Alan Douglas (record producer): Difference between revisions
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==Connection with Jimi Hendrix and others== |
==Connection with Jimi Hendrix and others== |
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Douglas first crossed paths with Hendrix shortly after the latter's performance at [[Woodstock]] in 1969,<ref>{{cite news|url=http://starting-at-zero.com/book/biography-alan-douglas/|title=Jimi Hendrix: Starting at Zero, Alan Douglas Biography|last=Masouri|first=John|date=September 2013|accessdate=22 February 2020}}</ref> and it was supposedly through Douglas that Hendrix met and began jamming with jazz musicians, including |
Douglas first crossed paths with Hendrix shortly after the latter's performance at [[Woodstock]] in 1969,<ref>{{cite news|url=http://starting-at-zero.com/book/biography-alan-douglas/|title=Jimi Hendrix: Starting at Zero, Alan Douglas Biography|last=Masouri|first=John|date=September 2013|accessdate=22 February 2020}}</ref> and it was supposedly through Douglas that Hendrix met and began jamming with jazz musicians, including Miles Davis, [[Quincy Jones]], and [[Gil Evans]], as well as The Last Poets.<ref>{{cite news|url=http://starting-at-zero.com/book/biography-alan-douglas/|title=Jimi Hendrix: Starting at Zero, Alan Douglas Biography|last=Masouri|first=John|date=September 2013|accessdate=22 February 2020}}</ref> However, in the book ''Hendrix: Setting the Record Straight'', former Hendrix producer [[Chas Chandler]] is quoted as saying, “Hendrix said to me – and I remember the sentence” . . . ’He [Douglas] can help [in business matters] . . . but I don’t want that guy to have anything to do with my music.’”<ref>{{cite news|url=https://www.elsewhere.co.nz/absoluteelsewhere/2164/jimi-hendrix-and-alan-douglas-the-fireball-and-the-keeper-of-the-flame/|title=JIMI HENDRIX AND ALAN DOUGLAS: The fireball and the keeper of the flame|last=Reid|first=Graham|publisher=elsewhere.co.nz|date=March 8, 2010|accessdate=22 February 2020}}</ref> Douglas would attend Hendrix's funeral in 1970,<ref>{{cite news|url=https://www.pinterest.com/pin/730849845754313283/|title=Devon and producer Alan Douglas at Jimi's funeral|last=|first=|date=1970|accessdate=22 February 2020}}</ref> and four years after Hendrix's death, Douglas acquired the rights to produce music that Hendrix had never released.<ref>{{cite news|url=https://www.latimes.com/local/obituaries/la-me-alan-douglas-20140613-story.html|title=Alan Douglas, associated with Jimi Hendrix’s later success, dies at 82|last=Chawkins|first=Steve|publisher=The LA Times|date=June 15, 2014|accessdate=22 February 2020}}</ref> |
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Douglas's production work on a few of Hendrix's posthumous releases is controversial. This is primarily due to tracks on the ''[[Crash Landing (Jimi Hendrix album)|Crash Landing]]'' and ''[[Midnight Lightning]]'' LP releases in 1975. On these releases Douglas replaced the original drum and bass tracks and added guitar overdubs newly recorded by session musicians. He added female backing singers to one track, and claimed co-composer credit on several tracks that he had altered. On the much later ''[[Voodoo Soup]]'' compilation album Douglas is known to have wiped original drum tracks on two songs and replaced them with [[Bruce Gary]]. Second, on the 1993 CD releases of Hendrix's three studio albums, the original album artwork and packaging were scrapped in favour of new renderings of the [[Jimi Hendrix Experience]]. |
Douglas's production work on a few of Hendrix's posthumous releases is controversial. This is primarily due to tracks on the ''[[Crash Landing (Jimi Hendrix album)|Crash Landing]]'' and ''[[Midnight Lightning]]'' LP releases in 1975. On these releases Douglas replaced the original drum and bass tracks and added guitar overdubs newly recorded by session musicians. He added female backing singers to one track, and claimed co-composer credit on several tracks that he had altered. On the much later ''[[Voodoo Soup]]'' compilation album Douglas is known to have wiped original drum tracks on two songs and replaced them with [[Bruce Gary]]. Second, on the 1993 CD releases of Hendrix's three studio albums, the original album artwork and packaging were scrapped in favour of new renderings of the [[Jimi Hendrix Experience]]. |
Revision as of 14:38, 22 February 2020
This article needs additional citations for verification. (June 2014) |
Alan Douglas Rubenstein[1] (July 20, 1931 – June 7, 2014) was an American record producer from Boston, who worked with Jimi Hendrix, Miles Davis, John McLaughlin, Lenny Bruce and the Last Poets. He ran his own record label, Douglas Records.
Jazz record producer
In 1962, Douglas took charge of United Artists Records' jazz division. One of his first projects was Art Blakey and the Jazz Messengers' Three Blind Mice albums, recorded live at the Renaissance Club in Hollywood. He also coaxed trumpeter Kenny Dorham into the studio for Matador, a soul-jazz classic shared with Jackie McLean and Bobby Timmons. Douglas's qualities as a producer were already evident. He would encourage musicians to express themselves and push the boundaries, as when he teamed Duke Ellington with Max Roach and Charles Mingus for Money Jungle, which George Wein has described as “one of the greatest piano trio recordings in jazz history."
