Parasite (2019 film): Difference between revisions
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==Plot== |
==Plot== |
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The Kim family, consisting of father Ki-taek, mother Chung-sook, son Ki-woo, and |
The Kim family, consisting of father Ki-taek, mother Chung-sook, son Ki-woo, and daughter Ki-jeong, lives in a small basement [[apartment]], working low-paying temporary jobs and struggling to make ends meet. Ki-woo's friend Min-hyuk, who is preparing to study abroad, gifts the Kim family with a [[scholar's rock]] that is supposed to bring them wealth. |
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Min-hyuk suggests that Ki-woo pose as a [[university]] student to take over his job as an [[English]] [[tutor]] for the wealthy Park family's teenage daughter, Da-hye. Once Ki-woo is hired, the rest of the Kims successively pose as [[sophisticated]] skilled workers, unrelated to each other, and [[integrate]] themselves into the lives of the Parks, Ki-woo begins a romantic relationship with Da-hye, Ki-jeong poses as an [[art therapist]] and is hired to teach their son, Da-song, Ki-taek is hired as a [[chauffeur]] after Mr. Park's driver is fired when Ki-jeong frames him for having sex in the car, and Chung-sook is hired to replace the current [[housekeeper]], Moon-gwang, after the Kims exploit her allergy to peaches, claiming that she has [[tuberculosis]]. When the Parks leave on a camping trip, the Kims occupy the mansion, exploiting their [[luxuries]]. |
Min-hyuk suggests that Ki-woo pose as a [[university]] student to take over his job as an [[English]] [[tutor]] for the wealthy Park family's teenage daughter, Da-hye. Once Ki-woo is hired, the rest of the Kims successively pose as [[sophisticated]] skilled workers, unrelated to each other, and [[integrate]] themselves into the lives of the Parks, Ki-woo begins a romantic relationship with Da-hye, Ki-jeong poses as an [[art therapist]] and is hired to teach their son, Da-song, Ki-taek is hired as a [[chauffeur]] after Mr. Park's driver is fired when Ki-jeong frames him for having sex in the car, and Chung-sook is hired to replace the current [[housekeeper]], Moon-gwang, after the Kims exploit her allergy to peaches, claiming that she has [[tuberculosis]]. When the Parks leave on a camping trip, the Kims occupy the mansion, exploiting their [[luxuries]]. |
Revision as of 17:39, 24 January 2020
Parasite | |
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Directed by | Bong Joon-ho |
Screenplay by |
|
Story by | Bong Joon-ho[1] |
Produced by |
|
Starring |
|
Cinematography | Hong Kyung-pyo[2] |
Edited by | Yang Jin-mo |
Music by | Jung Jae-il[1] |
Production company | Barunson E&A[1] |
Distributed by | CJ Entertainment |
Release dates |
|
Running time | 132 minutes[3][4] |
Country | South Korea[3][1] |
Language | Korean[1] |
Budget | ₩13.5 billion[5] (~US$11 million) |
Box office | $148.4 million[6][7][8] |
Parasite (Korean: 기생충) is a 2019 South Korean dark comedy thriller film directed by Bong Joon-ho, who also wrote the film's story and co-wrote the screenplay with Han Jin-won. The film stars Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, and Park So-dam, and follows the members of a poor household scheming to become employees of a much wealthier family by posing as unrelated, highly qualified individuals.
The film premiered at the 2019 Cannes Film Festival on 21 May 2019, where it became the first Korean film to win the Palme d'Or and the first film to do so with a unanimous vote since 2013's Blue Is the Warmest Colour. The film was then released in South Korea by CJ Entertainment on 30 May 2019. It received widespread acclaim from critics, with many ranking it among the best films of the 2010s.[9][10] It has grossed $148 million worldwide so far, becoming Bong's highest-grossing release and the third highest-grossing film in South Korea.[11]
At the 92nd Academy Awards, the film earned six nominations, including Best Picture, Best Director, and Best International Feature Film, making it the first South Korean film to be nominated in those categories. At the 77th Golden Globe Awards, the film won the award for Best Foreign Language Film. It received four nominations at the 73rd British Academy Film Awards. It also became the first non-English film to win the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.
Plot
The Kim family, consisting of father Ki-taek, mother Chung-sook, son Ki-woo, and daughter Ki-jeong, lives in a small basement apartment, working low-paying temporary jobs and struggling to make ends meet. Ki-woo's friend Min-hyuk, who is preparing to study abroad, gifts the Kim family with a scholar's rock that is supposed to bring them wealth.
