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'''''Piano and String Quartet''''' is a composition by American [[Avant-garde music|avant-garde]] composer [[Morton Feldman]]. As its title. It was commissioned by the [[Kronos Quartet]] and pianist [[Aki Takahashi]], who premiered the piece at the 7th annual [[New Music Festival]] in Los Angeles and released a studio recording in 1993.
'''''Piano and String Quartet''''' is a composition by American [[Avant-garde music|avant-garde]] composer [[Morton Feldman]]. It was commissioned by the [[Kronos Quartet]] and pianist [[Aki Takahashi]], who premiered the piece at the 7th annual [[New Music America]] Festival in Los Angeles and released a studio recording in 1993.


==Background==
==Background==

Revision as of 00:10, 29 September 2020

Piano and String Quartet
Piano quintet by Morton Feldman
PeriodContemporary
GenreChamber music
StyleAvant-garde
OccasionNew Music America Festival
DedicationAki Takahashi and the Kronos Quartet
PerformedNovember 2, 1985 (1985-11-02): Los Angeles, California, U.S.
PublisherUniversal Edition (UE 17 972)
Durationapprox.1:20:00
Morton Feldman: Piano and String Quartet
File:Kronos-feldman.jpg
Studio album by
ReleasedSeptember 28, 1993 (1993-09-28)
RecordedNovember 1991
Studio
GenreContemporary classical
Length1:19:33
LabelElektra/Nonesuch (79320-2)
ProducerJudith Sherman and the Kronos Quartet
Kronos Quartet chronology
At the Grave of Richard Wagner
(1993)
Morton Feldman: Piano and String Quartet
(1993)
Bob Ostertag: All the Rage
(1993)
Aki Takahashi chronology
Hyper Beatles
(1990)
Morton Feldman: Piano and String Quartet
(1993)
Aki Takahashi Plays Morton Feldman
(1996)

Piano and String Quartet is a composition by American avant-garde composer Morton Feldman. It was commissioned by the Kronos Quartet and pianist Aki Takahashi, who premiered the piece at the 7th annual New Music America Festival in Los Angeles and released a studio recording in 1993.

Background

Feldman composed Piano and String Quartet, when he was 59 years old. It was among Feldman's final completed works.[1] He had written the composition with the Kronos Quartet and Takahashi in mind as its performers.[2] It was commissioned for the seventh New Music America Festival in Los Angeles, where it premiered on November 2, 1985.[3] Within two years of the performance, Feldman died of pancreatic cancer at the age of 61.[4] Interest in his music grew rapidly in the short period after his death and his previously scarce discography was populated with numerous new recordings, mostly on independent labels.[5]

Music

In Feldman's late period, from 1977 until his death, the central concern of his compositions turned from timbre—i.e., the textural quality of sound—to perception of time.[6] Piano and String Quartet typifies the composer's late-period preoccupation with time and memory.[6] The most salient qualities of its formal structure are extremes of duration and repetition. A typical performance takes approximately 80 minutes, much longer than his early works or most music written by his peers in the avant-garde. However, it is only mid-length by the standard of his late works.

For the entirety of the piece, the musicians follow a simple alternating pattern: the string quartet plays a sustained chord, then the pianist plays an arpeggiated or "broken" chord.[7] The string instruments occasionally play the same pitch, creating a unison rather than a chord.[8] The sustain pedal of the piano remains pressed down for the entire performance, which indefinitely lengthens the notes and causes sympathetic resonance among the strings.[9] The harmonic content of the chords shifts throughout, but without a traditional sense of musical development. According to the Rough Guide to classical music, at first the piece "seems to have no beginning or end, no intention or direction"; however, the listener's attention is gradually enhanced and subtle changes in tone become magnified as it progresses, until even the subtlest differences take on the capacity to impart "a resonance and an intensity that is startling."[2]

