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{{Quote box |quoted=true |bgcolor=#FFFFF0 |salign=center|quote=I thought it was very important to project it from a nation's standpoint. I wanted to make it sound like a country singing it. From the first couple of lines I wrote [which began "Goodbye England's Rose"], the rest sort of fell into place|source=Bernie Taupin on writing the lyrics<br/> for "[[Candle in the Wind 1997]]"<ref name=WRI>{{cite book|title=The songwriters idea book|date = 15 October 1992|url=https://books.google.com/books?id=aWm2iDGGsAIC&pg=PA103&dq=taupin+candle+in+the+wind+1997#q=taupin%20candle%20in%20the%20wind%201997|publisher=Writer's Digest Books p.103|isbn = 9780898795196|quote=I thought it was very important to project it from a nation's standpoint. I wanted to make it sound like a country singing it. From the first couple of lines i wrote [which began "Goodbye England's Rose"], the rest sort of fell into place.}}</ref>|align=right|width=33%}}
{{Quote box |quoted=true |bgcolor=#FFFFF0 |salign=center|quote=I thought it was very important to project it from a nation's standpoint. I wanted to make it sound like a country singing it. From the first couple of lines I wrote [which began "Goodbye England's Rose"], the rest sort of fell into place|source=Bernie Taupin on writing the lyrics<br/> for "[[Candle in the Wind 1997]]"<ref name=WRI>{{cite book|title=The songwriters idea book|date = 15 October 1992|url=https://books.google.com/books?id=aWm2iDGGsAIC&pg=PA103&dq=taupin+candle+in+the+wind+1997#q=taupin%20candle%20in%20the%20wind%201997|publisher=Writer's Digest Books p.103|isbn = 9780898795196|quote=I thought it was very important to project it from a nation's standpoint. I wanted to make it sound like a country singing it. From the first couple of lines i wrote [which began "Goodbye England's Rose"], the rest sort of fell into place.}}</ref>|align=right|width=33%}}


The 1991 film documentary, ''Two Rooms'', described the John/Taupin writing style, which involves Taupin writing the lyrics on his own and Elton then writing the music, with no further interaction between the two. The process is still fundamentally the same, with John composing to Taupin's words, but the two interact on songs far more today, with Taupin joining John in the studio as the songs are written and occasionally during recording sessions.
The 1991 film documentary, ''Two Rooms'', described the John/Taupin writing style, which involves Taupin writing the lyrics on his own and John then writing the music, with no further interaction between the two. The process is still fundamentally the same, with John composing to Taupin's words, but the two interact on songs far more today, with Taupin joining John in the studio as the songs are written and occasionally during recording sessions.


Taupin and John had their first Broadway musical open in March 2006 with ''[[Lestat: The Musical]]''. Taupin wrote lyrics for 10 songs (and an 11th completed non-album track "Across the River Thames") for John's 2006 album ''[[The Captain & The Kid]]'' (sequel to ''[[Captain Fantastic and the Brown Dirt Cowboy]]'') and appeared on the cover with him for the first time marking their 40th anniversary of working together. ("Across the River Thames" was issued as an Internet-only download as a bonus with certain editions of ''The Captain & the Kid''.)
Taupin and John had their first Broadway musical open in March 2006 with ''[[Lestat: The Musical]]''. Taupin wrote lyrics for 10 songs (and an 11th completed non-album track "Across the River Thames") for John's 2006 album ''[[The Captain & The Kid]]'' (sequel to ''[[Captain Fantastic and the Brown Dirt Cowboy]]'') and appeared on the cover with him for the first time marking their 40th anniversary of working together. ("Across the River Thames" was issued as an Internet-only download as a bonus with certain editions of ''The Captain & the Kid''.)

Revision as of 09:48, 5 November 2020

Bernie Taupin
Taupin attending the premiere of The Union at the 2011 Tribeca Film Festival
Taupin attending the premiere of The Union at the 2011 Tribeca Film Festival
Background information
Birth nameBernard John Taupin
Born (1950-05-22) 22 May 1950 (age 74)
Sleaford, Lincolnshire, England
OriginLondon, England[1]
Genres
Occupations
  • Lyricist
  • poet
  • songwriter
  • visual artist
InstrumentVocals
Years active1967–present
LabelsIsland

Bernard John Taupin (born 22 May 1950) is an English lyricist, poet, writer, and visual artist. Best known for his long-term collaboration with Elton John, having written the lyrics for most of John's songs.

