmg.com/winniethepoohseasons.shtml|title=Winnie The Pooh: Seasons of Giving (1999)|website=DVD Movie Guide|date=November 20, 2003}}</ref> Ken Sansom described voicing Rabbit as the best experience he's had.<ref name="Sansom" />
*'''[[Rabbit (Winnie-the-Pooh)|Rabbit]]''' ([[Ken Sansom]]) is finicky rabbit. In addition to wanting to be organized and practical, Rabbit's tendency to take charge is inflated to the extent that he becomes a control freak who insists on doing things exactly right, in his way and in the proper order. He keeps a garden and does whatever he can to protect it from other animals such as bugs and crows and he gets upset when anyone or anything tries to steal his vegetables. He and Tigger are usually foils for each other, reluctantly working together. He was shown as green in the series, compared to yellow in later efforts.<ref>{{cite web|last=Jacobson|first=Colin|url=http://www.dvdmg.com/winniethepoohseasons.shtml|title=Winnie The Pooh: Seasons of Giving (1999)|website=DVD Movie Guide|date=November 20, 2003}}</ref> Ken Sansom described voicing Rabbit as the best experience he's had.<ref name="Sansom" />
*{{cross}}'''[[Gopher (Winnie-the-Pooh)|Gopher]]''' ([[Michael Gough (voice actor)|Michael Gough]]) plays a more prominent role in this series. He is shown to be a bit of a workaholic, and is obsessed with dynamite and digging in his tunnels. He speaks in a Southern accent and wears a helmet with a light attached. He often helps the others out with construction plans.
*'''[[Gopher (Winnie-the-Pooh)|Gopher]]''' ([[Michael Gough (voice actor)|Michael Gough]]) plays a more prominent role in this series. He is shown to be a bit of a workaholic, and is obsessed with dynamite and digging in his tunnels. He speaks in a Southern accent and wears a helmet with a light attached. He often helps the others out with construction plans.
*{{cross}}'''[[Eeyore]]''' ([[Peter Cullen]]) is a gloomy donkey. He is somewhat less caustic and sarcastic in this version than in the original stories. Despite his depressive nature, Eeyore is capable of great compassion. He usually expects misfortune to happen to him, such as his house of sticks to be knocked down regularly, but accepts it when it does.
*'''[[Eeyore]]''' ([[Peter Cullen]]) is a gloomy donkey. He is somewhat less caustic and sarcastic in this version than in the original stories. Despite his depressive nature, Eeyore is capable of great compassion. He usually expects misfortune to happen to him, such as his house of sticks to be knocked down regularly, but accepts it when it does.
*{{cross}}'''[[Owl (Winnie-the-Pooh)|Owl]]''' ([[Hal Smith]]) is the eldest character in the series. He presents himself as a mentor and teacher to the others, but is really quite scatterbrained. He enjoys telling stories about his distant relatives, whenever something reminds him of one, but many of his stories are pointless or absurd. He speaks with a strong Southern English accent.
*'''[[Owl (Winnie-the-Pooh)|Owl]]''' ([[Hal Smith]]) is the eldest character in the series. He presents himself as a mentor and teacher to the others, but is really quite scatterbrained. He enjoys telling stories about his distant relatives, whenever something reminds him of one, but many of his stories are pointless or absurd. He speaks with a strong Southern English accent.
*{{cross}}'''[[Roo]]''' (Nicholas Melody) is a baby joey. He wears a light blue shirt. The smallest of the characters, Roo frequently is seen hanging around Tigger.
*'''[[Roo]]''' (Nicholas Melody) is a baby joey. He wears a light blue shirt. The smallest of the characters, Roo frequently is seen hanging around Tigger.
*{{cross}}'''[[Kanga (Winnie-the-Pooh)|Kanga]]''' ([[Patricia Parris]]) is Roo's mother. She rarely appears, but is shown to be kind-hearted and calm.
*'''[[Kanga (Winnie-the-Pooh)|Kanga]]''' ([[Patricia Parris]]) is Roo's mother. She rarely appears, but is shown to be kind-hearted and calm.
*{{cross}}'''[[Christopher Robin]]''' (Tim Hoskins) is an 5 year old child that has adventures with the stuffed animals Christopher Robin wasn't working{{cite quote}}
*'''[[Christopher Robin]]''' (Tim Hoskins) is an 5 year old child that has adventures with the stuffed animals.


For the most part, the show used a limited cast consisting only of characters in the original Milne books.<ref name="Rome" /> However, several minor characters did make appearances. Christopher Robin's mother (voiced by Patricia Parris) is shown occasionally, but always with her face obscured.<ref>{{Cite book | last = Foli | first = Karen J. | title = Like Sound Through Water: A Mother's Journey Through The Auditory Processing Disorder | publisher = Atria Books | page = 203 | date = March 7, 2002}}</ref>
For the most part, the show used a limited cast consisting only of characters in the original Milne books.<ref name="Rome" /> However, several minor characters did make appearances. Christopher Robin's mother (voiced by Patricia Parris) is shown occasionally, but always with her face obscured.<ref>{{Cite book | last = Foli | first = Karen J. | title = Like Sound Through Water: A Mother's Journey Through The Auditory Processing Disorder | publisher = Atria Books | page = 203 | date = March 7, 2002}}</ref>


Kessie, a [[bluebird]] that Rabbit rescues, makes her first appearance in this series; she would later appear in ''[[The Book of Pooh]]''.<ref name="Kessie">{{cite news | last = Levine | first = Evan | date = January 31, 2001 | title = A New Look for Pooh: Japanese Puppetry, Computer Effects Give Old Favorite Modern Appeal | url = http://news.google.com/newspapers?nid=1346&dat=20010131&id=474wAAAAIBAJ&sjid=e_0DAAAAIBAJ&pg=6291,8391924 | newspaper = [[The Ledger]] | location = [[Lakeland, Florida]] | page = D7 | series = Parental Guidance | accessdate = August 14, 2014 | via = Google News Archive}}</ref> Stan Woozle and Heff Heffalump appear as a pair of honey thieves. This marked the first time [[heffalumps]] and [[woozles]] were seen on-screen.<ref name="Monkey" /> Prior to this, they had always been portrayed as creatures that did not exist and were representative of childhood fears.<ref> {{Cite web | last = Issac | first = Steven | title = VIDEO REVIEWS: Pooh's Heffalump Movie | website = Focus on the Family | url= http://www.pluggedin.com/videos/2005/Q1/PoohsHeffalumpMovie.aspx | quote = "A.A. Milne created heffalumps as unseen icons representing the things we're afraid of but can't always put our finger on." | accessdate = August 14, 2014}}</ref> Instead, the show used other unseen villains such as Jagulars<ref name="Wonderful" /> and the "Grabme Gotcha". <ref>{{cite news | last = Levitan | first = Charan | date = October 6, 1995 | title = 'Frankenpooh' Is Good, Gentle Fun | url = http://articles.sun-sentinel.com/1995-10-06/entertainment/9510040232_1_frankenpooh-silly-story-unscary | newspaper = [[Sun-Sentinel]] | series = Cinemom | accessdate = August 14, 2014}}</ref> A father and son heffalump also appeared from time to time.<ref>{{Cite web | title=Pooh's Heffalump Movie DVD Review |url=http://www.dvdizzy.com/heffalump.html| website=DVDizzy.com}}</ref> Other characters on the show include Owl's cousin Dexter (voiced by Hal Smith) and Skippy the Sheepdog.<ref name="HowStuff">{{cite web |url=http://lifestyle.howstuffworks.com/family/activities/movie-fun-night/how-winnie-the-pooh-works3.htm |title=Ultimate Guide to Winnie the Pooh |last1=Allen |first1=Michael |date=November 8, 2006 |website=[[HowStuffWorks.com]] |accessdate=August 8, 2014}}</ref> [[Chuck McCann]] provided additional voices as well.<ref>{{cite web |last=Fritz |first=Steve |website=ChuckMcCann.net |title=CHUCK McCANN PT 3 – DOIN' HIS THING IN THE WEST COAST |url=http://www.chuckmccann.net/interviews/press%20articles/Animated%20shorts%20PT%203.pdf |quote="From there, they put me on Winnie The Pooh"|accessdate=August 8, 2014}}</ref>
Kessie, a [[bluebird]] that Rabbit rescues, makes her first appearance in this series; she would later appear in ''[[The Book of Pooh]]''.<ref name="Kessie">{{cite news | last = Levine | first = Evan | date = January 31, 2001 | title = A New Look for Pooh: Japanese Puppetry, Computer Effects Give Old Favorite Modern Appeal | url = http://news.google.com/newspapers?nid=1346&dat=20010131&id=474wAAAAIBAJ&sjid=e_0DAAAAIBAJ&pg=6291,8391924 | newspaper = [[The Ledger]] | location = [[Lakeland, Florida]] | page = D7 | series = Parental Guidance | via = Google News Archive}}</ref> Stan Woozle and Heff Heffalump appear as a pair of honey thieves. This marked the first time [[heffalumps]] and [[woozles]] were seen on-screen.<ref name="Monkey" /> Prior to this, they had always been portrayed as creatures that did not exist and were representative of childhood fears.<ref>{{Cite web | last = Issac | first = Steven | title = VIDEO REVIEWS: Pooh's Heffalump Movie | website = Focus on the Family | url= http://www.pluggedin.com/videos/2005/Q1/PoohsHeffalumpMovie.aspx | quote = "A.A. Milne created heffalumps as unseen icons representing the things we're afraid of but can't always put our finger on."}}</ref> Instead, the show used other unseen villains such as Jagulars<ref name="Wonderful" /> and the "Grabme Gotcha". <ref>{{cite news | last = Levitan | first = Charan | date = October 6, 1995 | title = 'Frankenpooh' Is Good, Gentle Fun | url = http://articles.sun-sentinel.com/1995-10-06/entertainment/9510040232_1_frankenpooh-silly-story-unscary | newspaper = [[Sun-Sentinel]] | series = Cinemom}}</ref> A father and son heffalump also appeared from time to time.<ref>{{Cite web | title=Pooh's Heffalump Movie DVD Review |url=http://www.dvdizzy.com/heffalump.html| website=DVDizzy.com}}</ref> Other characters on the show include Owl's cousin Dexter (voiced by Hal Smith) and Skippy the Sheepdog.<ref name="HowStuff">{{cite web |url=http://lifestyle.howstuffworks.com/family/activities/movie-fun-night/how-winnie-the-pooh-works3.htm |title=Ultimate Guide to Winnie the Pooh |last1=Allen |first1=Michael |date=November 8, 2006 |website=[[HowStuffWorks.com]]}}</ref> [[Chuck McCann]] provided additional voices as well.<ref>{{cite web |last=Fritz |first=Steve |website=ChuckMcCann.net |title=CHUCK McCANN PT 3 – DOIN' HIS THING IN THE WEST COAST |url=http://www.chuckmccann.net/interviews/press%20articles/Animated%20shorts%20PT%203.pdf |quote="From there, they put me on Winnie The Pooh"}}</ref>


==Setting==
==Setting==
For this adaptation, the show underwent an Americanization. The setting was changed from native England to contemporary America.<ref name="Honey" /> The series depicted Christopher Robin as a typical 1980s kid rather than a 1920s British child. He is shown living in a suburban house with his mother and no longer had an English accent.<ref name="EW">{{cite news | last = Mark | first = Lois Alter | date = March 18, 1994 | title = Oh, Pooh | url = http://www.ew.com/ew/article/0,,20456627,00.html | magazine = [[Entertainment Weekly]] | accessdate = September 8, 2014}}</ref> His mischievous imagination drew comparisons to [[Calvin (Calvin and Hobbes)|Calvin]] from [[Calvin and Hobbes]], as opposed to Milne's original interpretation.<ref name="Duckula" /> Additionally, unlike the earlier Disney featurettes, the show did not use a narrator or the storybook theme.<ref name="Duckula" />
For this adaptation, the show underwent an Americanization. The setting was changed from native England to contemporary America.<ref name="Honey" /> The series depicted Christopher Robin as a typical 1980s kid rather than a 1920s British child. He is shown living in a suburban house with his mother and no longer had an English accent.<ref name="EW">{{cite news | last = Mark | first = Lois Alter | date = March 18, 1994 | title = Oh, Pooh | url = http://www.ew.com/ew/article/0,,20456627,00.html | magazine = [[Entertainment Weekly]]}}</ref> His mischievous imagination drew comparisons to [[Calvin (Calvin and Hobbes)|Calvin]] from ''[[Calvin and Hobbes]]'', as opposed to Milne's original interpretation.<ref name="Duckula" /> Additionally, unlike the earlier Disney featurettes, the show did not use a narrator or the storybook theme.<ref name="Duckula" />


Although the show still used the [[Hundred Acre Wood]] as its main setting, several episodes took place in other locations. The characters occasionally traveled to the adjacent town, going to a grocery store or movie theater.<ref name="EW" /> Other episodes were set in more imaginative settings and involved the characters journeying into the clouds or down in a wishing well. One episode took place in the Wild West, in the form of a play.<ref>{{Cite news | last = Virtel | first = Louis | title = And Now, Winnie the Pooh's 7 Trippiest Adventures | url = http://movieline.com/2011/07/14/and-now-winnie-the-poohs-7-trippiest-adventures/ | newspaper = [[Movieline]] | date = July 14, 2011 | accessdate = September 8, 2014}}</ref> These styles of episodes were done away with later on.<ref name="ATL">{{cite news | last = Kloer | first = Phil | date = March 13, 1988 | title = Cable fertile ground for raising the high, low, and middlebrow | url = http://nl.newsbank.com/nl-search/we/Archives?p_product=AT&p_theme=at&p_action=search&p_maxdocs=200&s_hidethis=no&p_field_label-0=Author&p_field_label-1=title&p_bool_label-1=AND&p_text_label-1=Cable%20fertile%20ground%20for&s_dispstring=headline%28Cable%20fertile%20ground%20for%29%20AND%20date%28all%29&xcal_numdocs=20&p_perpage=10&p_sort=YMD_date:D&xcal_useweights=no | page = T/4 | newspaper = Atlanta Journal Constitution | publisher = NewsBank | subscription = yes}}</ref> The writing staff felt they worked best in the Hundred Acre Wood.<ref name="Rome"/>
Although the show still used the [[Hundred Acre Wood]] as its main setting, several episodes took place in other locations. The characters occasionally traveled to the adjacent town, going to a grocery store or movie theater.<ref name="EW" /> Other episodes were set in more imaginative settings and involved the characters journeying into the clouds or down in a wishing well. One episode took place in the Wild West, in the form of a play.<ref>{{Cite news | last = Virtel | first = Louis | title = And Now, Winnie the Pooh's 7 Trippiest Adventures | url = http://movieline.com/2011/07/14/and-now-winnie-the-poohs-7-trippiest-adventures/ | newspaper = [[Movieline]] | date = July 14, 2011 | accessdate = September 8, 2014}}</ref> These styles of episodes were done away with later on.<ref name="ATL">{{cite news | last = Kloer | first = Phil | date = March 13, 1988 | title = Cable fertile ground for raising the high, low, and middlebrow | url = http://nl.newsbank.com/nl-search/we/Archives?p_product=AT&p_theme=at&p_action=search&p_maxdocs=200&s_hidethis=no&p_field_label-0=Author&p_field_label-1=title&p_bool_label-1=AND&p_text_label-1=Cable%20fertile%20ground%20for&s_dispstring=headline%28Cable%20fertile%20ground%20for%29%20AND%20date%28all%29&xcal_numdocs=20&p_perpage=10&p_sort=YMD_date:D&xcal_useweights=no | page = T/4 | newspaper = Atlanta Journal Constitution | publisher = NewsBank | subscription = yes}}</ref> The writing staff felt they worked best in the Hundred Acre Wood.<ref name="Rome"/>
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The show was a conceived as a [[comedy of manners]] and was hailed as a rare cartoon devoid of any violence or villains.<ref name="ATL" /><ref name="PoohChristmas" /> The show's main theme revolved around the complications and misunderstandings that often arose between the characters and their eventual return to normalcy.<ref name="Rome" /> For instance, one episode dealt with Pooh believing Rabbit was moving away after hearing he had "eaten him out of house and [honey]".<ref name="Wonderful" /> Special attention was paid to write from a child's point of view, rather than an adult's. For this, the writers drew inspiration from [[Bill Cosby]], [[Gahan Wilson]], and ''[[The Phantom Tollbooth]]''.<ref name="Mark" /> Additionally, the staff was also very conscious of their older viewers—dubbed "older kids"—and would always aim for a sensibility that would appeal to them as well. Kessel noted that while the show often had writing that would go over the heads of little kids, the original Milne books did as well.<ref name="Rome"/>
The show was a conceived as a [[comedy of manners]] and was hailed as a rare cartoon devoid of any violence or villains.<ref name="ATL" /><ref name="PoohChristmas" /> The show's main theme revolved around the complications and misunderstandings that often arose between the characters and their eventual return to normalcy.<ref name="Rome" /> For instance, one episode dealt with Pooh believing Rabbit was moving away after hearing he had "eaten him out of house and [honey]".<ref name="Wonderful" /> Special attention was paid to write from a child's point of view, rather than an adult's. For this, the writers drew inspiration from [[Bill Cosby]], [[Gahan Wilson]], and ''[[The Phantom Tollbooth]]''.<ref name="Mark" /> Additionally, the staff was also very conscious of their older viewers—dubbed "older kids"—and would always aim for a sensibility that would appeal to them as well. Kessel noted that while the show often had writing that would go over the heads of little kids, the original Milne books did as well.<ref name="Rome"/>


