Red Corner: Difference between revisions
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| runtime = 122 minutes |
| runtime = 122 minutes |
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| budget = $48 million<ref>[https://variety.com/1997/film/news/mgm-at-a-prelim-1117433216/ MGM at a prelim], ''[[Variety (magazine)|Variety]]'', January 22, 1997</ref> |
| budget = $48 million<ref>[https://variety.com/1997/film/news/mgm-at-a-prelim-1117433216/ MGM at a prelim], ''[[Variety (magazine)|Variety]]'', January 22, 1997</ref> |
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| gross = $22,415,440 |
| gross = $22,415,440 (USA) |
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==Reception== |
==Reception== |
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On ''[[Rotten Tomatoes]]'' the film has an approval rating of 30% based on reviews from 23 critics.<ref name="tomatoes">{{cite web|title=Red Corner (1997) |website=Rotten Tomatoes |url=http://www.rottentomatoes.com/m/red_corner/ |access-date=April 1, 2020 }}</ref> |
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[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' described ''Red Corner'' as "a contrived and cumbersome thriller designed to showcase Richard Gere's unhappiness with Red China, which it does with such thoroughness that story and characters are enveloped in the gloom. The Chinese do this better to themselves. Unlike such Chinese-made films as ''[[The Blue Kite]]'', and ''[[To Live (1994 film)|To Live]]'' which criticize China with an insider's knowledge and detail, ''Red Corner'' plays like a xenophobic travelogue crossed with Perry Mason."<ref name="rogerebert">{{cite news|last=Ebert |first=Roger |title=Red Corner |newspaper=Chicago Sun-Times |date=October 31, 1997 |url=http://www.rogerebert.com/reviews/red-corner-1997 | |
[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' described ''Red Corner'' as "a contrived and cumbersome thriller designed to showcase Richard Gere's unhappiness with Red China, which it does with such thoroughness that story and characters are enveloped in the gloom. The Chinese do this better to themselves. Unlike such Chinese-made films as ''[[The Blue Kite]]'', and ''[[To Live (1994 film)|To Live]]'' which criticize China with an insider's knowledge and detail, ''Red Corner'' plays like a xenophobic travelogue crossed with Perry Mason."<ref name="rogerebert">{{cite news |last=Ebert |first=Roger |title=Red Corner |author-link=Roger Ebert |newspaper=[[Chicago Sun-Times]] |date=October 31, 1997 |url=http://www.rogerebert.com/reviews/red-corner-1997 |access-date=March 20, 2012}}</ref> |
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Cynthia Langston of ''[[Film Journal International]]'' responded to the film, "So unrealistic, so contrived and so blatantly 'Hollywood' that Gere can't possibly imagine he's opening any eyes to the problem, or any doors to its solution, for that matter."<ref>[http://www.filmjournal.com/filmjournal/search/article_display.jsp?vnu_content_id=1000698469 Red Corner. ''Film Journal International''.]</ref> |
Cynthia Langston of ''[[Film Journal International]]'' responded to the film, "So unrealistic, so contrived and so blatantly 'Hollywood' that Gere can't possibly imagine he's opening any eyes to the problem, or any doors to its solution, for that matter."<ref>[http://www.filmjournal.com/filmjournal/search/article_display.jsp?vnu_content_id=1000698469 Red Corner. ''Film Journal International''.]</ref> |
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In his review in the ''[[Los Angeles Times]]'', Kenneth Turan called ''Red Corner'' a "sluggish and uninteresting melodrama that is further hampered by the delusion that it is saying something significant. But its one-man-against-the-system story is hackneyed and the points it thinks it's making about the state of justice in China are hampered by an attitude that verges on the xenophobic."<ref name="latimes">{{cite news|last=Turan |first=Kenneth |title='Corner': A Heavy-Handed Battle With Justice in China |newspaper=Los Angeles Times |date=October 31, 1997 |url=http://articles.latimes.com/1997/oct/31/entertainment/ca-48484 | |
In his review in the ''[[Los Angeles Times]]'', Kenneth Turan called ''Red Corner'' a "sluggish and uninteresting melodrama that is further hampered by the delusion that it is saying something significant. But its one-man-against-the-system story is hackneyed and the points it thinks it's making about the state of justice in China are hampered by an attitude that verges on the xenophobic."<ref name="latimes">{{cite news |last=Turan |first=Kenneth |author-link=Kenneth Turan |title='Corner': A Heavy-Handed Battle With Justice in China |newspaper=Los Angeles Times |date=October 31, 1997 |url=http://articles.latimes.com/1997/oct/31/entertainment/ca-48484 |access-date=March 20, 2012}}</ref> |