Min-hyuk suggests that Ki-woo pose as a university student to take over his job as an English tutor for the wealthy Park family's teenage daughter, Da-hye. Once Ki-woo is hired, the rest of the Kims successively pose as sophisticated skilled workers, unrelated to each other, and integrate themselves into the lives of the Parks, Ki-woo begins a romantic relationship with Da-hye, Ki-jeong poses as an art therapist and is hired to teach their son, Da-song, Ki-taek is hired as a chauffeur after Mr. Park's driver is fired when Ki-jeong frames him for having sex in the car, and Chung-sook is hired to replace the current housekeeper, Moon-gwang, after the Kims exploit her allergy to peaches, claiming that she has tuberculosis. When the Parks leave on a camping trip, the Kims occupy the mansion, exploiting their luxuries.
That night, Moon-gwang returns, claiming that she left something in the basement. She opens a secret bunker, revealing that her husband, Geun-sae, has lived there for years to hide from loan sharks. As she begs Chung-sook to keep their secret, the eavesdropping Kims accidentally slips and stumble into each other. Moon-gwang threatens to expose their scam after realizing they are a family, leading to a fight. The Parks suddenly call, informing Chung-sook that heavy rain has ruined the trip and that they are arriving home shortly. The Kims force Geun-sae and Moon-gwang into the bunker. Moon-gwang is kicked down the stairs by Chung-sook and suffers a fatal head injury. When the Parks return, Mrs. Park tells Chung-sook that her son was traumatized years earlier by seeing a "ghost". As Geun-sae escapes the basement with the other three Kims hiding nearby, Mr. Park complains to his wife that while Ki-taek is a competent driver, he smells bad. The three Kims escape the mansion undetected, but find their apartment flooded by sewage water driven by the rain. They spend the night in a local gym, along with hundreds of others driven out by the rain. Ki-taek and Ki-Woo discuss what plan to make next, with Ki-taek becoming indifferent yet frustrated with their life circumstances.
The following day, Mrs. Park throws a birthday party for Da-song and invites the staff. During a private conversation in which Ki-Taek tries yet again to speak friendly with Mr. Park, he is reminded that is merely a paid servant. Ki-woo returns to the bunker with the scholar's rock but is ambushed by Geun-sae, who hits him over the head with the rock. Geun-sae escapes the bunker and rushes into the party, stabbing Ki-jeong in the heart. Geun-sae's sudden appearance triggers Da-song's traumatic memory, causing a seizure and chaos to ensure. As Ki-taek rushes to help Ki-jeong, Mr. Park yells at him to drive Da-song to the hospital. Ki-taek throws him the car keys, which land under the struggling Chung-sook and Geun-sae. Chung-sook manages to kill Geun-sae with a meat skewer. As Mr. Park retrieves the keys, he recoils from Geun-sae's smell. Ki-taek, pushed to the breaking point by Mr. Park's indifference towards Ki-jeong's injury and his disgusted reaction to the smell, fatally stabs Mr. Park before leaving.
Weeks later, Ki-woo awakens from a coma and is sentenced, along with Chung-sook, to probation for fraud; Ki-jeong has died from her wound. Geun-sae’s motive and the whereabouts of Ki-taek, who is wanted for Mr. Park's murder, are unknown. While watching the Parks' recently sold mansion, Ki-woo notices a light flickering in Morse code a message from Ki-taek, who now lives in the mansion's basement as Geun-sae did previously. Ki-woo writes a letter to his father, promising to work hard and earn enough money to buy the mansion so his family can live together again, but the film ends with Ki-woo still in the basement where the family began.