Unlike previous adaptations of ''Winnie the Pooh'', the stories were not based on chapters from A.A. Milne's books. The writers made a point of not copying from Milne, but instead drawing the essence of him for the modern day; keeping the same charm and style as the original stories.<ref name="Sun">{{cite news | last1 = Hughes | first1 = Mike | date = September 8, 1988 | title = Wacky heroes lead the way as children's TV enters new phase | url = http://www.newspapers.com/newspage/67969100/ | newspaper = [[The San Bernardino Sun]] | location = (California) | series = Thursday TV | agency = [[Gannett News Service]] | page = D6 | accessdate = August 8, 2014 | via = [[Newspapers.com]] | subscription = Yes}}</ref> The episodes have very little action in terms of plot, which in later years has drawn comparisons to ''[[Seinfeld]]''.<ref name="NewYork">{{cite news | last = Benzel | first = Jan | date = June 5, 1994 | title = Classic Storybook Characters Live Televisually Ever After | series = Television | newspaper = The New York Times}}</ref> The main storylines typically derived from the characters and their relationships to each other.<ref name="Gardner'sGuide" /> Episode plots ranged from the simple, such as Winnie the Pooh searching for [[honey]] (stylized as hunny), to the more dramatic, such as Christopher Robin becoming trapped under his bed.<ref name="Charles" /> Some episodes spoofed published works of fiction including ''[[Frankenstein]]''<ref>{{cite web|last=Figuerido|first=Robert|url=https://www.animatedviews.com/2002/winnie-the-pooh-frankenpoohspookable-pooh/|title=''Winnie the Pooh: Frankenpooh/Spookable Pooh''|date=August 27, 2002|website=Animated Views}}</ref> and [[Sherlock Holmes]].<ref>{{cite book|last=Kelley|first=Gordon|url=http://books.google.com/books?id=PJBaAAAAMAAJ&q=%22Tigger+Private+Ear%22&dq=%22Tigger+Private+Ear%22&hl=en&sa=X&ei=cRaRU8GYMYrKsQSdnYLICg&ved=0CEMQ6AEwBQ|title=Sherlock Holmes: Screen and Sound Guide|publisher=Scarecrow Press|page=137|year=1994|isbn=978-0810828599}}</ref>
Unlike previous adaptations of ''Winnie the Pooh'', the stories were not based on chapters from A.A. Milne's books. The writers made a point of not copying from Milne, but instead drawing the essence of him for the modern day; keeping the same charm and style as the original stories.<ref name="Sun">{{cite news | last1 = Hughes | first1 = Mike | date = September 8, 1988 | title = Wacky heroes lead the way as children's TV enters new phase | url = http://www.newspapers.com/newspage/67969100/ | newspaper = [[The San Bernardino Sun]] | location = (California) | series = Thursday TV | agency = [[Gannett News Service]] | page = D6 | via = [[Newspapers.com]] | url-access = subscription}}</ref> The episodes have very little action in terms of plot, which in later years has drawn comparisons to ''[[Seinfeld]]''.<ref name="NewYork">{{cite news | last = Benzel | first = Jan | date = June 5, 1994 | title = Classic Storybook Characters Live Televisually Ever After | series = Television | newspaper = The New York Times}}</ref> The main storylines typically derived from the characters and their relationships to each other.<ref name="Gardner'sGuide" /> Episode plots ranged from the simple, such as Winnie the Pooh searching for [[honey]] (stylized as hunny), to the more dramatic, such as Christopher Robin becoming trapped under his bed.<ref name="Charles" /> Some episodes spoofed published works of fiction including ''[[Frankenstein]]''<ref>{{cite web|last=Figuerido|first=Robert|url=https://www.animatedviews.com/2002/winnie-the-pooh-frankenpoohspookable-pooh/|title=Winnie the Pooh: Frankenpooh/Spookable Pooh|date=August 27, 2002|website=Animated Views}}</ref> and [[Sherlock Holmes]].<ref>{{cite book|last=Kelley|first=Gordon|url=http://books.google.com/books?id=PJBaAAAAMAAJ&q=%22Tigger+Private+Ear%22&dq=%22Tigger+Private+Ear%22&hl=en&sa=X&ei=cRaRU8GYMYrKsQSdnYLICg&ved=0CEMQ6AEwBQ|title=Sherlock Holmes: Screen and Sound Guide|publisher=Scarecrow Press|page=137|year=1994|isbn=978-0810828599}}</ref>


Episodes focused on socioemotional issues,<ref>{{cite book|url=http://books.google.com/books?id=KnQXQOP5uoMC&pg=PA403&dq=%22new+adventures+of+winnie+the+pooh%22&hl=en&ei=VT0nTvvaEOTn0QH-69jrCg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDEQ6AEwAjgU#v=onepage&q=%22new%20adventures%20of%20winnie%20the%20pooh%22&f=false|title=Media Effects: Advances in Theory and Research|page=403|editor1=Jennings Bryany|editor2=Dolf Zillman|publisher=[[Taylor & Francis]]|year=2002|isbn=978-0805838633}}</ref> dealing with topics such as teamwork, resourcefulness, how to triumph over challenges, the power of positive outlook, and the value of friendship.<ref>{{cite news | last = Marder | first = Keith | date = October 9, 1997 | title = A Guide to TV That Tries to Teach; FCC Mandate Puts Learning on Schedule | archiveurl = https://web.archive.org/web/20160305091728/https://www.thefreelibrary.com/A+GUIDE+TO+TV+THAT+TRIES+TO+TEACH%3B+FCC+MANDATE+PUTS+LEARNING+ON...-a083887739 | url = http://www.thefreelibrary.com/A+GUIDE+TO+TV+THAT+TRIES+TO+TEACH%3B+FCC+MANDATE+PUTS+LEARNING+ON...-a083887739 | newspaper = [[Los Angeles Daily News]] | location = California | agency = Gale Group | archivedate = March 5, 2016 | accessdate = November 14, 2019 | dead-url = yes | via = [[TheFreeDictionary.com#TheFreeLibrary.com|TheFreeLibrary.com]]}}</ref> The series delivered strong messages about honesty, responsibility, persistence, cooperative effort, friendship and caring. The morals taught in each story allow children to draw parallels to their own lives.<ref name="Monkey" /> These were offered in a far more subtle manner than the "prosocial snippets" seen on other programs.<ref name="Hal" /> Many stories are designed to help young children distinguish between fantasy and reality and overcome common childhood fears.<ref>{{cite report|url=https://data.fcc.gov/mediabureau/v01/tv/application/KidVid_30598.html|title=FCC 398 Children's Television Programming Report|agency=[[Federal Communications Commission]]|year=2002}}</ref> Innumerable children's-expert panels continued throughout its lengthy network run to highly commend and recommend the series to the three-to-ten-year-old crowd, even growing tolerant enough to be amused by the "hunny/honey" spelling controversy.<ref name="Hal" />
{{cross}}The psychology of the characters were something that was paid special attention to. In reality, Christopher Robin would be sitting with his stuffed animals, while the fantasy world, which was what was shown on screen, would show Pooh talking. Everything was derived from a child's imagination. According to the series bible, his backyard is the Hundred Acre Wood.

{{cross}}Episodes focused on socioemotional issues,<ref>http://books.google.com/books?id=KnQXQOP5uoMC&pg=PA403&dq=%22new+adventures+of+winnie+the+pooh%22&hl=en&ei=VT0nTvvaEOTn0QH-69jrCg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDEQ6AEwAjgU#v=onepage&q=%22new%20adventures%20of%20winnie%20the%20pooh%22&f=false</ref> dealing with topics such as teamwork, resourcefulness, how to triumph over challenges, the power of positive outlook, and the value of friendship.<ref>{{cite news | last = Marder | first = Keith | date = 1997-10-09 | title = A GUIDE TO TV THAT TRIES TO TEACH; FCC MANDATE PUTS LEARNING ON SCHEDULE | url = http://www.thefreelibrary.com/A+GUIDE+TO+TV+THAT+TRIES+TO+TEACH%3B+FCC+MANDATE+PUTS+LEARNING+ON...-a083887739 | newspaper = [[Los Angeles Daily News]] | location = California | agency = Gale Group | accessdate = 2014-09-06 | via = [[TheFreeDictionary.com#TheFreeLibrary.com|TheFreeLibrary.com]]}}</ref> The series delivered strong messages about honesty, responsibility, persistence, cooperative effort, friendship and caring. The morals taught in each story allow children to draw parallels to their own lives.<ref name="Monkey" /> These were offered in a far more subtle manner than the "prosocial snippets" seen on other programs.<ref name="Hal" /> Many stories are designed to help young children distinguish between fantasy and reality and overcome common childhood fears.<ref>http://data.fcc.gov/mediabureau/v01/tv/application/KidVid_30598.html</ref> Innumerable children's-expert panels continued throughout its lengthy network run to highly commend and recommend the series to the three-to-ten-year-old crowd, even growing tolerant enough to be amused by the "hunny/honey" spelling controversy.<ref name="Hal" />


==Reception==
==Reception==
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{{Quote box
{{Quote box
|quote = Only a few program even approach the quality of ABC's four-season-old ''New Adventures of Winnie the Pooh'', the most artfully written and drawn kids' series on the air.
|quote = Only a few program even approach the quality of ABC's four-season-old ''New Adventures of Winnie the Pooh'', the most artfully written and drawn kids' series on the air.
|source = Noel Holston, ''The Pittsburgh Press''<ref>news.google.com/newspapers?nid=1144&dat=19911208&id=j-MhAAAAIBAJ&sjid=bmQEAAAAIBAJ&pg=2491,6436145</ref>
|source = Noel Holston, ''The Pittsburgh Press''<ref>{{cite news|last=Holston|first=Noel|url=https://www.news.google.com/newspapers?nid=1144&dat=19911208&id=j-MhAAAAIBAJ&sjid=bmQEAAAAIBAJ&pg=2491,6436145|title=Most Saturday morning cartoons forsake quality|newspaper=The Pittsburgh Press|date=December 8, 1991|page=TV4|via=Google News Archive}}</ref>
|quoted = 1
|quoted = 1
|width = 30%
|width = 30%
}}
}}


The ''[[Los Angeles Times]]'' called the show "the best made-for-TV cartoon show in several seasons".<ref name="Duckula" /> Months later, the newspaper claimed it as "not only the classiest new show of the season, but also one of the best-looking series ever animated for television".<ref>{{cite news|url=http://articles.latimes.com/1988-09-20/entertainment/ca-2381_1_saturday-morning-tv|title=TV Review: New Kidvid Season: Send in the Clones|newspaper=[[Los Angeles Times]]|date=September 20, 1988|accessdate=November 12, 2019}}</ref> and gave an similarly good review the next year.<ref>articles.latimes.com/1989-09-22/entertainment/ca-562_1_saturday-morning-cartoons/2</ref> The [[Atlanta Journal Constitution]] said it "contained much more detailed and lively animation than the usual kidvid".<ref>{{cite news
The ''[[Los Angeles Times]]'' called the show "the best made-for-TV cartoon show in several seasons".<ref name="Duckula" /> Months later, the newspaper claimed it as "not only the classiest new show of the season, but also one of the best-looking series ever animated for television".<ref>{{cite news|url=http://articles.latimes.com/1988-09-20/entertainment/ca-2381_1_saturday-morning-tv|title=TV Review: New Kidvid Season: Send in the Clones|newspaper=[[Los Angeles Times]]|date=September 20, 1988|accessdate=November 12, 2019}}</ref> and gave an similarly good review the next year.<ref>articles.latimes.com/1989-09-22/entertainment/ca-562_1_saturday-morning-cartoons/2</ref> The ''[[Atlanta Journal Constitution]]'' said it "contained much more detailed and lively animation than the usual kidvid".<ref>{{cite news
| last = Kloer
| last = Kloer
| first = Phil
| first = Phil
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| newspaper = Atlanta Journal Constitution
| newspaper = Atlanta Journal Constitution
| publisher = NewsBank
| publisher = NewsBank
}}</ref> [[TV Guide]] said the show had "theatrical-grade animation, sprightly stories, conscientious eschewing of laugh tracks and best of all, the willingness to let the visual jokes speak for themselves".<ref>http://books.google.com/books?id=6k7vAAAAMAAJ&q=Behold+the+theatrical-grade+animation&dq=Behold+the+theatrical-grade+animation&hl=en&sa=X&ei=6V6yU4KXCJOXqAb-x4GIDg&ved=0CCUQ6AEwAA</ref> [[Entertainment Weekly]] gave the show an "A" saying "there's enough excitement, including lots of slapstick and bad guys, to keep '90s adventurers happy".<ref name="EW" /> ''[[The New York Times]]'' called the show "lovingly faithful" to the original Milne books.<ref name="NewYork" /> Lee Winfrey of ''[[Knight-Ridder]]'' says the writers successfully maintained the integrity of Milnes's characters and praised the animators for [[Ernest H. Shepard]]'s illustrations.<ref name="Honey" /> The ''[[Milwaukee Journal]]'' said the show will "offer children and probably their parents, a gentle walk through Pooh Corner".<ref name="Milwaukee" /> Gene Seymour of ''Knight-Ridder'' called the best animation on weekly television outside of the General Mills Commercials.<ref>{{cite news|last=Seymour|first=Gene|url=https://www.news.google.com/newspapers?nid=2026&dat=19891102&id=srEtAAAAIBAJ&sjid=odAFAAAAIBAJ&pg=6352,254802|title=Is Saturday morning TV worth the effort?|work=Knight-Ridder|publisher=[[Moscow-Pullman Daily News]]|date=November 2, 1989}}</ref> ''The Dayton Daily News'' called the program one of the best on television writing "The animation of this offering from the Disney's studios is not as sumptuous as the company's feature films, but it is miles above the television norm". Charles Witback praised the show claiming that "Milne [came] out on top " and they remain unique to the flashy, noisy Hollywood<ref name="Charles" /> ''[[The San Bernardino Sun]]'' wrote "if kids like the verbal wit of the other shows, they'll tackle the rich sophistication of Winnie the Pooh"<ref name="Sun" />
}}</ref> ''[[TV Guide]]'' said the show had "theatrical-grade animation, sprightly stories, conscientious eschewing of laugh tracks and best of all, the willingness to let the visual jokes speak for themselves".<ref>{{cite magazine|url=http://books.google.com/books?id=6k7vAAAAMAAJ&q=Behold+the+theatrical-grade+animation&dq=Behold+the+theatrical-grade+animation&hl=en&sa=X&ei=6V6yU4KXCJOXqAb-x4GIDg&ved=0CCUQ6AEwAA|title=Review|magazine=TV Guide|volume=37}}</ref> ''[[Entertainment Weekly]]'' gave the show an "A" saying "there's enough excitement, including lots of slapstick and bad guys, to keep '90s adventurers happy".<ref name="EW" /> ''[[The New York Times]]'' called the show "lovingly faithful" to the original Milne books.<ref name="NewYork" /> Lee Winfrey of ''[[Knight-Ridder]]'' says the writers successfully maintained the integrity of Milnes's characters and praised the animators for [[Ernest H. Shepard]]'s illustrations.<ref name="Honey" /> The ''[[Milwaukee Journal]]'' said the show will "offer children and probably their parents, a gentle walk through Pooh Corner".<ref name="Milwaukee" /> Gene Seymour of ''Knight-Ridder'' called the best animation on weekly television outside of the General Mills Commercials.<ref>{{cite news|last=Seymour|first=Gene|url=https://www.news.google.com/newspapers?nid=2026&dat=19891102&id=srEtAAAAIBAJ&sjid=odAFAAAAIBAJ&pg=6352,254802|title=Is Saturday morning TV worth the effort?|work=Knight-Ridder|publisher=[[Moscow-Pullman Daily News]]|date=November 2, 1989}}</ref> ''The Dayton Daily News'' called the program one of the best on television writing "The animation of this offering from the Disney's studios is not as sumptuous as the company's feature films, but it is miles above the television norm". Charles Witback praised the show claiming that "Milne [came] out on top " and they remain unique to the flashy, noisy Hollywood.<ref name="Charles" /> ''[[The San Bernardino Sun]]'' wrote "if kids like the verbal wit of the other shows, they'll tackle the rich sophistication of Winnie the Pooh"<ref name="Sun" />