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''Salon'' film critic Andrew O'Hehir noted that the movie's subtext "swallows its story, until all that is left is Gere's superior virtue, intermixed with his superior virility—both of which are greatly appreciated by the evidently underserviced Chinese female population." O'Hehir also noted that the film reinforces the infamous [[Western countries|Western]] [[stereotype]]s of Asian female [[Human sexuality|sexuality]] (as in those of ''[[The World of Suzie Wong]]'') as well as the hoariest stereotyping.<ref name="salon">{{cite news|last=O'Hehir |first=Andrew |title=Richard Gere Seduces China |work=Salon |date=October 31, 1997 |url=http://www1.salon.com/ent/movies/1997/10/31red.html | |
''Salon'' film critic Andrew O'Hehir noted that the movie's subtext "swallows its story, until all that is left is Gere's superior virtue, intermixed with his superior virility—both of which are greatly appreciated by the evidently underserviced Chinese female population." O'Hehir also noted that the film reinforces the infamous [[Western countries|Western]] [[stereotype]]s of Asian female [[Human sexuality|sexuality]] (as in those of ''[[The World of Suzie Wong]]'') as well as the hoariest stereotyping.<ref name="salon">{{cite news |last=O'Hehir |first=Andrew |title=Richard Gere Seduces China |work=Salon |date=October 31, 1997 |url=http://www1.salon.com/ent/movies/1997/10/31red.html |access-date=March 20, 2012 }}</ref> |
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Total Film gave a 3 |
Total Film gave a 3 out of 5 star rating, stating that ''Red Corner'' was "A semi-powerful thriller let down by pedestrian direction and a lacklustre Richard Gere. Even so, newcomer Bai Ling and an unblinking stare at the Draconian Chinese legal system prevent Red Corner from being an open-and-shut case" and describes some scenes depicting the harsh treatment of the Chinese legal system as "thought provoking" yet describes the rest as only "mildly entertaining".<ref>{{Cite web|url=https://www.gamesradar.com/lady_in_red/|title=Lady in Red|first=sfx 2008-04-18T19:39:59 108Z|last=News|website=gamesradar}}</ref> |
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==References== |
==References== |
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* {{IMDb title|id=0119994|name=Red Corner}} |
* {{IMDb title|id=0119994|name=Red Corner}} |
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* {{Amg movie|160015|Red Corner}} |
* {{Amg movie|160015|Red Corner}} |
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* {{Rotten-tomatoes|red_corner|Red Corner}} |
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* {{Mojo title|redcorner|Red Corner}} |
* {{Mojo title|redcorner|Red Corner}} |
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Revision as of 00:10, 18 October 2020
| Red Corner | |
|---|---|
 Theatrical release poster | |
| Directed by | Jon Avnet |
| Written by | Robert King |
| Produced by |
|
| Starring | |
| Cinematography | Karl Walter Lindenlaub |
| Edited by | Peter E. Berger |
| Music by | Thomas Newman |
Production companies |
|
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 122 minutes |
| Country | United States |
| Language | English |
| Budget | $48 million[1] |
| Box office | $22,415,440 (USA) |
Red Corner is a 1997 American mystery thriller film directed by Jon Avnet, and starring Richard Gere, Bai Ling and Bradley Whitford. Written by Robert King, the film is about an American businessman who ends up wrongfully on trial for murder. His only hope of exoneration and freedom is a female defense lawyer from the country.[2] The film received the 1997 National Board of Review Freedom of Expression Award (Richard Gere, Jon Avnet) and the NBR Award for Breakthrough Female Performance (Bai Ling). Ling also won the San Diego Film Critics Society Award for Best Actress.[3] The film was censored in the People's Republic of China due to its unflattering portrayal of China's judicial system.
Plot
Wealthy American businessman Jack Moore (Richard Gere) is on a trip to China attempting to put together a satellite communications deal as part of a joint venture with the Chinese government. Before the deal can be finalized, Moore is framed for the murder of a powerful Chinese general's daughter, and the satellite contract is instead awarded to Moore's competitor, Gerhardt Hoffman (Ulrich Matschoss). Moore's court-appointed lawyer, Shen Yuelin (Bai Ling), initially does not believe his claims of innocence, but the pair gradually unearth evidence that not only vindicates Moore, but implicates powerful figures within the Chinese central government administration, exposing undeniable conspiracy and corruption. Shen manages to convince several high-ranking Chinese officials to release evidence that proves Moore's innocence. Moore is quickly released from prison while the conspirators responsible for framing him are arrested. At the airport, Moore asks Shen to leave China with him, but she decides to stay, as the case has opened her eyes to the injustices rife throughout China. She does admit, however, that meeting Moore has changed her life, and she now considers him a part of her family. They both share a heartfelt hug on the airport runway, before Moore departs for America.