In 1967, Taupin answered an advertisement placed in the UK music paper NME by Liberty Records, a company that was seeking new songwriters.[1] John responded to the same advertisement and they were brought together, collaborating on many projects since.[1][2] Taupin and John were inducted into the Songwriters Hall of Fame in 1992.[3]

Birth and childhood

Taupin was born at Flatters House, a farmhouse located between the village of Anwick and the town of Sleaford in the southern part of Lincolnshire, England, the son of Daphne (Cort) and Robert Taupin.[4][5] His paternal grandparents were French. Taupin's father was educated in Dijon, and was employed as a stockman by a large farm estate near the town of Market Rasen. Taupin's mother worked as a nanny, having previously lived in Switzerland.[6] The family later moved to Rowston Manor, a significant step up from Flatters farmhouse, which had no electricity.[6][7]

Taupin's father decided to try his hand at independent farming, and the family moved to the run-down Maltkiln Farm[8] in the north-Lincolnshire village of Owmby-by-Spital. Taupin's 11-year younger brother, Kit, was born there.[6][7]

Unlike his older brother Tony who attended a grammar school (selective secondary school), Taupin was not a diligent student, although he showed an early flair for writing. At age 15, he left school and started work as a trainee in the print room of the local newspaper, The Lincolnshire Standard, with aspirations of becoming a journalist. Taupin soon left that job, and spent the rest of his teenage years hanging out with friends, hitchhiking the country roads to attend youth club dances in the surrounding villages, playing snooker in the Aston Arms Pub[9] in Market Rasen and drinking. Taupin had worked at several part-time, dead-end jobs when, at age 17, he answered the advertisement that eventually led to his collaboration with Elton John.[6][7]

Early influences

Taupin's mother had studied French literature and his maternal grandfather John Leonard Palchett "Poppy" Cort was a classics teacher and graduate of the University of Cambridge.[6] They taught him an appreciation for nature and literature and narrative poetry, both of which influenced his early lyrics.[6][7]

Collaboration with Elton John

Taupin (left) with Elton John, 1971

In 1967, Taupin answered an advertisement for talent that was placed in the New Musical Express by Liberty Records A&R man Ray Williams. Elton John answered the same advert. Neither Taupin nor John passed the audition for Liberty Records. Elton told the man behind the desk that he could not write lyrics, so the man handed Elton a sealed envelope from the pile of people submitting lyrics, which he opened on the London Underground ride home. The envelope contained poems by Taupin.[10]

The duo have collaborated on more than thirty albums to date. The team took some time off from each other for a while between 1977 and 1979, while Taupin worked with other songwriters, including Alice Cooper, and John also worked with other songwriters, including Gary Osborne and Tom Robinson. (The 1978 single-only A side "Ego" was their only collaboration of note during the period, although John/Taupin B-sides such as "Lovesick" and "I Cry at Night" were issued with the respective singles "Song for Guy" and "Part-time Love" from the album A Single Man.)

John and Taupin resumed writing together on (at first) an occasional basis in 1980, with Taupin contributing lyrics to only three or four songs each on albums such as The Fox, 21 at 33 and Jump Up!. However, by 1983's Too Low for Zero, the two renewed their partnership on a full-time basis and from that point forward Taupin was again John's primary lyricist for his solo albums. John often works with other lyricists on specific theatrical or film projects such as 1994's The Lion King and 2000's Aida, both of which featured lyrics by Tim Rice, and 2005's Billy Elliot, which has script and lyrics by the original film's screenwriter, Lee Hall. Hall also wrote the screenplay for Elton John biopic Rocketman, in which Taupin features heavily as a major character.

John and Taupin have written hit songs such as "Rocket Man", "Levon", "Crocodile Rock", "Honky Cat", "Tiny Dancer", "Candle in the Wind", "Saturday Night's Alright for Fighting", "Bennie and the Jets", "Goodbye Yellow Brick Road", "Mona Lisas and Mad Hatters", "Don't Let the Sun Go Down on Me", "The Bitch Is Back", "Daniel", and 1970's "Your Song", their first hit. Hits in the 1980s include "I'm Still Standing", "I Guess That's Why They Call It The Blues", "Sad Songs", and "Nikita." In the 1990s, Taupin and John had more hits, including "The One", "Simple Life", "The Last Song", "Club at the End of the Street" and "Believe." In September 1997, Taupin and John rewrote "Candle in the Wind" for "Candle in the Wind 1997", a tribute to the late Diana, Princess of Wales.