''[[Good Housekeeping]]'' wrote that the show was "sweet and endearing, though its educational value is essentially limited to a kid-tailored 'I'm okay, you're okay' theme".<ref>{{cite magazine | last1 = Mifflin | first1 = Lawrie | publication-date = January 1999 | title = Beyond Sesame Street (children's television programming) | url = http://www.highbeam.com/doc/1G1-53460780.html | archiveurl = https://web.archive.org/web/20181115063005/https://www.highbeam.com/doc/1G1-53460780.html | magazine = [[Good Housekeeping]] | archivedate = November 15, 2018 | accessdate = November 12, 2019 | via = [[HighBeam Research]]}}</ref> [[Common Sense Media]] gave the show 4 stars, saying "the lessons are just as classic and time-tested as the characters".<ref name="Common" /> Hal Erickson writing in his book "Television Cartoon Shows" called the show a delightful eye of calm in "the hurricane of hectic Saturday morning slapstick".<ref name="Hal" /> DVDizzy.com praised the show calling it "true both to the spirit of Milne's creation and the animation of Disney's terrific short films".<ref name="DVDizzy">{{Cite web | title=Growing Up with Winnie the Pooh: A Great Day of Discovery DVD Review |url=http://www.dvdizzy.com/guwpooh1.html | website=DVDizzy.com}}</ref> DVDVerdict.com called the show "perfectly respectable imitations that still rank as stellar, sweet-natured children's entertainment", going on to write "Kids should enjoy this stuff and adults should feel comfortable leaving their young ones in the care of this of this good-hearted programming for an hour".<ref>http://www.dvdverdict.com/reviews/poohseasons10th.php</ref> ''AnimatedViews'' called the show "a well-remembered if not exceptional series that slotted into the kind of programming that filled the Disney Afternoons."<ref name="TiggerMovie" /> David Perlmutter, in his book ''America Toons In'', called the longevity of the show "a testament to the enduring appeal of the beloved characters".<ref name="AmericaToonsIn" /> The Laser Disc Newsletter wrote the show is "highly imaginative, featuring lovely artwork and a number of creative touches".<ref>https://www.google.com/search?q=%22episodes+on+Detective+Tigger+however%22&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a&channel=sb#channel=sb&q=%22episodes+on+Detective+Tigger+however%22&rls=org.mozilla:en-US:official&safe=off&tbm=bks</ref> ''Using Children's Literature in Preschool'' said that "the show brings alive the humor and excitement of the original books".<ref>http://books.google.com/books?id=1ZGKAAAAQBAJ&pg=PA108&dq=%22Winnie+the+Pooh%22+%22preschool%22&hl=en&sa=X&ei=6hTZU6iXL4OtyASX04DACw&ved=0CC0Q6AEwATgK#v=onepage&q=%22Winnie%20the%20Pooh%22%20%22preschool%22&f=false</ref> [[News24]] praised the music, noting that the show has "[a] theme song as whimsically beautiful as the stories".<ref>http://www.channel24.co.za/TV/News/DStv-brings-back-childhood-classic-TV-shows-20141002</ref>
''[[Good Housekeeping]]'' wrote that the show was "sweet and endearing, though its educational value is essentially limited to a kid-tailored 'I'm okay, you're okay' theme".<ref>{{cite magazine | last1 = Mifflin | first1 = Lawrie | publication-date = January 1999 | title = Beyond Sesame Street (children's television programming) | url = http://www.highbeam.com/doc/1G1-53460780.html | archiveurl = https://web.archive.org/web/20181115063005/https://www.highbeam.com/doc/1G1-53460780.html | magazine = [[Good Housekeeping]] | archivedate = November 15, 2018 | accessdate = November 12, 2019 | via = [[HighBeam Research]]}}</ref> [[Common Sense Media]] gave the show 4 stars, saying "the lessons are just as classic and time-tested as the characters".<ref name="Common" /> Hal Erickson, writing in his book ''Television Cartoon Shows'', called the show a delightful eye of calm in "the hurricane of hectic Saturday morning slapstick".<ref name="Hal" /> DVDizzy.com praised the show calling it "true both to the spirit of Milne's creation and the animation of Disney's terrific short films".<ref name="DVDizzy">{{Cite web | title=Growing Up with Winnie the Pooh: A Great Day of Discovery DVD Review |url=http://www.dvdizzy.com/guwpooh1.html | website=DVDizzy}}</ref> DVDVerdict.com called the show "perfectly respectable imitations that still rank as stellar, sweet-natured children's entertainment", going on to write "Kids should enjoy this stuff and adults should feel comfortable leaving their young ones in the care of this of this good-hearted programming for an hour".<ref>http://www.dvdverdict.com/reviews/poohseasons10th.php</ref> ''AnimatedViews'' called the show "a well-remembered if not exceptional series that slotted into the kind of programming that filled the Disney Afternoons."<ref name="TiggerMovie" /> David Perlmutter, in his book ''America Toons In'', called the longevity of the show "a testament to the enduring appeal of the beloved characters".<ref name="AmericaToonsIn" /> The Laser Disc Newsletter wrote the show is "highly imaginative, featuring lovely artwork and a number of creative touches".<ref>https://www.google.com/search?q=%22episodes+on+Detective+Tigger+however%22&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a&channel=sb#channel=sb&q=%22episodes+on+Detective+Tigger+however%22&rls=org.mozilla:en-US:official&safe=off&tbm=bks</ref> ''Using Children's Literature in Preschool'' said that "the show brings alive the humor and excitement of the original books".<ref>http://books.google.com/books?id=1ZGKAAAAQBAJ&pg=PA108&dq=%22Winnie+the+Pooh%22+%22preschool%22&hl=en&sa=X&ei=6hTZU6iXL4OtyASX04DACw&ved=0CC0Q6AEwATgK#v=onepage&q=%22Winnie%20the%20Pooh%22%20%22preschool%22&f=false</ref>


Not all reviews have been positive. Evan Levine, writing for the ''[[Philadelphia Daily News]]'', gave the program a mixed review, saying "the characters are all true to form, but the colors are overly bright, and the whole look is harsh" but adding "this series is certainly better than a lot of other cartoons that we've seen".<ref>{{cite news|last=Levine|first=Evan|archiveurl=https://web.archive.org/web/20160304071936/http://articles.philly.com/1992-05-01/news/26014858_1_characters-olivia-humor|url=http://articles.philly.com/1992-05-01/news/26014858_1_characters-olivia-humor|title=It Looks Cute, but It's Not Milne|archivedate=March 4, 2016|date=May 1, 1992|accessdate=November 12, 2019}}</ref> Jan Crain Rudeen, writing for the [[Scripps Howard News Service]], described the series and the resulting video releases as "awful", which he felt lacked imagination.<ref>{{cite news|last=Crain Rudeen|first=Jai|url=http://news.google.com/newspapers?nid=1454&dat=20010613&id=4QpPAAAAIBAJ&sjid=RB8EAAAAIBAJ&pg=6721,4099574|title='Superman: The Movie' is remastered, but keeps original sounds that add authenticity|work=Scripps Howard News Service|publisher=Star-News|date=June 13, 2001|via=Google News Archive}}</ref> [[Desson Thomson|Desson Howe]] of ''[[The Washington Post]]'' described the series as "cheaply sweetened fare".<ref>{{cite web|last=Howe|first=Desson|url=http://www.washingtonpost.com/wp-srv/entertainment/movies/reviews/tiggermoviehowe.htm|title='Tigger' Loses Some Bounce|website=The Washington Post|date=February 11, 2000}}</ref> One particular episode has been a source of controversy. "Sorry Wrong Slusher", in which the characters stay up late, order pizza, and watch a late night [[slasher film|slusher film]], has been called violent.<ref>{{cite book|last=Holt Mcgavran|first=James|title=Literature and the Child: Romantic Continuations, Postmodern Contestations|url=http://books.google.com/books?id=LVTsR0J13RIC&pg=PA207&dq=%22sorry+wrong+slusher%22&hl=en&sa=X&ei=VJPpU9O_M8-RyAS0yILwBA&ved=0CBwQ6AEwAA#v=onepage&q=slusher&f=false|publisher=[[University of Iowa Press]]|pp=201–2|year=1998|isbn=9781587292910}}</ref> ''[[The Baltimore Sun]]'' made particular note of this episode as "sacrilege", writing that the modernization goes against the A. A. Milne stories.<ref name="Baltimore" />
Not all reviews have been positive. Evan Levine, writing for the ''[[Philadelphia Daily News]]'', gave the program a mixed review, saying "the characters are all true to form, but the colors are overly bright, and the whole look is harsh" but adding "this series is certainly better than a lot of other cartoons that we've seen".<ref>{{cite news|last=Levine|first=Evan|archiveurl=https://web.archive.org/web/20160304071936/http://articles.philly.com/1992-05-01/news/26014858_1_characters-olivia-humor|url=http://articles.philly.com/1992-05-01/news/26014858_1_characters-olivia-humor|title=It Looks Cute, but It's Not Milne|archivedate=March 4, 2016|date=May 1, 1992|accessdate=November 12, 2019}}</ref> Jan Crain Rudeen, writing for the [[Scripps Howard News Service]], described the series and the resulting video releases as "awful", which he felt lacked imagination.<ref>{{cite news|last=Crain Rudeen|first=Jai|url=http://news.google.com/newspapers?nid=1454&dat=20010613&id=4QpPAAAAIBAJ&sjid=RB8EAAAAIBAJ&pg=6721,4099574|title='Superman: The Movie' is remastered, but keeps original sounds that add authenticity|work=Scripps Howard News Service|publisher=Star-News|date=June 13, 2001|via=Google News Archive}}</ref> [[Desson Thomson|Desson Howe]] of ''[[The Washington Post]]'' described the series as "cheaply sweetened fare".<ref>{{cite web|last=Howe|first=Desson|url=http://www.washingtonpost.com/wp-srv/entertainment/movies/reviews/tiggermoviehowe.htm|title='Tigger' Loses Some Bounce|website=The Washington Post|date=February 11, 2000}}</ref> One particular episode has been a source of controversy. "Sorry Wrong Slusher", in which the characters stay up late, order pizza, and watch a late night [[slasher film|slusher film]], has been called violent.<ref>{{cite book|last=Holt Mcgavran|first=James|title=Literature and the Child: Romantic Continuations, Postmodern Contestations|url=http://books.google.com/books?id=LVTsR0J13RIC&pg=PA207&dq=%22sorry+wrong+slusher%22&hl=en&sa=X&ei=VJPpU9O_M8-RyAS0yILwBA&ved=0CBwQ6AEwAA#v=onepage&q=slusher&f=false|publisher=[[University of Iowa Press]]|pp=201–2|year=1998|isbn=9781587292910}}</ref>


===Ratings===
===Ratings===
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<!--| colspan=3 align=center height=3px |{{small|'''SEASON 1'''}} -->
<!--| colspan=3 align=center height=3px |{{small|'''SEASON 1'''}} -->
|-
|-
| Sept 10 1988 || 5.9/22 || <ref name="Variety1">{{cite news | date = September 16th, 1988 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media | subscription = yes | accessdate = September 9, 2014}}</ref>
| Sept 10 1988 || 5.9/22 || <ref name="Variety1">{{cite news | date = September 16, 1988 | title = Saturday morning ratings | magazine = Variety | agency = Penske Media}}</ref>
|-
|-
| Sept 17 1988 || 5.7/23 || <ref>{{cite news | date = September 26th, 1988 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media | subscription = yes | accessdate = September 9, 2014}}</ref>
| Sept 17 1988 || 5.7/23 || <ref>{{cite news | date = September 26, 1988 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media}}</ref>
|-
|-
| Sept 24 1988 || 5.1/21 || <ref>{{cite news | date = September 30th, 1988 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media | subscription = yes | accessdate = September 9, 2014}}</ref>
| Sept 24 1988 || 5.1/21 || <ref>{{cite news | date = September 30, 1988 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media}}</ref>
|-
|-
| Oct 1 1988 || 5.2/22 || <ref>{{cite news | date = October 7th, 1988 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media | subscription = yes | accessdate = September 9, 2014}}</ref>
| Oct 1 1988 || 5.2/22 || <ref>{{cite news | date = October 7, 1988 | title = Saturday morning ratings | magazine = Variety | agency = Penske Media}}</ref>
|-
|-
| Sept 9 1989 || 4.9/25 ||<ref>{{cite news | date = September 18th, 1989 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media | subscription = yes | accessdate = September 9, 2014}}</ref>
| Sept 9 1989 || 4.9/25 ||<ref>{{cite news | date = September 18, 1989 | title = Saturday morning ratings | magazine = Variety | agency = Penske Media}}</ref>
|-
|-
| Sept 16 1989 || 4.4/20 || <ref>{{cite news | date = September 22th, 1989 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media | subscription = yes | accessdate = September 9, 2014}}</ref>
| Sept 16 1989 || 4.4/20 || <ref>{{cite news | date = September 22, 1989 | title = Saturday morning ratings | magazine = Variety | agency = Penske Media}}</ref>
|-
|-
| Sept 23 1989 || 4.1/18|| <ref>{{cite news | date = September 29th, 1989 | title = Saturday morning ratings | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media | subscription = yes | accessdate = September 9, 2014}}</ref>
| Sept 23 1989 || 4.1/18|| <ref>{{cite news | date = September 29, 1989 | title = Saturday morning ratings | magazine = Variety | agency = Penske Media}}</ref>
|}
|}
{{tick}}The network television premiere on Saturday, September 10, 1988 was hailed as an immediate success.<ref name="Wonderful" /> The show won its time-slot with 5.9/23 Nielsen ratings share, translating to 5.7 million viewers. ABC, who had been in third place for Saturday morning the year prior, won every time-slot averaging a 5.0 rating/20 share.<ref name="Variety1" /> This trend continued for the next three weeks.{{Ref label|C|c|none}} Selby Hall, Marketing Manager for ABC, was quoted as saying "[the show had] been very successful on Saturday mornings in the States". The high ratings caused an extra push behind the international airings of the program.<ref>{{cite news | date = April 19th, 1989 | title = Saturday morning news | magazine = [[Variety (magazine)|Variety]] | agency = Penske Media | subscription = yes | accessdate = September 9, 2014}}</ref> Throughout the season, the show continued to receive "solid" ratings. The show ranked 10th place out of all Saturday morning cartoons for the season.<ref>{{cite journal | date = 1989 | title = TV Ratings | url = http://books.google.com/books?id=2D24AAAAIAAJ | journal = [[Television/Radio Age (magazine)|Television Radio/Age]] | publisher = Television Editorial Corporation | agency = | page = 68 | volume = 37 | accessdate = September 9, 2014 | via = Google Books}}</ref>


