Dunbar Theatre (Philadelphia): Difference between revisions
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The theatre was opened on December 29, 1919 by African-American bankers [[E. C. Brown]] and [[ Andrew Stevens, Jr.]], with a performance from the [[Lafayette Theatre]] group from [[Harlem]], who were raising money for the [[NAACP]] and [[Marcus Garvey]]. They performed ''[[Shuffle Along]]'' at Dunbar, before moving to Broadway where it premiered as the first all-black cast and production.<ref name="explore">{{cite web|url=https://explorepahistory.com/hmarker.php?markerId=1-A-152|title=The Dunbar Theatre|publisher= Explorehistory.com|accessdate=7 May 2020}}</ref> Brown and Stevens ran into financial difficulty and in 1921 the theatre was acquired by businessman [[John T. Gibson]], who bought it for $420,000,<ref>{{cite web|url=https://books.google.co.uk/books?id=P1sEAAAAMBAJ&pg=PA152&dq=John+T.+Gibson&hl=en&sa=X&ved=0ahUKEwi5wtDckaLpAhUNTBUIHYIpDR4Q6AEIPTAC#v=onepage&q=John%20T.%20Gibson&f=false|title=Philadelphia Pioneers in Business|date=May 1944|p=152|magazine=The Crisis}}</ref> offering a 10% share to another partner.<ref name="explore"/><ref>{{cite book|url=https://books.google.co.uk/books?id=R7lQAQAAMAAJ&q=dunbar+jazz+club+Philadelphia&dq=dunbar+jazz+club+Philadelphia&hl=en&sa=X&ved=2ahUKEwiP4KOo-6HpAhUlUhUIHdhXBSMQ6AEwCHoECAcQAQ|title=The Western Journal of Black Studies|publisher=Black Studies Program at Washington State University and Washington State University Press|year=1992|p=42}}</ref> The club, which was renamed the Gibson Theatre, along with the [[Standard Theatre (Philadelphia)|Standard Theatre]] made Gibson the wealthiest African-American in Philadelphia in the 1920s.<ref>{{cite web|author=Patrick Glennon|url=https://www.inquirer.com/philly/opinion/commentary/philly-history-jazz-duke-ellington-louis-armstrong-bessie-smith-20180511.html|title=The Philly Venues|newspaper=[[The Philadelphia Inquirer]]|date=18 May 2018|accessdate=7 May 2020}}</ref> |
The theatre was opened on December 29, 1919 by African-American bankers [[E. C. Brown]] and [[ Andrew Stevens, Jr.]], with a performance from the [[Lafayette Theatre]] group from [[Harlem]], who were raising money for the [[NAACP]] and [[Marcus Garvey]]. They performed ''[[Shuffle Along]]'' at Dunbar, before moving to Broadway where it premiered as the first all-black cast and production.<ref name="explore">{{cite web|url=https://explorepahistory.com/hmarker.php?markerId=1-A-152|title=The Dunbar Theatre|publisher= Explorehistory.com|accessdate=7 May 2020}}</ref> Brown and Stevens ran into financial difficulty and in 1921 the theatre was acquired by businessman [[John T. Gibson]], who bought it for $420,000,<ref>{{cite web|url=https://books.google.co.uk/books?id=P1sEAAAAMBAJ&pg=PA152&dq=John+T.+Gibson&hl=en&sa=X&ved=0ahUKEwi5wtDckaLpAhUNTBUIHYIpDR4Q6AEIPTAC#v=onepage&q=John%20T.%20Gibson&f=false|title=Philadelphia Pioneers in Business|date=May 1944|p=152|magazine=The Crisis}}</ref> offering a 10% share to another partner.<ref name="explore"/><ref>{{cite book|url=https://books.google.co.uk/books?id=R7lQAQAAMAAJ&q=dunbar+jazz+club+Philadelphia&dq=dunbar+jazz+club+Philadelphia&hl=en&sa=X&ved=2ahUKEwiP4KOo-6HpAhUlUhUIHdhXBSMQ6AEwCHoECAcQAQ|title=The Western Journal of Black Studies|publisher=Black Studies Program at Washington State University and Washington State University Press|year=1992|p=42}}</ref> The club, which was renamed the Gibson Theatre, along with the [[Standard Theatre (Philadelphia)|Standard Theatre]] made Gibson the wealthiest African-American in Philadelphia in the 1920s.<ref>{{cite web|author=Patrick Glennon|url=https://www.inquirer.com/philly/opinion/commentary/philly-history-jazz-duke-ellington-louis-armstrong-bessie-smith-20180511.html|title=The Philly Venues|newspaper=[[The Philadelphia Inquirer]]|date=18 May 2018|accessdate=7 May 2020}}</ref> |
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Despite his wealth and the club's success, Gibson was |
Despite his wealth and the club's success, Gibson was affected by The Great Depression, and the theatre was sold to white owners who renamed it the Lincoln Theatre. It flourished as a jazz venue in the 1930s and 1940s with performances from the likes of [[Duke Ellington]], [[Lena Horne]] and the [[Nicholas Brothers]].<ref name="explore"/> |
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Today there is a historical marker sign at 500 South Broad Street on the southwest corner of Broad and Lombard Streets in the city remembering the theatre and its role in history as a successful venue for black performers of the 1920s to 1940s.<ref name="explore"/> |
Today there is a historical marker sign at 500 South Broad Street on the southwest corner of Broad and Lombard Streets in the city remembering the theatre and its role in history as a successful venue for black performers of the 1920s to 1940s.<ref name="explore"/> |
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Revision as of 16:23, 7 May 2020
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Dunbar Theatre was a 1600-seat theatre and jazz club on the corner of Lombard Street and Broad Street in Philadelphia, United States.[1] It opened in 1919 and was later called the Gibson Theatre and Lincoln Theatre.
History
The theatre was opened on December 29, 1919 by African-American bankers E. C. Brown and Andrew Stevens, Jr., with a performance from the Lafayette Theatre group from Harlem, who were raising money for the NAACP and Marcus Garvey. They performed Shuffle Along at Dunbar, before moving to Broadway where it premiered as the first all-black cast and production.[2] Brown and Stevens ran into financial difficulty and in 1921 the theatre was acquired by businessman John T. Gibson, who bought it for $420,000,[3] offering a 10% share to another partner.[2][4] The club, which was renamed the Gibson Theatre, along with the Standard Theatre made Gibson the wealthiest African-American in Philadelphia in the 1920s.[5]
Despite his wealth and the club's success, Gibson was affected by The Great Depression, and the theatre was sold to white owners who renamed it the Lincoln Theatre. It flourished as a jazz venue in the 1930s and 1940s with performances from the likes of Duke Ellington, Lena Horne and the Nicholas Brothers.[2]
Today there is a historical marker sign at 500 South Broad Street on the southwest corner of Broad and Lombard Streets in the city remembering the theatre and its role in history as a successful venue for black performers of the 1920s to 1940s.[2]
References
- ^ Ted Vincent (1995). "Keep Cool:The Black Activists Who Built the Age of Jazz". Pluto Press. p. 20.
- ^ a b c d "The Dunbar Theatre". Explorehistory.com. Retrieved 7 May 2020.
- ^ "Philadelphia Pioneers in Business". The Crisis. May 1944. p. 152.
- ^ The Western Journal of Black Studies. Black Studies Program at Washington State University and Washington State University Press. 1992. p. 42.
- ^ Patrick Glennon (18 May 2018). "The Philly Venues". The Philadelphia Inquirer. Retrieved 7 May 2020.