List of Romantic composers: Difference between revisions
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| [[Sergei Bortkiewicz]] || 1877 || 1952 || Ukrainian || [[File:Sergei_Bortkiewicz_1905.jpg|right|thumb|130px|Sergei Bortkiewicz]]composer and pianist |
| [[Sergei Bortkiewicz]] || 1877 || 1952 || Ukrainian || [[File:Sergei_Bortkiewicz_1905.jpg|right|thumb|130px|Sergei Bortkiewicz]]composer and pianist |
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| [[Isidor Bajić]] || 1878 || 1915 || Serbian || composer, conductor, |
| [[Isidor Bajić]] || 1878 || 1915 || Serbian || composer, conductor, teacher and publisher |
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| [[Gabriel Dupont]] || 1878 || 1914 || French || [[File:Gabriel Dupont 1901.png|right|thumb|130px|Gabriel Dupont]]composer, known for his operas and chamber music |
| [[Gabriel Dupont]] || 1878 || 1914 || French || [[File:Gabriel Dupont 1901.png|right|thumb|130px|Gabriel Dupont]]composer, known for his operas and chamber music |
Revision as of 21:05, 1 May 2020
Lists of classical composers by era and century | ||||||||||||||||||||
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This is a list of Romantic-era composers. Note that this list is purely chronological, and also includes a substantial number of composers, especially those born after 1860, whose works cannot be conveniently classified as "Romantic".
Late Classical-era/early Romantic-era composers (born 1770–99)
Name | Date born | Date died | Nationality | Comments |
---|---|---|---|---|
Ludwig van Beethoven | 1770 | 1827 | German | composer and pianist, regarded by many as the first Romantic-era composer, most famous for Symphony No. 5 and Für Elise among others |
Ferdinando Carulli | 1770 | 1841 | Italian | composer for the guitar, wrote concertos and chamber music |
Édouard Du Puy | 1770 | 1822 | Swiss | composer, singer, director and violinist |
Peter Hänsel | 1770 | 1831 | German-Austrian | composer and violinist |
James Hewitt | 1770 | 1827 | American | composer, conductor and music publisher |
Anton Reicha | 1770 | 1836 | Czech-French | composer who experimented with irregular time signatures in his keyboard fugues, composed a large number of significant works for wind quintet |
Christian Heinrich Rinck | 1770 | 1846 | German | composer and organist |
Jan August Vitásek | 1770 | 1839 | Bohemian | composer |
Friedrich Witt | 1770 | 1836 | German | composer and cellist |
Johann Baptist Cramer | 1771 | 1858 | English | musician of German origin |
Ferdinando Paer | 1771 | 1839 | Italian | composer |
Maria Frances Parke | 1772 | 1822 | English | composer, pianist and soprano |
François-Louis Perne | 1772 | 1832 | French | composer and musicographer |
Josef Triebensee | 1772 | 1846 | Bohemian | composer and oboist |
Johann Wilhelm Wilms | 1772 | 1847 | Dutch-German | composer, best known for writing Wien Neêrlands Bloed, which served as the Dutch national anthem from 1815 to 1932 |
Sophie Bawr | 1773 | 1860 | French | composer, writer and playwright |
Pietro Generali | 1773 | 1832 | Italian | composer of operas and vocal music |
Václav Tomáš Matějka | 1773 | 1830 | Czech | composer |
Bartolomeo Bortolazzi | 1773 | 1820 | Italian | mandolin and guitar virtuoso and composer |
Pierre Rode | 1774 | 1830 | French | composer and violinist |
Gaspare Spontini | 1774 | 1851 | Italian | opera composer and conductor, famous for La vestale |
Václav Tomášek | 1774 | 1850 | Czech | composer and music teacher |
Christoph Ernst Friedrich Weyse | 1774 | 1842 | Danish | composer in the Danish Golden Age |
Johann Anton André | 1775 | 1842 | German | composer and music publisher |
François-Adrien Boieldieu | 1775 | 1834 | French | composer |
João Domingos Bomtempo | 1775 | 1842 | Portuguese | composer, pianist and pedagogue |
Bernhard Crusell | 1775 | 1838 | Finnish | composer and clarinet player |
Sophia Dussek | 1775 | 1831 | Scottish | composer of Italian descent, singer, pianist and harpist |
François de Fossa | 1775 | 1849 | French | composer and guitarist |
Ernst Theodor Amadeus Hoffmann | 1776 | 1822 | German | composer, author of fantasy and horror, jurist, music critic, draftsman and caricaturist |
Joseph Küffner | 1776 | 1856 | German | composer and musician |
Philipp Jakob Riotte | 1776 | 1856 | German | composer |
Ignaz von Seyfried | 1776 | 1841 | Austrian | composer, musician and conductor |
Ludwig Berger | 1777 | 1839 | German | composer, pianist and piano teacher |
Pauline Duchambge | 1778 | 1858 | French | composer and pianist |
Johann Nepomuk Hummel | 1778 | 1837 | Austrian | composer and pianist, his music bridged the Classical era of music and Romantic era of music |
Sigismund von Neukomm | 1778 | 1858 | Austrian | composer and pianist |
Fernando Sor | 1778 | 1839 | Spanish | composer for the classical guitar who is credited with elevating the guitar to the level of concert instrument |
William Knyvett | 1779 | 1856 | British | composer and singer |
Louise Reichardt | 1779 | 1826 | German | composer and songwriter |
Luigi Antonio Calegari | 1780 | 1849 | Italian | opera composer |
Conradin Kreutzer | 1780 | 1849 | German | composer and conductor |
Louis François Dauprat | 1781 | 1868 | French | composer, horn player and music professor at the Conservatoire de Paris |
Anton Diabelli | 1781 | 1858 | Austrian | composer, music publisher and editor |
Mauro Giuliani | 1781 | 1828 | Italian | composer and virtuoso guitarist |
Anthony Heinrich | 1781 | 1861 | American | composer |
Sophie Lebrun | 1781 | 1863 | German | composer and pianist |
François-Joseph Naderman | 1781 | 1835 | French | composer, harpist and teacher |
Daniel Auber | 1782 | 1871 | French | opera composer, noted for La muette de Portici |
Carlo Coccia | 1782 | 1873 | Italian | opera composer |
John Field | 1782 | 1837 | Irish | composer and pianist, notable for cultivating the nocturne |
Niccolò Paganini | 1782 | 1840 | Italian | composer and virtuoso violinist, wrote the 24 Caprices for violin, five concerti for violin, string quartets and works for violin and guitar |
Charlotta Seuerling | 1782 | 1828 | Swedish | composer, concert singer, harpsichordist and poet |
Friedrich Dotzauer | 1783 | 1860 | German | composer and cellist |
Teresa Belloc-Giorgi | 1784 | 1855 | Italian | composer and contralto |
Martin-Joseph Mengal | 1784 | 1851 | Belgian | composer and instructor |