The network television premiere on Saturday, September 10, 1988, was hailed as an immediate success.<ref name="Wonderful" /> The show won its time-slot with 5.9/23 Nielsen ratings share, translating to 5.7 million viewers. ABC, who had been in third place for Saturday morning the year prior, won every time-slot averaging a 5.0 rating/20 share.<ref name="Variety1" /> This trend continued for the next three weeks.{{Ref label|C|c|none}} Selby Hall, Marketing Manager for ABC, was quoted as saying "[the show had] been very successful on Saturday mornings in the States". The high ratings caused an extra push behind the international airings of the program.<ref>{{cite news | date = April 19, 1989 | title = Saturday morning news | magazine = Variety | agency = Penske Media}}</ref> Throughout the season, the show continued to receive "solid" ratings. The show ranked 10th place out of all Saturday morning cartoons for the season.<ref>{{cite journal | date = 1989 | title = TV Ratings | url = http://books.google.com/books?id=2D24AAAAIAAJ | journal = [[Television/Radio Age (magazine)|Television Radio/Age]] | publisher = Television Editorial Corporation | agency = | page = 68 | volume = 37 | accessdate = September 9, 2014 | via = Google Books}}</ref>
During the [[1989–90 United States network television schedule (Saturday morning)|1989-90]] television schedule, the series was paired with ''[[Adventures of the Gummi Bears]]''.{{Ref label|D|d|none}} The show once again won its time-slot, but fell one rating point from the previous year's debut.<ref>http://www.varietyultimate.com/search/?page=5&startYear=1989&endYear=1989&search=Pooh&searchType=&sortBy=&searchDate=&showAll=</ref> The show repeated this the next week, but was beaten by ''[[Captain N: The Game Master]]'' the next two weeks.<ref>www.americanradiohistory.com/hd2/Archive-BC-IDX/89-OCR/BC-1989-10-09-OCR-Page-0051.pdf#search="winnie the pooh"</ref>{{Ref label|C|c|none}}

During the [[1989–90 United States network television schedule (Saturday morning)|1989-90]] television schedule, the series was paired with ''Disney's Adventures of the Gummi Bears''. The show once again won its time-slot, but fell one rating point from the previous year's debut. The show repeated this the next week, but was beaten by ''[[Captain N: The Game Master]]'' the next two weeks.<ref>{{cite magazine|url=https://www.americanradiohistory.com/Archive-BC/BC-1989/BC-1989-10-09.pdf|title=State of the Art: Programming/89|page=49|magazine=Broadcasting & Cable|date=October 9, 1989}}</ref>


{{cross}}By 1993, the show had fallen in the ratings. Finishing 27th out of the 36 Saturday morning programs, the show averaged a 2.1/9 Nielsen rating share.<ref>www.americanradiohistory.com/hd2/Archive-BC-IDX/93-OCR/BC-1993-07-26-Page-0052.pdf#search="winnie the pooh"</ref> The show received a 3.3 Nielsen rating in late February 1993 corresponding to 3.2 million viewers.<ref>{{cite news | date = February 23, 1993 | title = Wherein a President Easily Outpolls Pooh | url = https://www.nytimes.com/1993/02/23/us/wherein-a-president-easily-outpolls-pooh.html | newspaper = The New York Times | accessdate = November 12, 2019}}</ref> In 1997, ''[[MediaWeek]]'' ranked it 301st out of every broadcast show.<ref>http://books.google.com/books?id=ixEUAQAAMAAJ&q=%22top+rated%22+%22winnie+the+pooh%22&dq=%22top+rated%22+%22winnie+the+pooh%22&hl=en&sa=X&ei=bsGvU8H8PM-gyASm3YDADw&ved=0CCoQ6AEwATgK</ref> By the late 1990s, the show was one of the top five Saturday morning cartoons.<ref>{{cite magazine|url=https://www.awn.com/mag/issue3.7/3.7pages/3.7television.html|title=Television News|magazine=Animation World Network|issue=3.7|publication-date=October 1998}}</ref> It had a (2.5/11) market share in Boys 2-11 and a (2.2/11) market share in boys 6-11.<ref>{{Cite web|url = http://www.animenewsservice.com/archives/aug21.htm|title = |date = |accessdate = |website = |publisher = |last = |first = }}</ref>
By 1993, the show had fallen in the ratings. Finishing 27th out of the 36 Saturday morning programs, the show averaged a 2.1/9 Nielsen rating share.<ref>{{cite magazine|last=Coe|first=Steve|url=https://www.americanradiohistory.com/Archive-BC/BC-1993/BC-1993-07-26.pdf|title=More Players in Saturday Playground|magazine=Broadcasting & Cable|page=48|date=July 26, 1993}}</ref> The show received a 3.3 Nielsen rating in late February 1993 corresponding to 3.2 million viewers.<ref>{{cite news | date = February 23, 1993 | title = Wherein a President Easily Outpolls Pooh | url = https://www.nytimes.com/1993/02/23/us/wherein-a-president-easily-outpolls-pooh.html | newspaper = The New York Times | accessdate = November 12, 2019}}</ref> In 1997, ''[[MediaWeek]]'' ranked it 301st out of every broadcast show.<ref>{{cite magazine|last=Mandel|first=Jon|url=http://books.google.com/books?id=ixEUAQAAMAAJ&q=%22top+rated%22+%22winnie+the+pooh%22&dq=%22top+rated%22+%22winnie+the+pooh%22&hl=en&sa=X&ei=bsGvU8H8PM-gyASm3YDADw&ved=0CCoQ6AEwATgK|magazine=MediaWeek|page=167|volume=7|year=1997}}</ref> By the late 1990s, the show was one of the top five Saturday morning cartoons.<ref>{{cite magazine|url=https://www.awn.com/mag/issue3.7/3.7pages/3.7television.html|title=Television News|magazine=Animation World Network|issue=3.7|publication-date=October 1998}}</ref> It had a (2.5/11) market share in Boys 2-11 and a (2.2/11) market share in boys 6-11.<ref>{{Cite web|url = http://www.animenewsservice.com/archives/aug21.htm|title = Anime News Service: August 16–25 |date = August 25, 2000 |accessdate = |website = Anime News Service}}</ref>


===Awards===
===Awards===
{{tick}}For its debut season the show won a [[Daytime Emmy Award]] for [[Daytime Emmy Award for Outstanding Children's Animated Program|Outstanding Animated Program]]. During his acceptance speech, Mark Zaslove praised the actors and animators for their dedication to the series and specifically thanked [[Jymn Magon]] and Karl Geurs for the humanity they brought to the program.<ref>{{Cite episode | title = [[16th Daytime Emmy Awards]] | first = Mark | last = Zaslove | network = NBC | date = June 29, 1989 | time = 43:16}}</ref> The following year the series was awarded the same honor, this time in a tie with ''[[Beetlejuice (TV series)|Beetlejuice]]''. The show was awarded the first of two [[Humanitas Prize]]s during its first season for "[examining] the need to both hold onto and let go of love".<ref>{{cite news | date = July 6, 1989 | title = 'China Beach,' 'Wonder Years' Among Humanitas Prize Winners | url = http://fiji4.ccs.neu.edu/~zerg/lemurcgi/ISU_data/TREC/cd-data/vol1/ap/ap890706 | location = Los Angeles | agency = [[Associated Press]] | accessdate = August 14, 2014 | via = Northeastern University AP Backlog}}</ref> Three years later, the show would pick up its second prize for its dramatization "of the struggle to assume responsibility and live with the consequences of your mistakes".<ref>{{cite news | last = Quinn | first = Michelle | date = July 10, 1992 | title = First-Year Series Take Top Humanitas | series = Television | url = http://articles.latimes.com/1992-07-10/entertainment/ca-1781_1_brooklyn-bridge | newspaper = [[The Los Angeles Times]] | accessdate = August 14, 2014}}</ref> The show also received a commemoration from the [[Action for Children's Television]] with President [[Peggy Charren]] calling the show "an imaginative extension of the Pooh stories...preserving the essence of the original characters".<ref>{{cite news | last = Trott | first = Robert W. | date = May 9, 1989| title = ABC Honored For Drama About Illiteracy | agency = [[Associated Press]] | url = http://www.apnewsarchive.com/1989/ABC-Honored-For-Drama-About-Illiteracy/id-47ec3d7345f6bbbd584bc7d26816de0b | location = Cambridge, Massachusetts | accessdate = August 14, 2014}}</ref>
For its debut season the show won a [[Daytime Emmy Award]] for [[Daytime Emmy Award for Outstanding Children's Animated Program|Outstanding Animated Program]]. During his acceptance speech, Mark Zaslove praised the actors and animators for their dedication to the series and specifically thanked [[Jymn Magon]] and Karl Geurs for the humanity they brought to the program.<ref>{{Cite episode | title = [[16th Daytime Emmy Awards]] | first = Mark | last = Zaslove | network = NBC | date = June 29, 1989 | time = 43:16}}</ref> The following year the series was awarded the same honor, this time in a tie with ''[[Beetlejuice (TV series)|Beetlejuice]]''. The show was awarded the first of two [[Humanitas Prize]]s during its first season for "[examining] the need to both hold onto and let go of love".<ref>{{cite news | date = July 6, 1989 | title = 'China Beach,' 'Wonder Years' Among Humanitas Prize Winners | url = http://fiji4.ccs.neu.edu/~zerg/lemurcgi/ISU_data/TREC/cd-data/vol1/ap/ap890706 | location = Los Angeles | agency = [[Associated Press]] | accessdate = August 14, 2014 | via = Northeastern University AP Backlog}}</ref> Three years later, the show would pick up its second prize for its dramatization "of the struggle to assume responsibility and live with the consequences of your mistakes".<ref>{{cite news | last = Quinn | first = Michelle | date = July 10, 1992 | title = First-Year Series Take Top Humanitas | series = Television | url = http://articles.latimes.com/1992-07-10/entertainment/ca-1781_1_brooklyn-bridge | newspaper = Los Angeles Times | accessdate = August 14, 2014}}</ref> The show also received a commemoration from the [[Action for Children's Television]] with President [[Peggy Charren]] calling the show "an imaginative extension of the Pooh stories...preserving the essence of the original characters".<ref>{{cite news | last = Trott | first = Robert W. | date = May 9, 1989| title = ABC Honored For Drama About Illiteracy | agency = [[Associated Press]] | url = http://www.apnewsarchive.com/1989/ABC-Honored-For-Drama-About-Illiteracy/id-47ec3d7345f6bbbd584bc7d26816de0b | location = Cambridge, Massachusetts | accessdate = August 14, 2014}}</ref>


{{Yellow tick}}The show was cited in the [[Children's Television Act|Children's Television Act of 1990]] as an example of a positive educational program.<ref>{{cite news|url=http://www.highbeam.com/doc/1P2-731407.html}}</ref> The show received a special salute during the opening session of the [[Congressional Club]] in 1988. [[Joan Lunden]], co-host of [[Good Morning America]], hosted the opening session which included United States Congressional and Cabinet wives as well as their children and grandchildren.<ref>http://pqasb.pqarchiver.com/washingtonpost/doc/307067684.html?FMT=ABS&FMTS=ABS:FT&date=Sep+7%2C+1988&author=Carmody%2C+John&pub=The+Washington+Post+%28pre-1997+Fulltext%29&edition=&startpage=&desc=The+TV+Column</ref> [[WatchMojo.com]] ranked the series #9 in their "Top Disney Animated TV Series" list, saying "By telling stories that dealt with friendship, fear, self-esteem and more, Disney brought the characters of A.A. Milne’s beloved books to life".<ref>www.watchmojo.com/video/id/11671/</ref> BuzzFeed ranked the theme song #3 in their list of "7 Cartoon Theme Songs Guaranteed to Earworm You"<ref>www.buzzfeed.com/mccarricksean/cartoon-theme-songs-guaranteed-to-earworm-you-fjmu</ref>
The show was cited in the [[Children's Television Act|Children's Television Act of 1990]] as an example of a positive educational program.<ref>{{cite news|last=Moore|first=Steve|archiveurl=https://web.archive.org/web/20160308191846/https://www.highbeam.com/doc/1P2-731407.html|url=https://www.highbeam.com/doc/1P2-731407.html|title=Meeting a Higher Standard|dead-url=yes|date=September 21, 1997|archivedate=March 8, 2016|via=HighBeam Research}}</ref> The show received a special salute during the opening session of the [[Congressional Club]] in 1988. [[Joan Lunden]], co-host of ''[[Good Morning America]]'', hosted the opening session which included United States Congressional and Cabinet wives as well as their children and grandchildren.<ref>{{cite news|last=Carmody|first=John|url=https://www.washingtonpost.com/archive/lifestyle/1988/09/07/the-tv-column/57a0e195-a971-4395-beca-e5c08099313d/|title=The TV Column|newspaper=The Washington Post|page=F10|date=September 7, 1988|accessdate=November 14, 2019}}</ref> [[WatchMojo.com]] ranked the series ninth in their "Top Disney Animated TV Series" list, saying "By telling stories that dealt with friendship, fear, self-esteem and more, Disney brought the characters of A.A. Milne's beloved books to life".<ref>{{cite video|url=https://www.watchmojo.com/video/id/11671/|title=Top 10 Disney Animated TV Series|website=WatchMojo|date=March 29, 2013}}</ref> BuzzFeed ranked the theme song third in their list of "7 Cartoon Theme Songs Guaranteed to Earworm You"<ref>{{cite web|last=Fagan|first=Sean|url=https://www.buzzfeed.com/mccarricksean/cartoon-theme-songs-guaranteed-to-earworm-you-fjmu|title=7 Cartoon Theme Songs Guaranteed To Earworm You|website=BuzzFeed|date=March 25, 2014}}</ref>