Cast
- Song Kang-ho as Kim Ki-taek, father of the Kim family
- Lee Sun-kyun as Park Dong-ik, father of the Park family
- Cho Yeo-jeong as Yeon-gyo, mother of the Park family
- Choi Woo-shik as Kim Ki-woo, son of the Kim family
- Park So-dam as Kim Ki-jeong, daughter of the Kim family
- Chang Hyae-jin as Chung-sook, mother of the Kim family
- Jeong Ji-so as Park Da-hye, daughter of the Park family
- Jung Hyeon-jun as Park Da-song, son of the Park family
- Lee Jung-eun as Gook Moon-gwang, the housekeeper
- She has an allergy to peaches. In a Reddit Ask Me Anything Bong stated that he received the idea from the fact that a friend in university had this allergy.[13]
- Park Myung-hoon as Geun-sae, Moon-gwang's husband
- Park Geun-rok as Yoon, the chauffeur
- Jung Yi-seo as the pizzeria manager
- Park Seo-joon as Min-hyuk (cameo)[14]
Production
Development
The idea for Parasite originated in 2013. While working on Snowpiercer, Bong was encouraged by a theater actor friend to write a play. He had been a tutor for the son of a wealthy family in Seoul in his early 20s, and considered turning his experience into a stage production.[15] After completing Snowpiercer, Bong wrote a 15-page film treatment for the first half of Parasite, which his production assistant on Snowpiercer, Han Jin-won, turned into three different drafts of the screenplay.[15] After finishing Okja, Bong returned to the project and finished the script; Han received credit as a co-writer.[15]
The incident of Christine and Léa Papin gave some ideas to Bong. He conceptualized the ending while at a pedestrian crosswalk in Vancouver.[16]
Darcy Paquet served as the translator for the English subtitles. She rendered Jjapaguri or Chapaguri (짜파구리), a dish cooked by a character in the film, as "ram-don", meaning ramen-udon. It is a mix of Chapagetti and Neoguri.[17]
Filming
Principal photography for Parasite began on 18 May 2018[18][19] and ended 77 days later on 19 September 2018.[20] Filming took place around Seoul and in Jeonju.[21]
The Parks' house, said in the film to be designed by a fictional architect named Namgoong Hyeonja, was an entirely newly-built set.[22] Production designer Lee Ha-jun said the sun was an important factor with building the outdoor set. "The sun's direction was a crucial point of consideration while we were searching for outdoor lots," explained Lee. "We had to remember the sun's position during our desired time frame and determine the positions and sizes of the windows accordingly. In terms of practical lighting, the DP [director of photography Hong Kyung-pyo] had specific requests regarding the color. He wanted sophisticated indirect lighting and the warmth from tungsten light sources. Before building the set, the DP and I visited the lot several times to check the sun’s movement at each time, and we decided on the set's location together."[23]
"Since Mr. Park's house is built by an architect in the story, it wasn't easy finding the right approach to designing the house," he added. "I'm not an architect, and I think there's a difference in how an architect envisions a space and how a production designer does. We prioritize blocking and camera angles while architects build spaces for people to actually live in and thus design around people. So I think the approach is very different."[23]
According to editor Jinmo Yang, Bong Joon-Ho chose to shoot the film without traditional coverage. To give them more editing options with limited shots, they sometimes stitched together different takes of the same shot.[24]
Themes
The film uses staircases to represent the positions of the Kim and Park families as well as those of Moon-gwong.[25]
Release
The film had its world premiere at the 2019 Cannes Film Festival on 21 May.[26] It was released in South Korea on 30 May 2019.[4][20]
Neon acquired the Northern American rights to the film at the 2018 American Film Market.[27][28] The film's rights were also pre-sold to German-speaking territories (Koch Films), French-speaking territories (The Jokers) and Japan (Bitters End).[29]