Francesco Morlacchi | 1784 | 1841 | Italian | composer |
George Onslow | 1784 | 1853 | Anglo-French | composer |
Ferdinand Ries | 1784 | 1838 | German | composer, friend and pupil of Ludwig van Beethoven |
Louis Spohr | 1784 | 1859 | German | composer, violinist and conductor, renowned for chamber music and compositions for violin and harp |
Alexandre Pierre François Boëly | 1785 | 1858 | French | composer, organist and pianist |
Bettina von Arnim | 1785 | 1859 | German | composer, writer and novelist |
Catherina Cibbini-Kozeluch | 1785 | 1858 | Austrian | composer of Bohemian ancestry and pianist |
Isabella Colbran | 1785 | 1845 | Spanish | composer and opera singer |
Karol Kurpiński | 1785 | 1857 | Polish | composer, conductor and pedagogue |
Marie Bigot | 1785 | 1820 | French | composer and piano teacher |
Henry Bishop | 1786 | 1855 | English | composer |
Friedrich Kuhlau | 1786 | 1832 | German-Danish | composer |
Pietro Raimondi | 1786 | 1853 | Italian | composer |
Carl Maria von Weber | 1786 | 1826 | German | composer, conductor, pianist, guitarist and critic, one of the first significant Romantic opera composers |
Alexander Alyabyev | 1787 | 1851 | Russian | composer, conductor and pianist |
Franz Xaver Gruber | 1787 | 1863 | Austrian | school teacher, church organist and composer, best known for his Christmas carol, Silent Night |
Michele Carafa | 1787 | 1872 | Italian | opera composer |
Johann Peter Pixis | 1788 | 1874 | German | composer and pianist |
Simon Sechter | 1788 | 1867 | Austrian | prolific composer, renowned music theorist, teacher, organist and conductor |
Elena Asachi | 1789 | 1877 | Romanian | composer of Austrian birth, pianist and singer |
Nicolas-Charles Bochsa | 1789 | 1856 | French | composer and musician |
Friedrich Ernst Fesca | 1789 | 1826 | German | composer of instrumental music and violinist |
Maria Agata Szymanowska | 1789 | 1831 | Polish | composer and virtuoso pianist |
Harriet Browne | 1790 | 1858 | English | composer and writer |
Isaac Nathan | 1790 | 1864 | English | composer, musicologist, journalist and self-publicist known as "the father of Australian music" |
Carl Czerny | 1791 | 1857 | Austrian | composer, teacher and pianist |
Ferdinand Hérold | 1791 | 1833 | French | operatic composer |
Giacomo Meyerbeer | 1791 | 1864 | German | composer for grand opera (Il crociato in Egitto, Les Huguenots, L'Africaine) |
Franz Xaver Wolfgang Mozart | 1791 | 1844 | Austrian | composer, pianist, conductor, teacher and the youngest child of Wolfgang Amadeus Mozart |
Carlo Evasio Soliva | 1791 | 1853 | Swiss-Italian | composer |
Jan Václav Voříšek | 1791 | 1825 | Czech | composer, pianist and organist |
Gioachino Rossini | 1792 | 1868 | Italian | prolific opera composer, best known for The Barber of Seville among other operas |
Hedda Wrangel | 1792 | 1833 | Swedish | composer |
Cipriani Potter | 1792 | 1871 | English | composer, teacher and pianist |
Gertrude van den Bergh | 1793 | 1840 | Dutch | composer and pianist |
Bernhard Klein | 1793 | 1832 | German | composer |
Caroline Ridderstolpe | 1793 | 1878 | Swedish | composer and singer |
Princess Amalie of Saxony | 1794 | 1870 | German | composer |
Ignaz Moscheles | 1794 | 1870 | Czech | composer and piano virtuoso, head of the Leipzig Conservatory after Felix Mendelssohn |
Heinrich Marschner | 1795 | 1861 | German | composer, considered to be the most important composer of German opera between Carl Maria von Weber and Richard Wagner |
Saverio Mercadante | 1795 | 1870 | Italian | composer |
Nikolaos Mantzaros | 1795 | 1872 | Italian-Greek | composer |
Franz Berwald | 1796 | 1868 | Swedish | composer, little known in his lifetime, but his works, including his four symphonies are better known today |
Helene Liebmann | 1796 | 1835 | German | composer and pianist |
Carl Loewe | 1796 | 1869 | German | composer, baritone singer and conductor |
Mathilda d'Orozco | 1796 | 1863 | Swedish | composer, noble, salonist, poet, writer, singer, amateur actress and harpsichordist |
Giovanni Pacini | 1796 | 1867 | Italian | composer |
Emilie Zumsteeg | 1796 | 1857 | German | composer, pianist, songwriter and choir conductor |
Luigi Castellacci | 1797 | 1845 | Italian | virtuoso on the mandolin and guitar, instrumental composer and author of popular French romances with guitar and piano accompaniments |
Gaetano Donizetti | 1797 | 1848 | Italian | opera composer, known for Lucia di Lammermoor and L'elisir d'amore among others |
Franz Schubert | 1797 | 1828 | Austrian | composer, best known for his more than 600 lieder, chamber music, piano works and symphonies |
Annette von Droste-Hülshoff | 1797 | 1848 | German | composer and writer |
Antonio Rolla | 1798 | 1837 | Italian | composer and violin and viola virtuoso |
Olivia Buckley | 1799 | 1847 | English | composer, harpist and organist |
Maria Fredrica von Stedingk | 1799 | 1868 | Swedish | composer and courtier |
Fromental Halévy | 1799 | 1862 | French | composer |
Oscar I of Sweden | 1799 | 1859 | Swedish | composer and king of Sweden and Norway |
Alexey Verstovsky | 1799 | 1862 | Russian | composer, musical bureaucrat and rival of Mikhail Glinka |
Repertoire key: B=In Classical Net's basic Timeline of Major Composers 1600–present[1]
Early Romantic-era composers (born 1800–19)
Name | Date born | Date died | Nationality | Comments |
---|---|---|---|---|
Vincenzo Bellini | 1801 | 1835 | Italian | opera composer, known for I Puritani, Norma and La sonnambula among others |
Tomasz Padura | 1801 | 1871 | Ukrainian-Polish | poet of the so-called Ukrainian school, musician-torbanist and composer-songwriter |
Jean-Baptiste Duvernoy | 1802 | 1880 | French | composer and pianist |
Amédée Méreaux | 1802 | 1874 | French | composer, his works are somewhat known for their immense difficulties |
Cesare Pugni | 1802 | 1870 | Italian | prolific composer of ballet music |
Eliza Flower | 1803 | 1846 | English | composer |
Adolphe Adam | 1803 | 1856 | French | composer, best known for his ballet score, Giselle |
Hector Berlioz | 1803 | 1869 | French | composer, famous for his programmatic symphony, Symphonie Fantastique |
Henri Herz | 1803 | 1888 | Austrian | composer and pianist |
Franz Lachner | 1803 | 1890 | German | composer and conductor, brother of Ignaz Lachner and Vinzenz Lachner |
Louise Farrenc | 1804 | 1875 | French | composer of three symphonies and many chamber works including the earliest known sextet for piano and wind quintet (1852) |