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|rowspan="2"|1988
|rowspan="2"|1988
|[[CableACE Award]]
|[[CableACE Award]]
|Children's Entertainment Series or Special, 8 and Younger<ref>http://articles.latimes.com/1989-01-16/entertainment/ca-447_1_comedy-series/2</ref>
|Children's Entertainment Series or Special, 8 and Younger<ref>{{cite news|last=Weinstein|first=Steve|url=http://articles.latimes.com/1989-01-16/entertainment/ca-447_1_comedy-series|title=HBO Dominates the 10th ACE Awards with 35 Wins|newspaper=Los Angeles Times|date=January 16, 1989}}</ref>
|
|
|{{won}}
|{{won}}
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|rowspan="7"|1989
|rowspan="7"|1989
|rowspan="2"|[[Golden Reel Awards]]
|rowspan="2"|[[Golden Reel Awards]]
|rowspan="2"|Sound Effects Mixing
|rowspan="2"|Sound Effects Mixing<ref>http://www.varietyultimate.com/search?search=Sound+DuckTabm&searchType=&startYear=1906&endYear=2014&searchDate=03%2F07%2F1989</ref>
|"Paw & Order"
|"Paw & Order"
|{{nom}}
|{{nom}}
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|{{nom}}
|{{nom}}
|-
|-
|[[Young Artist Awards]]
|[[10th Young Artist Awards|Young Artist Awards]]
|Best Young Actor Voice-Over Role<ref>http://www.youngartistawards.org/pastnoms10.htm</ref>
|Best Young Actor Voice-Over Role<ref>{{cite web|url=http://www.youngartistawards.org/pastnoms10.htm|archiveurl=https://www.webcitation.org/6XlsvpxJ4?url=http://www.youngartistawards.org/pastnoms10.htm|title=Tenth Annual Youth in Film Awards|archivedate=April 14, 2015|publisher=Young Artist Awards|via=[[WebCite]]}}</ref>
|Tim Hoskins
|Tim Hoskins
|{{nom}}
|{{nom}}
|-
|-
|[[Action for Children's Television]]
|[[Action for Children's Television]]
|Commercial Broadcast Award<ref>http://news.google.com/newspapers?nid=1696&dat=19890519&id=b_saAAAAIBAJ&sjid=GkgEAAAAIBAJ&pg=3456,3559486</ref>
|Commercial Broadcast Award<ref>{{cite news|last=Krott|first=Robert|url=http://news.google.com/newspapers?nid=1696&dat=19890519&id=b_saAAAAIBAJ&sjid=GkgEAAAAIBAJ&pg=3456,3559486|title=ABC Honored for children's shows|newspaper=Daily News|date=May 19, 1989}}</ref>
|<!--{{small|"an imaginative extension of the Pooh stories…preserving the essence of the original characters"}}-->
|<!--{{small|"an imaginative extension of the Pooh stories…preserving the essence of the original characters"}}-->
|{{won}}
|{{won}}
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|-
|-
|[[Humanitas Prize]]
|[[Humanitas Prize]]
|Children's Animation<ref>http://humanitasprize.info/welcome/?page_id=699</ref>
|Children's Animation<ref name="Humanitas">{{cite web|url=http://humanitasprize.info/welcome/?page_id=699|archiveurl=https://web.archive.org/web/20150212143004/http://humanitasprize.info/welcome/?page_id=699|title=Children's Animation Winners|website=Humanitas Prize|archivedate=February 12, 2015}}</ref>
|Doug Hutchinson, Larry Bernard and Mark Zaslove<br>{{small|for "Find Her, Keep Her"}}
|Doug Hutchinson, Larry Bernard and Mark Zaslove<br>{{small|for "Find Her, Keep Her"}}
|{{won}}
|{{won}}
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|-
|-
|Parents Choice Awards
|Parents Choice Awards
|Gold Seal Award<ref>http://articles.latimes.com/1990-12-23/news/tv-9979_1_andy-hardy</ref>
|Gold Seal Award<ref>{{cite news|last=King|first=Susan|url=http://articles.latimes.com/1990-12-23/news/tv-9979_1_andy-hardy|title=Today's News, Tomorrow's Television: Movie Channel Rewards Andy Hardy fans|newspaper=Los Angeles Times|date=December 23, 1990}}</ref>
|
|
|{{won}}
|{{won}}
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|-
|-
|Humanitas Prize
|Humanitas Prize
|Children's Animation<ref>http://articles.latimes.com/1992-07-10/entertainment/ca-1781_1_brooklyn-bridge</ref>
|Children's Animation<ref name="Humanitas" /><ref>{{cite news|last=Quinn|first=Michaelle|url=http://articles.latimes.com/1992-07-10/entertainment/ca-1781_1_brooklyn-bridge|title=First-Year Series Take Top Humanitas|newspaper=Los Angeles Times|date=July 10, 1992}}</ref>
|Bruce Reid Schaefer<br>{{small|for "Home Is Where The Home Is"}}
|Bruce Reid Schaefer<br>{{small|for "Home Is Where The Home Is"}}
|{{won}}
|{{won}}
<!--|-
<!--|-
|Children's Animation<ref>http://humanitasprize.info/welcome/?page_id=699</ref>
|Children's Animation
|Karl Geurs, Mark Zaslove<br>{{small|for "Winnie the Pooh and Christmas Too"}}
|Karl Geurs, Mark Zaslove<br>{{small|for "Winnie the Pooh and Christmas Too"}}
|{{nom}}
|{{nom}}
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==Home video releases==
==Home video releases==
[[File:Disney s Winnie the Pooh.svg|thumb|150px|This logo was used for all Pooh products; it was redesigned because the old logo was inadvertently "sending negative messages"<ref name="MarketingGame">{{Cite book | last = Schulz | first = Eric | title = The Marketing Game: How the World's Best Companies Play to Win | publisher = Kogan Page | url = http://books.google.com/books?id=2KvcAgAAQBAJ | date = 1999}}</ref>
[[File:Disney s Winnie the Pooh.svg|thumb|150px|This logo was used for all Pooh products; it was redesigned because the old logo was inadvertently "sending negative messages"<ref name="MarketingGame">{{Cite book | last = Schulz | first = Eric | title = The Marketing Game: How the World's Best Companies Play to Win | publisher = Kogan Page | url = http://books.google.com/books?id=2KvcAgAAQBAJ | isbn = 978-1466867437 | year = 1999}}</ref>
]]
]]
{{yellow tick}}Although Disney has never released the complete series on home video, there have been numerous video collections released over the years.<ref name="DVDizzy" /><ref>http://animatedviews.com/2009/winnie-the-pooh-seasons-of-giving/</ref> The first was a collection of 10 videocassette tapes issued by [[Walt Disney Home Video]].<ref name="EW" /> Each VHS contained between three to four episodes, with the first three tapes released in 1990.<ref>http://www.highbeam.com/doc/1P2-1150486.html</ref> This was followed by an additional three the next year<ref>http://www.highbeam.com/doc/1P2-1073743.html</ref> and four more in 1992.<ref>http://www.highbeam.com/doc/1P2-8732759.html</ref> Due to a twenty-five year license agreement on ''Pooh'' merchandise, these videotapes were released only in Sears. Sales were very poor, despite a solid consumer base.<ref name="MarketingGame" />
Although Disney has never released the complete series on home video, there have been numerous video collections released over the years.<ref name="DVDizzy" /> The first was a collection of 10 videocassette tapes issued by [[Walt Disney Home Video]].<ref name="EW" /> Each VHS contained between three to four episodes, with the first three tapes released in 1990.<ref>{{cite news|last=Zad|first=Martie|url=https://www.washingtonpost.com/archive/lifestyle/tv/1990/09/30/disney-offers-treats-classics-for-holidays/a3924b8c-88d0-477e-8bba-e4c12d4c46c7/|title=Disney Offers Treats, Classics For Holidays|newspaper=The Washington Post|date=September 30, 1990|accessdate=November 14, 2019}}</ref> This was followed by an additional three the next year<ref>{{cite news|last1=Zad|first2=Martie|last2=E. Hill|first2=Michael|url=https://www.washingtonpost.com/archive/lifestyle/tv/1991/07/07/popular-videos/51d792f4-0ccc-4b50-a00b-0cfb2cd57c54/|title=Popular Videos|newspaper=The Washington Post|date=July 4, 1991|accessdate=November 14, 2019}}</ref> and four more in 1992. Due to a twenty-five year license agreement on ''Pooh'' merchandise, these videotapes were released only in Sears. Sales were very poor, despite a solid consumer base.<ref name="MarketingGame" />


{{cross}}Eric Schulz, Vice President of Marketing at Disney, recalled an incident one Friday afternoon at Kmart where parents were shopping: "We noticed that no Winnie the Pooh characters were available. Several consumers were asking the store clerks if the Poohs were sold out". Schulz and his team discovered there were no plush toys available at Kmart, due to the licensing. They also discovered that this license was expiring in just a few months and would not be renewed. That afternoon the marketing team returned to the office and began to plan new ideas to sell ''Winnie the Pooh'' videos.<ref name="MarketingGame" />
{{cross}}Eric Schulz, Vice President of Marketing at Disney, recalled an incident one Friday afternoon at Kmart where parents were shopping: "We noticed that no Winnie the Pooh characters were available. Several consumers were asking the store clerks if the Poohs were sold out". Schulz and his team discovered there were no plush toys available at Kmart, due to the licensing. They also discovered that this license was expiring in just a few months and would not be renewed. That afternoon, the marketing team returned to the office and began to plan new ideas to sell ''Winnie the Pooh'' videos.<ref name="MarketingGame" />


{{cross}}In 1994, on the day that the Sears license expired, a nationwide Pooh video and plush promotion was launched.<ref name="1994">http://articles.latimes.com/2002/jul/05/business/fi-pooh5/3</ref> Videos were packaged with Pooh plush characters together in a single box.<ref name="MarketingGame" /> Disney proclaimed 1994, "The Year of Pooh"<ref>books.google.com/books?id=LQgEAAAAMBAJ&pg=PA64&dq="year+of+pooh"&hl=en&sa=X&ei=4R6dU_eSO8aiyATU8YKABw&ved=0CB4Q6AEwAA#v=onepage&q=%22year%20of%20pooh%22&f=false</ref> which coincided with the 70th anniversary of Winnie the Pooh. In lieu of traditional press kit, Disney sent out a Winnie the Pooh cookie jar to the press outlets, a decision which received overwhelmingly positive reaction. The Today Show proudly displayed its Pooh cookie jar on TV while the hosts talked about the new video releases.<ref name="MarketingGame" />
In 1994, on the day that the Sears license expired, a nationwide Pooh video and plush promotion was launched.<ref name="1994">{{cite news|last=James|first=Meg|url=https://www.latimes.com/archives/la-xpm-2002-jul-05-fi-pooh5-story.html|title=Big Battle for a Silly Old Bear|newspaper=Los Angeles Times|date=July 5, 2002|accessdate=November 14, 2019}}</ref> Videos were packaged with Pooh plush characters together in a single box.<ref name="MarketingGame" /> Disney proclaimed 1994, "The Year of Pooh"<ref>{{cite magazine|last=McCormick|first=Moira|url=https://books.google.com/books?id=LQgEAAAAMBAJ&pg=PA64&dq=%22year+of+pooh%22&hl=en&sa=X&ei=4R6dU_eSO8aiyATU8YKABw&ved=0CB4Q6AEwAA#v=onepage&q=%22year%20of%20pooh%22&f=false|title=Sight & Sound Puts Kid Vid In-Store At More Than 500 Retailers|magazine=[[Billboard (magazine)|Billboard]]|volume=106|issue=10|page=64|publication-date=March 5, 1994}}</ref> which coincided with the 70th anniversary of Winnie the Pooh. In lieu of traditional press kit, Disney sent out a Winnie the Pooh cookie jar to the press outlets, a decision which received overwhelmingly positive reaction. The Today Show proudly displayed its Pooh cookie jar on TV while the hosts talked about the new video releases.<ref name="MarketingGame" />


{{yellow tick}}Two collections of complication tapes called ''Pooh Playtime'' and ''Pooh Learning'' were released with three videotapes encompassing each set.<ref>MMMM</ref> The videos featured between two to four episodes of ''The New Adventures of Winnie the Pooh'' and featured new songs written by Dave Kinnoin.<ref>http://songwizard.com/About.shtml</ref> Sales were very high, with numerous videos turned up on the ''Video Bestseller List''. In just three weeks, Disney had sold twenty times more Winnie the Pooh videos than they had in the previous twelve months. By 1995, Pooh videos sold over thirty times what they had sold the year before, despite the fact that Disney had only repackaged existing products.<ref name="MarketingGame" /> Because of their success, two additional videos were added to each collection. A third collection entitled ''Pooh Friendship'' was released in 1997, bringing the three collections to fifteen videos between them.<ref>http://books.google.com/books?id=qQ4EAAAAMBAJ&pg=PA54&dq=%22Pooh+Playtime%22&hl=en&sa=X&ei=80WNU5HsI4KpsASPrIHQBA&ved=0CEMQ6AEwAg#v=onepage&q=%22Pooh%20Playtime%22&f=false</ref>
{{yellow tick}}Two collections of complication tapes called ''Pooh Playtime'' and ''Pooh Learning'' were released with three videotapes encompassing each set. The videos featured between two to four episodes of ''The New Adventures of Winnie the Pooh'' and featured new songs written by Dave Kinnoin.<ref>{{cite web|url=https://songwizard.com/industry/|title=Industry|website=SongWizard|accessdate=November 14, 2019}}</ref> Sales were very high, with numerous videos turned up on the ''Video Bestseller List''. In just three weeks, Disney had sold twenty times more ''Winnie the Pooh'' videos than they had in the previous twelve months. By 1995, Pooh videos sold over thirty times what they had sold the year before, despite the fact that Disney had only repackaged existing products.<ref name="MarketingGame" /> Because of their success, two additional videos were added to each collection. A third collection entitled ''Pooh Friendship'' was released in 1997, bringing the three collections to fifteen videos between them.<ref>{{cite magazine|last=McCormick|first=Moira|url=http://books.google.com/books?id=qQ4EAAAAMBAJ&pg=PA54&dq=%22Pooh+Playtime%22&hl=en&sa=X&ei=80WNU5HsI4KpsASPrIHQBA&ved=0CEMQ6AEwAg#v=onepage&q=%22Pooh%20Playtime%22&f=false|title='Wee Sing' Changes Its Tune|magazine=Billboard|volume=109|issue=10|pp=53–4|publication-date=March 8, 1997}}</ref>


