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| first = Ken
| first = Ken
| title = On ''Deadline''
| title = On ''Deadline''
| work =
| work = Mediaweek
| publisher = Mediaweek
| date = July 17, 2000
| date = July 17, 2000
| url =
| url =
| accessdate =
| access-date =
}}</ref> Palm had worked for years as a newspaper reporter on the ''[[Hartford Times]]'' and the ''[[Los Angeles Herald Examiner]]'' before moving into screenwriting with jobs on ''[[Miami Vice]]''.<ref name="liebeskind" /> He and Wolf had worked together previously on the tenth season of ''Law & Order''. They didn't want to do another "cop show" and agreed on one with journalism as its focus.<ref name="liebeskind" /> In 1999, Wolf pitched the show to [[NBC]] with Oliver Platt as its star and sold it without producing a pilot, as is the norm, but instead with a three-minute trailer.<ref name="gg">{{cite news
}}</ref> Palm had worked for years as a newspaper reporter on the ''[[Hartford Times]]'' and the ''[[Los Angeles Herald Examiner]]'' before moving into screenwriting with jobs on ''[[Miami Vice]]''.<ref name="liebeskind" /> He and Wolf had worked together previously on the tenth season of ''Law & Order''. They didn't want to do another "cop show" and agreed on one with journalism as its focus.<ref name="liebeskind" /> In 1999, Wolf pitched the show to [[NBC]] with Oliver Platt as its star and sold it without producing a pilot, as is the norm, but instead with a three-minute trailer.<ref name="gg">{{cite news
| author = G.G.
| author = G.G.
| title = In Wolf's New ''Deadline'', the Detective is a Reporter
| title = In Wolf's New ''Deadline'', the Detective is a Reporter
| work =
| work = [[Christian Science Monitor]]
| publisher = [[Christian Science Monitor]]
| date = October 6, 2000
| date = October 6, 2000
| url = https://www.csmonitor.com/2000/1006/p18s2.html
| url =
| access-date = February 18, 2020
| accessdate =
}}</ref> Wolf and Palm worked with NBC Entertainment President Garth Ancier on developing the show with Platt in mind.<ref name="liebeskind" /> Plots for the show were based on true stories from newspaper articles that Palm and Wolf found.<ref name="liebeskind" /> [[John L. Roman]] produced the show, having worked with Wolf on [[Exiled: A Law & Order Movie|''Exiled'']] and ''DC''. They later went on to do ''[[Law and Order: Criminal Intent]]'' and [[Chicago Fire (TV series)|''Chicago Fire'']] together. Richard Esposito, a New York newspaper veteran of 20 years, was hired as a consultant on the show. He worked with the actors and writers on outlines of stories and on "everything that helps them get a feel for the tone and pace of a newspaper."<ref name="liebeskind" /> He also introduced Platt and other cast members to journalists around the city. Wolf invited director [[Michael Ritchie (film director)|Michael Ritchie]] to direct episodes of ''Deadline'' but he had to drop out for personal reasons.<ref name="grego">{{cite news
}}</ref> Wolf and Palm worked with NBC Entertainment President Garth Ancier on developing the show with Platt in mind.<ref name="liebeskind" /> Plots for the show were based on true stories from newspaper articles that Palm and Wolf found.<ref name="liebeskind" /> [[John L. Roman]] produced the show, having worked with Wolf on [[Exiled: A Law & Order Movie|''Exiled'']] and ''DC''. They later went on to do ''[[Law and Order: Criminal Intent]]'' and [[Chicago Fire (TV series)|''Chicago Fire'']] together. Richard Esposito, a New York newspaper veteran of 20 years, was hired as a consultant on the show. He worked with the actors and writers on outlines of stories and on "everything that helps them get a feel for the tone and pace of a newspaper."<ref name="liebeskind" /> He also introduced Platt and other cast members to journalists around the city. Wolf invited director [[Michael Ritchie (film director)|Michael Ritchie]] to direct episodes of ''Deadline'' but he had to drop out for personal reasons.<ref name="grego">{{cite news
| last = Grego
| last = Grego
| first = Melissa
| first = Melissa
| title = Auteurs Join Wolf Gang
| title = Auteurs Join Wolf Gang
| work =
| work = [[Variety (magazine)|Variety]]
| publisher = [[Variety (magazine)|Variety]]
| date = July 17–23, 2000
| date = July 17–23, 2000
| url =
| url =
| accessdate =
| access-date =
}}</ref>
}}</ref>