Mikhail Glinka | 1804 | 1857 | Russian | nationalist composer whose works include the opera, A Life for the Tsar |
Johann Strauss I | 1804 | 1849 | Austrian | dance music composer, famous for Radetzky March |
Fanny Mendelssohn | 1805 | 1847 | German | composer and pianist, sister of Felix Mendelssohn, mainly known for her vocal compositions and chamber music |
Leopold von Zenetti | 1805 | 1892 | Austrian | composer, mainly known for being one of Anton Bruckner's masters |
Napoléon Coste | 1805 | 1883 | French | virtuoso guitarist, teacher and composer |
Juan Crisóstomo Arriaga | 1806 | 1826 | Spanish | composer who died at nineteen and by which time he had already been nicknamed the "Spanish Mozart" for his Symphony in D and three string quartets |
Johann Kaspar Mertz | 1806 | 1856 | Hungarian | composer, known for his guitar pieces |
Johann Friedrich Franz Burgmüller | 1806 | 1874 | German | composer and pianist |
Carlo Curti | 1807 | 1872 | Italian | cellist, performer and educator at Royal School of Music in Parma who composed cello and piano music |
Ignaz Lachner | 1807 | 1895 | German | conductor, composer and organist, a prolific composer, notable for his chamber music such as his string quartets and trios |
Michael William Balfe | 1808 | 1870 | Irish | conductor and composer, remembered for his opera, The Bohemian Girl |
Sebastián Iradier | 1809 | 1865 | Spanish | composer, best known for La Paloma |
Felix Mendelssohn | 1809 | 1847 | German | conductor, music-director, composer and pianist, brother of Fanny Mendelssohn, best known for Wedding March from A Midsummer Night's Dream |
Otto Lindblad | 1809 | 1864 | Swedish | composer |
Frédéric Chopin | 1810 | 1849 | Polish-French | composer and virtuoso pianist, his output includes nocturnes, ballade, scherzos, etudes and a number of Polish dances such as mazurkas, polonaises and waltzes (including Minute Waltz) |
Ferenc Erkel | 1810 | 1893 | Hungarian | composer of grand opera |
Otto Nicolai | 1810 | 1849 | German | opera composer and conductor, best known for The Merry Wives of Windsor |
Norbert Burgmüller | 1810 | 1836 | German | composer and brother of Friedrich Burgmüller, praised by Robert Schumann |
Robert Schumann | 1810 | 1856 | German | composer and pianist, husband of Clara Schumann, a significant lieder writer, a prolific composer, wrote many short piano pieces, four symphonies, concerti and chamber music |
Ludwig Schuncke | 1810 | 1834 | German | composer and pianist |
Ferdinand David | 1810 | 1873 | German | composer and violinist |
Vinzenz Lachner | 1811 | 1893 | German | composer, brother of Franz Lachner and Ignaz Lachner |
Franz Liszt | 1811 | 1886 | Hungarian | composer and virtuoso pianist, wrote a number of symphonic poems and extended piano technique, best known for his Hungarian Rhapsodies and other solo piano works, one of the most influential and distinguished piano composers of the Romantic era |
Ferdinand Hiller | 1811 | 1885 | German | composer, conductor, writer and music-director, close friend of Felix Mendelssohn |
Wilhelm Taubert | 1811 | 1891 | German | pianist, composer and conductor whose early works received praise from Felix Mendelssohn |
Ambroise Thomas | 1811 | 1896 | French | composer, best known for his two operas, Mignon and Hamlet |
Spyridon Xyndas | 1812 | 1896 | Greek | opera composer and guitarist |
Sigismond Thalberg | 1812 | 1871 | Austrian | composer and one of the most distinguished pianists of the Romantic era |
Louis-Antoine Jullien | 1812 | 1860 | French | conductor and composer of light music, king of promenade concerts in England |
Emilie Mayer | 1812 | 1883 | German | composer of eight symphonies as well as overtures, lieder and numerous chamber works |
Friedrich von Flotow | 1812 | 1883 | German | composer, chiefly remembered for his opera, Martha |
Alexandre Dubuque | 1812 | 1898 | Russian-French | composer, known for teaching |
Johann Rufinatscha | 1812 | 1893 | Austrian | composer |
Alexander Dargomyzhsky | 1813 | 1869 | Russian | composer |
Semen Hulak-Artemovsky | 1813 | 1873 | Ukrainian | opera composer, singer (baritone), actor and dramatist |
George Alexander Macfarren | 1813 | 1887 | English | major opera composer, best known for Robin Hood, She Stoops to Conquer and Helvellyn, also known as a teacher |
Stephen Heller | 1813 | 1888 | Hungarian | composer, highly affected the late Romantic composers |
Richard Wagner | 1813 | 1883 | German | major opera composer, best known for his cycle of four operas, Der Ring des Nibelungen |
Ernst Haberbier | 1813 | 1869 | German | composer |
Giuseppe Verdi | 1813 | 1901 | Italian | major opera composer, best known for Nabucco, Rigoletto, La Traviata, Aida and Otello |
Charles-Valentin Alkan | 1813 | 1888 | French | composer and virtuoso pianist |
Andonios Liveralis | 1814 | 1842 | Greek | opera composer and conductor |
Giuseppe Lillo | 1814 | 1863 | Italian | composer, best known for his operas among which is worth noting Odda di Bernaver and Caterina Howard |
Adolf von Henselt | 1814 | 1889 | German | composer and pianist |
Josephine Lang | 1815 | 1880 | German | composer and pianist |
Ferdinand Praeger | 1815 | 1891 | German | composer and pianist |
Robert Volkmann | 1815 | 1883 | German | composer, companion of Johannes Brahms |
Józef Władysław Krogulski | 1815 | 1842 | Polish | composer and pianist |
William Sterndale Bennett | 1816 | 1875 | English | composer, conductor and editor |
Charles Dancla | 1817 | 1907 | French | violinist, composer and teacher |
Émile Prudent | 1817 | 1863 | French | pianist and composer |
Károly Thern | 1817 | 1886 | Hungarian | composer, conductor and teacher |
Niels Gade | 1817 | 1890 | Danish | composer, violinist and organist |
Henry Litolff | 1818 | 1891 | British | pianist, composer and music publisher, best known for his five Concerto Symphoniques |
Charles Gounod | 1818 | 1893 | French | composer, best known for his two operas, Faust and Roméo et Juliette |
Antonio Bazzini | 1818 | 1897 | Italian | violinist, composer and teacher, best known for The Dance of the Goblins |
Alexander Dreyschock | 1818 | 1869 | Czech | pianist and composer |
Jacques Offenbach | 1819 | 1880 | French | opera and operetta composer, known for The Tales of Hoffmann and Orpheus in the Underworld |