I thought it was very important to project it from a nation's standpoint. I wanted to make it sound like a country singing it. From the first couple of lines I wrote [which began "Goodbye England's Rose"], the rest sort of fell into place

Bernie Taupin on writing the lyrics
for "Candle in the Wind 1997"[11]

The 1991 film documentary, Two Rooms, described the John/Taupin writing style, which involves Taupin writing the lyrics on his own and John then writing the music, with no further interaction between the two. The process is still fundamentally the same, with John composing to Taupin's words, but the two interact on songs far more today, with Taupin joining John in the studio as the songs are written and occasionally during recording sessions.

Taupin and John had their first Broadway musical open in March 2006 with Lestat: The Musical. Taupin wrote lyrics for 10 songs (and an 11th completed non-album track "Across the River Thames") for John's 2006 album The Captain & The Kid (sequel to Captain Fantastic and the Brown Dirt Cowboy) and appeared on the cover with him for the first time marking their 40th anniversary of working together. ("Across the River Thames" was issued as an Internet-only download as a bonus with certain editions of The Captain & the Kid.)

On 25 March 2007, Taupin made a surprise appearance at John's 60th birthday celebration at Madison Square Garden, briefly discussing their 40-year songwriting partnership. Of Taupin's importance to their careers, as recorded on the Elton 60 - Live at Madison Square Garden DVD, John told the audience that without Taupin there probably wouldn't be an Elton John as the public has come to know him. Taupin and John also wrote several songs for The Union, a collaboration album between Elton and his longtime hero Leon Russell released in October 2010. They also collaborated on five original songs for the 2011 Miramax movie Gnomeo and Juliet, including the Golden Globe-nominated "Hello Hello". Taupin and John's most recent album collaboration is Wonderful Crazy Night, released in 2016.

In 2018, Taupin and John collaborated on two original songs for the animated film Sherlock Gnomes. In 2019, the movie Rocketman was released, containing an original song written by Taupin and John for the film, "(I'm Gonna) Love Me Again", which plays over the closing credits. The film depicts the personal friendship of Taupin (played by Jamie Bell) and John during the 1970s and 1980s. They later won the Academy Award for Best Original Song for the song "(I'm Gonna) Love Me Again".

Collaboration with other artists

In addition to his collaboration with Elton John, Taupin has also written lyrics for use by other composers, with notable successes including "We Built This City", which was recorded by Starship, and "These Dreams," recorded by Heart (both of which were collaborations with English composer/musician Martin Page). In 1978, he co-wrote the album From the Inside with Alice Cooper.

Taupin has also produced American Gothic for singer-songwriter David Ackles. Released in 1972, it did not enjoy big sales, but the album was highly acclaimed by music critics in the US and UK. The influential British music critic Derek Jewell of the UK Sunday Times described the album as being "the Sgt. Pepper of folk." Of Ackles' four albums, it was the only one recorded in England rather than in the United States. Taupin and Ackles had become acquainted when Ackles was selected to be the co-headlining act for Elton John's 1970 American debut at the Troubadour in Los Angeles. Taupin was mentioned specifically as being one of the reasons American Gothic was selected by the writers and editors for inclusion in the book, 1001 Albums You Must Hear Before You Die. He also collaborated on the book Burning Cold with photographer Gary Bernstein.[12] In the late 1980s and early 1990s, Taupin also collaborated with French American musician, Josquin Des Pres on at least 13 songs in his collection that have been performed and recorded by artists worldwide.[13]

In 2002, Willie Nelson and Kid Rock recorded "Last Stand in Open Country" for Nelson's album The Great Divide. The song was the title track of the first album from Taupin's band Farm Dogs (see below). Nelson's album included two other Taupin songs, "This Face" and "Mendocino County Line". The latter song, a duet between Nelson and Lee Ann Womack, was made into a video and released as the album's first single. The song won the 2003 Grammy for best vocal collaboration in country music. In 2004, he co-wrote Courtney Love's song "Uncool", from her 2004 debut solo album America's Sweetheart. In 2005, he co-wrote the title track to What I Really Want For Christmas with Brian Wilson for his first seasonal album. In 2006, he won a Golden Globe Award for his lyrics to the song "A Love That Will Never Grow Old" from the film Brokeback Mountain. The music of the song was composed by Argentine producer and songwriter Gustavo Santaolalla.