It was released in Australia and New Zealand by Madman Films on 27 June 2019[30] (becoming both the highest-ever-grossing Korean film in the region[31] and the distributor's highest-ever-grossing non-English language film in Australia),[32] Russia on 4 July 2019, and in the United States and Canada on 11 October 2019.[33]
The film was originally scheduled to be screened as a closing film at FIRST International Film Festival Xining in China on 28 July 2019, but on 27 July, the film festival organizers announced that the screening was cancelled for "technical reasons."[34]
It was licensed for the United Kingdom and Ireland by Curzon Artificial Eye at Cannes, and will have preview screenings with an interview with Bong Joon-ho shared live by satellite on 3 February 2020, followed by the film's general release on 7 February.[35]
Reception
Box office
As of 22 January 2020[update], Parasite has grossed $28.5 million in the United States and Canada, and $120 million in other territories (including $73 million from South Korea), for a worldwide total of $148.4 million.[7][36]
In the film's United States opening weekend, the film grossed $376,264 from three theaters. Its per-venue average of $125,421 was the best since La La Land's in 2016, and the best-ever for a foreign-language film.[37] It expanded to 33 theaters in its second weekend, making $1.24 million,[38] and then made $1.8 million from 129 theaters in its third.[39] The film made $2.5 million in its fourth weekend and $2.6 million in its fifth.[40] The film's theater count peaked in its sixth weekend at 620, when it made $1.9 million.[41] It continued to hold well in the following weekends, making $1.3 million and $1 million.[42][43] In its tenth week of release the film crossed the $20 million mark (rare for a foreign-language film), making $632,500 from 306 theaters.[44]
The film grossed US$20.7 million in its opening weekend in South Korea.[36]
Critical response
On Rotten Tomatoes, the film has an approval rating of 99% based on 356 reviews, with an average rating of 9.37/10. The website's critics consensus reads: "An urgent, brilliantly layered look at timely social themes, Parasite finds writer-director Bong Joon Ho in near-total command of his craft."[45] On Metacritic, the film has a weighted average score of 96 out of 100 based on reviews from 48 critics, indicating "universal acclaim".[46]
Writing for the New York Times, A.O. Scott described the film as "wildly entertaining, the kind of smart, generous, aesthetically-energized movie that obliterates the tired distinctions between art films and popcorn movies."[47] Bilge Ebiri of NY Mag wrote that Parasite is "a work that is itself in a state of constant, agitated transformation—a nerve-racking masterpiece whose spell lingers long after its haunting final image."[48] In his five-star review of the film, Dave Calhoun of Time Out praised the social commentary and stated that "This is a dazzling work, surprising and fully gripping from beginning to end, full of big bangs and small wonders."[49] Variety's Jessica Kiang described the film as "a wild, wild ride," writing that "Bong is back and on brilliant form, but he is unmistakably, roaringly furious, and it registers because the target is so deserving, so enormous, so 2019: Parasite is a tick fat with the bitter blood of class rage."[50] The A.V. Club's A. A. Dowd gave the film an A−, praising the fun and surprising twists.[51] Joshua Rivera from GQ gave a glowing review and declared Parasite to be "Maybe 2019's best film" and further said, "It's so top-to-bottom satisfying that even being completely spoiled couldn't ruin it – but if you can come to it cold, you'll be floored."[52]
Top-ten lists
Parasite appeared on many critics' year-end top-ten lists,[53] among them:
- 1st – Alissa Wilkinson,[a] Vox[54]
- 1st – Angie Han, Mashable[55]
- 1st – Barry Hertz, The Globe and Mail[56]
- 1st – Ben Travers, IndieWire[57]
- 1st – Candice Frederick, Harper's Bazaar[58]
- 1st – Cary Darling, Houston Chronicle[59]
- 1st – Christy Lemire, RogerEbert.com[60]
- 1st – Dan Jackson, Thrillist[61]
- 1st – David Crow, Den of Geek[62]
