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{{about|the overture by Brahms|the overture by Dvořák|Tragic Overture (Dvořák)}}
{{about|the overture by Brahms|the overture by Dvořák|Tragic Overture (Dvořák)}}
The '''''Tragic Overture''''' ({{lang-de|Tragische Ouvertüre}}), [[opus number|Op.]]&nbsp;81, is a [[Overture#Concert overture|concert overture]] for [[orchestra]] written by [[Johannes Brahms]] during the summer of 1880. It premiered, under [[Hans Richter (conductor)|Hans Richter]], on 26 December 1880 in Vienna.<ref>{{Cite web|url=https://books.google.co.uk/books?id=CcQAAQAAQBAJ&pg=PA361|title=Brahms and His World: A Biographical Dictionary|first=Peter|last=Clive|date=October 2, 2006|publisher=Scarecrow Press|via=Google Books}}</ref> Eight days later, it was repeated at the [[University of Breslau]] on a program with the premiere of the [[Academic Festival Overture]].<ref>{{Cite web|url=https://www.redlandssymphony.com/|title=Fascinating Insights into BRAHMS's Tragic Overture|website=Redlands Symphony}}</ref> Most performances last between twelve and fifteen minutes.
The '''''Tragic Overture''''' ({{lang-de|Tragische Ouvertüre}}), [[opus number|Op.]]&nbsp;81, is a [[Overture#Concert overture|concert overture]] for [[orchestra]] written by [[Johannes Brahms]] during the summer of 1880. It premiered, under [[Hans Richter (conductor)|Hans Richter]], on 26 December 1880 in Vienna.<ref>{{Cite web|url=https://books.google.co.uk/books?id=CcQAAQAAQBAJ&pg=PA361|title=Brahms and His World: A Biographical Dictionary|first=Peter|last=Clive|date=October 2, 2006|publisher=Scarecrow Press|via=Google Books}}</ref> Eight days later, it was repeated at the [[University of Breslau]] on a program with the premiere of the [[Academic Festival Overture]].<ref>{{Cite web|url=https://www.redlandssymphony.com/|title=Fascinating Insights into Brahms's ''Tragic Overture''|website=Redlands Symphony}}</ref> Most performances last between twelve and fifteen minutes.


Brahms chose the title "[[tragedy|tragic]]" to emphasize the turbulent, tormented character of the piece, in essence a free-standing symphonic movement, in contrast to the mirthful ebullience of a companion piece he wrote the same year, the ''[[Academic Festival Overture]]''. Despite its name, the ''Tragic Overture'' does not follow any specific dramatic [[program music|program]]. Brahms summed up the effective difference in character between the two overtures when he declared "one laughs while the other cries." Brahms quotes some material from the last movement of the [[Symphony No. 2 (Brahms)|Second Symphony]] in this overture. {{Citation needed|date=May 2013}}
Brahms chose the title "[[tragedy|tragic]]" to emphasize the turbulent, tormented character of the piece, in essence a free-standing symphonic movement, in contrast to the mirthful ebullience of a companion piece he wrote the same year, the ''[[Academic Festival Overture]]''. Despite its name, the ''Tragic Overture'' does not follow any specific dramatic [[program music|program]]. Brahms summed up the effective difference in character between the two overtures when he declared "one laughs while the other cries."{{cite quote|date=July 2020}}


==Structure==
==Structure==
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==Analysis==
==Analysis==


Theorists have disagreed in analysing the form of the piece: Jackson finds Webster's multifarious description rather obscurist and prefers to label the work's form as a "reversed sonata design" in which the second group is recapitulated before the first, with [[Ludwig van Beethoven|Beethoven]]'s ''[[Coriolan Overture]]'' as a possible formal model. Such formal schemes are typical in music of the later romantic era and are usually termed arch or dramatic sonata form. <ref>Timothy L. Jackson, "Bruckner and tragic reversed sonata form" ''Bruckner Studies'' 1997, Cambridge University Press, pp. 172–178</ref>
Theorists have disagreed in analyzing the form of the piece: Jackson finds Webster's multifarious description rather obscurist and prefers to label the work's form as a "reversed sonata design" in which the second group is recapitulated before the first, with [[Ludwig van Beethoven|Beethoven]]'s ''[[Coriolan Overture]]'' as a possible formal model.<ref>Timothy L. Jackson, "Bruckner and tragic reversed sonata form" ''Bruckner Studies'' 1997, Cambridge University Press, pp. 172–178</ref>