Franz von Suppé | 1819 | 1895 | Austrian | composer and conductor, notable for his operetta, Light Cavalry |
Stanisław Moniuszko | 1819 | 1872 | Polish | composer, best known as the Father of Polish National Opera |
Clara Schumann | 1819 | 1896 | German | composer and pianist, wife of Robert Schumann, one of the leading pianists of the Romantic era |
Vatroslav Lisinski | 1819 | 1854 | Croatian | composer, famous for his first Croatian opera, Love and Malice and his second Croatian opera, Porin |
Middle Romantic-era composers (born 1820–39)
Name | Date born | Date died | Nationality | Comments |
---|---|---|---|---|
Henri Vieuxtemps | 1820 | 1881 | Belgian | composer and violinist |
Giovanni Bottesini | 1821 | 1889 | Italian | conductor, composer and double bass virtuoso |
Josip Runjanin | 1821 | 1878 | Croatian | composer |
Emilie Hammarskjöld | 1821 | 1854 | Swedish | composer, concert pianist and organist |
Joachim Raff | 1822 | 1882 | Swiss-born German | composer, best known for eleven symphonies, most of them program music |
César Franck | 1822 | 1890 | Belgian-born French | composer, noted for his Symphony in D minor, also a significant composer for the organ |
Luigi Arditi | 1822 | 1903 | Italian | composer, violinist and conductor |
Édouard Lalo | 1823 | 1892 | French | composer, remembered for his Symphonie espagnole for violin and orchestra and his Cello Concerto |
Theodor Kirchner | 1823 | 1903 | German | composer and pianist, he wrote over 1,000 piano pieces |
Kurmangazy Sagyrbaev | 1823 | 1896 | Kazakhstani | composer |
Anton Bruckner | 1824 | 1896 | Austrian | composer of nine large-scale symphonies (one incomplete) and two more unacknowledged |
Bedřich Smetana | 1824 | 1884 | Czech | nationalist composer, best known for his cycle of six symphonic poems, Má vlast and his opera, The Bartered Bride |
Carl Reinecke | 1824 | 1910 | German | composer, conductor and pianist, best known for his attachment to classical forms and conducted Gewandhausorchester for nearly 35 years |
Jean-Baptiste Arban | 1825 | 1889 | French | composer and virtuoso cornetist, wrote the "Grande méthode complète pour cornet à pistons et de saxhorn" now referred to as the "Trumpeter's Bible" |
Johann Strauss II | 1825 | 1899 | Austrian | composer known as "The Waltz King", son of Austrian dance music composer Johann Strauss I and elder brother of Josef Strauss and Eduard Strauss, best known for Blue Danube Waltz and his opera, Die Fledermaus |
Richard Hol | 1825 | 1904 | Dutch | organ composer |
Stephen Foster | 1826 | 1864 | American | composer and songwriter known as "the father of American music", best known for "Oh! Susanna", "Camptown Races", "Old Folks at Home", "My Old Kentucky Home", "Jeanie with the Light Brown Hair", "Old Black Joe" and "Beautiful Dreamer" |
Ivar Hallström | 1826 | 1901 | Swedish | opera composer |
Ludwig Minkus | 1826 | 1917 | Austrian | composer of ballet music |
Prince Gustaf, Duke of Uppland | 1827 | 1852 | Swedish | composer and the second son of Oscar I of Sweden |
Josef Strauss | 1827 | 1870 | Austrian | composer and younger brother of Johann Strauss II |
Adolphe Blanc | 1828 | 1885 | French | composer of chamber music |
Adrien Barthe | 1828 | 1898 | French | composer |
Eduard Rohde | 1828 | 1883 | German | composer and organist |
Johann Dubez | 1828 | 1891 | Austrian | composer and mandolinist |
Jacques Blumenthal | 1829 | 1908 | German | composer |
Patrick Gilmore | 1829 | 1892 | Irish-born American | composer and bandleader, best known for his song, When Johnny Comes Marching Home |
Louis Moreau Gottschalk | 1829 | 1869 | American | composer, famous for performing his own romantic piano works |
Anton Rubinstein | 1829 | 1894 | Russian | conductor, composer and pianist |
Karl Goldmark | 1830 | 1915 | Hungarian | composer |
Hans von Bülow | 1830 | 1894 | German | conductor, composer and virtuoso pianist |
Theodor Leschetizky | 1830 | 1915 | Polish | pianist, professor and composer |
Ivan Larionov | 1830 | 1889 | Russian | composer, writer and folklorist |
Kornelije Stanković | 1831 | 1865 | Serbian | composer |
Jan Gerard Palm | 1831 | 1906 | Curaçaoan | composer, best known for his mazurkas, waltzes, danzas, tumbas, fantasies and serenades |
Hiromori Hayashi | 1831 | 1896 | Japanese | composer, known for the Japanese national anthem, Kimigayo |
Joseph Joachim | 1831 | 1907 | Hungarian | composer, violinist, conductor and teacher |
Eduardo Mezzacapo | 1832 | 1898 | Italian | mandolin virtuoso, composer and teacher, known for Aubade for Mandolin, Violin and Guitar and Tarantella "Napoli" |
August Söderman | 1832 | 1876 | Swedish | composer, best known for his lieder and choral works |
Ivan Zajc | 1832 | 1914 | Croatian | composer, conductor, director and teacher, best known for his opera, Nikola Šubić Zrinski and his Croatian patriotic song, U boj, u boj |
Francis Edward Bache | 1833 | 1858 | English | composer and organist |
Alexander Borodin | 1833 | 1887 | Russian | chemist and nationalist composer, part of the Russian Five, wrote the opera, Prince Igor |
Johannes Brahms | 1833 | 1897 | German | composer, one of the leading musicians of the Romantic period, best known for his four symphonies, Violin Concerto, two piano concertos, and A German Requiem |
Amilcare Ponchielli | 1834 | 1886 | Italian | opera composer, known for La Gioconda |
Tekla Bądarzewska-Baranowska | 1834 | 1861 | Polish | composer |
Julius Reubke | 1834 | 1858 | German | piano and organ composer, known for Sonata on the 94th Psalm |
Peter Benoit | 1834 | 1901 | Flemish | composer |
Giuseppe Branzoli | 1835 | 1909 | Italian | mandolinist, violinist, composer and music historian |
Felix Draeseke | 1835 | 1913 | German | composer |
Camille Saint-Saëns | 1835 | 1921 | French | music critic, composer, pianist and an exceptional organist, best known for his biblical opera, Samson et Dalila |
Henryk Wieniawski | 1835 | 1880 | Polish | composer and violinist, famous for two concertos and character pieces of exceptional difficulty |
Eduard Strauss | 1835 | 1916 | Austrian | composer and younger brother of Johann Strauss II and Josef Strauss |
César Cui | 1835 | 1918 | Russian | army officer, music critic and composer of the Russian Five |
Davorin Jenko | 1835 | 1914 | Slovenian-born Serbian | composer and conductor |
Friedrich Baumfelder | 1836 | 1916 | German | piano, choral, and orchestra composer, in his day known for his 'Tirocinium musicae' and today known for his 'Melody in F major' |