- 1st – Don Kaye, Den of Geek[62]
- 1st – Film Comment[63]
- 1st – Film School Rejects [64]
- 1st – Flood Magazine[65]
- 1st – Godfrey Cheshire III, RogerEbert.com[60]
- 1st – Guy Lodge, The Guardian[66]
- 1st – Hyperallergic[67]
- 1st – IGN[68]
- 1st – IndieWire (300+ Critics Survey)[69]
- 1st – Jessica Kiang and The Playlist Staff, The Playlist[70]
- 1st – Justin Chang,[b] Los Angeles Times[71]
- 1st – Karen Han, Polygon[72]
- 1st – Katie Rife, The A.V. Club[73]
- 1st – Keith Watson, Slant Magazine[74]
- 1st – Laura Di Girolamo, Exclaim![75]
- 1st – Leah Greenblatt, Entertainment Weekly[76]
- 1st – Matt Goldberg, Collider[77]
- 1st – Matt Neglia, Next Best Picture[78]
- 1st – Matthew Jacobs, Huffington Post[79]
- 1st – Michael Phillips, Chicago Tribune[80]
- 1st – Monica Castillo, RogerEbert.com[60]
- 1st – Nick Allen, RogerEbert.com[60]
- 1st – Noel Murray, The A.V. Club[73]
- 1st – Online Film Critics Society[81]
- 1st – Richard Lawson, Vanity Fair[82]
- 1st – Rotten Tomatoes[83]
- 1st – Sara Stewart, New York Post[84]
- 1st – Sarah Ward, Screen Daily[85]
- 1st – Sean P. Means, Salt Lake Tribune[86]
- 1st – Seongyong Cho, RogerEbert.com[60]
- 1st – Sydney Morning Herald[87]
- 1st – Tasha Robinson, Polygon[72]
- 1st – Tom Reimann, Collider[88]
- 1st – Valerie Ettenhofer, Film School Rejects[89]
- 1st – Vinnie Mancuso, Collider[90]
- 1st – WatchMojo[91]
- 2nd – Alex Biese, Asbury Park Press[92]
- 2nd – Anne Thompson, IndieWire[57]
- 2nd – Bob Strauss, Los Angeles Daily News[93]
- 2nd – David Ehrlich, IndieWire[94]
- 2nd – David Rooney The Hollywood Reporter[95]
- 2nd – Jonathan Sim, Vocal [96]
- 2nd – Kate Erbland, IndieWire[57]
- 2nd – Mark Hughes, Forbes [97]
- 2nd – Matt Zoller Seitz, RogerEbert.com[60]
- 2nd – Sean Fennessey and Adam Nayman, The Ringer[98]
- 2nd – Sight & Sound[99]
- 3rd – A. O. Scott, The New York Times[100]
- 3rd – Alison Willmore, New York magazine[101]
- 3rd – Amy Taubin, Artforum[102]
- 3rd – Bilge Ebiri, New York magazine[101]
- 3rd – Complex[103]
- 3rd – Consequence of Sound[104]
- 3rd – David Sims, The Atlantic[105]
- 3rd – Good Morning America[106]
- 3rd – Lawrence Toppman, The Charlotte Observer[107]
- 3rd – Manohla Dargis, The New York Times[100]
- 3rd – Mark Dujsik, RogerEbert.com[60]
- 3rd – Matt Singer, ScreenCrush[108]
- 3rd – Max Weiss, Baltimore[109]
- 3rd – Natalie Zutter, Den of Geek[62]
- 3rd – Peter Sobczynski, RogerEbert.com[60]
- 3rd – Peter Travers, Rolling Stone[110]
- 3rd – Samuel R. Murian, Parade[111]
- 3rd – Ty Burr, Boston Globe[112]
- 3rd – Yahoo! Entertainment[113]
- 4th – Adam Chitwood, Collider[114]
- 4th – Allison Shoemaker, RogerEbert.com[60]
- 4th – Alonso Duralde, The Wrap[115]
- 4th – Brian Tallerico, RogerEbert.com[60]
- 4th – Jake Coyle, Associated Press[116]
- 4th – Johnny Oleksinski, New York Post[84]
- 4th – Kristy Puchko, RogerEbert.com[60]
- 4th – Mara Reinstein, Us Weekly[117]
- 4th – Matt Patches, Polygon[72]
- 4th – Michal Oleszczyk, RogerEbert.com[60]
- 4th – Odie Henderson, RogerEbert.com[60]
- 4th – Sheila O'Malley, RogerEbert.com[60]
- 4th – Sheri Linden, The Hollywood Reporter[95]
- 4th – Tom Brook, Talking Movies[118]
- 5th – David Edelstein, Vulture[101]
- 5th – Derek Smith, Slant Magazine[74]
- 5th – Justin Kroll, Variety[119]
- 6th – Scott Feinberg, The Hollywood Reporter[120]
- 5th – Tomris Laffly, RogerEbert.com[60]
- 6th – Caroline Siede, The A.V. Club[73]
- 6th – Collin Souter, RogerEbert.com[60]
- 6th – Eli Glasner, CBC[121]
- 6th – Eric Kohn, IndieWire[122]
- 6th – Jon Frosch. The Hollywood Reporter[95]
- 6th – Joshua Rothkopf, Time Out New York[123]
- 6th – Stephanie Zacharek, Time[124]
- 6th – Kyle Smith, National Review[125]
- 7th – Marlow Stern, The Daily Beast[126]
- 8th – Lindsey Bahr, Associated Press[116]
- 9th – Brian Truitt, USA Today[127]
- 9th – Eugene Hernandez, Film at Lincoln Center[128]
- 9th – Max O'Connell, RogerEbert.com[60]
- 9th – Peter Rainer, The Christian Science Monitor[129]
- 9th – Richard Roeper, Chicago Sun-Times[130]
- 10th – Ben Kenigsberg, RogerEbert.com[60]
- 10th – Tom Gliatto, People magazine[131]
Top 10 (not ranked)
