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'''Wang Xianzhi''' ({{zh|t=王獻之|s=王献之|p=Wáng Xiànzhī|w='''Wang Hsien-chih'''}}, 344–386), [[courtesy name]] '''Zijing''' (子敬), was a famous [[Chinese calligraphy|Chinese calligrapher]] of the [[Eastern Jin]] dynasty.
'''Wang Xianzhi''' ({{zh|t=王獻之|s=王献之|p=Wáng Xiànzhī|w='''Wang Hsien-chih'''}}, 344–386), [[courtesy name]] '''Zijing''' (子敬), was a famous [[Chinese calligraphy|Chinese calligrapher]] of the [[Eastern Jin]] dynasty.


He was the seventh and youngest son of the famed [[Wang Xizhi]]. Wang inherited his father's talent for the art, and although several of his siblings were notable calligraphers, only Xianzhi was able to eventually equal his father in status, with the pair later attaining the appellation, “The Two Wangs (二王 èr wáng)." Wang Xianzhi's (also referred to as "Little Wang") style is substantially more fluid than his father's, demonstrating a reaction against Wang Xizhi's calligraphy ("Big Wang"), whose structural firmness nonetheless remains unrivaled. Amongst Xianzhi's accomplishments is the extensive application use of the "one-stroke writing" technique for ([[East Asian cursive script|cursive script]]), historically attributed to [[Zhang Zhi]] of the [[Eastern Jin]], which laces together several characters (typically three to four) into a single stroke. The "running-cursive" script was Xianzhi's unique invention. uniquely Until the [[Tang Dynasty]] his influence and reputation rivaled and even surpassed that of his father.
He was the seventh and youngest son of the famed [[Wang Xizhi]]. Wang inherited his father's talent for the art, and although several of his siblings were notable calligraphers, only Xianzhi was able to eventually equal his father in status, with the pair later attaining the appellation, “The Two Wangs (二王 èr wáng)." Wang Xianzhi's (also referred to as "Little Wang") style is substantially more fluid than his father's, demonstrating a reaction against Wang Xizhi's calligraphy ("Big Wang"), whose structural firmness nonetheless remains unrivaled. Xianzhi's most celebrated accomplishment is his invention of the "running-cursive" script, a writing style which, as the name implies, combines features of both the cursive and running scripts. The Duck-Head Pill Note is an outstanding example of this technique. Another of Xianzhi's accomplishments is the extensive application use of the "one-stroke writing" technique for ([[East Asian cursive script|cursive script]]), historically attributed to [[Zhang Zhi]] of the [[Eastern Jin]], which laces together several characters (typically three to four) into a single stroke. Until the [[Tang Dynasty]] his influence and reputation rivaled and even surpassed that of his father.


When he was young, his father, Wang Xizhi found his talent and started calligraphy training him calligraphy around the age of seven. According to one popular anecdote, Wang Xizhi once unsuccessfully tried to snatch Xianzhi's brush from behind while the latter was writing. Being amazed at Xianzhi's strong grip, Wang Xizhi remarked, "This child is will one day be famous!" Wang Xianzhi continued to practiced diligently into adulthood until he finally became as skilled as his father. Xianzhi unfortunately passed away at 42 while still in his prime. By comparison, his father lived to the age of 59, though it was only Xizhi's latter years that he produced the work he is most known for, ''[[Lantingji Xu]]'' or ''[[Lanting Xu|Preface to the Poems Composed at the Orchid Pavilion]].'' Along with his father, he was eventually crowned as one of the Four Talented Calligraphers (四賢 sì xián) in Chinese calligraphy.<ref>{{Cite web|url=http://vincentpoon.com/a-narrative-on-calligraphy.html#7|title=A Narrative on Calligraphy|website=Vincent's Calligraphy|language=en-GB|access-date=2017-11-15}}</ref>
When he was young, his father, Wang Xizhi found his talent and started calligraphy training him calligraphy around the age of seven. According to one popular anecdote, Wang Xizhi once unsuccessfully tried to snatch Xianzhi's brush from behind while the latter was writing. Being amazed at Xianzhi's strong grip, Wang Xizhi remarked, "This child is will one day be famous!" Wang Xianzhi indeed continued to practiced diligently into adulthood until finally became as skilled as his father. Xianzhi unfortunately passed away at age 42 while still in his prime. By comparison, his father lived to the age of 59, though it was only in Xizhi's latter years that he was able to produce the work he is most well-known for, ''[[Lantingji Xu]]'' or ''[[Lanting Xu|Preface to the Poems Composed at the Orchid Pavilion]].'' Along with his father, he was eventually crowned as one of the Four Talented Calligraphers (四賢 sì xián) in Chinese calligraphy.<ref>{{Cite web|url=http://vincentpoon.com/a-narrative-on-calligraphy.html#7|title=A Narrative on Calligraphy|website=Vincent's Calligraphy|language=en-GB|access-date=2017-11-15}}</ref>


== References ==
== References ==

Revision as of 09:07, 18 September 2020

Template:Chinese name

Tang Dynasty copy of 新婦地黃湯帖 by Wang Xianzhi

Wang Xianzhi (simplified Chinese: 王献之; traditional Chinese: 王獻之; pinyin: Wáng Xiànzhī; Wade–Giles: Wang Hsien-chih, 344–386), courtesy name Zijing (子敬), was a famous Chinese calligrapher of the Eastern Jin dynasty.

He was the seventh and youngest son of the famed Wang Xizhi. Wang inherited his father's talent for the art, and although several of his siblings were notable calligraphers, only Xianzhi was able to eventually equal his father in status, with the pair later attaining the appellation, “The Two Wangs (二王 èr wáng)." Wang Xianzhi's (also referred to as "Little Wang") style is substantially more fluid than his father's, demonstrating a reaction against Wang Xizhi's calligraphy ("Big Wang"), whose structural firmness nonetheless remains unrivaled. Xianzhi's most celebrated accomplishment is his invention of the "running-cursive" script, a writing style which, as the name implies, combines features of both the cursive and running scripts. The Duck-Head Pill Note is an outstanding example of this technique. Another of Xianzhi's accomplishments is the extensive application use of the "one-stroke writing" technique for (cursive script), historically attributed to Zhang Zhi of the Eastern Jin, which laces together several characters (typically three to four) into a single stroke. Until the Tang Dynasty his influence and reputation rivaled and even surpassed that of his father.

When he was young, his father, Wang Xizhi found his talent and started calligraphy training him calligraphy around the age of seven. According to one popular anecdote, Wang Xizhi once unsuccessfully tried to snatch Xianzhi's brush from behind while the latter was writing. Being amazed at Xianzhi's strong grip, Wang Xizhi remarked, "This child is will one day be famous!" Wang Xianzhi indeed continued to practiced diligently into adulthood until finally became as skilled as his father. Xianzhi unfortunately passed away at age 42 while still in his prime. By comparison, his father lived to the age of 59, though it was only in Xizhi's latter years that he was able to produce the work he is most well-known for, Lantingji Xu or Preface to the Poems Composed at the Orchid Pavilion. Along with his father, he was eventually crowned as one of the Four Talented Calligraphers (四賢 sì xián) in Chinese calligraphy.[1]

References

  1. ^ "A Narrative on Calligraphy". Vincent's Calligraphy. Retrieved 2017-11-15.