{{yellow tick}}The show first appeared on DVD in the United Kingdom. Under the title ''The Magical World of Winnie the Pooh'', eight volumes were released consisting of four episodes apiece. The first five volumes of this series later appeared in the United States under the name ''Growing Up with Winnie the Pooh''. Appearing in February 2005, the releases were made to coincide with the premiere of [[Pooh's Heffalump Movie]].<ref>{{Cite web | title=Growing Up with Winnie the Pooh: It's Playtime with Pooh DVD Review |url=http://www.dvdizzy.com/guwpooh4.html| website=DVDizzy.com}}</ref> These episodes did not include the original opening credits, but instead had new sequences specifically made for the discs.<ref name="DVDizzy" /> Episodes of the show have also been released as part of the "special features" in the DVD releases of Winnie the Pooh movies, such as [[The Tigger Movie]]<ref>http://www.amazon.com/Tigger-Anniversary-Edition-Two-Disc-Digital/dp/B0028OH54K</ref> and [[Winnie the Pooh: Springtime with Roo]].<ref>{{Cite web | title = Winnie the Pooh: Springtime with Roo DVD Review |url=http://www.dvdizzy.com/springtime.html | website=DVDizzy.com}}</ref>
The show first appeared on DVD in the United Kingdom. Under the title ''The Magical World of Winnie the Pooh'', eight volumes were released consisting of four episodes apiece. The first five volumes of this series later appeared in the United States under the name ''Growing Up with Winnie the Pooh''. Appearing in February 2005, the releases were made to coincide with the premiere of ''[[Pooh's Heffalump Movie]]''.<ref>{{Cite web | title=Growing Up with Winnie the Pooh: It's Playtime with Pooh DVD Review |url=http://www.dvdizzy.com/guwpooh4.html| website=DVDizzy}}</ref> These episodes did not include the original opening credits, but instead had new sequences specifically made for the discs.<ref name="DVDizzy" /> Episodes of the show have also been released as part of the "special features" in the DVD releases of Winnie the Pooh movies, such as ''[[The Tigger Movie]]'' and ''[[Winnie the Pooh: Springtime with Roo]]''.<ref>{{Cite web | title = Winnie the Pooh: Springtime with Roo DVD Review |url=http://www.dvdizzy.com/springtime.html | website=DVDizzy}}</ref>
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==Impact and legacy==
==Impact and legacy==
{{cross}}The series helped spawn a successful Winnie the Pooh media franchise, which grew into a series of made-for-TV holiday specials, two additional television series, and four theatrically released movies. Many of the cast members continued to work with these Winnie the Pooh adaptations. Jim Cummings continues to voice Winnie the Pooh and Tigger in the present day. Paul Winchell briefly reprised his role as Tigger in ''Pooh's Grand Adventure''.<ref name="Geurs" /> John Fiedler voiced Piglet until his death in 2005.<ref name="Fiedler" /> Ken Sansom and Peter Cullen continued voicing their characters until 2010. Much of the writers and directors returned for ''Pooh's Grand Adventure'' and ''The Book of Pooh''. Bruce Talkington has since written many children's books based on Winnie the Pooh.<ref>http://news.google.com/newspapers?nid=1915&dat=19941016&id=IQxHAAAAIBAJ&sjid=GPgMAAAAIBAJ&pg=3742,3727891</ref>
The series helped spawn a successful ''Winnie the Pooh'' media franchise, which grew into a series of made-for-TV holiday specials, two additional television series, and four theatrically released movies. Many of the cast members continued to work with these Winnie the Pooh adaptations. Jim Cummings continues to voice Winnie the Pooh and Tigger in the present day. Paul Winchell briefly reprised his role as Tigger in ''[[Pooh's Grand Adventure: The Search for Christopher Robin]]''.<ref name="Geurs" /> John Fiedler voiced Piglet until his death in 2005.<ref name="Fiedler" /> Ken Sansom and Peter Cullen continued voicing their characters until 2010. Much of the writers and directors returned for ''Pooh's Grand Adventure'' and ''The Book of Pooh''. Bruce Talkington has since written many children's books based on Winnie the Pooh.<ref>{{cite news|last=Rautzhan|first=Kendal|url=https://news.google.com/newspapers?nid=1915&dat=19941016&id=IQxHAAAAIBAJ&sjid=GPgMAAAAIBAJ&pg=3742,3727891|title=Spooky stories (or trick-or-treating) help enhance Halloween|newspaper=The Day|page=C4|date=October 16, 1994}}</ref>


{{yellow tick}}The show was one of the last times Winnie the Pooh was designed and marketed for audiences of all ages.<ref>{{Cite web | title = Winnie the Pooh: Springtime with Roo DVD Review |url=http://www.dvdizzy.com/pooh-seasonsofgiving.html | website=DVDizzy.com quote="There is actual drama and depth to this story, things that Disney has moved away from in recent years to make Pooh strictly for tots."}}</ref> In the years following the series, Walt Disney Home Video began to reposition their strategy and marketed the television series, and Winnie the Pooh in general, towards younger age groups, despite critics claiming the show can be enjoyed by members of all ages.<ref name="Duckula" /><ref name="Milwaukee" /><ref>{{cite news | date = July 1994 | title = More repositioned Pooh | url = http://books.google.com/books?id=030HAQAAMAAJ | newspaper = The Laser Disc Newsletter | location = Indiana University | issue = 119 | accessdate = 2014-09-07 | via = Google Books | quote = "...Walt Disney Home Video is repositioning the marketing of its Winnie the Pooh cartoons, aiming the releases at a younger age group than previously"}}</ref> In later years, the show has been touted as strictly for preschoolers.<ref>http://www.learningace.com/doc/1406825/6af3c4cd29a7f45b7e0017537ca744e9/tvact</ref><ref>http://moviemet.com/review/winnie-pooh-very-merry-pooh-year-blu-ray#.U-hXmmO1E-A</ref> DVDizzy summarized the idea saying "Even though Milne's books had won over readers of all ages and even though kids weren't buying movie tickets and merchandise, Disney seemed set on the idea that Pooh was strictly for little ones, those not even old enough to attend school".<ref>{{Cite web | title = Winnie the Pooh: DVD + Blu-ray Review |url=http://www.dvdizzy.com/winniethepooh.html | website=DVDizzy.com}}</ref>
The show was one of the last times ''Winnie the Pooh'' was designed and marketed for audiences of all ages.<ref>{{Cite web | title = Winnie the Pooh: Springtime with Roo DVD Review |url=http://www.dvdizzy.com/pooh-seasonsofgiving.html | website=DVDizzy.com quote="There is actual drama and depth to this story, things that Disney has moved away from in recent years to make Pooh strictly for tots."}}</ref> In the years following the series, Walt Disney Home Video began to reposition their strategy and marketed the television series, and Winnie the Pooh in general, towards younger age groups, despite critics claiming the show can be enjoyed by members of all ages.<ref name="Duckula" /><ref name="Milwaukee" /><ref>{{cite news | date = July 1994 | title = More repositioned Pooh | url = http://books.google.com/books?id=030HAQAAMAAJ | newspaper = The Laser Disc Newsletter | location = Indiana University | issue = 119 | accessdate = 2014-09-07 | via = Google Books | quote = "...Walt Disney Home Video is repositioning the marketing of its Winnie the Pooh cartoons, aiming the releases at a younger age group than previously"}}</ref> In later years, the show has been touted as strictly for preschoolers. DVDizzy summarized the idea saying "Even though Milne's books had won over readers of all ages and even though kids weren't buying movie tickets and merchandise, Disney seemed set on the idea that Pooh was strictly for little ones, those not even old enough to attend school".<ref>{{Cite web | title = Winnie the Pooh: DVD + Blu-ray Review |url=http://www.dvdizzy.com/winniethepooh.html | website=DVDizzy.com}}</ref>


{{yellow tick}} The program caused a resurgence of popularity of Winnie the Pooh that continues to this day, to the point of the character being Disney's second largest franchise.<ref name="TiggerMovie" /> Following the home video releases, Disney's annual revenue from Winnie the Pooh rose from $100 million to more than $1 billion in just four years.<ref name="1994" /> Winnie the Pooh is now the most successful Disney character, surpassing Mickey Mouse.<ref>http://articles.latimes.com/2012/dec/21/news/la-disney-controls-winnie-the-pooh-trademarks-court-rules-20121221</ref> As of 2012, it is the third most popular franchise in the United States.<ref>http://www.forbes.com/sites/jennagoudreau/2012/09/17/disney-princess-tops-list-of-the-20-best-selling-entertainment-products/</ref>
The program caused a resurgence of popularity of ''Winnie the Pooh'' that continues to this day, to the point of the character being Disney's second largest franchise.<ref name="TiggerMovie" /> Following the home video releases, Disney's annual revenue from Winnie the Pooh rose from $100 million to more than $1 billion in just four years.<ref name="1994" /> Winnie the Pooh is now the most successful Disney character, surpassing Mickey Mouse.<ref>{{cite news|last=James|first=Meg|url=https://articles.latimes.com/2012/dec/21/news/la-disney-controls-winnie-the-pooh-trademarks-court-rules-20121221|title=Disney Controls Winnie the Pooh Trademarks Court Rules|newspaper=Los Angeles Times|date=December 21, 2012}}</ref> As of 2012, it is the [[List of highest-grossing media franchises|third most popular media franchise]] in the United States.<ref>{{cite news|last=Goudreau|first=Jenna|url=http://www.forbes.com/sites/jennagoudreau/2012/09/17/disney-princess-tops-list-of-the-20-best-selling-entertainment-products/|title=Disney Princess Tops List Of The 20 Best-Selling Entertainment Products|publisher=[[Forbes]]|date=September 17, 2012}}</ref>
<!--{{cross}}The show has also been compared to various theatrically released Winnie the Pooh movies. [[Slant Magazine]], while reviewing [[Piglet's Big Movie]] said the movies "while nowhere near as captivating as ABC's "The New Adventures of Winnie the Pooh," are pleasant enough family diversions".<ref>www.slantmagazine.com/film/review/piglets-big-movie/555</ref> While reviewing [[Pooh's Heffalump Movie]], Slant called the movie "really just two episodes of The New Adventures of Winnie the Pooh glued together"<ref>http://www.slantmagazine.com/film/review/poohs-heffalump-movie</ref>-->


==References==
==References==
;Footnotes
;Footnotes
<div class="references-small">
<div class="references-small">
'''a.''' {{Note_label|A|a|none}} [[Scrooge McDuck]] had previously been adapted for [[DuckTales]] the year before, but was not considered to be one of the main Disney characters<ref name="Daniel"/><br>
'''a.''' {{Note_label|A|a|none}} [[Scrooge McDuck]] had previously been adapted for ''[[DuckTales]]'' the year before, but was not considered to be one of the main Disney characters<ref name="Daniel"/><br>
'''b.''' {{Note_label|B|b|none}} Jim Cummings voiced Tigger during Season 1's "King of the Beasties" and later during Season 3's "Eeyi Eeyi Eeyore"<br>
'''b.''' {{Note_label|B|b|none}} Jim Cummings voiced Tigger during Season 1's "King of the Beasties" and later during Season 3's "Eeyi Eeyi Eeyore"<br>
'''c.''' {{Note_label|C|c|none}} Ratings are notoriously tricky to obtain for children's programming and not guaranteed to be accurate. Because of this, very few sources publish Saturday morning ratings outside of premiere dates.<ref>http://books.google.com/books?id=b6Iqh5umo3sC&lpg=PA109&dq=%22saturday%20morning%22%20nielsen&pg=PA109#v=onepage&q=%22%3Achildren%20are%20not%20interested%22&f=false</ref><br>
'''c.''' {{Note_label|C|c|none}} Ratings are notoriously tricky to obtain for children's programming and not guaranteed to be accurate. Because of this, very few sources publish Saturday morning ratings outside of premiere dates.<ref>{{cite book|last=Hendershot|first=Heather|url=http://books.google.com/books?id=b6Iqh5umo3sC&lpg=PA109&dq=%22saturday%20morning%22%20nielsen&pg=PA109#v=onepage&q=%22%3Achildren%20are%20not%20interested%22&f=false|title=Saturday Morning Censors: Television Regulation Before the V-chip|publisher=Duke University Press|page=109|year=1998|isbn=978-0822322405}}</ref><br>
'''d.''' {{Note_label|D|d|none}} Despite the fact that the two programs were technically considered a single show, ratings were not reportedly uniformly.
'''d.''' {{Note_label|D|d|none}} Despite the fact that the two programs were technically considered a single show, ratings were not reportedly uniformly.
</div>
</div>

Revision as of 04:42, 15 November 2019

Noahcs/pooh
GenreAdventure
Comedy
Fantasy
Based onA.A. Milne
Voices ofJim Cummings
John Fiedler
Paul Winchell
Ken Sansom
Peter Cullen
Hal Smith
Michael Gough
Patricia Parris
Tim Hoskins
Nicholas Melody
Theme music composerThom Sharp
Opening themePooh Bear
ComposerSteve Nelson
No. of seasons4
No. of episodes50 (82 segments) (list of episodes)
Production
ProducersKarl Geurs
Ken Kessel
EditorMark Zaslove
Running time22 minutes
Production companyWalt Disney Television Animation
Original release
NetworkDisney Channel (1988)
ABC (1988-1991)
ReleaseJanuary 22, 1988 (1988-01-22) –
December 1, 1991 (1991-12-01)
Related
The Book of Pooh
My Friends Tigger & Pooh

The New Adventures of Winnie the Pooh is an American animated television series produced by Walt Disney Television Animation. Based on the classic Winnie-the-Pooh books by author A. A. Milne, the show was the first time a major Disney character headlined an animated, made-for-television series. The cartoon premiered with a limited run on The Disney Channel on January 17, 1988. Nine months later the show moved to ABC as part of their Saturday morning lineup. New episodes continued until October 26, 1991. Proving very popular with children and older fans, it remained on television in the United States for nearly two decades.

The series depicts the everyday lives of Christopher Robin and his companions Pooh, Piglet, Rabbit, Tigger, Eeyore, Owl and Gopher. Rather than a straight-forward adaptation, the show was more Americanized than previous Pooh efforts. Episodes dealt with strong messages about honesty, responsibility, persistence, cooperative effort, friendship and caring. Many stories are designed to help young children distinguish between fantasy and reality and overcome common childhood fears. The show had very high production values.

Publications ranging from The Los Angeles Times to TV Guide gave the series extremely positive reviews for its resemblance to the earlier Disney efforts and its high production quality. The show was also praised for its wholesome tradition.[1] The show won back-to-back Daytime Emmy Awards for Outstanding Animated Program as well as two Humanitas Prizes. The show was well-received by both children and their parents.[2] Most of the viewer mail the crew received was from parents thanking the staff for producing a show that they can watch with their children.[3] The show is credited with bringing about a resurgence of Pooh animated offerings, including a series of TV and video specials[4]

History

Origin

Winnie the Pooh was a character originally created by British author A.A. Milne in the 1920s. The character was named from a teddy bear owned by his son, Christopher Robin Milne. He had named his toy bear after Winnie, a Canadian black bear he often saw at London Zoo, and "Pooh", a swan they had met while on holiday. Drawing from this and other toys owned by his son, Milne created the world of Winnie-the-Pooh. He first appeared by name on December 24, 1925, in a Christmas story commissioned and published by the London Evening News.[5] The following year, a collection of Pooh stories was formally released bearing the name Winnie-the-Pooh. The stories proved very popular and inspired a sequel.

The idea for a television series was first discussed in 1957. NBC suggested Jay Ward undertake the pilot, then titled The World of Winnie the Pooh, with an option for thirty-nine episodes. Some songs and bits of dialogue were recorded, but the project was ultimately abandoned.[6] In 1961, Walt Disney bought the film rights to make an animated movie starring the characters. He subsequently produced a series of three short featurettes throughout the late 1960s and earlier 1970s, beginning with Winnie the Pooh and the Honey Tree.[7][8] Disney had also aired a variety show with the characters that used electronically controlled puppetry and life-sized costume titled Welcome to Pooh Corner.[9][10] This became the highest rated program on the Disney Channel.[11] The original featurettes also proved popular, with video sales topping the charts in 1986 and 1987.[12][13]

Development

Production took place at the Academy of Television Arts & Sciences complex

An animated cartoon starring the characters was first proposed by Walt Disney Television Animation Vice President Gary Krisel during a Disney retreat, in which company assets and future prospects were examined. Rich Frank later recalled him saying: "I think Pooh is a great character for Saturday morning animation". He believed the merchandising license, held at that time by Sears, would work as a great promotional tool.[14] Mark Zaslove was contacted to write the series bible; he had recently finished work on the DuckTales pilot episode. The document was written over Memorial Day weekend 1987, with Zaslove having only three days to complete the proposal. The pitch was well-received by Disney and subsequently green-lit.[15]

Instead of shopping Winnie the Pooh around to different networks, the show was pitched directly to ABC. The channel had desperately wanted a cartoon from Disney for their Saturday morning schedule, which had fallen to last place in the ratings. They had hoped Pooh could boost ratings for the channel.[8] Two years earlier, Micheal Eisner and Krisel had set up meetings with all three major networks in hopes to sell rights to their two cartoon series: Disney's Adventures of the Gummi Bears and The Wuzzles. NBC and CBS had purchased Gummi Bears and Wuzzles, respectively. Realizing they had nothing left to offer ABC, Eisner and Krisel met with them anyway and received a warm response to the gaffe.[16] A deal was reached giving ABC the show, while giving first run rights to The Disney Channel.