Léo Delibes | 1836 | 1891 | French | composer, one of the first significant ballet composers since the Baroque music, known for Coppélia, Sylvia, and Lakmé |
Antônio Carlos Gomes | 1836 | 1896 | Brazilian | opera composer, praised by Franz Liszt and Giuseppe Verdi whose Il Guarany premiered at La Scala in 1870, a first opera ballo for the composer from the New World |
Bertha Tammelin | 1836 | 1915 | Swedish | composer, concert pianist and opera singer |
Julius Weissenborn | 1837 | 1888 | German | bassoonist, composer and music teacher, famous for his Practical Bassoon School |
Tigran Chukhajian | 1837 | 1898 | Turkish-Armenian | composer, conductor, public activist and the founder of the first opera institution in the Ottoman Empire |
Émile Waldteufel | 1837 | 1915 | French | composer of light music |
Mily Balakirev | 1837 | 1910 | Russian | nationalist composer and the leader of the Russian Five |
Georges Bizet | 1838 | 1875 | French | composer, best known for his final opera, Carmen |
Max Bruch | 1838 | 1920 | German | composer, known for his Violin Concerto No. 1, Scottish Fantasy and Kol Nidrei for cello and orchestra |
Modest Mussorgsky | 1839 | 1881 | Russian | nationalist composer and the member of the Russian Five, best known for his orchestral tone poem, Night on Bald Mountain and his piano suite, Pictures at an Exhibition |
John Knowles Paine | 1839 | 1906 | American | first native-born American composer to acquire international fame for his large-scale orchestral music |
Josef Rheinberger | 1839 | 1901 | German | composer and organist, born in Liechtenstein, primarily noted for his organ music including 20 sonatas |
Eduard Nápravník | 1839 | 1916 | Czech | conductor and composer |
Late Romantic-era composers (born 1840–59)
Name | Date born | Date died | Nationality | Comments |
---|---|---|---|---|
Pyotr Ilyich Tchaikovsky | 1840 | 1893 | Russian | composer, best known for his three ballets, The Nutcracker, Swan Lake and The Sleeping Beauty, his opera, Eugene Onegin, his 1812 Overture, his Piano Concerto No. 1, his Violin Concerto and his six symphonies |
John Stainer | 1840 | 1901 | English | composer and organist |
Louis-Albert Bourgault-Ducoudray | 1840 | 1910 | French | composer |
Johan Svendsen | 1840 | 1911 | Norwegian | composer, conductor and violinist |
Louis Brassin | 1840 | 1884 | Belgian | pianist, composer and music educator, best known for his piano transcription of the Magic Fire Music from Wagner's Die Walküre |
Emmanuel Chabrier | 1841 | 1894 | French | composer who influenced Maurice Ravel, Les Six, Jean Françaix and many other French composers, known for the opera, L'étoile and the rhapsody, España |
Felip Pedrell | 1841 | 1922 | Spanish | composer of opera, zarzuela and church music who taught and influenced Isaac Albéniz, Enrique Granados and Manuel de Falla |
Giovanni Sgambati | 1841 | 1914 | Italian | composer, conductor and pianist |
Antonín Dvořák | 1841 | 1904 | Czech | composer, best known for New World Symphony |
Giuseppe Silvestri | 1841 | 1921 | Italian | composer and mandolin virtuoso |
Arrigo Boito | 1842 | 1918 | Italian | composer and librettist, known as a composer for his opera, Mefistofele |
Mykola Lysenko | 1842 | 1912 | Ukrainian | composer, pianist, conductor and ethnomusicologist |
Johann Nepomuk Fuchs | 1842 | 1899 | Austrian | composer, conductor, teacher and editor |
Jules Massenet | 1842 | 1912 | French | composer, best known for his two operas, Manon and Werther and the Méditation for violin from the opera, Thaïs |
Arthur Sullivan | 1842 | 1900 | English | composer, known for his operettas in collaboration with William Schwenck Gilbert |
Calixa Lavallée | 1842 | 1891 | Canadian | composer, known for the Canadian national anthem, O Canada |
Émile Bernard | 1843 | 1902 | French | composer and organist, known for his Divertissement For Doubled Wind Quintet |
Edvard Grieg | 1843 | 1907 | Norwegian | composer, known for his 1875 incidental music, Peer Gynt |
David Popper | 1843 | 1913 | Czech | composer and virtuoso cellist, known for his 40 etudes, 4 concertos and Hungarian Rhapsody for cello and orchestra |
Paul Taffanel | 1844 | 1908 | French | flautist, conductor and instructor, regarded as the founder of the French Flute School |
Nikolai Rimsky-Korsakov | 1844 | 1908 | Russian | composer and the member of the Russian Five, best known for Flight of the Bumblebee from The Tale of Tsar Saltan |
Pietro Armanini | 1844 | 1895 | Italian | composer, virtuoso mandolinist and teacher, known for his performances and two dances, La cigale polka pour (The Grasshopper Polka) and L'éventail polka-mazurka (The Range Mazurka) |
Pablo de Sarasate | 1844 | 1908 | Spanish | virtuoso violinist and composer, best known for Zigeunerweisen, Carmen Fantasy and his showpieces for the violin |
Charles-Marie Widor | 1844 | 1937 | French | composer, known for his works for the organ |
Friedrich Nietzsche | 1844 | 1900 | German | philologist, philosopher, cultural critic, poet and composer |
Ion Ivanovici | 1845 | 1902 | Romanian | composer, known for his waltz, Waves of the Danube |
Gabriel Fauré | 1845 | 1924 | French | composer, known for his chamber music and his Requiem among other pieces |
Oscar Hammerstein I | 1846 | 1919 | German-born American | opera composer, businessman and impresario |
Ignaz Brüll | 1846 | 1907 | Austrian | composer and pianist, famous for his opera, Das goldene Kreuz |
Luigi Denza | 1846 | 1922 | Italian | opera composer, composed and played for mandolin and guitar |
Ferdinando de Cristofaro | 1846 | 1890 | Italian | mandolin virtuoso, pianist, composer and music teacher |
Zygmunt Noskowski | 1846 | 1909 | Polish | composer, conductor and teacher |
Robert Fuchs | 1847 | 1927 | Austrian | composer and music teacher |
Chiquinha Gonzaga | 1847 | 1935 | Brazilian | composer, pianist, and conductor |
Augusta Holmès | 1847 | 1903 | French | composer of Irish descent |
Philipp Scharwenka | 1847 | 1917 | German-Polish | composer and music teacher, brother of Xaver Scharwenka |
Henri Duparc | 1848 | 1933 | French | composer, noted for seventeen melodies |
Hubert Parry | 1848 | 1918 | English | composer, wrote choral song, Jerusalem |
Benjamin Godard | 1849 | 1895 | French | composer and violinist |
Ernesto Köhler | 1849 | 1907 | Italian | flautist and composer, known by flautists for his instructional work, Progress in Flute Playing |