Works as a performer

Solo albums

With Farm Dogs

  • 1996 – Last Stand in Open Country
  • 1998 – Immigrant Sons

In 1971, Taupin recorded a spoken-word album titled Taupin, in which he recites some of his early poems against a background of impromptu, sitar-heavy music created by some members of Elton's band, including Davey Johnstone and Caleb Quaye. Side one, "Child", contains poems about his early childhood in southern Lincolnshire. The first poem, "The Greatest Discovery," which looks at his birth from the perspective of his older brother Tony, was also set to music by Elton John and included on Elton's eponymous, second album. There are poems about Taupin's first two childhood homes, Flatters and Rowston Manor, and others about his relationship with his brother and grandfather. Side Two includes a variety of poems of varying obscurity, from a marionette telling her own story to a rat catcher who falls victim to his prey.[14] Taupin stated in interviews that he wasn't pleased with the album.[15]

In 1980, Taupin recorded his first album as a singer, He Who Rides the Tiger. The album failed to make a dent in the charts. Taupin later suggested in interviews that he didn't have the creative control he would have liked over the album. In 1987, he recorded another album, Tribe. The songs were co-written with Martin Page. "Citizen Jane" and "Friend of the Flag" were released as singles. Videos of both singles featured Rene Russo, the sister of Toni, his wife at that time.

In 1996, Taupin formed a band called Farm Dogs,[16] whose two albums were conscious (and successful) throwbacks to the grittier, earthier sound of Tumbleweed Connection. While Taupin wrote the lyrics, the music was a collaborative effort among the band members. Their first album, 1996's Last Stand in Open Country, received critical praise but little airplay. The title track was later recorded by Willie Nelson and Kid Rock for Nelson's 2002 album The Great Divide. In 1998, Farm Dogs released its second and final album, Immigrant Sons. The album was unsuccessful despite a tour of small clubs across America.

Non-musical projects

In 1973, Taupin collected all the lyrics up through the Goodbye Yellow Brick Road album into a book, Bernie Taupin: The One Who Writes the Words for Elton John. In addition to the lyrics from the albums, this book contained the lyrics to all the single B-sides, various rarities, and Taupin's 1970 spoken-word album. The songs are illustrated by various artists, friends, and celebrity guests such as John Lennon and Joni Mitchell. The book is in black & white except for the cover.

In 1977, Taupin collaborated with rock photographer David Nutter on It's A Little Bit Funny, adding text and helping chronicle Elton John's year-long Louder Than Concorde Tour. The now-collectible book was published in hard and soft cover editions by Penguin Books. It collects the better part of one year's worth of personal adventures and memories of Elton and the band, aboard his private plane, on the beaches of Barbados, at backstage gatherings and in some quieter off-stage moments with friends (including some famous faces that Elton and Bernie met and palled around with in their travels).

In 1978, Taupin also appeared in an episode of The Hardy Boys/Nancy Drew Mysteries, "The Hardy Boys & Nancy Drew Meet Dracula", singing backup to Shaun Cassidy. In 1988, Taupin published an autobiography of his childhood, A Cradle of Haloes: Sketches of a Childhood.[7] The book was released only in the UK. It tells the tale of a childhood fuelled by fantasy in rural Lincolnshire in the 1950s and 1960s, ending in 1969 as Taupin gets on the train to seek his fortune in London.

In 1991, Taupin self-published a book of poems called The Devil at High Noon. In 1994, the lyrics up through the Made in England album were collected into a hardcover book, Elton John & Bernie Taupin: The Complete Lyrics, published by Hyperion. However, it doesn't appear that Taupin was intimately involved in this project, as it contains multiple misspellings and outright misrenderings of the lyrics. It is also missing some of the rarities and B-sides found in the earlier collection. As with the 1973 collection, the songs are illustrated by various artists, this time in full colour throughout.[citation needed]

In 1992, Taupin was asked to produce a benefit for AIDS Project Los Angeles. The event featured no songs written by the writer, instead opening with an acoustic set of performances of material chosen by the performers followed by selections from the musical West Side Story, chosen for its "timeless message of tolerance that is relevant to every decade."[17]

Bibliography

  • 1971 – The Songs of Elton John and Bernie Taupin (sheet music)[18]
  • 1973 – Bernie Taupin: The One Who Writes the Words for Elton John[19]
  • 1977 – Elton: It's a Little Bit Funny[20]
  • 1991 – Two Rooms: Elton John and Bernie Taupin

Visual art career

In addition to his music, much of his time is spent creating his visual art.[21] Attributing his passion for art to his mother, Daphne, Taupin began displaying and selling his original artwork in 2010. Consisting of large, mixed media, contemporary assemblages, the art has been shown and collected across the United States and Canada.[22]