The show was official announced via a press release on November 15, 1987.[17] It would mark the first time a classic Disney character was seen on Saturday morning television.[a][18] The series was viewed as a gamble, with people unsure if Pooh would survive on the new medium.[19] At the time, Saturday morning cartoons were viewed as a place with dry, repetitive storylines, shallow characters, cliched narratives, and cheap animation.[20][21] As a result, animation fans greeted Disney's plans to adapt A. A. Milne's childhood favorite to the small screen with a mixture of skepticism and dismay, fearing the show could not top the original featurettes.[22]

Production

ABC eagerly commissioned 25 half-hour episodes of The New Adventures of Winnie the Pooh for its first reason, rather than the standard 13 to 17.[23] Karl Geurs, a self-described Pooh fan, developed the series,[24] which took many months.[25] At the time, Walt Disney Television Animation had only 80 employees and two projects in production.[26] The department did not yet have in-house facilities built,[20] so employees worked out of the Academy of Television Arts & Sciences building.[15] Disney put the same high standards of expectation that they had with their feature films.[27] They had hoped to set a new standard of excellence in Saturday morning television, one with "storytelling rich in language and values, as well as delightful well acted characters" that would appeal to audiences of all ages.[18][3]

checkYWe've been well-trained in being really careful about how the characters are being handled, and a lot of effort goes into the writing, just to guarantee that it’s true to the original sense of Milne. Since he was writing for a different era, compromises have to be made, and we’ve always been very concerned about that

— Ken Kessel, Tribune Media Services[3]

The writing process began with story premises being pitched to Zaslove, who served as story editor for the first season. The best ones were selected and sent to ABC executives for approval, followed by story outlines and scripts. The process took around four weeks per episode.[15] The crew were "dyed-in-the-wool" fan of Milne's works,[21] constantly checking their work against published Pooh books in order to stay true to the original sense of Milne. Special attention was given to maintain the personalities of the characters as they had originally been written.[3] The cartoon attempted to have the right balance of both action-adventure sequences and moments of whimsy.[18] The staff often found trouble working with the limited cast, with supervising director Ken Kessel quoted as saying: "You are restrained by what the characters can do and who they are".[3] The writing staff hoped to channel the spirit of the Walt Disney shorts of the 1940s, drawing inspiration from artists Jack Hannah, Ward Kimball, and Jack and Dick Kinney.[21]

The series had one internal standards director.[28] Care was made to ensure there was no imitable behavior that children could copy. A source of friction on the show was whether Gopher was allowed to have gunpowder[29] A consulting company based in Glendale, California advised the team on how the characters should speak, look, and act in order to better appeal to the target demographic. The relationship with the production staff was described as positive.[30]

Like most other cartoons, the animation was outsourced to other countries. This mainly done for cost purposes and the limited availability of artists in the United States. All the writing, music, direction, character design, and color was worked by around thirty Disney employees in Hollywood. After this, everything was sent overseas for the animation. Approximately 300 employees would work on inking and printing.[8] An unusually high number of animation cels were used for the show, with 20,000 cels in each episode as opposed to 8,000–12,000 for typical cartoons.[18] The show had more drawings per minute than any other TV cartoon at the time.[31][18] Early episodes were completed by TMS Entertainment in Taiwan and later by Walt Disney Animation UK Ltd, Hanho Heung-Up[23] and Wang Film Productions.[32] Sixteen episodes were also produced by Walt Disney Television Australia. The show set a benchmark for similar cartoons that both Disney as well as other channels expected for future shows.[20][33]

After the animation was completed, the production reels were sent back to the United States where music and sound effects were added.[8] The show's theme song, entitled "Pooh Bear", was written by Steve Nelson and sung by Steve Wood.[34] A version with Nelson doing the vocals later appeared on his Listen What the Katmandu album.[35] Nelson also composed several additional songs that were shown on the early episodes.[23] The music was particularly praised by critics.[36] The show's underscore was composed by Thom Sharp.[37] An orchestra was used to record the music, using instruments such as trumpets and woodwinds.[38] The composers were given the unique opportunity to examine the animator's exposure sheets, enabling them to write music while an episode was being scripted.[18]

The producers actively sought out the original voice cast which had been used in the 1960s featurettes. Sterling Holloway, the original voice of Winnie the Pooh, read for the part, but had aged to the point where he could no longer do the voice successfully.[15] A casting call was held and Jim Cummings was selected as his replacement, a role he has continued with to the present day.[39] John Fiedler and Hal Smith, the original voices for Piglet and Owl respectively, returned for the series. Paul Winchell also reprised his role as Tigger. On advice from his cardiologist, Winchell mostly avoided working with the rest of the cast. The studio let him do his voices alone.[40] At the time, Winchell was making various trips to Africa to combat hunger.[41] Cummings often filled in for Winchell during these.[42] In the show's third season, Cummings permanently took over the role of Tigger.[b][43] Most of the sessions occurred at B&B Sound in Burbank, California. Newer technology allowed for the actors to record their roles without having to be in the same room. For example, Fiedler always did his recordings from New York[44] and Winchell was able to do some from Florida.[40]

Promotion

Coming into the 1988–89 television season, networks had been struggling with a drop in ratings among children. ABC itself experienced a decline of 37 percent in kids under the age of 6.[45] It had been surmised by ABC executives that this was due to a change in the way Nielsen ratings were collected.[8] The data had historically been recorded automatically by a device inside household television sets. However this had been changed the year before; children now had to use people meters for their viewership to be counted. This required manually pushing buttons that would clock kids in and out and programs, something they often had trouble successfully completing.[46][45] What resulted was a demographic that could not be guaranteed to advertisers.[47]

In order to combat this, ABC decided to fill their programming with "old favorites".[48] The studio began to develop and retool classic characters and shows, ones that they hoped could attract older children and their parents into watching the program.[49] Winnie the Pooh became the centerpiece in this plan, with the show was described as the highlight of ABC's Saturday morning schedule.[48] The character had what network executives call "marquee value"—meaning they are familiar and already have a built-in audience.[50] Squire Rushnell, Children's Vice President for ABC, was hoping Pooh could draw a "somewhat more sophisticated" audience in the range from 6 to 11 years.[8]

In the three weeks leading up to its debut, ABC began airing promotionals for the cartoon during prime-time hours.[49] This was seen as a very unusual occurrence.[47] Part of the reason this was done was to fill airtime, as the 1988 Writers Guild of America strike had caused production to be halted on prime time television shows. Advertisements for The New Adventures of Winnie the Pooh were played during adult shows such as thirtysomething and Moonlighting using the tag line "Now you can share your childhood heroes with your children".[8] A television commercial that aired during the ABC Sunday Night Movie on September 4, 1988 used the tagline "before taxes. before puberty. there was childhood. and Winnie the Pooh".[51][49]

The evening before the show made its broadcast debut, ABC aired a thirty-minute Saturday Morning preview show featuring Winnie the Pooh and other debuting cartoons: The New Adventures of Beany and Cecil and A Pup Named Scooby Doo.[52] The show placed second in its time-slot with a 7.3 Nielsen rating.[53]

Sears & Roebuck and Honey Nut Cheerios partnered to host a nationwide premiere party to celebrate the series coming to ABC. Over 300 Sears stores across the country participated in the breakfast, which doubled as a charity event. The first episode was telecast on in-store video displays. More than 40,000 children attended the event.[54][55] Some stores had Winnie the Pooh characters show up in costume.[56][57] Sears also dedicated eight pages of their Christmas catalog towards the series.[54]

Broadcast history

During the 1980s, a debate emerged inside the Disney Corporation about whether original programs should be aired on the Disney Channel or outsourced to other channels. Some executives felt there was nothing more important than the Disney Channel.[14] Others such as Gary Krisel disagreed, feeling they risked losing a generation of TV viewers who did not have cable.[16] In the end, a compromise was reached with Disney Channel President John F. Cooke, who agreed to "pay" Krisel's division a certain price if he could get first run rights.[14] The show premiered on the Disney Channel on January 17th, 1988. Thirteen episodes aired at 8:30am on weekends.[58] The show's run ended that July.[59]

The show then moved to Saturday morning where it aired for a full hour from 8:30am to 9:30am. For the second season, the show was cut back to 30 minutes to make room for new entries. The show was merged with Disney's Adventures of the Gummi Bears and aired as part of the Gummi Bears-Winnie the Pooh Hour.[60] This partnership was short lived and lasted only one year, when Gummi Bears moved to daily syndication. Winnie the Pooh returned as a solo effort the following year.[23][61][62] New episodes intermixed with reruns returned for a third season in the fall of 1990.[23] During this time, two of the show's characters—Winnie the Pooh and Tigger—were incorporated into Cartoon All Stars to the Rescue.[63] The show returned for a fourth season on September 7, 1991.[23] The show was not renewed the following year. After the series ended, the crew produced Winnie the Pooh and Christmas Too, a primetime spin-off of the show.[64]

Despite production ending the year before, reruns of the show returned to ABC's fall schedule for the 1992–93 season.[65] By the following year, the show was dropped by ABC and sold in syndication.[66] Executives felt the show could make more money selling directly to television stations rather than accepting ABC's license fee.[67] The show later returned on October 28, 1995 when reruns of the program replaced The New Adventures of Madeline,[68] but the show left for the 1996–97 season.[69] The show then returned January 4, 1997 and continued until 2002.[70]

The Disney Channel began airing reruns of the series on October 3, 1994.[71] These continued until September of 2006, at which point it was taken off the schedule to make way for a new television series, My Friends Tigger & Pooh.[42] It was also shown on Toon Disney, first airing April 18, 1998.[72] Internationally, the show has aired in several countries including the Family Channel in Canada,[73] India,[74] and Poland.[75]

Season Episodes TV season Time slot (ET) Originally aired
Season premiere Season finale
1 25[23] 1988-89 8:30 AM - 9:30 AM January 17, 1988 (1988-01-17) March 4, 1989 (1989-03-04)
2 10 1989-90 9:00 AM - 9:30 AM September 9, 1989 (1989-09-09) December 2, 1989 (1989-12-02)
3 10 1990-91 8:00 AM - 8:30 AM August 18, 1990 (1990-08-18) November 10, 1990 (1990-11-10)
4 8 1991-92 September 7, 1991 (1991-09-07) October 26, 1991 (1991-10-26)

Characters

  • Winnie the Pooh (Jim Cummings) is the main character. He is a very lovable character who is always good-natured. Very naive and "bear of very little brain". Cummings called the program timeless.[76]
  • Piglet (John Fiedler) is Pooh's best friend. He is shy, very kindhearted and is obsessed with keeping things neat and tidy, and enjoys beautiful things like flowers. His fears and nervousness often hinder his life, as he runs and hides when unnecessary and often stutters when nervous, but has been shown to have a lot of hidden courage and often faces danger to help others. He sometimes has an inferiority complex, although his friends think highly of him. Episodes about him tend to revolve around these traits as well as his small size. Fellow actor Jim Cummings described his voice as "kind of like the wind blowing through tall grass. It sounded homey, and it sounding comforting".[77] Fiedler was very proud of his work on the show and enjoyed the role just as much as when he started in 1968.[78]
  • Tigger (Paul Winchell, Jim Cummings) is an ebullient tiger. Tigger is always filled with great energy and optimism, and though always well-meaning, he can also be mischievous, and his actions have sometimes led to chaos and trouble for himself and his friends. He is very confident and has quite an ego, having a high opinion of himself. He has a notable habit of mispronouncing various words, or stressing wrong syllables in them. Unlike previous adaptations, Tigger is shown living in a large treehouse. Winchell thought of him as a cross between the Dead End Kids and the Cowardly Lion.[79] Tigger was voiced by Winchell for the first 33 episodes and by Jim Cummings for the later seasons[80] When Cummings took over the role, Winchell said "Take care of my little friend for me."[79]
  • Rabbit (Ken Sansom) is finicky rabbit. In addition to wanting to be organized and practical, Rabbit's tendency to take charge is inflated to the extent that he becomes a control freak who insists on doing things exactly right, in his way and in the proper order. He keeps a garden and does whatever he can to protect it from other animals such as bugs and crows and he gets upset when anyone or anything tries to steal his vegetables. He and Tigger are usually foils for each other, reluctantly working together. He was shown as green in the series, compared to yellow in later efforts.[81] Ken Sansom described voicing Rabbit as the best experience he's had.[44]
  • Gopher (Michael Gough) plays a more prominent role in this series. He is shown to be a bit of a workaholic, and is obsessed with dynamite and digging in his tunnels. He speaks in a Southern accent and wears a helmet with a light attached. He often helps the others out with construction plans.
  • Eeyore (Peter Cullen) is a gloomy donkey. He is somewhat less caustic and sarcastic in this version than in the original stories. Despite his depressive nature, Eeyore is capable of great compassion. He usually expects misfortune to happen to him, such as his house of sticks to be knocked down regularly, but accepts it when it does.
  • Owl (Hal Smith) is the eldest character in the series. He presents himself as a mentor and teacher to the others, but is really quite scatterbrained. He enjoys telling stories about his distant relatives, whenever something reminds him of one, but many of his stories are pointless or absurd. He speaks with a strong Southern English accent.
  • Roo (Nicholas Melody) is a baby joey. He wears a light blue shirt. The smallest of the characters, Roo frequently is seen hanging around Tigger.
  • Kanga (Patricia Parris) is Roo's mother. She rarely appears, but is shown to be kind-hearted and calm.
  • Christopher Robin (Tim Hoskins) is an 5 year old child that has adventures with the stuffed animals.