C. A. Bracco | 1850 | 1903 | Italian | mandolinist, violinist, composer and conductor, known for I mandolini a congresso |
Zdeněk Fibich | 1850 | 1900 | Czech | composer, best known for his two operas, Šárka and The Bride of Messina |
Xaver Scharwenka | 1850 | 1924 | German-Polish | composer, pianist and music teacher, brother of Philipp Scharwenka |
Alexandre Luigini | 1850 | 1906 | French | composer and conductor |
Max Josef Beer | 1851 | 1908 | Austrian | composer |
Josif Marinković | 1851 | 1931 | Serbian | composer |
Vincent d'Indy | 1851 | 1931 | French | composer, teacher of Erik Satie and Darius Milhaud among others |
Francisco Tárrega | 1852 | 1909 | Spanish | composer and virtuoso classical guitarist, known as 'the Father of modern classical guitar playing' |
Hans Huber | 1852 | 1921 | Swiss | composer |
Charles Villiers Stanford | 1852 | 1924 | Irish | composer |
Ciprian Porumbescu | 1853 | 1883 | Romanian | composer |
Teresa Carreño | 1853 | 1917 | Venezuelan | composer and pianist |
Engelbert Humperdinck | 1854 | 1921 | German | opera composer, influenced by Richard Wagner, famous for Hänsel und Gretel |
Leoš Janáček | 1854 | 1928 | Czech | composer, known for his two operas, Káťa Kabanová and Jenůfa and his two orchestral pieces, Sinfonietta and Taras Bulba |
Alfredo Catalani | 1854 | 1893 | Italian | composer, known for his two operas, Loreley and La Wally |
Moritz Moszkowski | 1854 | 1925 | German | composer and pianist who wrote prolifically for the piano, also composed a piano concerto and a violin concerto |
John Philip Sousa | 1854 | 1932 | American | composer and conductor known as "The March King", best known for The Stars and Stripes Forever among other marches |
Bernard Zweers | 1854 | 1924 | Dutch | composer |
George Whitefield Chadwick | 1854 | 1931 | American | composer |
Ernest Chausson | 1855 | 1899 | French | composer, influenced by César Franck and Richard Wagner, seen as a bridge from them to Claude Debussy |
Jean Pietrapertosa | 1855 | 1940 | Italian-French | composer and mandolin virtuoso |
Julius Röntgen | 1855 | 1932 | German-Dutch | composer, influenced by Johannes Brahms, close friend to Edvard Grieg |
Anatoly Lyadov | 1855 | 1914 | Russian | composer, teacher and conductor |
Arnold Mendelssohn | 1855 | 1933 | German | composer and music teacher |
Stevan Mokranjac | 1856 | 1914 | Serbian | composer |
Giuseppe Martucci | 1856 | 1909 | Italian | composer and music teacher |
Sergei Taneyev | 1856 | 1915 | Russian | composer, pianist and music teacher |
Christian Sinding | 1856 | 1941 | Norwegian | composer |
Edward Elgar | 1857 | 1934 | English | composer, wrote oratorios, chamber music, concertos and symphonies, best known for his Enigma Variations, Salut d'Amour, Cello Concerto and his Pomp and Circumstance Marches |
Cécile Chaminade | 1857 | 1944 | French | composer and pianist |
Ruggero Leoncavallo | 1857 | 1919 | Italian | opera composer, known almost exclusively for Pagliacci |
Edwin Eugene Bagley | 1857 | 1922 | American | composer, most famous for composing the march, National Emblem |
Giacomo Puccini | 1858 | 1924 | Italian | opera composer, known for La bohème, Tosca and Madama Butterfly |
Jenő Hubay | 1858 | 1937 | Hungarian | violinist, composer and music teacher, also known by his German name Eugen Huber |
Eugène Ysaÿe | 1858 | 1931 | Belgian | composer and virtuoso violinist, known for his solo sonatas for violin |
Carlo Curti | 1859 | 1926 | Italian | composer, conductor and instrumentalist on xylophone and mandolin, wrote mandolin method. Also, he conducted the first Mexican Typical Orchestra (Orquesta Típica Mexicana) |
Mikhail Ippolitov-Ivanov | 1859 | 1935 | Russian | composer, conductor and teacher |
Victor Herbert | 1859 | 1924 | Irish-born American | composer, cellist and conductor, best known for his 1903 operetta, Babes in Toyland |
Sergei Lyapunov | 1859 | 1924 | Russian | composer and pianist |
Per Lasson | 1859 | 1883 | Norwegian | composer, brother of Norwegian painter, Oda Krohg |
Post Romantic-era composers (born 1860–79)
Name | Date born | Date died | Nationality | Comments |
---|---|---|---|---|
Isaac Albéniz | 1860 | 1909 | Spanish | composer, known for nationalist piano works such as Iberia and a 'set of 12 piano pieces' |
Valborg Aulin | 1860 | 1928 | Swedish | pianist and composer |
Gustave Charpentier | 1860 | 1956 | French | composer, best known for his opera, Louise |
Gustav Mahler | 1860 | 1911 | Austrian | composer, one of the most important late-Romantic/early-Modernist composers, his works include ten innovative large-scale and sometimes programmatic symphonies and many lieder |
Edward MacDowell | 1860 | 1908 | American | composer, best known for his piano concertos and piano suites, his works include his most popular short piece, "To a Wild Rose" |
Hugo Wolf | 1860 | 1903 | Austrian | composer of lieder, influenced by Richard Wagner |
Ignacy Jan Paderewski | 1860 | 1941 | Polish | pianist and composer |
Anton Arensky | 1861 | 1906 | Russian | composer, pianist and music teacher |
Spyridon Samaras | 1861 | 1917 | Greek | opera composer, widely known for his composition of the song, "Olympic Hymn" |
Wilhelm Berger | 1861 | 1911 | German | composer, pianist and conductor |
Georgy Catoire | 1861 | 1926 | Russian | composer |
Václav Suk | 1861 | 1933 | Czech-born Russian | composer, violinist and conductor |
Euphemia Allen | 1861 | 1948 | British | composer, known for her song, Chopsticks |
Claude Debussy | 1862 | 1918 | French | composer, one of the most prominent figures working within the field of Impressionist music, best known for Clair de Lune from Suite bergamasque |
Frederick Delius | 1862 | 1934 | English | composer, used chromaticism in many of his compositions |
Edward German | 1862 | 1936 | English | composer of Welsh descent, known for his three comic operas, Merrie England, A Princess of Kensington and Tom Jones |
Alberto Williams | 1862 | 1952 | Argentine | composer and conductor |
Emil von Sauer | 1862 | 1942 | German | composer, pianist, editor and teacher |
Pietro Mascagni | 1863 | 1945 | Italian | opera composer, known for Cavalleria Rusticana |
Horatio Parker | 1863 | 1919 | American | composer, organist and teacher |
Gabriel Pierné | 1863 | 1937 | French | composer, conductor and organist |
Ricardo Castro | 1864 | 1907 | Mexican | composer, works include piano music |