Recordings

Year Performers Label
Quartet Pianist
1993 Kronos Quartet Aki Takahashi Nonesuch
2001 Ives Ensemble John Snijders (also a member of the Ives Ensemble) Hat Hut
2011 Eclipse Quartet Vicki Ray Bridge

Kronos Quartet and Takahashi (1993)

The Kronos Quartet and Takahashi recorded the piece in November 1991 at Skywalker Sound in Nicasio, California. It was released by Nonesuch Records, then a subsidiary of Elektra Records.[2] The Kronos Quartet had been signed to the label since 1985.[10]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusicNo rating[11]
Spin Alternative Record Guide10/10[12]

Glenn Swan of AllMusic called the recording "[b]reathtaking" and wrote that the musicians "conjure up the ghost of Feldman to wander the streets of New York as if they were abandoned. This single piece, over 79 minutes in length, is like an icy flower that blooms almost undetected."[11] Reviewing selected recordings by the Kronos Quartet for the 1995 Spin Alternative Record Guide, critic Alex Ross gave the record a perfect score and rated it higher than any other recording by the quartet.[12] In the 2002 book Classical Music: The Listener's Companion, Raymond S. Tuttle recommended it as an "excellent" and comparatively accessible entry point for a listener new to Feldman's music: "Once you surrender traditional expectations about what music is supposed to do, you're overwhelmed by its ethereal beauty".[13]

Track listing

All music is composed by Morton Feldman

No.TitleLength
1."Piano and String Quartet"79:33

Personnel

See also

References

Bibliography

Blumenthal, Howard J. (1998). "Kronos Quartet". The Classical CD Listener's Guide. New York: Billboard Books. pp. 196–197. ISBN 0-8230-7676-8 – via the Internet Archive. {{cite book}}: Invalid |ref=harv (help)
Clark, Philip (August 2001). "The Primer: Morton Feldman". The Wire. No. 210. London. pp. 40–47 – via Exact Editions (subscription required). {{cite magazine}}: Invalid |ref=harv (help)
Ross, Alex (November 5, 1993). "Critic's Notebook; Of Mystics, Minimalists and Musical Miasmas". The New York Times. Archived from the original on November 9, 2012. Retrieved September 27, 2020. {{cite news}}: Invalid |ref=harv (help)
——— (June 12, 2006). "American Sublime". The New Yorker. New York: Condé Nast. Archived from the original on August 28, 2020. Retrieved September 27, 2020. {{cite magazine}}: Invalid |ref=harv (help)
——— (1995). "Kronos Quartet". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. New York: Vintage Books. pp. 217–218. ISBN 0-679-75574-8. {{cite book}}: Invalid |ref=harv (help)
Slonimsky, Nicolas (1994). Music Since 1900 (5th ed.). New York: Schirmer Books. ISBN 0-02-872418-6 – via the Internet Archive (registration required). {{cite book}}: Invalid |ref=harv (help)
Staines, Joe; Buckley, Jonathan, eds. (1998). "Morton Feldman". Classical Music: The Rough Guide. Rough Guides (2nd ed.). London: Penguin Group. pp. 146–147. ISBN 1-85828-257-8 – via the Internet Archive. {{cite book}}: Invalid |ref=harv (help)
Swan, Glenn (n.d.). "Morton Feldman: Piano and String Quartet – Kronos Quartet / Aki Takahashi". AllMusic. Archived from the original on August 28, 2020. Retrieved September 27, 2020. {{cite web}}: Invalid |ref=harv (help)
Swed, Mark (September 28, 1993). Morton Feldman: Piano and String Quartet (PDF) (liner notes). New York: Nonesuch. 79320-2 – via the Internet Archive. {{cite AV media notes}}: Invalid |ref=harv (help)
Tuttle, Raymond S. (2002). "Morton Feldman". In Morin, Alexander J. (ed.). Classical Music: The Listener's Companion. San Francisco: Backbeat Books. pp. 315–316. ISBN 0-87930-638-6 – via the Internet Archive. {{cite book}}: Invalid |ref=harv (help)