- Amy Kaufman, Los Angeles Times[132]
- Cameron Bailey, Toronto International Film Festival[128]
- James Verniere, Boston Herald[133]
- Joe Morgenstern, The Wall Street Journal[134]
- Dana Stevens, Slate[135]
- Sheila Nevins, MTV Documentary Films[128]
- Stephen Rebello, Playboy[136]
Parasite also appeared on many critics' Best-of-the-decade top 10 lists,[9] among them:
- 1st – Den of Geek[137]
- 1st – Karen Han, Polygon[138]
- 2nd – Kevin O'Connor, The Ringer[139]
- 3rd – Amanda Dobbins, The Ringer[140]
- 3rd – Film School Rejects[141]
- 4th – Norman Wilner, Now Magazine[142]
- 4th – Sean P. Means, Salt Lake Tribune[143]
- 5th – /Film[144]
- 5th – Richard Lawson, Vanity Fair[145]
- 7th – Gregory Ellwood, The Playlist[146]
- 8th – Los Angeles Film Critics Association[147]
- 10th – Chris Plante, Polygon[138]
- Honorable mention – WatchMojo[148]
Top 10 (not ranked)
On Metacritic, Parasite ranked 7th among the films with the highest scores of the decade.[9] As of 28 December 2019[update] it is the 42nd highest rated film of all time on the website.[149]
Accolades
Parasite won the Palme d'Or at the 2019 Cannes Film Festival. It was the first South Korean film to do so, as well as the first film to win with a unanimous vote since 2013's Blue Is the Warmest Colour.[150][151] At the 77th Golden Globe Awards, the film was nominated for three awards including Best Director and Best Screenplay, and won Best Foreign Language Film, becoming the first ever Korean film to achieve that feat.[152][153]
It was selected as the South Korean entry for Best International Feature Film at the 92nd Academy Awards,[154][155] making the December shortlist.[156]
Parasite became the second foreign film to ever be nominated for Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture since the 1997 film, Life Is Beautiful, and ultimately won the said category, making history as the first ever foreign film to win the prize.
It was nominated for four awards at the 73rd British Academy Film Awards: Best Film, Best Director, Best Original Screenplay and Best Film Not in the English Language. It is the first Korean film to receive nominations at the British Academy Film Awards (except for Best Film Not in the English Language).
Parasite is the first South Korean-made film to be nominated for the Academy Award for Best Picture at the upcoming 92nd Academy Awards.[157] It is also being nominated for Best Director, Best International Feature Film, Best Original Screenplay, Best Production Design, and Best Film Editing.[158]
Spin-off television series
An HBO limited series based on the film, with Bong and Adam McKay adapting and executively producing, is in early development.[159] Bong has stated that the series, also titled Parasite, will explore stories "that happen in between the sequences in the film".[160][161]
See also
- List of submissions to the 92nd Academy Awards for Best International Feature Film
- List of South Korean submissions for the Academy Award for Best International Feature Film
Notes
- ^ (Tie) with Marriage Story.
- ^ (Tie) with Knives Out.
References
- ^ a b c d e "Parasite international press kit" (PDF). CJ Entertainment. 2019. Archived (PDF) from the original on 10 January 2020. Retrieved 1 January 2020.
- ^ "BONG Joon-ho's PARASITE Claims Early Sales". Korean Film Biz Zone. Archived from the original on 4 February 2019. Retrieved 3 February 2019.
- ^ a b "GISAENGCHUNG – Festival de Cannes 2019". Cannes Film Festival. 2019. Archived from the original on 3 September 2019. Retrieved 1 January 2020.
Country : SOUTH KOREA/Length : 132 minutes
- ^ "Archived copy" 영화 '기생충' 흥행 질주…손익분기점 400만명 눈앞. 3 June 2019. Archived from the original on 26 June 2019. Retrieved 26 June 2019.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ "Worldwide Box Office Weekend Ending January 19". Comscore.
{{cite web}}
: CS1 maint: url-status (link) - ^ a b "Parasite (2019)". Box Office Mojo. IMDB. Archived from the original on 4 December 2019. Retrieved 22 January 2020.
- ^ "Parasite (2019)". The Numbers. IMDB. Archived from the original on 4 December 2019. Retrieved 22 January 2020.