Canvassing North America over the last 10 years, Taupin's artwork has been seen at Art Miami, Art Southampton, the LA Art Fair, and in galleries in Denver, Toronto, Los Angeles, New York City, Houston, Dallas, Fort Lauderdale and Aspen to name a few. Patriotic and emotional in nature, the artwork often incorporates the American flag in many forms. Most recently,[when?] his work was exhibited in Beverly Hills at world-renowned gallery Galerie Michael.[23]

Personal life

Bernie Taupin and wife Heather, attending the premiere of The Union at the Tribeca Film Festival, April 2011

Taupin has been married four times and divorced three: Maxine Feibelman (1971–76);[24] Toni Lynn Russo (1979–91), sister of actress Rene Russo; Stephanie Haymes Roven (1993–98), daughter of entertainers Dick Haymes and Fran Jeffries; and Heather Kidd (March 2004–present), with whom he has two daughters, Charley Indiana and Georgey Devon. Taupin moved to Southern California from England in the mid-1970s and became a United States citizen in 1990. He lives in Santa Barbara County, California.

See also

References

  1. ^ a b c Billboard 4 October 1997, 30 Years of Music: Elton John with Bernie Taupin Billboard
  2. ^ Bernie Taupin Biography Archived 18 June 2010 at the Wayback Machine Songwriters Hall of Fame
  3. ^ "Elton John & Bernie Taupin".
  4. ^ Buckley, David (16 July 2007). Elton: The Biography. Chicago Review Press. ISBN 9781556527135. Retrieved 16 July 2020 – via Google Books.
  5. ^ "Flatters Farmhouse – On his Very Spot". Onthisveryspot.com. Archived from the original on 30 March 2009. Retrieved 29 September 2014.
  6. ^ a b c d e f Elton John, Philip Norman, Fireside, 1991
  7. ^ a b c d e A Cradle of Haloes, Bernie Taupin, Aurum Press, 1988
  8. ^ "Maltkiln Farm (former site) – onthisveryspot.com". Onthisveryspot.com. Archived from the original on 18 March 2012. Retrieved 29 September 2014.
  9. ^ "Aston Arms Pub – On This Very Spot". Onthisveryspot.com. Archived from the original on 5 December 2008. Retrieved 29 September 2014.
  10. ^ Elton John. Elton John Takes Stephen Through His Entire Catalogue. The Late Show with Stephen Colbert. Event occurs at 3:00.
  11. ^ The songwriters idea book. Writer's Digest Books p.103. 15 October 1992. ISBN 9780898795196. I thought it was very important to project it from a nation's standpoint. I wanted to make it sound like a country singing it. From the first couple of lines i wrote [which began "Goodbye England's Rose"], the rest sort of fell into place.
  12. ^ "Photo: Gary Bernstein". The Village Voice. 22 May 1978. p. 59. Retrieved 14 March 2013.
  13. ^ Des Pres, Josquin; Taupin, Bernie. "His Music". Bernie Taupin Official.
  14. ^ Bernie Taupin: The One Who Writes the Words for Elton John, Bernie Taupin, Jonathan Cape, 1973
  15. ^ A Conversation with Elton John and Bernie Taupin, Paul Gambaccini, Flash Books, 1974
  16. ^ "farmdogs.com". farmdogs.com. Retrieved 16 April 2012.
  17. ^ Galbraith, Jane (18 November 1992). "Stars Turn Up The Power for AIDS Benefit". Newsday.
  18. ^ "The Songs Of Elton John And Bernie Taupin Book, 1971 | Wolfgang's". Wolfgang's. Retrieved 26 September 2017.
  19. ^ Taupin, Bernie; Aldridge, Alan; Dempsey, Mike; John, Elton (1973). Bernie Taupin: The One Who Writes The Words For Elton John. Jonathan Cape Ltd. ISBN 0224012363.
  20. ^ Taupin, Bernie (1977). Elton: It's a Little Bit Funny. Penguin Books. ISBN 0140046801.
  21. ^ "Songwriter Bernie Taupin on His Paintings and the Harmony of Music and Art". Artspace. Retrieved 26 September 2017.
  22. ^ "Lyricist Bernie Taupin Opens Up About His True (Visual) Passion". Fast Company. 27 September 2016. Retrieved 26 September 2017.
  23. ^ "Bernie Taupin Sets L.A. Gallery Exhibit of American-Flag Art: "My Day Job Is Being an Artist"". The Hollywood Reporter. Retrieved 16 July 2020.
  24. ^ "Market Rasen Today: News, Sport, Jobs, Property, Cars, Entertainments & More". Archived from the original on 8 December 2008. Retrieved 16 July 2020.