Alberto Nepomuceno | 1864 | 1920 | Brazilian | composer |
Clarence L. Partee | 1864 | 1915 | American | composer for banjo, mandolin and guitar |
Guy Ropartz | 1864 | 1955 | French | composer and conductor |
Richard Strauss | 1864 | 1949 | German | composer, known for Also Sprach Zarathustra (based on the book, Thus Spoke Zarathustra by Friedrich Nietzsche), wrote many symphonic poems, operas and lieder |
Paul Dukas | 1865 | 1935 | French | composer, known for his piece of program music, The Sorcerer's Apprentice |
Eduardo di Capua | 1865 | 1917 | Italian | composer, known for his song, "’O sole mio" |
Herbert J. Ellis | 1865 | 1903 | English | musician (banjo, mandolin and guitar), wrote method books, more than 1000 compositions |
Paul Gilson | 1865 | 1942 | Belgian | musician and composer |
Alexander Glazunov | 1865 | 1936 | Russian | composer, influenced by Richard Wagner and Franz Liszt |
Albéric Magnard | 1865 | 1914 | French | composer |
Carl Nielsen | 1865 | 1931 | Danish | composer, renowned for his six symphonies and concerti |
Jean Sibelius | 1865 | 1957 | Finnish | composer of seven symphonies and the Violin Concerto in D minor, known also for the symphonic poems include Finlandia, En saga, Lemminkäinen (which includes the Swan of Tuonela), The Oceanides, and Tapiola |
Vasily Kalinnikov | 1866 | 1901 | Russian | composer of two symphonies |
Tor Aulin | 1866 | 1914 | Swedish | violinist, conductor and composer |
Ferruccio Busoni | 1866 | 1924 | Italian | composer and pianist, known for his opera, Turandot and his many transcriptions and arrangements of Johann Sebastian Bach |
Francesco Cilea | 1866 | 1950 | Italian | composer, particularly known for his two operas, L'arlesiana and Adriana Lecouvreur |
Vladimir Rebikov | 1866 | 1920 | Russian | composer and pianist |
Erik Satie | 1866 | 1925 | French | composer and pianist, best known for Les Trois Gymnopédies |
Johann Strauss III | 1866 | 1939 | Austrian | composer, son of Eduard Strauss |
Learmont Drysdale | 1866 | 1909 | Scottish | composer |
Samuel Maykapar | 1867 | 1938 | Russian | composer |
Amy Beach | 1867 | 1944 | American | composer and pianist |
Umberto Giordano | 1867 | 1948 | Italian | opera composer |
Enrique Granados | 1867 | 1916 | Spanish | composer and pianist, known for his piano works and chamber music |
Wilhelm Peterson-Berger | 1867 | 1942 | Swedish | composer, wrote symphonies, operas, vocal and piano music |
Charles Koechlin | 1867 | 1950 | French | composer, teacher and writer on music |
Scott Joplin | 1868 | 1917 | American | composer and pianist known as "The Ragtime King", best known for Maple Leaf Rag and The Entertainer among other ragtime compositions |
Granville Bantock | 1868 | 1946 | British | composer |
Hermann Bischoff | 1868 | 1936 | German | composer |
Hamish MacCunn | 1868 | 1916 | Scottish | composer, conductor and teacher |
Vittorio Monti | 1868 | 1922 | Italian | composer, violinist and conductor, most famous for Csárdás |
José Vianna da Motta | 1868 | 1948 | Portuguese | pianist, teacher and composer, most famous for Symphony 'À Pátria', Op. 13 |
Juventino Rosas | 1868 | 1894 | Mexican | composer, known for his song, "Sobre las Olas" |
Jan Brandts Buys | 1868 | 1933 | Dutch-Austrian | composer |
Tokichi Setoguchi | 1868 | 1941 | Japanese | composer, music educator, conductor and clarinetist, famous for Warship March |
Seth Weeks | 1868 | 1953 | American | composer, music educator, jazz bandleader and mandolinist |
Siegfried Wagner | 1869 | 1930 | German | opera composer, conductor and the son of Richard Wagner |
Demetrios Lialios | 1869 | 1940 | Greek | composer of chamber music |
Julius Conus | 1869 | 1942 | Russian | composer and violinist |
Albert Roussel | 1869 | 1937 | French | composer |
Armas Järnefelt | 1869 | 1958 | Finnish | composer and conductor |
Harry Lawrence Freeman | 1869 | 1954 | American | opera composer, conductor, impresario and teacher, best known for his African-American opera, Voodoo |
Alfred Hill | 1869 | 1960 | Australian-New Zealand | composer, conductor and teacher |
Leopold Godowsky | 1870 | 1938 | Polish | composer, pianist and teacher |
Zygmunt Stojowski | 1870 | 1946 | Polish | composer and pianist |
Franz Lehár | 1870 | 1948 | Hungarian | composer, mainly known for his operettas |
Florent Schmitt | 1870 | 1958 | French | composer |
Luigi von Kunits | 1870 | 1931 | Serbian-born Austrian | composer and conductor, founder of the Pittsburg and Toronto symphony orchestras |
Guillaume Lekeu | 1870 | 1894 | Belgian | composer, known for his violin sonata |
Nobu Kōda | 1870 | 1946 | Japanese | composer, violinist and music teacher |
Alfredo D'Ambrosio | 1871 | 1914 | Italian | violinist and composer |
Giacomo Balla | 1871 | 1958 | Italian | futurist composer and artist |
Zacharia Paliashvili | 1871 | 1933 | Georgian | composer, known for the eclectic fusion of Georgian folk songs and stories with 19th century Romantic classical themes. He was the founder of the Georgian Philharmonic Society and later, the head of the Tbilisi State Conservatoire |
Henry Kimball Hadley | 1871 | 1937 | American | composer and conductor, known for the opera, Cleopatra's Night |
Oreste Ravanello | 1871 | 1938 | Italian | composer, known for works for choir and for organ |
Wilhelm Stenhammar | 1871 | 1927 | Swedish | composer, conductor and pianist |
Alexander von Zemlinsky | 1871 | 1942 | Austrian | composer and music teacher, his students include Arnold Schoenberg and Erich Wolfgang Korngold |
Stanislav Binički | 1872 | 1942 | Serbian | composer |
Hugo Alfvén | 1872 | 1960 | Swedish | composer, known for Swedish Rhapsody, works include choral music and five symphonies |
Julius Fučík | 1872 | 1916 | Czech | composer and conductor of military bands, known for Entrance of the Gladiators |
Rubin Goldmark | 1872 | 1936 | American | composer, pianist, educator and nephew of Karl Goldmark |
Alexander Scriabin | 1872 | 1915 | Russian | composer and pianist, known for his harmonically adventurous piano sonatas and theatrically orchestral works |
Ralph Vaughan Williams | 1872 | 1958 | English | composer, his works include nine symphonies, Fantasia on a Theme by Thomas Tallis and other orchestral poems |
Salvator Léonardi | 1872 | 1938 | Italian | composer, performer and teacher, known for Souvenir de Catania, Souvenir de Napoli, Souvenir de Sicile and Angeli e Demoni |