For the most part, the show used a limited cast consisting only of characters in the original Milne books.[3] However, several minor characters did make appearances. Christopher Robin's mother (voiced by Patricia Parris) is shown occasionally, but always with her face obscured.[82]

Kessie, a bluebird that Rabbit rescues, makes her first appearance in this series; she would later appear in The Book of Pooh.[83] Stan Woozle and Heff Heffalump appear as a pair of honey thieves. This marked the first time heffalumps and woozles were seen on-screen.[27] Prior to this, they had always been portrayed as creatures that did not exist and were representative of childhood fears.[84] Instead, the show used other unseen villains such as Jagulars[60] and the "Grabme Gotcha". [85] A father and son heffalump also appeared from time to time.[86] Other characters on the show include Owl's cousin Dexter (voiced by Hal Smith) and Skippy the Sheepdog.[42] Chuck McCann provided additional voices as well.[87]

Setting

For this adaptation, the show underwent an Americanization. The setting was changed from native England to contemporary America.[8] The series depicted Christopher Robin as a typical 1980s kid rather than a 1920s British child. He is shown living in a suburban house with his mother and no longer had an English accent.[88] His mischievous imagination drew comparisons to Calvin from Calvin and Hobbes, as opposed to Milne's original interpretation.[22] Additionally, unlike the earlier Disney featurettes, the show did not use a narrator or the storybook theme.[22]

Although the show still used the Hundred Acre Wood as its main setting, several episodes took place in other locations. The characters occasionally traveled to the adjacent town, going to a grocery store or movie theater.[88] Other episodes were set in more imaginative settings and involved the characters journeying into the clouds or down in a wishing well. One episode took place in the Wild West, in the form of a play.[89] These styles of episodes were done away with later on.[90] The writing staff felt they worked best in the Hundred Acre Wood.[3]

The writers made a point of keeping the show as timeless as possible, having the Hundred Acre Wood become a "never, never land". The show did its best to leave out all the modern conveniences.[21] The approach to episodes was to put more emphasis on adventure, yet keep the integrity of Milne's characters.[8] To add excitement, the occasional waterfall or cliff was added,[90] which the show found tough to fit in.[21] The dialogue was updated to make the show more relatable to today's generation.[91]

Themes and analysis

The show was a conceived as a comedy of manners and was hailed as a rare cartoon devoid of any violence or villains.[90][80] The show's main theme revolved around the complications and misunderstandings that often arose between the characters and their eventual return to normalcy.[3] For instance, one episode dealt with Pooh believing Rabbit was moving away after hearing he had "eaten him out of house and [honey]".[60] Special attention was paid to write from a child's point of view, rather than an adult's. For this, the writers drew inspiration from Bill Cosby, Gahan Wilson, and The Phantom Tollbooth.[15] Additionally, the staff was also very conscious of their older viewers—dubbed "older kids"—and would always aim for a sensibility that would appeal to them as well. Kessel noted that while the show often had writing that would go over the heads of little kids, the original Milne books did as well.[3]

Unlike previous adaptations of Winnie the Pooh, the stories were not based on chapters from A.A. Milne's books. The writers made a point of not copying from Milne, but instead drawing the essence of him for the modern day; keeping the same charm and style as the original stories.[92] The episodes have very little action in terms of plot, which in later years has drawn comparisons to Seinfeld.[93] The main storylines typically derived from the characters and their relationships to each other.[50] Episode plots ranged from the simple, such as Winnie the Pooh searching for honey (stylized as hunny), to the more dramatic, such as Christopher Robin becoming trapped under his bed.[21] Some episodes spoofed published works of fiction including Frankenstein[94] and Sherlock Holmes.[95]

Episodes focused on socioemotional issues,[96] dealing with topics such as teamwork, resourcefulness, how to triumph over challenges, the power of positive outlook, and the value of friendship.[97] The series delivered strong messages about honesty, responsibility, persistence, cooperative effort, friendship and caring. The morals taught in each story allow children to draw parallels to their own lives.[27] These were offered in a far more subtle manner than the "prosocial snippets" seen on other programs.[23] Many stories are designed to help young children distinguish between fantasy and reality and overcome common childhood fears.[98] Innumerable children's-expert panels continued throughout its lengthy network run to highly commend and recommend the series to the three-to-ten-year-old crowd, even growing tolerant enough to be amused by the "hunny/honey" spelling controversy.[23]

Reception

Critical reviews

Only a few program even approach the quality of ABC's four-season-old New Adventures of Winnie the Pooh, the most artfully written and drawn kids' series on the air.

Noel Holston, The Pittsburgh Press[99]

The Los Angeles Times called the show "the best made-for-TV cartoon show in several seasons".[22] Months later, the newspaper claimed it as "not only the classiest new show of the season, but also one of the best-looking series ever animated for television".[100] and gave an similarly good review the next year.[101] The Atlanta Journal Constitution said it "contained much more detailed and lively animation than the usual kidvid".[102] TV Guide said the show had "theatrical-grade animation, sprightly stories, conscientious eschewing of laugh tracks and best of all, the willingness to let the visual jokes speak for themselves".[103] Entertainment Weekly gave the show an "A" saying "there's enough excitement, including lots of slapstick and bad guys, to keep '90s adventurers happy".[88] The New York Times called the show "lovingly faithful" to the original Milne books.[93] Lee Winfrey of Knight-Ridder says the writers successfully maintained the integrity of Milnes's characters and praised the animators for Ernest H. Shepard's illustrations.[8] The Milwaukee Journal said the show will "offer children and probably their parents, a gentle walk through Pooh Corner".[31] Gene Seymour of Knight-Ridder called the best animation on weekly television outside of the General Mills Commercials.[104] The Dayton Daily News called the program one of the best on television writing "The animation of this offering from the Disney's studios is not as sumptuous as the company's feature films, but it is miles above the television norm". Charles Witback praised the show claiming that "Milne [came] out on top " and they remain unique to the flashy, noisy Hollywood.[21] The San Bernardino Sun wrote "if kids like the verbal wit of the other shows, they'll tackle the rich sophistication of Winnie the Pooh"[92]

Good Housekeeping wrote that the show was "sweet and endearing, though its educational value is essentially limited to a kid-tailored 'I'm okay, you're okay' theme".[105] Common Sense Media gave the show 4 stars, saying "the lessons are just as classic and time-tested as the characters".[91] Hal Erickson, writing in his book Television Cartoon Shows, called the show a delightful eye of calm in "the hurricane of hectic Saturday morning slapstick".[23] DVDizzy.com praised the show calling it "true both to the spirit of Milne's creation and the animation of Disney's terrific short films".[106] DVDVerdict.com called the show "perfectly respectable imitations that still rank as stellar, sweet-natured children's entertainment", going on to write "Kids should enjoy this stuff and adults should feel comfortable leaving their young ones in the care of this of this good-hearted programming for an hour".[107] AnimatedViews called the show "a well-remembered if not exceptional series that slotted into the kind of programming that filled the Disney Afternoons."[4] David Perlmutter, in his book America Toons In, called the longevity of the show "a testament to the enduring appeal of the beloved characters".[20] The Laser Disc Newsletter wrote the show is "highly imaginative, featuring lovely artwork and a number of creative touches".[108] Using Children's Literature in Preschool said that "the show brings alive the humor and excitement of the original books".[109]

Not all reviews have been positive. Evan Levine, writing for the Philadelphia Daily News, gave the program a mixed review, saying "the characters are all true to form, but the colors are overly bright, and the whole look is harsh" but adding "this series is certainly better than a lot of other cartoons that we've seen".[110] Jan Crain Rudeen, writing for the Scripps Howard News Service, described the series and the resulting video releases as "awful", which he felt lacked imagination.[111] Desson Howe of The Washington Post described the series as "cheaply sweetened fare".[112] One particular episode has been a source of controversy. "Sorry Wrong Slusher", in which the characters stay up late, order pizza, and watch a late night slusher film, has been called violent.[113]

Ratings

The network television premiere on Saturday, September 10, 1988, was hailed as an immediate success.[60] The show won its time-slot with 5.9/23 Nielsen ratings share, translating to 5.7 million viewers. ABC, who had been in third place for Saturday morning the year prior, won every time-slot averaging a 5.0 rating/20 share.[114] This trend continued for the next three weeks.[c] Selby Hall, Marketing Manager for ABC, was quoted as saying "[the show had] been very successful on Saturday mornings in the States". The high ratings caused an extra push behind the international airings of the program.[121] Throughout the season, the show continued to receive "solid" ratings. The show ranked 10th place out of all Saturday morning cartoons for the season.[122]

During the 1989-90 television schedule, the series was paired with Disney's Adventures of the Gummi Bears. The show once again won its time-slot, but fell one rating point from the previous year's debut. The show repeated this the next week, but was beaten by Captain N: The Game Master the next two weeks.[123]

By 1993, the show had fallen in the ratings. Finishing 27th out of the 36 Saturday morning programs, the show averaged a 2.1/9 Nielsen rating share.[124] The show received a 3.3 Nielsen rating in late February 1993 corresponding to 3.2 million viewers.[125] In 1997, MediaWeek ranked it 301st out of every broadcast show.[126] By the late 1990s, the show was one of the top five Saturday morning cartoons.[127] It had a (2.5/11) market share in Boys 2-11 and a (2.2/11) market share in boys 6-11.[128]

Awards

For its debut season the show won a Daytime Emmy Award for Outstanding Animated Program. During his acceptance speech, Mark Zaslove praised the actors and animators for their dedication to the series and specifically thanked Jymn Magon and Karl Geurs for the humanity they brought to the program.[129] The following year the series was awarded the same honor, this time in a tie with Beetlejuice. The show was awarded the first of two Humanitas Prizes during its first season for "[examining] the need to both hold onto and let go of love".[130] Three years later, the show would pick up its second prize for its dramatization "of the struggle to assume responsibility and live with the consequences of your mistakes".[131] The show also received a commemoration from the Action for Children's Television with President Peggy Charren calling the show "an imaginative extension of the Pooh stories...preserving the essence of the original characters".[132]

The show was cited in the Children's Television Act of 1990 as an example of a positive educational program.[133] The show received a special salute during the opening session of the Congressional Club in 1988. Joan Lunden, co-host of Good Morning America, hosted the opening session which included United States Congressional and Cabinet wives as well as their children and grandchildren.[134] WatchMojo.com ranked the series ninth in their "Top Disney Animated TV Series" list, saying "By telling stories that dealt with friendship, fear, self-esteem and more, Disney brought the characters of A.A. Milne's beloved books to life".[135] BuzzFeed ranked the theme song third in their list of "7 Cartoon Theme Songs Guaranteed to Earworm You"[136]

☒NAwards and nominations for The New Adventures of Winnie the Pooh
Date Award Category Nominee(s) Result
1988 CableACE Award Children's Entertainment Series or Special, 8 and Younger[137] Won
Parents' Choice Awards Silver Seal Award[138] Won
1989 Golden Reel Awards Sound Effects Mixing "Paw & Order" Nominated
"The Masked Offender" Nominated
Young Artist Awards Best Young Actor Voice-Over Role[139] Tim Hoskins Nominated
Action for Children's Television Commercial Broadcast Award[140] Won
Daytime Emmy Awards Outstanding Animated Program Won
Humanitas Prize Children's Animation[141] Doug Hutchinson, Larry Bernard and Mark Zaslove
for "Find Her, Keep Her"
Won
Parents Choice Awards Gold Seal Award[138] Won
1990 Daytime Emmy Awards Outstanding Animated Program "My Hero / Owl Feathers" Won
Parents Choice Awards Gold Seal Award[142] Won
1991 Daytime Emmy Awards Outstanding Film Sound Editing Nominated
Golden Reel Awards Outstanding Achievement "The Good, The Bad, and The Tigger" Nominated
1992 Daytime Emmy Awards Outstanding Animated Program Nominated
Outstanding Film Sound Editing Nominated
Humanitas Prize Children's Animation[141][143] Bruce Reid Schaefer
for "Home Is Where The Home Is"
Won

Home video releases

This logo was used for all Pooh products; it was redesigned because the old logo was inadvertently "sending negative messages"[144]

Although Disney has never released the complete series on home video, there have been numerous video collections released over the years.[106] The first was a collection of 10 videocassette tapes issued by Walt Disney Home Video.[88] Each VHS contained between three to four episodes, with the first three tapes released in 1990.[145] This was followed by an additional three the next year[146] and four more in 1992. Due to a twenty-five year license agreement on Pooh merchandise, these videotapes were released only in Sears. Sales were very poor, despite a solid consumer base.[144]

☒NEric Schulz, Vice President of Marketing at Disney, recalled an incident one Friday afternoon at Kmart where parents were shopping: "We noticed that no Winnie the Pooh characters were available. Several consumers were asking the store clerks if the Poohs were sold out". Schulz and his team discovered there were no plush toys available at Kmart, due to the licensing. They also discovered that this license was expiring in just a few months and would not be renewed. That afternoon, the marketing team returned to the office and began to plan new ideas to sell Winnie the Pooh videos.[144]

In 1994, on the day that the Sears license expired, a nationwide Pooh video and plush promotion was launched.Cite error: The <ref> tag name cannot be a simple integer (see the help page). Videos were packaged with Pooh plush characters together in a single box.[144] Disney proclaimed 1994, "The Year of Pooh"[147] which coincided with the 70th anniversary of Winnie the Pooh. In lieu of traditional press kit, Disney sent out a Winnie the Pooh cookie jar to the press outlets, a decision which received overwhelmingly positive reaction. The Today Show proudly displayed its Pooh cookie jar on TV while the hosts talked about the new video releases.[144]

checkYTwo collections of complication tapes called Pooh Playtime and Pooh Learning were released with three videotapes encompassing each set. The videos featured between two to four episodes of The New Adventures of Winnie the Pooh and featured new songs written by Dave Kinnoin.[148] Sales were very high, with numerous videos turned up on the Video Bestseller List. In just three weeks, Disney had sold twenty times more Winnie the Pooh videos than they had in the previous twelve months. By 1995, Pooh videos sold over thirty times what they had sold the year before, despite the fact that Disney had only repackaged existing products.[144] Because of their success, two additional videos were added to each collection. A third collection entitled Pooh Friendship was released in 1997, bringing the three collections to fifteen videos between them.[149]

The show first appeared on DVD in the United Kingdom. Under the title The Magical World of Winnie the Pooh, eight volumes were released consisting of four episodes apiece. The first five volumes of this series later appeared in the United States under the name Growing Up with Winnie the Pooh. Appearing in February 2005, the releases were made to coincide with the premiere of Pooh's Heffalump Movie.[150] These episodes did not include the original opening credits, but instead had new sequences specifically made for the discs.[106] Episodes of the show have also been released as part of the "special features" in the DVD releases of Winnie the Pooh movies, such as The Tigger Movie and Winnie the Pooh: Springtime with Roo.[151]

Impact and legacy

The series helped spawn a successful Winnie the Pooh media franchise, which grew into a series of made-for-TV holiday specials, two additional television series, and four theatrically released movies. Many of the cast members continued to work with these Winnie the Pooh adaptations. Jim Cummings continues to voice Winnie the Pooh and Tigger in the present day. Paul Winchell briefly reprised his role as Tigger in Pooh's Grand Adventure: The Search for Christopher Robin.[24] John Fiedler voiced Piglet until his death in 2005.[78] Ken Sansom and Peter Cullen continued voicing their characters until 2010. Much of the writers and directors returned for Pooh's Grand Adventure and The Book of Pooh. Bruce Talkington has since written many children's books based on Winnie the Pooh.[152]

The show was one of the last times Winnie the Pooh was designed and marketed for audiences of all ages.[153] In the years following the series, Walt Disney Home Video began to reposition their strategy and marketed the television series, and Winnie the Pooh in general, towards younger age groups, despite critics claiming the show can be enjoyed by members of all ages.[22][31][154] In later years, the show has been touted as strictly for preschoolers. DVDizzy summarized the idea saying "Even though Milne's books had won over readers of all ages and even though kids weren't buying movie tickets and merchandise, Disney seemed set on the idea that Pooh was strictly for little ones, those not even old enough to attend school".[155]

The program caused a resurgence of popularity of Winnie the Pooh that continues to this day, to the point of the character being Disney's second largest franchise.[4] Following the home video releases, Disney's annual revenue from Winnie the Pooh rose from $100 million to more than $1 billion in just four years.Cite error: The <ref> tag name cannot be a simple integer (see the help page). Winnie the Pooh is now the most successful Disney character, surpassing Mickey Mouse.[156] As of 2012, it is the third most popular media franchise in the United States.[157]

References

Footnotes

a. ^ Scrooge McDuck had previously been adapted for DuckTales the year before, but was not considered to be one of the main Disney characters[48]
b. ^ Jim Cummings voiced Tigger during Season 1's "King of the Beasties" and later during Season 3's "Eeyi Eeyi Eeyore"
c. ^ Ratings are notoriously tricky to obtain for children's programming and not guaranteed to be accurate. Because of this, very few sources publish Saturday morning ratings outside of premiere dates.[158]
d. ^ Despite the fact that the two programs were technically considered a single show, ratings were not reportedly uniformly.

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