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| first = Laura
| first = Laura
| title = ''Deadline''
| title = ''Deadline''
| work =
| work = [[Variety (magazine)|Variety]]
| publisher = [[Variety (magazine)|Variety]]
| date = October 2–8, 2000
| date = October 2–8, 2000
| url = https://variety.com/2000/tv/reviews/deadline-2-1200464038/
| url =
| access-date = February 18, 2020
| accessdate =
}}</ref> ''[[USA Today]]'' criticized the show's authenticity in their review: "The only thing accurate about ''Deadline'' is the sense of urgency implied by the title. Someone had better fix this show fast, before it becomes yesterday's news."<ref>{{cite news
}}</ref> ''[[USA Today]]'' criticized the show's authenticity in their review: "The only thing accurate about ''Deadline'' is the sense of urgency implied by the title. Someone had better fix this show fast, before it becomes yesterday's news."<ref>{{cite news
| last = Bianco
| last = Bianco
| first = Robert
| first = Robert
| title = ''Deadline''
| title = ''Deadline''
| work =
| work = [[USA Today]]
| publisher = [[USA Today]]
| date = October 2, 2000
| date = October 2, 2000
| url =
| url =
| accessdate =
| access-date =
}}</ref> The ''[[Boston Globe]]'' found fault with some of the characters on the show: "Benton's merry band of journalism students are silly, and the show should replace them with an expanded cast of ''Ledger'' co-workers."<ref>{{cite news
}}</ref> The ''[[Boston Globe]]'' found fault with some of the characters on the show: "Benton's merry band of journalism students are silly, and the show should replace them with an expanded cast of ''Ledger'' co-workers."<ref>{{cite news
| last = Gilbert
| last = Gilbert
| first = Matthew
| first = Matthew
| title = ''Deadline'' Misses, and That's a Crime
| title = ''Deadline'' Misses, and That's a Crime
| work =
| work = [[The Boston Globe]]
| publisher = [[Boston Globe]]
| date = October 2, 2000
| date = October 2, 2000
| url =
| url =
| accessdate =
| access-date =
}}</ref>
}}</ref>


Line 212: Line 206:
| first = Nellie
| first = Nellie
| title = NBC Reports ''Deadline''s Demise
| title = NBC Reports ''Deadline''s Demise
| work=[[The Hollywood Reporter]]
| work = [[The Hollywood Reporter]]
| date = November 1, 2000
| date = November 1, 2000
| url =
| url =
| accessdate =
| access-date =
}}</ref> NBC showed the remaining episodes during the spring of 2001, in at least one part of the United States; they followed the network's broadcasts of Saturday night [[XFL (2001)|XFL]] football games in the western time zones.
}}</ref> NBC showed the remaining episodes during the spring of 2001, in at least one part of the United States; they followed the network's broadcasts of Saturday night [[XFL (2001)|XFL]] football games in the western time zones.


Revision as of 21:22, 18 February 2020

For the 1959 series, see Deadline (1959 TV series).
Deadline
GenreDrama
Created byDick Wolf
StarringOliver Platt
Hope Davis
Bebe Neuwirth
Lili Taylor
Damon Gupton
Country of originUnited States
Original languageEnglish
No. of seasons1
No. of episodes13 (8 unaired) (list of episodes)
Production
Executive producerDick Wolf
Running time60 minutes
Production companiesWolf Films
Studios USA Television
Original release
NetworkNBC
ReleaseOctober 2, 2000 (2000-10-02) –
April 7, 2001 (2001-04-07)

Deadline is an American drama television series created by Dick Wolf, that aired on NBC from October 2, 2000 to April 7, 2001. It stars Oliver Platt as Wallace Benton, star columnist for the fictional New York Ledger, a daily tabloid newspaper seen in many episodes of Law & Order and modeled after the real-life New York Post.

Cast and characters

Production

Series creator Dick Wolf hired Robert Palm as head writer and executive producer.[1] Palm had worked for years as a newspaper reporter on the Hartford Times and the Los Angeles Herald Examiner before moving into screenwriting with jobs on Miami Vice.[1] He and Wolf had worked together previously on the tenth season of Law & Order. They didn't want to do another "cop show" and agreed on one with journalism as its focus.[1] In 1999, Wolf pitched the show to NBC with Oliver Platt as its star and sold it without producing a pilot, as is the norm, but instead with a three-minute trailer.[2] Wolf and Palm worked with NBC Entertainment President Garth Ancier on developing the show with Platt in mind.[1] Plots for the show were based on true stories from newspaper articles that Palm and Wolf found.[1] John L. Roman produced the show, having worked with Wolf on Exiled and DC. They later went on to do Law and Order: Criminal Intent and Chicago Fire together. Richard Esposito, a New York newspaper veteran of 20 years, was hired as a consultant on the show. He worked with the actors and writers on outlines of stories and on "everything that helps them get a feel for the tone and pace of a newspaper."[1] He also introduced Platt and other cast members to journalists around the city. Wolf invited director Michael Ritchie to direct episodes of Deadline but he had to drop out for personal reasons.[3]