William Henry Bell | 1873 | 1946 | English | composer, conductor and lecturer |
Leo Fall | 1873 | 1925 | Austrian | composer of operettas |
Pascual Marquina Narro | 1873 | 1948 | Spanish | prolific orchestral and operatic composer |
Sergei Rachmaninoff | 1873 | 1943 | Russian | composer, conductor and virtuoso pianist, wrote three symphonies, four piano concertos, Rhapsody on a Theme of Paganini and solo piano music |
Max Reger | 1873 | 1916 | German | prolific composer, known for his Variations and Fugue on a Theme by Mozart |
Reynaldo Hahn | 1874 | 1947 | Venezuelan | composer, known for his strikingly beautiful and unabashedly tonal melodies |
Gustav Holst | 1874 | 1934 | English | composer, best known for his orchestral suite, The Planets |
Charles Ives | 1874 | 1954 | American | composer, member of the American Five, best known for The Unanswered Question and his Concord Sonata |
Arnold Schoenberg | 1874 | 1951 | Austrian-American | composer, whose early works (e.g. Verklärte Nacht) are influenced by Richard Wagner, but subsequently developed atonalism and serialism with such watershed works as Moses und Aron |
Josef Suk | 1874 | 1935 | Czech | composer and violinist |
Franz Schmidt | 1874 | 1939 | Austrian | composer, influenced by Anton Bruckner and Johannes Brahms |
Reinhold Glière | 1875 | 1956 | Russian | composer |
Julián Carrillo | 1875 | 1965 | Mexican | composer, conductor, violinist and music theorist |
Fritz Kreisler | 1875 | 1962 | Austrian | composer and virtuoso violinist, known for his sweet sound, composed short showpieces for the violin |
Richard Wetz | 1875 | 1935 | German | composer, influenced by Anton Bruckner |
Maurice Ravel | 1875 | 1937 | French | composer, best known for Boléro |
Franco Alfano | 1875 | 1954 | Italian | composer and pianist |
Albert Ketèlbey | 1875 | 1959 | English | composer, conductor and pianist |
Samuel Coleridge-Taylor | 1875 | 1912 | English | composer, known for his trilogy of cantatas, The Song of Hiawatha |
Alexander Koshetz | 1875 | 1944 | Ukrainian | choral conductor, arranger, composer, ethnographer, writer, musicologist and lecturer |
Mikalojus Konstantinas Čiurlionis | 1875 | 1911 | Lithuanian | painter and composer |
Henriette Renié | 1875 | 1956 | French | harpist and composer |
Edgar Bara | 1876 | 1962 | French | mandolinist and composer, conducted mandolin orchestra |
John Alden Carpenter | 1876 | 1951 | American | composer |
Manuel de Falla | 1876 | 1946 | Spanish | composer, best known for The Three-Cornered Hat |
Flor Alpaerts | 1876 | 1954 | Belgian | composer, notable students include the two composers, Denise Tolkowsky and Ernest Schuyten |
Mieczysław Karłowicz | 1876 | 1909 | Polish | composer, his style is of late-Romantic and nationalist character |
Filippo Tommaso Marinetti | 1876 | 1944 | Italian | futurist composer, poet, and editor |
Fermo Dante Marchetti | 1876 | 1940 | Italian | composer, best known for the song, "Fascination" |
Ludolf Nielsen | 1876 | 1939 | Danish | composer, violinist, conductor and pianist |
Carl Ruggles | 1876 | 1971 | American | composer, painter and the member of the American Five, best known for his orchestral work, Sun-Treader |
Ermanno Wolf-Ferrari | 1876 | 1948 | Italian | composer and music teacher, known for his comic operas |
Nakao Tozan | 1876 | 1956 | Japanese | performer and prolific composer, known for his works of the Tozan school |
Petar Krstić | 1877 | 1957 | Serbian | composer and conductor |
Antonio Russolo | 1877 | 1942 | Italian | futurist composer and brother of Luigi Russolo |
Ernst von Dohnányi | 1877 | 1960 | Hungarian | conductor, composer and pianist |
Elisabeth Kuyper | 1877 | 1953 | Dutch | composer and conductor |
Paul Ladmirault | 1877 | 1944 | French | composer |
Mykola Leontovych | 1877 | 1921 | Ukrainian | composer, choral conductor and teacher, known for his arrangement of the carol "Shchedryk", known in English as "Carol of the Bells" or as "Ring Christmas Bells" |
Sergei Bortkiewicz | 1877 | 1952 | Ukrainian | composer and pianist |
Isidor Bajić | 1878 | 1915 | Serbian | composer, conductor, teacher and publisher |
Gabriel Dupont | 1878 | 1914 | French | composer, known for his operas and chamber music |
Joseph Holbrooke | 1878 | 1958 | English | composer, conductor and pianist |
Franz Schreker | 1878 | 1934 | Austrian | conductor, composer and music teacher, primarily a composer of operas |
Teiichi Okano | 1878 | 1941 | Japanese | composer |
Frank Bridge | 1879 | 1941 | English | composer, best known as the teacher of Benjamin Britten; compositions include Oration for cello and orchestra, The Sea for orchestra and four string quartets |
Viggo Brodersen | 1879 | 1965 | Danish | composer and pianist |
Joseph Canteloube | 1879 | 1957 | French | composer, primarily known for Chants d'Auvergne |
Hamilton Harty | 1879 | 1941 | Irish | composer and conductor, best known for An Irish Symphony |
John Ireland | 1879 | 1962 | English | composer, whose Piano Concerto is representative |
Alma Mahler | 1879 | 1964 | Austrian | composer and wife of Gustav Mahler |
Otto Olsson | 1879 | 1964 | Swedish | composer |
Ottorino Respighi | 1879 | 1936 | Italian | composer, known for his three symphonic poems, Fountains of Rome, Pines of Rome, and Roman Festivals |
Rudolf Sieczyński | 1879 | 1952 | Austrian | composer |
Cyril Scott | 1879 | 1970 | English | composer, writer and poet |
Rentarō Taki | 1879 | 1903 | Japanese | composer and pianist |
Timeline
See also
- List of 20th-century classical composers
- List of Baroque composers
- List of classical music composers by era
- List of Classical-era composers
- List of medieval composers
- List of piano composers
- List of Renaissance composers
References
Notes
Sources
- Classical Net, Timeline of Major Composers 1600–Present (PDF), retrieved 6 May 2009 from Classical Net – Composers and Their Works – Timelines
Further reading
- Classical Composers Database: Composers timeline (1800–1900). Retrieved 5 July 2006
- Machlis, Joseph and Forney, Kristine. The Enjoyment of Music: Seventh Edition, W. W. Norton & Company, 1995, ISBN 0-393-96643-7
- Moss, Charles K. Claude Debussy and Impressionism at the Wayback Machine (archived 9 February 2008). Retrieved 17 January 2009
- Sadie, Julie Anne and Rhian Samuel. The Norton/Grove Dictionary of Women Composers, W. W. Norton & Company, 1995, ISBN 0-333-51598-6