==Instrumentation==
==Instrumentation==
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== Further reading==
== Further reading==
* {{cite book|url=https://books.google.com.au/books?id=3c_d6JRauvYC|editor-last=Pascall|editor-first=Robert|title=Brahms: Biographical, Documentary and Analytical Studies|publisher=Cambridge University Press|year=2008|isbn=978-0-521-24522-7}}
* {{cite book|url=https://books.google.com.au/books?id=3c_d6JRauvYC|editor-last=Pascall|editor-first=Robert|title=Brahms: Biographical, Documentary and Analytical Studies|publisher=Cambridge University Press|year=2008|isbn=978-0-521-24522-7|ref=none}}


== External links ==
== External links ==
* {{IMSLP2|work=Tragic_Overture_%28Brahms%2C_Johannes%29|cname=Tragic Overture, Op. 81}}
* {{IMSLP|work=Tragic_Overture_%28Brahms%2C_Johannes%29|cname=''Tragic Overture'', Op. 81}}
* Orrin, Howard. [https://web.archive.org/web/20160306224513/http://www.laphil.com/philpedia/music/tragic-overture-johannes-brahms-0 Program Notes: Tragic Overture, Op. 81] (archived 2016)
* Orrin, Howard. [https://web.archive.org/web/20160306224513/http://www.laphil.com/philpedia/music/tragic-overture-johannes-brahms-0 Program Notes: ''Tragic Overture'', Op. 81] (archived 2016)
* {{cite web|url=http://www.kellydeanhansen.com/opus81.html|last=Hansen|first=Kelly Dean|title=Listening Guide: Tragic Overture (D minor), OP. 81|publisher=Brahms Listening Guides|date=October 14, 2008}} - (Using a recording by Claudio Abbado and the Berlin Philharmonic.)
* {{cite web|url=http://www.kellydeanhansen.com/opus81.html|last=Hansen|first=Kelly Dean|title=Listening Guide: ''Tragic Overture'' (D minor), Op. 81|publisher=Brahms Listening Guides|date=October 14, 2008|ref=none}} - (Using a recording by Claudio Abbado and the Berlin Philharmonic.)


{{Johannes Brahms}}
{{Johannes Brahms}}

Revision as of 15:22, 6 July 2020

The Tragic Overture (Template:Lang-de), Op. 81, is a concert overture for orchestra written by Johannes Brahms during the summer of 1880. It premiered, under Hans Richter, on 26 December 1880 in Vienna.[1] Eight days later, it was repeated at the University of Breslau on a program with the premiere of the Academic Festival Overture.[2] Most performances last between twelve and fifteen minutes.

Brahms chose the title "tragic" to emphasize the turbulent, tormented character of the piece, in essence a free-standing symphonic movement, in contrast to the mirthful ebullience of a companion piece he wrote the same year, the Academic Festival Overture. Despite its name, the Tragic Overture does not follow any specific dramatic program. Brahms summed up the effective difference in character between the two overtures when he declared "one laughs while the other cries."[This quote needs a citation]

Structure

The Tragic Overture comprises three main sections, all in the key of D minor.

  1. Allegro ma non troppo
  2. Molto più moderato
  3. Tempo primo ma tranquillo.

Analysis

Theorists have disagreed in analyzing the form of the piece: Jackson finds Webster's multifarious description rather obscurist and prefers to label the work's form as a "reversed sonata design" in which the second group is recapitulated before the first, with Beethoven's Coriolan Overture as a possible formal model.[3]

Instrumentation

The work is scored for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, and strings.

References

  1. ^ Clive, Peter (October 2, 2006). "Brahms and His World: A Biographical Dictionary". Scarecrow Press – via Google Books.
  2. ^ "Fascinating Insights into Brahms's Tragic Overture". Redlands Symphony.
  3. ^ Timothy L. Jackson, "Bruckner and tragic reversed sonata form" Bruckner Studies 1997, Cambridge University Press, pp. 172–178

Further reading