Cast
- Richard Gere as Jack Moore
- Bai Ling as Shen Yuelin
- Bradley Whitford as Bob Ghery
- Byron Mann as Lin Dan
- Peter Donat as David McAndrews
- Robert Stanton as Ed Pratt
- Tsai Chin as Chairman Xu
- James Hong as Lin Shou
- Tzi Ma as Li Cheng
- Ulrich Matschoss as Gerhardt Hoffman
- Richard Venture as Ambassador Reed
- Jessey Meng as Hong Ling
- Roger Yuan as Huan Minglu
- Chi Yu Li as General Hong
- Henry O as Procurator General Yang
- Kent Faulcon as Marine Guard
- Jia Yao Li as Director Liu
- Yukun Lu as Director Liu's Associate
- Robert Lin as Director Liu's Interpreter[4]
Production
Red Corner was shot in Los Angeles using elaborate sets and CGI rendering of 3,500 still shots and two minutes of footage from China. In order to establish the film's verisimilitude, several Beijing actors were brought to the United States on visas for filming. The judicial and penitentiary scenes were recreated from descriptions given by attorneys and judges practicing in China and the video segment showing the execution of Chinese prisoners was an actual execution. The individuals providing the video and the descriptions to Avnet and his staff took a significant risk by providing it.[5]
Reception
On Rotten Tomatoes the film has an approval rating of 30% based on reviews from 23 critics.[6]
Roger Ebert of the Chicago Sun-Times described Red Corner as "a contrived and cumbersome thriller designed to showcase Richard Gere's unhappiness with Red China, which it does with such thoroughness that story and characters are enveloped in the gloom. The Chinese do this better to themselves. Unlike such Chinese-made films as The Blue Kite, and To Live which criticize China with an insider's knowledge and detail, Red Corner plays like a xenophobic travelogue crossed with Perry Mason."[7]
Cynthia Langston of Film Journal International responded to the film, "So unrealistic, so contrived and so blatantly 'Hollywood' that Gere can't possibly imagine he's opening any eyes to the problem, or any doors to its solution, for that matter."[8]
In his review in the Los Angeles Times, Kenneth Turan called Red Corner a "sluggish and uninteresting melodrama that is further hampered by the delusion that it is saying something significant. But its one-man-against-the-system story is hackneyed and the points it thinks it's making about the state of justice in China are hampered by an attitude that verges on the xenophobic."[9]
Salon film critic Andrew O'Hehir noted that the movie's subtext "swallows its story, until all that is left is Gere's superior virtue, intermixed with his superior virility—both of which are greatly appreciated by the evidently underserviced Chinese female population." O'Hehir also noted that the film reinforces the infamous Western stereotypes of Asian female sexuality (as in those of The World of Suzie Wong) as well as the hoariest stereotyping.[10]
Total Film gave a 3 out of 5 star rating, stating that Red Corner was "A semi-powerful thriller let down by pedestrian direction and a lacklustre Richard Gere. Even so, newcomer Bai Ling and an unblinking stare at the Draconian Chinese legal system prevent Red Corner from being an open-and-shut case" and describes some scenes depicting the harsh treatment of the Chinese legal system as "thought provoking" yet describes the rest as only "mildly entertaining".[11]
References
- ^ MGM at a prelim, Variety, January 22, 1997
- ^ "Red Corner". Internet Movie Database. Retrieved March 19, 2012.
- ^ "Awards for Red Corner". Internet Movie Database. Retrieved March 19, 2012.
- ^ "Full cast and crew for Red Corner". Internet Movie Database. Retrieved March 20, 2012.
- ^ Jon Avnet (Director) (1997). Red Corner (DVD). Los Angeles: MGM.
{{cite AV media}}: External link in|title= - ^ "Red Corner (1997)". Rotten Tomatoes. Retrieved April 1, 2020.
- ^ Ebert, Roger (October 31, 1997). "Red Corner". Chicago Sun-Times. Retrieved March 20, 2012.
- ^ Red Corner. Film Journal International.
- ^ Turan, Kenneth (October 31, 1997). "'Corner': A Heavy-Handed Battle With Justice in China". Los Angeles Times. Retrieved March 20, 2012.
- ^ O'Hehir, Andrew (October 31, 1997). "Richard Gere Seduces China". Salon. Retrieved March 20, 2012.
- ^ News, sfx 2008-04-18T19:39:59 108Z. "Lady in Red". gamesradar.
{{cite web}}:|last=has generic name (help)CS1 maint: numeric names: authors list (link)