Douglas would produce other memorable releases during his short tenure with UA, including albums by Oliver Nelson, Ken McIntyre, King Pleasure, Herbie Mann, and Betty Carter. The Bill Evans and Jim Hall LP Undercurrent was the first of their collaborations. Highlights from these albums can be found on Douglas On Blue Note, issued in 2009.
Connection with Jimi Hendrix and others
Douglas first crossed paths with Hendrix shortly after the latter's performance at Woodstock in 1969,[2] and it was supposedly through Douglas that Hendrix met and began jamming with jazz musicians, including Miles Davis, Quincy Jones, and Gil Evans, as well as The Last Poets.[3] However, in the book Hendrix: Setting the Record Straight, former Hendrix producer Chas Chandler is quoted as saying, “Hendrix said to me – and I remember the sentence” . . . ’He [Douglas] can help [in business matters] . . . but I don’t want that guy to have anything to do with my music.’”[4] Douglas would attend Hendrix's funeral in 1970,[5] and four years after Hendrix's death, Douglas acquired the rights to produce music that Hendrix had never released.[6]
Douglas's production work on a few of Hendrix's posthumous releases is controversial. This is primarily due to tracks on the Crash Landing and Midnight Lightning LP releases in 1975. On these releases Douglas replaced the original drum and bass tracks and added guitar overdubs newly recorded by session musicians. He added female backing singers to one track, and claimed co-composer credit on several tracks that he had altered. On the much later Voodoo Soup compilation album Douglas is known to have wiped original drum tracks on two songs and replaced them with Bruce Gary. Second, on the 1993 CD releases of Hendrix's three studio albums, the original album artwork and packaging were scrapped in favour of new renderings of the Jimi Hendrix Experience.
Douglas's work on Hendrix releases was defended by rock journalist and critic John Masouri, who in 2001 called him "one of the last great musical visionaries", and said he had been right to try to improve the original tracks: "wisely he'd also edited out passages where Jimi had toyed with a riff repeatedly, searching for just the right phrase... All things considered, it's highly unlikely that Hendrix would have sanctioned the release of poorly executed material, yet the die was cast, and the producer has been branded a controversial figure ever since."[7] Supposedly, Jimi Hendrix Experience drummer Mitch Mitchell also approved of Douglas's decision to utilize sessions musicians on Hendrix releases, because "some of the original playing had been sub-standard."[8]
However, in interviews [citation needed], guitarist John McLaughlin has criticized Douglas's handling of his own LP Devotion (1970), as well, closely related to Hendrix's Band of Gypsys sessions. But Umar Bin Hassan, a member of the Last Poets, said following Douglas's death that "whether you liked him or didn't, you had to admit that he was one of the giants in what he did, which was to put out responsible, intelligent and remarkable music."[7] Douglas was credited with being the first record producer to record a rap album.
In 1995 Douglas lost control of the Hendrix archive to Hendrix's father, Al. After years of legal wrangling, Douglas was able to obtain the right to compile Hendrix's writings into a book, Starting From Zero, which was published in late 2013. He was also planning a documentary film of the same title which remained unreleased at the time of his death.[7]
Death
Douglas died at his home in Paris, France, on June 7, 2014, of complications after a fall. He was married four times, and had two daughters and a stepson.[7][9]
References
- ^ Richard Williams "Alan Douglas obituary", The Guardian, 18 June 2014
- ^ Masouri, John (September 2013). "Jimi Hendrix: Starting at Zero, Alan Douglas Biography". Retrieved 22 February 2020.
- ^ Masouri, John (September 2013). "Jimi Hendrix: Starting at Zero, Alan Douglas Biography". Retrieved 22 February 2020.
- ^ Reid, Graham (March 8, 2010). "JIMI HENDRIX AND ALAN DOUGLAS: The fireball and the keeper of the flame". elsewhere.co.nz. Retrieved 22 February 2020.
- ^ "Devon and producer Alan Douglas at Jimi's funeral". 1970. Retrieved 22 February 2020.
- ^ Chawkins, Steve (June 15, 2014). "Alan Douglas, associated with Jimi Hendrix's later success, dies at 82". The LA Times. Retrieved 22 February 2020.
- ^ a b c d Weber, Bruce (June 14, 2014). "Alan Douglas, Who Mined Hendrix Archive, Dies at 82". The New York Times. Retrieved 23 June 2014.
- ^ Masouri, John (September 2013). "Jimi Hendrix: Starting at Zero, Alan Douglas Biography". Retrieved 22 February 2020.
- ^ 09/06/2014 ~ by Stef Lach. "Hendrix producer Douglas dies at 81 - Classic Rock". Classicrock.teamrock.com. Retrieved 2014-06-10.
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External links
- Alan Douglas at AllMusic
- Alan Douglas discography at Discogs