Platt had been approached numerous times to do a television show but it was Wolf's reputation and the chance to do it in his hometown so that he could be close to his family that persuaded him.[2] Wallace Benton was modeled on veteran New York journalist Jimmy Breslin, Mike McAlary and other New York tabloid columnists.[1] To research for the role, Platt spent time with crime reporters Phil Messing of the New York Post, Lenny Levitt of Newsday, and Juan Gonzalez and Jim Dwyer of the New York Daily News.[1] The actor went out on stories with them, watched them interview and listened to them work the phones. During lunches, he remembers that he "got them to tell me their trade secrets."[1]

The New York Ledger's offices were constructed at the old New York Post building on South Street in New York City. The show based the look of their offices on old black and white photographs of the newspaper.[1] The Post allowed the show to shoot the pilot episode in its old offices and then agreed to a short-term lease through November 2000.[1] Shooting started in mid-July 2000 and the first episode debuted on October 2, 2000. Deadline was scheduled to run Mondays at 9 pm opposite ABC's Monday Night Football and Fox's Ally McBeal.

Episodes

No. Title Directed by Written by Original air date
1"Pilot"Don ScardinoStory by : Dick Wolf
Teleplay by : Dick Wolf & Robert Palm		October 2, 2000 (2000-10-02)
2"Lovers and Madmen"Constantine MakrisYahlin ChangOctober 9, 2000 (2000-10-09)
3"Perception"Bob BalabanChris MundyOctober 16, 2000 (2000-10-16)
4"Daniel in the Lion's Den"Don ScardinoWillie RealeOctober 23, 2000 (2000-10-23)
5"Howl"James QuinnMartin WeissOctober 30, 2000 (2000-10-30)
6"The Old Ball Game"David PlattRobert F. Campbell & Jonathan GreeneMarch 17, 2001 (2001-03-17)
7"Don't I Know You?"Richard DobbsStory by : Dick Wolf & Robert Palm
Teleplay by : Willie Reale		March 17, 2001 (2001-03-17)
8"The Undesirables"Matthew PennYahlin ChangMarch 24, 2001 (2001-03-24)
9"Somebody's Fool"Michael FieldsStory by : Dick Wolf & Robert Palm & Willie Reale
Teleplay by : Willie Reale		March 24, 2001 (2001-03-24)
10"The First Commandment"James QuinnMatt Prudence & Michael BernsMarch 31, 2001 (2001-03-31)
11"Just Lie Back"Constantine MakrisStory by : Liz Friedman & Vanessa Place
Teleplay by : Robert Palm & Liz Friedman & Vanessa Place		March 31, 2001 (2001-03-31)
12"Shock"Robert BerlingerStory by : Dick Wolf
Teleplay by : Eva Nagorski		April 7, 2001 (2001-04-07)
13"Red Herring"Alexander CassiniStory by : Robert Palm
Teleplay by : Martin Weiss & Robert Palm		April 7, 2001 (2001-04-07)

Reception

Variety magazine praised Platt's work on the show in their review: "Platt, best-known for his work on the big screen, is a colorful choice for Benton, and, judging from the first episode, he can carry the bulk of the action."[4] USA Today criticized the show's authenticity in their review: "The only thing accurate about Deadline is the sense of urgency implied by the title. Someone had better fix this show fast, before it becomes yesterday's news."[5] The Boston Globe found fault with some of the characters on the show: "Benton's merry band of journalism students are silly, and the show should replace them with an expanded cast of Ledger co-workers."[6]

The Pilot episode was seen by 14.3 million viewers but its rating declined steadily afterwards with 6.8 million viewers watching the last episode. NBC cancelled the show after five episodes.[7] NBC showed the remaining episodes during the spring of 2001, in at least one part of the United States; they followed the network's broadcasts of Saturday night XFL football games in the western time zones.

References

  1. ^ a b c d e f g h i j k Liebeskind, Ken (July 17, 2000). "On Deadline". Mediaweek.
  2. ^ a b G.G. (October 6, 2000). "In Wolf's New Deadline, the Detective is a Reporter". Christian Science Monitor. Retrieved February 18, 2020.
  3. ^ Grego, Melissa (July 17–23, 2000). "Auteurs Join Wolf Gang". Variety.
  4. ^ Fries, Laura (October 2–8, 2000). "Deadline". Variety. Retrieved February 18, 2020.
  5. ^ Bianco, Robert (October 2, 2000). "Deadline". USA Today.
  6. ^ Gilbert, Matthew (October 2, 2000). "Deadline Misses, and That's a Crime". The Boston Globe.
  7. ^ Andreeva, Nellie (November 1, 2000). "NBC Reports Deadlines Demise". The Hollywood Reporter.
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