- ^ a b c "Best Movies of the Decade (2010-19)". Metacritic. Archived from the original on 1 January 2020. Retrieved 9 December 2019.
- ^ "2019 Critics Poll: The Best Films and Performances According to Over 300 Critics From Around the World". 27 December 2019. Archived from the original on 16 December 2019. Retrieved 17 December 2019.
- ^ "'Parasite' Sets New Record for Director Bong Joon-Ho at Indie Box Office". TheWrap. 3 November 2019. Archived from the original on 4 November 2019. Retrieved 4 November 2019.
- ^ a b Cite error: The named reference
HarrisChoiInt
was invoked but never defined (see the help page). - ^ "One of my college friends had a peach allergy. We all thought he was joking, and bought a peach to throw at him, and his entire body turned red. It was all very shocking, and we felt very bad. But I didn't throw the peach! It wasn't me!!". Reddit. Retrieved 23 January 2020. - Verified Reddit account of director Bong
- ^ "Archived copy" 박서준 측 “봉준호 ‘기생충’ 특별출연” 2019년 스크린 열일(공식입장). entertain.naver.com (in Korean). Archived from the original on 26 June 2019. Retrieved 3 February 2019.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ a b c Brzeski, Patrick (8 November 2019). "Making of 'Parasite': How Bong Joon Ho's Real Life Inspired a Plot-Twisty Tale of Rich vs. Poor". The Hollywood Reporter. Retrieved 18 January 2020.
- ^ Cite error: The named reference
JungEA
was invoked but never defined (see the help page). - ^ Rochlin, Margy (19 October 2019). "How steak and 'ramdon' illustrate class tensions in Bong Joon Ho's 'Parasite'". Los Angeles Times. Retrieved 24 January 2020.
- ^ Kil, Sonia (30 May 2018). "Bong Joon-ho's Parasite Starts Shooting (EXCLUSIVE)". Variety. Archived from the original on 30 April 2019. Retrieved 3 February 2019.
- ^ "BONG Joon-ho's PARASITE Enters Production". Korean Film Biz Zone. Retrieved 3 February 2019.
- ^ a b "BONG Joon-ho's PARASITE Wraps Production". Korean Film Biz Zone. Archived from the original on 4 February 2019. Retrieved 3 February 2019.
- ^ Noh, Jean (30 June 2019). "Bong Joon Ho talks 'Parasite': "It deals with polarisation"". Screen Daily. Retrieved 18 January 2020.
- ^ Nast, Condé. "Inside the House From Bong Joon Ho's Parasite". Architectural Digest. Archived from the original on 6 November 2019. Retrieved 6 November 2019.
- ^ a b "How Bong Joon Ho Designed the House in Parasite". IndieWire. 29 October 2019. Archived from the original on 4 November 2019. Retrieved 6 November 2019.
- ^ Buder, Emily (6 December 2019). "'Parasite' Editor Jinmo Yang Teaches Us How to Edit Without Coverage". No Film School. Retrieved 17 January 2020.
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Spread the word. Bong Joon Ho's new masterpiece, PARASITE opens in Australian cinemas June 27.
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Director Bong Joon-ho joins us live in person for a preview Q&A at Curzon Mayfair that will be shared via satellite. […] Wednesday 3 February 6.00pm […] UK RELEASE DATE 7 FEBRUARY 2020
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External links
- Australia and New Zealand official site
- United States and Canada official site
- United Kingdom and Ireland official site
- Japan official site
- Parasite at HanCinema
- Parasite at IMDb
- Parasite at the Korean Movie Database (in Korean) (in English)
- Template:Naver title
- Parasite at Rotten Tomatoes
- 2019 films
- 2010s black comedy films
- 2010s comedy thriller films
- 2010s comedy-drama films
- 2010s thriller drama films
- Best Foreign Language Film Golden Globe winners
- Best Picture Blue Dragon Film Award winners
- CJ Entertainment films
- Criticism of capitalism
- Films about con artists
- Films about dysfunctional families
- Films about social class
- Films directed by Bong Joon-ho
- Films set in South Korea
- Films shot in Gyeonggi Province
- Films shot in Seoul
- Korean-language films
- Madman Entertainment
- Media portrayals of the upper class
- Media portrayals of the working class
- NEON films
- Palme d'Or winners
- South Korean black comedy films
- South Korean comedy-drama films
- South Korean films
- South Korean thriller films