Emil Fischer (bass): Difference between revisions
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He made his début in 1857 in [[Graz]] in [[François-Adrien Boïeldieu|Boieldieu]]'s ''Jean de Paris''. After that he filled various engagements in [[Bratislava|Pressburg]], [[Szczecin|Stettin]], and Brunswick. From 1863 to 1870, he was director of the opera at [[Gdańsk|Danzig]]. |
He made his début in 1857 in [[Graz]] in [[François-Adrien Boïeldieu|Boieldieu]]'s ''Jean de Paris''. After that he filled various engagements in [[Bratislava|Pressburg]], [[Szczecin|Stettin]], and Brunswick. From 1863 to 1870, he was director of the opera at [[Gdańsk|Danzig]]. |
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From 1875 to 1880, Fischer sang in [[Rotterdam]], and from 1880-85 in [[Dresden]]. The period from 1885 to 1891 at the [[Metropolitan Opera|Metropolitan Opera House]], [[New York City|New York]], marks the culmination of his artistic triumphs. [[Lilli Lehmann]], [[Max Alvary]], and [[Marianne Brandt (contralto)|Marianne Brandt]] performed there with him. He not only created the bass |
From 1875 to 1880, Fischer sang in [[Rotterdam]], and from 1880-85 in [[Dresden]]. The period from 1885 to 1891 at the [[Metropolitan Opera|Metropolitan Opera House]], [[New York City|New York]], marks the culmination of his artistic triumphs. [[Lilli Lehmann]], [[Max Alvary]], and [[Marianne Brandt (contralto)|Marianne Brandt]] performed there with him. He not only created the bass roles in [[Richard Wagner|Wagner]]'s later music dramas, as far as America is concerned, but also firmly established his reputation as a Wagner interpreter surpassed by none and equalled by very few. During 1895-1897, he performed in American cities as a member of [[Walter Johannes Damrosch|Mr. Damrosch's]] German [[Damrosch Opera Company]]. He appeared once more, and for the last time, at the Metropolitan Opera House in 1907. |
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Fischer died in [[Hamburg]] at the beginning of [[World War I]]. Unfortunately, he left no known recordings of his voice. |
Fischer died in [[Hamburg]] at the beginning of [[World War I]]. Unfortunately, he left no known recordings of his voice. |
Revision as of 20:44, 8 April 2020
Emil Fischer (June 13, 1838 - August 11, 1914), was a famous German dramatic bass or bass-baritone, born in Brunswick.[1]
He made his début in 1857 in Graz in Boieldieu's Jean de Paris. After that he filled various engagements in Pressburg, Stettin, and Brunswick. From 1863 to 1870, he was director of the opera at Danzig.
From 1875 to 1880, Fischer sang in Rotterdam, and from 1880-85 in Dresden. The period from 1885 to 1891 at the Metropolitan Opera House, New York, marks the culmination of his artistic triumphs. Lilli Lehmann, Max Alvary, and Marianne Brandt performed there with him. He not only created the bass roles in Wagner's later music dramas, as far as America is concerned, but also firmly established his reputation as a Wagner interpreter surpassed by none and equalled by very few. During 1895-1897, he performed in American cities as a member of Mr. Damrosch's German Damrosch Opera Company. He appeared once more, and for the last time, at the Metropolitan Opera House in 1907.
Fischer died in Hamburg at the beginning of World War I. Unfortunately, he left no known recordings of his voice.
References
- ^ Karl-Josef Kutsch; Leo Riemens (2003). Großes Sängerlexikon (in German). Vol. 2 (4th ed.). Munich: K. G. Saur Verlag. pp. 1472–1473. ISBN 3-598-11598-9.
- This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). New International Encyclopedia (1st ed.). New York: Dodd, Mead.
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